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StatistikaLe Pardon
The inversion of the relationship between the subject and the object brings the reunion of Golgotha and Corrida: the toreros and the bulls change places, are crucified or are united in a deadly embrace. Their fight is defined by their total, devouring appropriation of each other. Corrida and Golgotha do not only invoke death celebrated as an orgy, but also rebirth. Christian heroes are transformed into heathen gods of seasonal recurrence. Mexico became a mystery in Eisenstein’s epic: a cosmogony of life and death. Here he understood art as a “transition from biological mortality to social immortality.”
Sergej Ejzenštajn (1898 – 1979)
Sergej Ejzenštajn (1898-1948): Revolucionarni sovjetski filmski umetnik i teoretičar. Pionir montaže, tvorac kultnih filmova kao što su Brod Potemkin i Ivan Grozni.
O ovom umetničkom delu
- Naslov: Le Pardon
- Umetnik: Sergej Ejzenštajn
- Format: Landscape
- Status autorskih prava: Pod autorskim pravima
- Pokret: Expressionism
- Primarna boja: Clay
- Ključne reči: christian sketches , soviet art sketch , russian expressionism
- Intenzitet boje: Vivid
- Teme: abstract expressionism , geometric composition , religious symbolism