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Od svih originala koje je Filip Peter Rus ostavio, najpoznatiji je Goats and Flock of Sheep (1681), koji se nalazi u kolekciji Bavarske državne slikopisne kolekcije, Minhen. Odmah za njima slede Piece of Livestock (1681) i Landscape with Cattle and Shepherd (1681). Naš katalog sadrži 93 dela umetnika Filip Peter Rus; galerija je čuvala 92 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
Goats and Flock of Sheep is an oil painting by Philipp Peter Roos. The artist, who was also known by the moniker Rosa di Tivoli, produced this work about 1681. He was a German Baroque painter born in Sankt Goar, Germany.
Piece of Livestock is an oil painting by Philipp Peter Roos, executed in 1681. The work originates from the Baroque period, a time when the artist was establishing his presence within the Italianate landscape tradition.
Landscape with Cattle and Shepherd is a work by the German Baroque painter Philipp Peter Roos. Created about 1681, the painting reflects the artist's specialized focus on pastoral scenes and animal subjects. Roos was a significant figure in the development of Italianate landscapes, often characterized by his intimate study of livestock and the natural environment.
In Piece of Livestock, Philipp Peter Roos organizes a pastoral scene through a close-up, ground-level perspective that establishes an immediate intimacy with the subjects. The composition is dominated by a large, seated cow positioned slightly to the right of the center. To the left, a smaller lamb or calf provides a sense of scale, while a woman interacts with a dog in the space behind the primary subject. This arrangement…
Resting Flock with Shepherds is an oil painting by the German Baroque artist Philipp Peter Roos. Created about 1681, this work captures a quiet moment within a rugged landscape. The composition focuses on a group of livestock and a shepherd, rendered with a sense of immediate presence that draws the viewer into the scene.
Resting Flock with Shepherds is an oil painting by Philipp Peter Roos. The canvas captures a heavy stillness among livestock and their guardian. This work was created about 1681. It presents a scene of animals and men gathered in a quiet, layered space under a turbulent sky.
In this Baroque-style oil painting, the mythological drama of the Liberation of Io unfolds with a sudden, heavy intensity. Created by Philipp Peter Roos about 1681, the scene captures a moment of profound tension between the divine and the mortal. A massive, powerful bull dominates the foreground, its muscular form rendered with a weight that feels almost tangible. This central figure looms over the landscape, its presence commanding the space…
This oil on canvas painting, dated 1681, presents a monochromatic scene rendered in various shades of gray. In the foreground, a young woman is positioned amidst a group of livestock, including sheep or goats. The composition is a medium shot, placing the human subject and the animals in the immediate front and middle ground. The terrain is undulating, forming rolling hills that recede into a background of hazy mountains and…
Returning Flock with Shepherds is an oil painting by Philipp Peter Roos. Created about 1681, the work captures a quiet moment of pastoral movement. The artist, a German Baroque painter, was born in Sankt Goar. He would later become known by the moniker Rosa di Tivoli.
The scene unfolds in Shepherd with Cow, Sheep and Goats in Italian Mountain Landscape, a work that captures a quiet moment of pastoral life. This painting, created about 1680, brings together a shepherd and his diverse herd amidst a rugged, mountainous setting. The figures and animals exist within a landscape that feels both immediate and deeply rooted in the natural world.
