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SlajdoviПутешествия Марко Поло Серия
Akril na platnu- Umetnost za zidove
- East Asian Landscape
1980
17.0 x 17.0 cm
Lee Ungno Museum
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Yi Ungno’s “The Travels of Marco Polo Series”: A Fusion of East Meets West
Yi Ungno (1904 – 1989), born in Seoul, South Korea, stands as a pivotal figure in Korean modern art. His journey from Hongseong Botong Hakyo to Parisian ateliers cemented his reputation as a master printmaker and painter deeply influenced by both Eastern calligraphy traditions and Western Impressionism—a synthesis brilliantly captured in “The Travels of Marco Polo Series,” arguably his most celebrated work. This monumental series, comprising 79 canvases commissioned for a book exploring the legendary explorer’s expeditions, represents more than just visual representation; it embodies Ungno's profound contemplation on cultural exchange and artistic innovation.A Landscape Steeped in Symbolism
The central piece of this series—a canvas titled “The Travels of Marco Polo Series”—immediately draws the eye with its striking color palette dominated by reds and whites, hues traditionally associated with royalty and auspiciousness in Korean art. Ungno skillfully employs a technique reminiscent of East Asian landscape painting – specifically the ‘haegang style,’ honed under Kim Gyujin—characterized by layered washes of ink and pigment to achieve an ethereal quality. The composition itself is deliberately asymmetrical, featuring triangular forms that subtly evoke mountainous landscapes, mirroring the panoramic vistas favored in Chinese and Japanese art. These triangles aren’t merely visual devices; they symbolize stability and grandeur, reflecting Ungno's aspiration for Korean art to ascend to new heights of artistic achievement.Architectural Echoes and Artistic Dialogue
Adding another layer of complexity is the inclusion of miniature architectural figures—primarily red—scattered amongst the triangular shapes. These figures aren’t realistic representations but stylized echoes of East Asian building designs, intended to convey a sense of unfamiliarity experienced by Marco Polo during his travels. Ungno's deliberate choice underscores the importance of artistic dialogue between cultures – demonstrating how Western observation can inspire Eastern creativity and vice versa. It speaks to the artist’s desire to capture not just what he saw but also *how* he perceived it, mirroring the perspective of a European traveler encountering the exotic beauty of Asia.The Artist's Vision: Modernization Through Tradition
Lee Ungno recognized that Korean ink painters needed to embrace modern artistic sensibilities while retaining their core aesthetic values. He tirelessly experimented with new mediums and techniques—particularly printmaking—to broaden his artistic horizons. His unwavering dedication to mastering the ‘haegang style,’ combined with his exposure to Impressionistic influences, resulted in a distinctive visual language that distinguishes him from many of his contemporaries. Ungno’s “The Travels of Marco Polo Series” stands as testament to this transformative process – a breathtaking fusion of Eastern heritage and Western innovation that continues to inspire admiration for its beauty and intellectual depth.A Legacy Preserved: The Lee Ungno Museum
Remarkably, Ungno's artistic legacy endured obscurity until his works were rediscovered and showcased at the Lee Ungno Museum in Daejeon, South Korea. This institution meticulously preserves Ungno’s oeuvre, ensuring that future generations can appreciate the profound contribution of this Korean artist to the global art landscape. Viewing “The Travels of Marco Polo Series” today offers a captivating glimpse into Ungno's artistic vision—a celebration of cultural exchange and an enduring symbol of Korean artistic excellence.Biografija umetnika
**Rani život i obrazovanje**
Lee Ungno, poznat i kao Yi Eungro, bio je francuski slikar i grafičar korejskog porekla, rođen u Seulu, Južna Koreja, 1904. godine. Njegovo ranije doba obeležilo je kratko školovanje u školi Hongseong Botong Hakyo (홍성보통학교, 홍城초등학교, 洪城普通學校), nakon čega se od 1920. godine potpuno posvetio proučavanju slikarstva pod mentorstvom Yeomjae Song Tae-hoe.**Umetnička karijera u Koreji i Japanu**
Umetnička put Lee Ungnoa počeo je ozbiljno kada se 1922. godine preselio u Seul, postajući šegrt slavnog kaligrafa, slikara i fotografa Haeganga Kim Gyu-jina. Prvenstveno je učio slikanje "četiri gospodara" u prepoznatljivom „Haegang stilu“. Posebno je značajno njegovo inko slikarstvo bambusa, mukjuk (묵죽, 墨竹, bambus u tušu), koje je osvojilo nagradu na 3. godišnjoj korejskoj izložbi umetnosti. Tokom perioda kolonizacije, Lee Ungno je sukcesivno osvajao priznanja na istim izložbama, ali je u sebi nosio viziju da istočnjački slikari tušem moraju modernizovati svoj stil. Početkom 1ref30-ih godina, Lee je počeo stvarati pejzaže u tehnici tuša pod uticajem novih, modernih istočnjačkih stilova, prožetih naturalističkim prikazima pronađenim u zapadnjačkim slikarskim pravcima.**Međunarodno priznanje i kasniji život**
Nakon temeljnog školovanja u tradicionalnom slikarstvu tušem u Koreji od 1920-ih do 1930-ih, Lee je postepeno počeo eksperimentisati sa tehnikama zapadnjačkog slikarstva u Japanu. Njegova dela iz 1950-ih predstavljaju kreativne pokušaje spajanja istočnjačkih medija i poteza četkicom sa zapadnom perspektivom i formama. Godine 1958. Lee Ungno se preselio u Francusku, gde je potpuno utvrdio svoj položaj kao apsolutni umetnik apstrakcije. Najpoznatiji je po svojim serijama kolaža od tuša i papira, apstraktnim slovima i slikama mnoštva ljudi (crowd paintings) koje su razvijene tokom njegovog boravka u Francuskoj.- Pogledajte Yi Eungroova dela na OriginalUniqueArt: [https://OriginalUniqueArt.com/@/yi-eungro](https://OriginalUniqueArt.com/@/yi-eungro)
- Istražite Musée National Jean-Jacques Henner, muzej koji poseduje ogromnu kolekciju umetničkih dela, uključujući i ona inspirisana istočnjačkim stilovima: [https://OriginalUniqueArt.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia](https://OriginalUniqueArt.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia)
- Saznajte više o Ilkhanid pokretu u umetnosti, koji takođe spaja istočnjačke i zapadne uticaje: /sr/art/show/art-d3cq2m-sr/
- [https://OriginalUniqueArt.com/@/yi-eungro](https://OriginalUniqueArt.com/@/yi-eungro)
- [https://en.wikipedia.org/wiki/yi_eungro](https://en.wikipedia.org/wiki/yi_eungro)
I Ungro
1904 - 1989 , Južna Koreja
Osnovne informacije
- Artistic Movement Or Style: Istočno i zapadno ekspresionizam
- Artists Or Movements Influenced By This Artist: ['Haegang stil']
- Artists Who Influenced This Artist: ['Yeomjae Song Tae-hoe']
- Date Of Birth: 12. januar 1904.
- Date Of Death: 10. januar 1989.
- Full Name: Yi Eungro (Lee Ungno)
- Nationality: Korejsko-francuski
- Notable Artworks: ['Kompozicija']
- Place Of Birth: Seul, Južna Koreja
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