1954
Flowers Mirror (Joseph Solman, 1954)
Joseph Solman (1909–2008) je napravio Flowers Mirror. Datirano je iz 1954. Dimenzije su 51 × 31 cm.
- 1954
- 51 × 31 cm
Flowers Mirror, ukratko
- Naslov
- Flowers Mirror
- Umetnik
- Joseph Solman (1909–2008)
- Rođen/a u
- Vitebsk, Belarus
- Datum
- 1954
- Dimenzije
- 51 × 31 cm
Slike visoke rezolucije za Flowers Mirror
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Joseph Solman, Flowers Mirror (1954).
Odgovori na pitanja o Flowers Mirror
U kojoj godini je nastalo "Flowers Mirror"?
„Flowers Mirror“ potiče iz 1954. Ovaj datum smešta delo u okviru karijere umetnika Joseph Solman i same ere.
Kolikih je dimenzija originalnog dela "Flowers Mirror"?
Dimenzije originalnog dela „Flowers Mirror”, autor Joseph Solman su 51 x 31 cm.
Da li je "Flowers Mirror" slobodan od autorskih prava?
„Flowers Mirror”, autor Joseph Solman pripada i dalje je zaštićeno autorskim pravima. Ovaj status određuje način na koji se slika dela može reprodukovati.
Ko je umetnik koji stoji iza dela "Flowers Mirror"?
Delo "Flowers Mirror" je kreirao/la Joseph Solman. Informacije na ovoj stranici opisuju originalno delo umetnika Joseph Solman.
Koliko je godina imao/la Joseph Solman u vreme nastanka dela "Flowers Mirror"?
Joseph Solman je imao/la 45 godina kada je kreirao/la "Flowers Mirror" u 1954. Godina je izračunata na osnovu godine rođenja umetnika, 1909.
Zašto je status autorskih prava za "Flowers Mirror" takav kakav jeste?
"Flowers Mirror" autora Joseph Solman je u i dalje je zaštićeno autorskim pravima. Autorska prava se računaju od godine smrti umetnika, a Joseph Solman je preminuo/la 2008.
O umetniku, Joseph Solman
1909–2008, Belarus
Joseph Solman
The Soul of the Urban Canvas: The Life and Legacy of Joseph Solman Born amidst the shifting tides of the Russian Empire in Vitebsk on January 25, 1909, Joseph Solman’s journey to becoming a cornerstone of American Expressionism was one defined by movement and profound observation. His early years were marked by the upheaval of fleeing the Cossacks, a transition that eventually brought his family to the shores of America. This sense of displacement and the subsequent immersion into the vibrant, chaotic energy of New York City would later become the lifeblood of his art. Even as a young adolescent, Solman possessed an unwavering clarity regarding his vocation, recognizing that his true purpose lay in the meticulous study of the human condition through the tip of a brush.