Goat Herd with a Goatherd1680 · Slovačka nacionalna galerija
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The Herd1698 · Yekaterinburg Museum of Fine Arts
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Cattle Piece1688 · Statens Museum For Kunst
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Landscape with a Bull, Sheep and Goats1688 · Statens Museum For Kunst
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A Shepherd with his Herd1688 · Statens Museum For Kunst
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Goats and Sheep1690 · Nacionalni muzej u Krakovu
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Goats and Sheep1690 · Nacionalni muzej u Krakovu
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Shepherd's Idyl in a Romantic Landscape with Ruins1700 · Slovačka nacionalna galerija
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Herd by an Ancient Well1700 · Slovačka nacionalna galerija
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Shepherd Couple and Small Livestock in Italian Landscape1710 · Bavarske državne slikopisne kolekcije
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Orpheus and the animals1700 · Gemäldegalerie
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Shepherd and sheeps1700 · Musée d'art et d'histoire de Narbonne
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Various animals gathered before Noah's Ark1669 · Музеј Прадо
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A Military Encampment1655 · Detroit Institute of Arts
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Landscape with Cattle, Goats and Figures
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Caravan at the Fountain1681 · Bavarske državne slikopisne kolekcije
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Shepherd Scene1680 · Bratislava City Gallery
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Herdestück1681 · Bavarske državne slikopisne kolekcije
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Piece of Cattle1681 · Bavarske državne slikopisne kolekcije
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Herdestück1681 · Bavarske državne slikopisne kolekcije
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The Animals Leave the Ark of Noah1680
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Bolognese Dog1688 · Statens Museum For Kunst
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The Rest after the Hunt1695
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Ravine with a Stream, a Shepherd and His HerdNarodna galerija Prag
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Herd with Sleeping ShepherdsKunsthistorisches Museum
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Landscape with a Grotto1690 · Ermitaž
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Shepherd with Goat Herd, Horse and Two DogsBavarske državne slikopisne kolekcije
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Landscape with CattleNational Gallery of Ireland
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Landscape with shepherd and animalsNacionalni muzej lepih umetnosti
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Landscape with figures and animalsNacionalni muzej lepih umetnosti
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Shepherd and animals in a landscapeNacionalni muzej lepih umetnosti
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Shepherd and animals in a landscapeNacionalni muzej lepih umetnosti
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Landscape with Goatherd and GoatsMuzej finih umetnosti u Bostonu
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Horse and Goats GrazingNarodna galerija Prag
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Shepherd with a Herd of Sheep and GoatsNarodna galerija Prag
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Landscape
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A Landscape with a Milkmaid
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Rider MeetingKunsthistorisches Museum
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PigeonsStatens Museum For Kunst
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Landscape with a WaterfallErmitaž
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Dead HareNationalmuseum
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Landscape with Flock of SheepKunsthistorisches Museum
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Sheep and Goat in a Rocky Landscape,Städel Museum
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Landskap med hjordNationalmuseum
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A Goat RestingNationalmuseum
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Grasing sheeps
57
Landscape with SheepHarvard Art Museums
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Rams with ruins in the backgroundNacionalni muzej u Varšavi
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Herd in the mountainsNacionalni muzej u Varšavi
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Cattle at the waterfallNacionalni muzej u Varšavi
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Birds in a Landscape
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Landscape with Shepherd Boy and Sheep
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The stag hunt
64
Horse and Goats
65
Landscape with Shepherd, Sheep and Dog
66
Landscape with Bull, Goats and Attendant
67
Sheep and Landscape
68
Cattle and Sheep
69
A Goatherd and His FlockCalke Abbey
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Landscape with Sheep
71
The Shepherd and His Horse
72
Pastoral landscape
73
Shepherd with Dog, Goats and Sheep
74
Cattle in an Italian Landscape
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Landscape with Cattle
76
A waterfall
77
A Shepherd Boy with Sheep, Goats and CattleBelton House
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Goatherd and Goats
79
Sheep
80
Hounds Attacking a Bull
81
Herdsman Sleeping Amidst His Sheep, Goats and Cattle
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Goats
83
Farm Animals in a Landscape with an Old Man Drinking
84
Herdsman with Sheep and GoatsNostell Priory
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Landscape with Goats and Cattle
86
A Shepherd and His Flock in a LandscapeNostell Priory
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Study of Goats
88
Studies in Human and Animal Anatomy
89
Italianate Landscape with a Goat and Sheep
90
A Goat, Sheep and a Dog Resting in a Landscape
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Landscape with a HerdErmitaž
92
Корови и овце пију у потокуFondazione Brescia Musei
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Filip Peter Rus | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 15 | Goats and Flock of Sheep, Piece of Livestock, Landscape with Cattle and Shepherd |
 Statens Museum For Kunst |
Kopenhagen | 5 | Cattle Piece, Landscape with a Bull, Sheep and Goats, A Shepherd with his Herd |
 Nacionalni muzej lepih umetnosti |
Buenos Aires | 4 | Landscape with shepherd and animals, Landscape with figures and animals, Shepherd and animals in a landscape |
 Slovačka nacionalna galerija |
Bratislava | 3 | Goat Herd with a Goatherd, Shepherd's Idyl in a Romantic Landscape with Ruins, Herd by an Ancient Well |
 Narodna galerija Prag |
Prag | 3 | Ravine with a Stream, a Shepherd and His Herd, Horse and Goats Grazing, Shepherd with a Herd of Sheep and Goats |
 Kunsthistorisches Museum |
Beč | 3 | Herd with Sleeping Shepherds, Rider Meeting, Landscape with Flock of Sheep |
 Ermitaž |
Sankt Peterburg | 3 | Landscape with a Grotto, Landscape with a Waterfall, Landscape with a Herd |
 Nationalmuseum |
Стокхолм | 3 | Dead Hare, Landskap med hjord, A Goat Resting |
Izaberite deceniju da biste videli original koji je definiše.
