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Za umetnička dela ili reprodukcije čija je bilo koja strana veća od 105 cm (približno 41 inč), okvir će biti isporučen u obliku rastavljenog seta za sklapanje. Ovaj metod osigurava bezbednu dostavu i sprečava oštećenja tokom transporta.
This relief panel was carved on a boulder close to relief III up to a century or so later. It depicts a large-scale ruler with a long beard, a braided hairstyle with a front roll (or a headdress with a bulbous visor), and a knee-length fringed garment. He holds both hands in a fist at face level and may be pointing with his index fingers towards an animal sacrifice scene. Behind him stand four small worshipers in a line. They are all shown with a long garment, frontally depicted chest, and hands clasped at the waist. The sacrificial scene is composed of a naked(?) individual, who butchers a humped zebu next to six sheep carcasses, and a second naked(?) individual who stands behind. His lower body is oriented toward the sacrifice and the upper body is turned to gesture back toward the ruler. The sense of movement in the depiction of these two figures contrasts with the static, formalized poses of the worshipers.
Pitanja i odgovori
Ko je autor dela "Kul-e Farah Relief II" i iz koje godine je?
Autor dela "Kul-e Farah Relief II" je Javier Álvarez Mon, a delo je datirano sa 500.
Da li je zakonski dozvoljeno reprodukovati delo „Kul-e Farah Relief II”, autor Javier Álvarez Mon koje se nalazi u muzeju Macquarie University?
Status autorskih prava za delo „Kul-e Farah Relief II”, autor Javier Álvarez Mon je jasan: rad pripada i dalje je zaštićeno autorskim pravima. Njegovo prisustvo u muzeju Macquarie University ne menja taj status.
Kolika je zasićenost boja u delu „Kul-e Farah Relief II”, autor Javier Álvarez Mon?
„Kul-e Farah Relief II”, autor Javier Álvarez Mon je zabeležen sa Muted zasićenjem.
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