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Henry Bathurst, 3rd Earl Bathurst

Admire 'Henry Bathurst, 3rd Earl Bathurst' by William Salter (1834). A refined portrait showcasing Victorian elegance & detail. Explore this captivating artwork today!

Explore William Salter's masterful 19th-century portraits, including 'Waterloo Banquet.' Discover his grand tour, teaching, & iconic depictions of British figures.

Giclee štampa / Umetnički otisak

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Corner sample of the P118B picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: kaljeni polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: kaljeni polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: kaljeni polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: kaljeni polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Ukupna cena

дин 8248

Henry Bathurst, 3rd Earl Bathurst

Giclee štampa / Umetnički otisak

Veličina reprodukcije

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Ukupna cena

дин 8248


Biografija umetnika

The Visionary Portraitist of a Changing Era

In the heart of the nineteenth century, as Britain navigated the profound shifts of the Industrial Revolution and the expansion of its global influence, William Salter emerged as a painter capable of capturing the very soul of Victorian grandeur. Born in 1804 in the quiet town of Honiton, Devon, Salter’s early life was rooted in the traditional English landscape, yet his artistic spirit was destined for much larger stages. His journey from a student at Honiton Grammar School to a respected figure in the London art scene was paved with an unyielding dedication to classical mastery and an insatiable intellectual curiosity. Unlike many of his contemporaries who sought fame through mere trend-following, Salter’s approach was one of deep, scholarly immersion, blending the precision of a documentarian with the emotional depth of a true storyteller.

The foundation of Salter's technical brilliance was laid far from the English coast. In 1822, he sought the rigorous training offered by the studios of James Northcote, a connection that would prove transformative for his developing style. This period of apprenticeship allowed him to absorb the nuances of light and shadow, preparing him for his subsequent Grand Tour of Italy. While traveling through the artistic heartlands of Florence and Padua, Salter did not merely observe; he engaged with the classical ideals of the Renaissance. It was during these Italian sojourn that works such as Socrates before his Judges were conceived, earning him significant acclaim among European intellectuals and establishing his reputation as an artist capable of handling complex, historical narratives with grace and psychological insight.

A Monumental Legacy: The Waterloo Banquet

The zenith of Salter’s career arrived in 1836 with the unveiling of his most ambitious and celebrated undertaking: The Waterloo Banquet. Commissioned by the Duke of Wellington himself, this colossal work was far more than a simple commemorative painting; it was a tableau vivant of historical magnitude. The canvas serves as a breathtaking window into a singular moment of British triumph, meticulously depicting approximately eighty distinguished individuals gathered to celebrate the victory at Waterloo. To execute such a feat, Salter had to possess an extraordinary capacity for observation, capturing not only the regalia and the magnificent silver chandelier by Domingos Antonio de Sequeira but also the subtle interpersonal dynamics of the assembled elite.

Within this masterpiece, one finds the hallmark of Salter’s technique—a seamless blend of realism and atmosphere. He managed to convey the sheer scale of the event without sacrificing the individual dignity of his subjects. The painting, which remains a crown jewel of Apsley House, stands as a testament to his ability to synthesize historical documentation with artistic grandeur. Through his brush, the celebratory energy of the banquet is preserved for eternity, allowing modern viewers to feel the weight of the era's political and social significance.

Portraiture, Precision, and Historical Significance

Beyond the monumental scale of his historical compositions, Salter’s repertoire included a range of intimate portraits that showcased his mastery of character. His ability to render textures—the heavy crimson of a military uniform or the delicate lace of a lady's gown—made him a sought-after painter for the British aristocracy and military officers alike. Works such as Sir John Elley and Sir Colin Campbell demonstrate his skill in using chiaroscuro to create dramatic, lifelike presences that command the viewer's attention.

Salter’s contribution to art history extends beyond the canvas; he was an educator and a traveler whose life reflected the intellectual vigor of his age. His legacy is defined by several key pillars:

  • Technical Mastery: A profound command of classical academic traditions, refined through study in Italy and under masters like Northcote.
  • Historical Documentation: The ability to transform historical events into enduring visual narratives that capture the zeitgeist of the 19th century.
  • Psychological Depth: A talent for portraiture that moved beyond mere likeness to reveal the character and status of his subjects.
  • Cultural Impact: His role in elevating British portraiture to a level of international prestige during the Victorian era.

When William Salter passed away on 22 December 1875, he left behind a body of work that remains an essential archive of British identity. His paintings continue to serve as vital touchstones for understanding the elegance, the complexity, and the monumental ambitions of a nation at the height of its power.

William Salter

William Salter

1804 - 1875

Brzi pregled

  • Full Name: William Salter
  • Nationality: British
  • Date Of Birth: 1804
  • Date Of Death: 1875
  • Place Of Birth: Honiton, Devon
  • Notable Artworks: ['The Waterloo Banquet']
  • Artistic Movement Or Style: Portrait painting