This large-scale oil painting, dated 1669, presents a crowded, maximalist composition of diverse animal species. The arrangement is packed, with various animals overlapping to create a sense of density and movement. The color palette relies on deep, earthy tones, including rich browns, blacks, and dark ochres. These dark shades are interrupted by specific highlights of white and cream, alongside splashes of red from a rooster and parrots. The lighting follows…
Goats and Flock of Sheep is an oil painting by Philipp Peter Roos. The artist, who was also known by the moniker Rosa di Tivoli, produced this work about 1681. He was a German Baroque painter born in Sankt Goar, Germany.
A heavy, dark-colored cow anchors the center of this scene, its presence felt in the weight of its silhouette. To the left, two goats rest upon the ground, one a pale contrast of white and light tan against the shadows. A man sits nearby, leaning back in a moment of stillness, his gaze directed toward the animals or perhaps the viewer. The air in the enclosure feels thick and dim,…
In this work, titled Shepherd's Idyl in a Romantic Landscape with Ruins, the artist Philipp Peter Roos presents a quiet moment of rural existence. Created about 1700, the painting captures a shepherd tending to his flock amidst a landscape of rolling hills and weathered stone structures. There is a sense of stillness in the way the figures and animals occupy the space, suggesting a life governed by the rhythms of…
Goats and Flock of Sheep (1681), Bavarske državne slikopisne kolekcije, Minhen. Slede Piece of Livestock (1681) i Landscape with Cattle and Shepherd (1681).
24 godina: Goats and Flock of Sheep datira iz 1681, a Filip Peter Rus je rođen/a 1657.
Goats and Flock of Sheep, Piece of Livestock, Landscape with Cattle and Shepherd, Piece of Livestock, Resting Flock with Shepherds, Resting Flock with Shepherds, Liberation of Io, Piece of Cattle, Returning Flock with Shepherds i Shepherd with Cow, Sheep and Goats in Italian Mountain Landscape. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 93 dela umetnika Filip Peter Rus, datiranih od 1669 do 1700.
Većinom u Bavarske državne slikopisne kolekcije (Minhen), Statens Museum For Kunst (Kopenhagen) i Nacionalni muzej lepih umetnosti (Buenos Aires). Tabela muzeja iznad sadrži njih sve.
U 1680s: 21 od 92 dela na ovoj stranici nastalo je tada, od čega je Goats and Flock of Sheep.
Na ovoj stranici, najstarije delo je iz Various animals gathered before Noah's Ark (1669), a najnovije iz Shepherd's Idyl in a Romantic Landscape with Ruins (1700).
Landscape (33), Animals (29) i Goats (19), kroz svih 92 dela na ovoj stranici.
Oil On Canvas, za 18 od 92 dela na ovoj stranici.
Baroque, sudeći po originalima na ovoj stranici.
Goats and Flock of Sheep, Piece of Livestock i Landscape with Cattle and Shepherd: Bavarske državne slikopisne kolekcije, Minhen čuva 15 dela sa ove stranice.
