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Torn Out in the Spring. Triptych part 2

Explore 'Torn Out in the Spring,' part 2 by Mikhail Ardashnikov – a captivating triptych depicting a vibrant cityscape with clock towers and birds, reflecting Russian heritage and symbolic depth.

A master of symbolic contemporary art, Mikhail Ardashnikov blends Russian folklore with surrealist imagery in works like Explosion of Cultural Vibrations to invite you into a profound world of archetypal mystery.

Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Ukupna cena

дин 8500

Torn Out in the Spring. Triptych part 2

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Ukupna cena

дин 8500

Osnovne informacije

  • Dimensions: 39.5 x 59.5 cm
  • Title: Torn Out in Spring
  • Subject or theme: Cityscape
  • Artistic style: Mystical
  • Medium: Mixed technique

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
What is the primary subject depicted in ‘Torn Out in the Spring. Triptych part 2’?
Pitanje 2:
The artist, Mikhail Ardashnikov, is known for his fascination with which fields?
Pitanje 3:
According to the provided text, what is a key element of Mikhail Ardashnikov’s artistic system?
Pitanje 4:
What year was ‘Torn Out in the Spring. Triptych part 2’ created?
Pitanje 5:
The triptych format suggests what about the artwork’s intended viewing experience?

A Fragmented Spring – Unveiling Mikhail Ardashnikov’s “Torn Out in the Spring”

Mikhail Ardashnikov's "Torn Out in the Spring," part of a larger triptych, is not merely a cityscape; it’s an immersive journey into the layered narratives of memory, myth, and the enduring pulse of Russian cultural heritage. Created in 2019, this work immediately draws the eye with its vibrant palette and dynamic composition, yet it's the subtle complexities beneath the surface that truly captivate. Ardashnikov, a St. Petersburg-based artist deeply rooted in historical research and a fascination with archetypal symbols, has crafted a scene brimming with both recognizable urban life and potent, almost dreamlike imagery.

The painting depicts a bustling city street, rendered with a confident, slightly abstracted style reminiscent of early 20th-century Russian realist painters. Buildings rise in the background, their forms echoing architectural traditions while simultaneously possessing an otherworldly quality. A prominent clock tower dominates the scene, its hands frozen at a specific moment – perhaps signifying a suspended time, a captured memory. Scattered throughout are details that hint at a deeper symbolic resonance: birds soaring above, dogs patrolling the streets, and figures engaged in everyday activities. These elements aren’t simply decorative; they contribute to a complex tapestry of meaning.

The Language of Symbolism – Myth and Memory

Ardashnikov's work is profoundly influenced by Russian folklore and historical narratives. The triptych as a whole, and “Torn Out in the Spring” specifically, can be interpreted through the lens of the *Skazka* tradition—Russian fairy tales that often blend reality with magic and symbolism. The presence of birds, frequently associated with freedom and spiritual insight in Russian art, suggests a yearning for transcendence within the confines of urban life. Similarly, the dogs, traditionally guardians and symbols of loyalty, might represent the enduring connection to ancestral roots amidst the rapid changes of modernity.

The title itself, “Torn Out in the Spring,” evokes a sense of disruption and revelation. Spring is a time of rebirth and renewal, but "torn out" implies something lost or fragmented—a memory unearthed, a truth exposed. This duality reflects Ardashnikov’s broader exploration of how personal experience intersects with collective history. The painting feels like a visual excavation, as if the artist is carefully piecing together fragments of the past to reveal a hidden narrative.

Technique and Material – A Layered Approach

Ardashnikov employs a mixed technique, combining elements of oil paint with other materials on paper. This layering creates a rich textural surface, inviting close inspection. The brushstrokes are visible, lending a sense of immediacy and spontaneity to the work while simultaneously contributing to its overall depth. The use of color is particularly striking – bold blues and greens contrast with warmer earth tones, creating a dynamic visual tension. It’s clear that Ardashnikov isn't simply replicating reality; he’s actively shaping it through his artistic choices.

Emotional Resonance – A Window into the Soul

"Torn Out in the Spring" is more than just a depiction of a city street; it’s an invitation to contemplate the nature of time, memory, and identity. The painting possesses a quiet intensity, drawing the viewer into its world with a subtle yet powerful emotional pull. There's a sense of melancholy interwoven with hope, suggesting that even in the midst of urban chaos, there remains a connection to something deeper—to our past, our heritage, and our own inner landscapes. Reproductions of this piece offer a remarkable opportunity to bring this evocative atmosphere into any space, serving as both a conversation starter and a source of contemplative beauty.

Pitanja i odgovori

Na koji način se stil dela "Torn Out in the Spring. Triptych part 2" odnosi na epohu njegovog tvorca?

„Torn Out in the Spring. Triptych part 2“ pripada pravcu Contemporary Symbolism, a njen autor je stvarao u periodu Savremeno doba.

Ko je autor dela "Torn Out in the Spring. Triptych part 2" i u kom umetničkom pravcu?

Autor dela "Torn Out in the Spring. Triptych part 2" je Mikhail Ardashnikov, koji pripada pokretu Contemporary Symbolism.

Koliko je godina imao/la Mikhail Ardashnikov kada je stvorio/la "Torn Out in the Spring. Triptych part 2"?

Mikhail Ardashnikov je kreirao/la "Torn Out in the Spring. Triptych part 2" u uzrastu od 56 godina. Umetnik je rođen/a 1963, a delo je datirano na 2019. godinu.