1950
Studio Interior With Statue (Joseph Solman, 1950)
Joseph Solman (1909–2008) je napravio Studio Interior With Statue. Datirano je iz 1950. Dimenzije su 41 × 61 cm.
- 1950
- 41 × 61 cm
Studio Interior With Statue, ukratko
- Naslov
- Studio Interior With Statue
- Umetnik
- Joseph Solman (1909–2008)
- Rođen/a u
- Vitebsk, Belarus
- Datum
- 1950
- Dimenzije
- 41 × 61 cm
Slike visoke rezolucije za Studio Interior With Statue
Protected by copyright: these files are for personal reference, not a licence to republish.
Joseph Solman, Studio Interior With Statue (1950).
Odgovori na pitanja o Studio Interior With Statue
Kada je nastalo delo „Studio Interior With Statue”, autor Joseph Solman?
Delo „Studio Interior With Statue”, autor Joseph Solman datira iz 1950. godine.
Koje su stvarne dimenzije dela „Studio Interior With Statue”, autor Joseph Solman?
Dimenzije dela „Studio Interior With Statue”, autor Joseph Solman su 41 x 61 cm. Reprodukcije se mogu naručiti u drugim dimenzijama uz zadržavanje istih proporcija.
Da li je "Studio Interior With Statue" slobodan od autorskih prava?
„Studio Interior With Statue”, autor Joseph Solman pripada i dalje je zaštićeno autorskim pravima. Ovaj status određuje način na koji se slika dela može reprodukovati.
Ko je autor dela "Studio Interior With Statue"?
Delo "Studio Interior With Statue" je kreirao/la Joseph Solman. Informacije na ovoj stranici opisuju originalno delo umetnika Joseph Solman.
Koliko je godina imao/la Joseph Solman kada je stvorio/la "Studio Interior With Statue"?
Kada je delo "Studio Interior With Statue" nastalo 1950. godine, Joseph Solman – rođen/a 1909. godine – imao/la je 41 godina.
Da li je delo "Studio Interior With Statue" autora Joseph Solman u javnom vlasništvu i zašto?
Status autorskih prava za delo "Studio Interior With Statue" - i dalje je zaštićeno autorskim pravima - proizilazi iz godine smrti umetnika, 2008.
O umetniku, Joseph Solman
1909–2008, Belarus
Joseph Solman
The Soul of the Urban Canvas: The Life and Legacy of Joseph Solman Born amidst the shifting tides of the Russian Empire in Vitebsk on January 25, 1909, Joseph Solman’s journey to becoming a cornerstone of American Expressionism was one defined by movement and profound observation. His early years were marked by the upheaval of fleeing the Cossacks, a transition that eventually brought his family to the shores of America. This sense of displacement and the subsequent immersion into the vibrant, chaotic energy of New York City would later become the lifeblood of his art. Even as a young adolescent, Solman possessed an unwavering clarity regarding his vocation, recognizing that his true purpose lay in the meticulous study of the human condition through the tip of a brush.