U zlatnoj svetlosti italijanskog baroka, malo je imena koje evocira pastoralnu spokojnost sela kao Filip Peter Rus. Istoriji poznat po svom upečatljivom nadimku, Rosa di Tivoli, ovaj majstor rođen u Nemačkoj transformisao je žanr pejzaža kroz duboku, gotovo visceralnu povezanost sa prirodnim svetom. Rođen 1655. godine u regiji Rhen, tačnije u blizini Sankt Goara, Rus je od najranijih godina bio predodređen za umetnost slikanja. Bio je sin Johana Heinricha Rusa, cenjenog pejzažnog slikara koji mu je pružio temeljne lekcije o tonalnoj harmoniji i kompozicijskoj ravnoteži, što će kasnije definisati umetnikov zreji stil. Ovo rano učenje nije bilo samo pitanje tehnike; bilo je to uranjanje u način posmatranja sveta kroz prizmu svetlosti, senke i tihe dostojanstvenosti zemlje.
Tokus života Rusa dramatično se promenio 1677. godine, u trenutku koji je pokrenula velikodušnost Karla I, grofa od Hes-Kasela. Prepoznajući bujajući talenat mladog slikara, grof je obezbedio finansijska sredstva kako bi Rus započeo transformativno putovanje u Rim. Ova migracija iz germanskih tradicija u srce italijanskog baroka omogućila je Rusu da upije živopisnu energiju rimske umetnosti. Upravo je tamo tražio mentorstvo kod čuvenog Đačinta Brandija, čiji je uticaj pomogao Rusu da usavrši sposobnost spajanja klasične strukture sa spontanim, atmosferskim realizmom. Ovaj boravak u Rimu bio je i duboko ličan; tokom ovih godina Rus se zaljubio u Izabelu Brandi, ćerku svog mentora. Njihova zajednica će ga na kraju voditi u Tivoli, potez koji će zauvek povezati njegov identitet sa pejzažom koji je toliko voleo.
Ono što zaista izdvaja delo Roze di Tivoli jeste neuporedivena autentičnost njegovih životinjskih motiva. Za razliku od mnogih svojih savremenika koji su koristili životinje samo kao dekorativne detalje u pejzažu, Rus je svakom stvorenju — od snažnog bika do okretnog koze — pristupao sa poštovanjem portretioste. Njegov boravak u Tivoliju postao je poznat po konceptu sličnom živoj studiji; održavao je ogromnu kolekciju egzotičnih i domaćih životinja, efektivno pretvarajući svoje okruženje u neprekidnu studiju pokreta, anatomije i temperamenta. Ova bliska blizina omogućila mu je da zabeleži suptilno trzaj uho ili mišićnu napetost zveri pod pritiskom, dajući njegovim platnima odudahavajuću vitalnost.
Njegovo tehničko umeće ogleda se u načinu na koji je navigirao kroz složenosti barokne estetike. Dok se njegove kompozicije često oslanjaju na spokojne, atmosferske kvalitete zlatnog doba Holandije, one su prožete dramatičnim intenzitetom karakterističnim za italijansku školu. Njegova dela često sadrže:
Istorijski značaj Filipa Petera Rusa leži u njegovoj sposobnosti da premosti jaz između strukturiranih tradicija pejzaža Severne Evrope i emotivnog, svetlošću ispunjenog dramatisma Italije. Pojavio se u vreme kada je naučno istraživanje tog doba počelo da zahteva preciznija zapažanja o prirodnom svetu, čak i dok su religijske i mitološke teme još uvek dominirale umetničkom svesti. U njegovim slikama pronalazi se i pedantni detalj naturaliste i poetska duša romantika. Dokumentujući floru i faunu rimskog okruženja sa takvom odanošću, stvorio je vizuelni zapis koji govori podjednako o duhu doba koliko i o samim subjektima.
Iako je preminuo 1906. godine, ostavivši za sobom nasleđe utkano u samo tlo Tivolija, njegov uticaj je opstao. On ostaje ključna figura za svakoga ko proučava evoluciju životinjskog slikarstva i razvoj italijanskog pejzaža. Kroz njegove oči, mi ne vidimo samo skup stoke; svedočimo dubokom slavljanju života u njegovim najosnovnijim, neukrasenim oblicima. Njegovo delo nastavlja da odjekuje kao svedočanstvo o moći posmatranja i neprolaznoj lepoti pastoralnog ideala.
