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A painting made for you, by hand

Odysseus Fighting with the Beggar

Ručno rađena uljana reprodukcija

Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu Pređi na digitalnu sliku)

Opis predmeta

Discover 'Odysseus Fighting with the Beggar' by Lovis Corinth! A dynamic 1903 oil painting showcasing Expressionist drama & social realism. Explore this masterpiece today!

Biografija umetnika

Tauwade Nemačka Lovis Corinth Franz Heinrich Louis Corinth Istražite umetnost Lovisa Korinta (1858-1925), nemačkog slikara koji je spaja impresionizam i ekspresionizam. Poznat po portretima, pejzažima i surovoj reprezentaciji života – uključujući 'Ubistvo u jato'. otkrijte njegov nasleđe kao predsednik Berlinske Sekecije. Lovis Corinth, Franz Corinth, nemački slikar, impresionizam, ekspresion

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Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standardne dimenzije
po meri
CM
INCH

Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

širina
visina

Unesite potrebnu širinu i visinu kako bi se slika uklopila u vaš ram ili zid. Pošto je ovo ručno oslikano delo, umetnik može za dimenzije drugačijeg oblika naslikati malo više prostora oko slike ili malo skratiti ivice — izbor je na vama. Pre početka rada, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja konačan rezultat — samo digitalni prikaz pokazuje stvarnu sliku.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on masivno drvo bars
White дин1
Corner sample of the BlurSideWrap canvas edge finish, stretched on masivno drvo bars
Blurside дин1
Corner sample of the ExtendedWrap canvas edge finish, stretched on masivno drvo bars
Extended дин1
Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B дин10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H дин10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W дин10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z дин10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH дин12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH дин12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H дин10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z дин10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G дин10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH дин10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C дин8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G дин10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH дин8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y дин10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ дин10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G дин10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ дин8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ дин8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J дин10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH дин15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G дин12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ дин8
Corner sample of the H24-GOLD picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
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Corner sample of the H24-SILVER picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
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Corner sample of the H36-GOLD picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
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Corner sample of the H36-SILVER picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
H36-SILVER дин45

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (2 новембар). Bez kompromisa po pitanju kvaliteta.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Detalji gravirane bronze ploče

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detalji prozirne akrilne pločice

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detalji crne akrilne pločice

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Odysseus Fighting with the Beggar

Tehnika reprodukcije

Dimenzije reprodukcije

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Vrhunski maestri umetnosti

Više detalja, prefinjenosti i dodatnog vremena za izradu

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Okvir za reprodukciju

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Za umetnička dela ili reprodukcije čija je bilo koja strana veća od 105 cm (približno 41 inč), okvir će biti isporučen u obliku rastavljenog seta za sklapanje. Ovaj metod osigurava bezbednu dostavu i sprečava oštećenja tokom transporta.

Potrebna je profesionalna montaža – ovo nije proizvod namenjen samostalnoj izradi.
Set mora sastaviti i platno zategnuti iskusni profesionalni ramitelj, koristeći drveni lepak (nije uključen u set), hvataljku za zatezanje platna i stege kako bi se održao prav ugao okvira dok se lepak suši. Nepravilno sklapanje ili neravnomerno zategnuto platno mogu trajno oštetiti umetničko delo, što nije pokriveno našom garancijom.

  • Sve šipke od masivnog drveta su uključene, precizno isečene po veličini.

  • Montira se pomoću priloženih šrafova, uz dodatno korišćenje lepka za drvo za spojeve u uglovima, koji nije uključen u set i koji vaš čuvar okvira mora obezbediti.

  • Potreban je profesionalni alat koji nije uključen u set: klešta za zatezanje platna (zatezač) i stege za održavanje pravih uglova letvica tokom sušenja lepka.

Važno:
Za spojeve u uglovima neophodan je lepak za drvo, šipke se moraju pričvrstiti stezgama dok lepak potpuno ne osuši, a za zatezanje platna na sklopljenom ramu potrebne su hvataljke za zatezanje platna. Nijedan od ovih alata nije uključen u komplet. Pre naručivanja ove veličine, molimo Vas da unapred obezbedite iskusnog profesionalca za ramačenje.

