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13 najpoznatijih slika umetnika Gaspar de Witte, svaka potpuno jedinstvena
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 13 dela Gaspar de Witte u našem katalogu
Ukratko
Interior of an Art Collector's Cabinet with Many Visitors (1639) je slika autora Gaspar de Witte koja privlači najviše pažnje; original se nalazi u muzeju Musée Girodet, Montargis. Nakon toga, pogled se seli na The Allegorical Female Figures Nature and Pictura in an Art Collection, with Representative Antwerp Canvasses (1639) i Jesus Heals the Centurion's Servant (1650). Među 13 dela umetnika Gaspar de Witte u našem katalogu, ovih 13 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
1624 – 1681, Antwerp
Najviše dela: Bavarske državne slikopisne kolekcije
Top 10 slika umetnika Gaspar de Witte, iz ugla galerije
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Čuvena dela umetnika Gaspar de Witte, od 11 do 13
Muzeji u kojima se čuvaju originalna dela umetnika Gaspar de Witte
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Gaspar de Witte | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 3 | Hilly Landscape, Hilly Landscape, Mountain Landscape |
 Kraljevski muzej lepih umetnosti u Antverpenu |
Antverpen | 2 | Christ Healing the Blind Man at Jericho, The Fortune-Teller |
 Musée Girodet |
Montargis | 1 | Interior of an Art Collector's Cabinet with Many Visitors |
 Rockox House |
Antverp | 1 | Jesus Heals the Centurion's Servant |
 Ermitaž |
Sankt Peterburg | 1 | Concert in the Park |
 Kingston Lacy |
Wimborne Minster | 1 | A Rocky Wooded Landscape with a Figure on a Path |
 Belton House |
Grantham | 1 | Classical Landscape with Travellers and a River |
 Noordbrabants Museum |
's-Hertogenbosch | 1 | Still Life with Tulips, Carnations and Other Flowers in a Vase |
Gaspar de Witte kroz decenije: jedan jedinstveni original za svaku
Radovi po decenijama
Izaberite deceniju da biste videli original koji je definiše.
1630s
Interior of an Art Collector's Cabinet with Many Visitors
Godine 6 – 15
2 dela u ovoj deceniji
Slike umetnika Gaspar de Witte: pitanja za galeriju
Koje je najpoznatije delo umetnika Gaspar de Witte?Otkrij odgovor
Interior of an Art Collector's Cabinet with Many Visitors (1639), Musée Girodet, Montargis. Slede The Allegorical Female Figures Nature and Pictura in an Art Collection, with Representative Antwerp Canvasses (1639) i Jesus Heals the Centurion's Servant (1650).
U kojoj je godini Gaspar de Witte stvorio/la Interior of an Art Collector's Cabinet with Many Visitors?Otkrij odgovor
15 godina: Interior of an Art Collector's Cabinet with Many Visitors datira iz 1639, a Gaspar de Witte je rođen/a 1624.
Koji je deset najpoznatijih slika autora Gaspar de Witte?Otkrij odgovor
Interior of an Art Collector's Cabinet with Many Visitors, The Allegorical Female Figures Nature and Pictura in an Art Collection, with Representative Antwerp Canvasses, Jesus Heals the Centurion's Servant, Christ Healing the Blind Man at Jericho, Hilly Landscape, Hilly Landscape, Mountain Landscape, Italian Landscape with Herdsman, Concert in the Park i A Rocky Wooded Landscape with a Figure on a Path. Gornji rang pokazuje godinu i muzej za svako od njih.
Koliko je poznatih dela umetnika Gaspar de Witte?Otkrij odgovor
Naš katalog sadrži 13 dela umetnika Gaspar de Witte, datiranih od 1639 do 1671.
Gde se mogu videti najpoznatiji originali umetnika Gaspar de Witte?Otkrij odgovor
Većinom u Bavarske državne slikopisne kolekcije (Minhen), Kraljevski muzej lepih umetnosti u Antverpenu (Antverpen) i Musée Girodet (Montargis). Tabela muzeja iznad sadrži njih sve.
U kom periodu je Gaspar de Witte stvorio/la svoje najpoznatije slike?Otkrij odgovor
U 1650s: 6 od 13 dela na ovoj stranici nastalo je tada, od čega je Jesus Heals the Centurion's Servant.
Ko je najraniji, a koje je najkasnije čuveno delo umetnika Gaspar de Witte?Otkrij odgovor
Na ovoj stranici, najstarije delo je iz Interior of an Art Collector's Cabinet with Many Visitors (1639), a najnovije iz Christ Healing the Blind Man at Jericho (1671).
Koja originalna dela Gaspar de Witte mogu videti u Bavarske državne slikopisne kolekcije?Otkrij odgovor
Hilly Landscape, Hilly Landscape i Mountain Landscape: Bavarske državne slikopisne kolekcije, Minhen čuva 3 dela sa ove stranice.
Gaspar de Witte: portret umetnika
The Life and Art of Gaspar de Witte
Born in Antwerp, Belgium, Gaspar de Witte was a member of a prominent painting family. He was the son of Peter de Witte II and Barbara Remeeus, and his brothers, Peter de Witte III and Jan Baptist de Witte, were also painters. After training under his father, who specialized in landscapes, church interiors, and religious paintings, de Witte traveled to Rome in 1646. During his time there, he joined the Bentvueghels, an association of Dutch and Flemish artists, where he was given the nickname Grondel. Following a period in France around 1648, he returned to Antwerp and became a "winemaster" in the Antwerp Guild of Saint Luke in 1650. He also operated a small trading business for painting necessities and served as a teacher to Cornelis Huysmans.
Landscapes and Gallery Collaborations
De Witte is primarily remembered for his landscapes and his contributions to the genre of gallery paintings. His landscapes often featured pastoral scenes with shepherds, religious themes, or genre scenes such as village fairs and dances. While many of his works were not in the Italianate style, he frequently included Italian antique relics to suit local tastes. He often collaborated with other artists to provide staffage for his compositions, including works with Anton Goubau and Gonzales Coques. Notable examples include:
In the realm of gallery paintings, de Witte participated in complex compositions depicting elegant rooms filled with art and precious items. He is also identified as the likely painter of the allegorical work The allegorical female figures Nature and Pictura in an art-collection, which features personifications of Plenty and Painting alongside symbols of the Arts and the transient nature of war.