Kratki opis natpisa

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Zaštitni lak

Sjajni lak (pojačava intenzitet boja, štiti od svetlosti i vlage)

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Personalizujte svoje umetničko delo

Primeri mogućnosti izmene: Zamena lica fotografijom kupca; Dodavanje ljubimca (npr. zamena mačke psom); Uključivanje skrivene poruke u pozadini; Promena pejzaža ili elemenata pozadine.

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Hitna dostava

Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (2 новембар). Bez kompromisa po pitanju kvaliteta.

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Brza dostava

Dostava širom sveta () u roku od 5 nedelja. (9 новембар).

Uključeno u cenu

Ukupna cena

дин 31252

Ukupna cena дин 31252

Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm

Included with every order

  • Besplatna ekspresna dostava širom sveta
  • Visokokvalitetno laneno platno
  • Potpuno osiguranje transporta
  • Garancija povraćaja carine i uvoznih dažbina
  • Garancija vernosti boja
  • Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
  • Garancija povrata 100% novca
  • Popust na više proizvoda

Odysseus’s Struggle: A Dramatic Tableau by Lovis Corinth

Lovis Corinth's "Odysseus Fighting with the Beggar," painted in 1903, is far more than a mere depiction of a mythological scene; it’s a visceral exploration of human conflict, social unrest, and the enduring power of narrative. This oil on canvas work, measuring 83 x 108 cm, pulsates with an almost brutal energy, immediately drawing the viewer into a chaotic tableau brimming with raw emotion and unsettling realism.

The scene unfolds within what appears to be a bustling marketplace or public square – though Corinth deliberately obscures details, prioritizing atmosphere over precise representation. A central figure, undoubtedly Odysseus himself, is locked in a desperate struggle with a beggar, their bodies intertwined in a tangle of limbs and fury. The composition isn’t one of heroic combat; instead, it's a brutal grappling match, suggesting a power dynamic far more complex than simple dominance. Corinth masterfully utilizes loose brushstrokes and a deliberately unfinished quality – a hallmark of his evolving style at the time – to convey a sense of immediacy and urgency. Notice how the paint seems to writhe and flow across the canvas, mirroring the intensity of the struggle itself.

A Fusion of Styles: Corinth’s Expressionist Roots

Corinth's artistic journey was one of constant evolution, moving from a more academic foundation towards a bolder, emotionally charged style. “Odysseus Fighting with the Beggar” exemplifies this transition. While rooted in Academicism – evident in the careful rendering of the figures’ musculature and the overall composition – it’s undeniably infused with elements of Expressionism. Corinth wasn't interested in idealized beauty or precise representation; he sought to capture the *feeling* of the scene, the underlying tension and desperation. The use of jarring colors—earthy browns, ochres, and hints of crimson—further amplifies this emotional impact, creating a sense of unease and foreboding.

The painting’s historical context is crucial to understanding its significance. Painted in 1903, it reflects the social anxieties and growing unrest prevalent in Europe at the time. Corinth was deeply engaged with contemporary issues, often depicting scenes of urban life and portraying marginalized figures – a beggar being one such example. This work can be interpreted as a commentary on poverty, injustice, and the struggles faced by ordinary people within a rapidly changing society.

Symbolism and Narrative Depth

Beyond its immediate depiction of a physical struggle, “Odysseus Fighting with the Beggar” is rich in symbolic meaning. The beggar represents not just poverty but also perhaps deception or hidden knowledge – a crucial element in the Odyssey itself. Odysseus’s relentless pursuit of vengeance and his willingness to engage in morally ambiguous actions are central themes of Homer's epic. Corinth cleverly captures this duality, portraying Odysseus as both a heroic figure and a ruthless warrior.

The surrounding figures—a diverse group of men and women caught in the periphery of the conflict—add another layer of complexity. They represent the wider social context, highlighting the pervasive nature of struggle and the interconnectedness of human lives. Corinth’s masterful use of light and shadow further emphasizes this sense of drama, drawing the viewer's eye to the central figures while simultaneously creating a feeling of claustrophobia and tension.

A Legacy of Raw Emotion

“Odysseus Fighting with the Beggar” is not a comfortable painting. It’s deliberately unsettling, demanding engagement and prompting reflection. Corinth’s bold brushwork, expressive use of color, and unflinching portrayal of human conflict combine to create a work that resonates deeply with the viewer long after they've turned away. It stands as a testament to his artistic vision—a powerful exploration of myth, social commentary, and the enduring complexities of the human condition. Reproductions capture only a fraction of the painting’s original impact, but offer a valuable window into the mind of one of modern art’s most compelling figures.

Pitanja i odgovori

Koliko je godina imao/la Ловис Корнит kada je stvorio/la "Odysseus Fighting with the Beggar"?

Ловис Корнит je imao/la 45 godina kada je kreirao/la "Odysseus Fighting with the Beggar" u 1903. Godina je izračunata na osnovu godine rođenja umetnika, 1858.

Pod kojim drugim imenima je Ловис Корнит poznat/a?

Ostala imena zabeležena za Ловис Корнит, autora dela "Odysseus Fighting with the Beggar", uključuju Франц Фејнрих Луис Корнит, Фр. Х. Л. Корнит.

Gde se danas može videti delo „Odysseus Fighting with the Beggar”, autor Ловис Корнит?

Delo „Odysseus Fighting with the Beggar”, autor Ловис Корнит je izloženo u muzeju Nacionalna galerija u Pragu, Prag, Češka. Navod o muzeju odnosi se na originalno delo, a ne na reprodukcije.

More about this painting

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Detalji o delu Vodič Dodaj u omiljene Preuzmi Slični predmeti Rendgenski snimak Automatska prezentacija Q&A Statistika

In numbers

  • 1903the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it
Ловис Корнит

Ловис Корнит

1858 - 1925, Немачка

Quick facts about Ловис Корнит

  • Artistic Movement Or Style: Impressionism & Expressionism
  • Artists Or Movements Influenced By This Artist: ['Expressionism']
  • Artists Who Influenced This Artist:
    • Courbet
    • Rubens
  • Date Of Birth: Jul 21, 1858
  • Date Of Death: Jul 17, 1925
  • Full Name: Franz Heinrich Louis Corinth
  • Nationality: German
  • Notable Artworks:
    • In the Slaughter House
    • Self-Portrait
    • Female Semi-Nude
  • Place Of Birth: Tauwade, Netherlands

Biografija umetnika

A Life Forged in Paint: The World of Lovis Corinth

Lovis Corinth, born Franz Heinrich Louis on July 21, 1858, in the Prussian province of East Prussia, was a figure who embodied the tumultuous transition from the 19th to the early 20th-century art world. His journey wasn’t one of immediate acclaim but rather a gradual evolution fueled by relentless study, diverse influences, and ultimately, personal tragedy. Corinth's beginnings were rooted in the rural landscapes of his birthplace, Tapiau, where his father worked as a tanner. This early exposure to the physicality of labor and the raw beauty of nature would subtly permeate his later work, even amidst more sophisticated stylistic explorations. He initially pursued studies at the Academy of Königsberg in 1876, but quickly realized that academic tradition alone wouldn’t satisfy his artistic ambitions. A period of travel followed, taking him to Munich, Antwerp, and finally Paris – each city serving as a crucial stepping stone in his development. In Munich, he absorbed the meticulous realism championed by Ludwig von Löfftz, honing his observational skills and mastering technique. Antwerp introduced him to the dramatic Baroque intensity of Rubens, while Paris exposed him to the burgeoning Impressionist movement, though his initial response was one of cautious observation rather than immediate embrace. He wasn’t interested in idealized beauty; instead, he sought to capture the untamed power and inherent drama of the landscape. Corinth's formative years instilled in him a profound appreciation for both classical tradition and naturalistic representation—a duality that would shape his artistic vision throughout his life. His early paintings, like “In the Slaughterhouse” (1878), demonstrated an uncompromising commitment to depicting reality with unflinching honesty, confronting viewers with uncomfortable truths about mortality and decay. Yet even within this stark realism, a nascent emotional depth hinted at a willingness to explore psychological complexities—a characteristic that would become increasingly prominent in his later oeuvre. The influence of Courbet’s earthy palette and expressive brushwork was palpable in these early works, establishing Corinth as a disciple of the Barbizon School and signaling his initial engagement with avant-garde currents.

From Naturalism to a Synthesis of Styles

Corinth's artistic development wasn't marked by swift revolutions but by a gradual assimilation and synthesis of diverse influences. His unwavering dedication to mastering technique—combined with an acute sensitivity to color and composition—allowed him to transcend stylistic boundaries and forge his own distinctive path. The Impressionist movement, initially viewed with skepticism, ultimately captivated Corinth’s imagination, prompting him to experiment with broken color and fleeting light effects. However, he didn't simply adopt these techniques wholesale; instead, he integrated them into his existing artistic framework, creating a style that blended impressionistic vibrancy with a distinctly German sensibility. This synthesis—evident in paintings like “Female Semi-Nude with Hat” (1906)—represented a pivotal moment in Corinth’s artistic evolution and foreshadowed the emergence of Expressionism as a dominant force in European art. He skillfully combined Rubensian dynamism with Impressionist luminosity, achieving unparalleled expressive power while maintaining compositional rigor.

A Master of Portraiture and Landscape

Corinth's oeuvre encompassed a remarkable range of genres—from biblical scenes to mythological subjects—but he is perhaps best remembered for his portraits and landscapes. His approach to portraiture extended beyond mere likeness; it was an attempt to penetrate the psychological depths of his sitters, revealing their inner lives through subtle gestures, expressive eyes, and carefully considered poses. He possessed a remarkable ability to convey character and emotion with astonishing economy of means—a hallmark of Corinth’s artistic genius. Similarly, his landscapes weren't merely scenic representations; they were emotional responses to nature—infused with Corinth’s own passionate engagement with the natural world. The Walchensee region in Bavaria became a particular source of inspiration, providing him with a wealth of motifs that he explored repeatedly throughout his later years. These paintings—characterized by their bold colors, dynamic brushwork, and palpable energy—represent Corinth's mature style at its most powerful and expressive.

Tragedy, Resilience, and Lasting Legacy

A transformative event in Corinth’s life occurred in December 1911 when he suffered a debilitating stroke that left him paralyzed on his left side. Despite facing immense physical challenges—and the looming threat of professional ruin—Corinth demonstrated unwavering determination and resilience, refusing to succumb to despair. With Charlotte Berend-Corinth by his side, he embarked upon a grueling regimen of rehabilitation exercises, relearning to paint with painstaking effort and adapting to his limitations—a testament to Corinth’s indomitable spirit. This period yielded some of his most poignant and emotionally resonant works—including “Self-Portrait” (various years)—reflecting the artist's profound introspection and confronting him with the realities of mortality. The experience profoundly deepened his artistic vision, prompting him to embrace a looser brushstroke and intensify color palette—anticipating many of the stylistic innovations that would define Expressionism. Corinth’s influence extended beyond his own painting; he served as president of the Berlin Secession from 1915 until his death in 1925, championing progressive artistic ideals and fostering a vibrant creative community. Lovis Corinth's legacy transcends mere aesthetic achievement—he remains a pivotal figure in German art history, embodying the spirit of artistic integrity and transforming personal adversity into profound expressive power. His enduring influence continues to inspire artists today, securing his place as one of the most significant painters of the early 20th century. ## Key Works & Their Significance
  • In the Slaughterhouse (1878): Demonstrates Corinth’s early mastery of technique and unflinching commitment to depicting reality with honesty—a bold confrontation with mortality and decay.
  • Self-Portrait (various years): Offers a chronicle of Corinth's evolving self-perception and artistic style—revealing profound introspection and fearless exploration of identity.
  • Female Semi-Nude with Hat (1906): Exemplifies Corinth’s blending of classical motifs with Impressionistic techniques—creating a sensuous portrait imbued with psychological complexity.
  • Walchensee Series (various years): Represents Corinth's mature style at its most powerful and expressive—characterized by bold colors, dynamic brushwork, and palpable energy.

Osnovne informacije

  • Location: Private Collection
  • Notable elements: Dramatic scene, social realism
  • Dimensions: 83 x 108 cm
  • Artistic style: Academicism
  • Artist: Lovis Corinth
  • Subject or theme: Mythological narrative

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
What artistic movement is most closely associated with Lovis Corinth’s painting ‘Odysseus Fighting with the Beggar’?
Pitanje 2:
In the painting, what is Odysseus primarily engaged in?
Pitanje 3:
What year was ‘Odysseus Fighting with the Beggar’ painted?
Pitanje 4:
According to the provided text, what is a key characteristic of Lovis Corinth’s style?
Pitanje 5:
The painting draws inspiration from which epic poem?
Istražite umetnička dela organizovana prema temama, stilovima i karakteristikama.