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Kul-e Farah open-air sanctuary

A peaceful landscape of the Kul-e Farah open-air sanctuary by Javier Álvarez-Mon captures a timeless mountainous scene from 500, inviting you to explore this evocative piece of ancient history for your collection.

Havier Alvares-Mon je španski arheolog i istoričar specijalizovan za elamitsku civilizaciju (4200–525 p.n.e.). Poznat po istraživanju umetnosti starog Bliskog istoka, kulture i porekla Persije. Istražite njegove radove.

Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H дин10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W дин10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z дин10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH дин12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H дин10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z дин10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ дин10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G дин10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ дин10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH дин10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G дин10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y дин10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ дин10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G дин10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ дин8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ дин8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH дин15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G дин12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H дин8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG дин15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ дин8

Standardne dimenzije
po meri
CM
INCH

Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

širina
visina

Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.

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Ukupna cena

дин 8485

Kul-e Farah open-air sanctuary

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Ukupna cena

дин 8485

Osnovne informacije

  • Subject or theme: Mountainous landscape and ancient setting
  • Year: 500

A Journey Through Time: The Whispers of Kul-e Farah

In the evocative masterpiece Kul-e Farah open-air sanctuary, the viewer is not merely looking at a landscape, but is instead transported through a portal into the ancient heart of the Near East. Created by the visionary Javier Álvarez-Mon, this work transcends the boundaries of traditional landscape painting to become a living historical reconstruction. The scene unfolds across a rugged, mountainous expanse where a winding dirt road acts as a silent guide, leading the eye through a tapestry of sun-drenched grassy fields and weathered, rocky terrain. There is a profound sense of movement within the stillness; the presence of figures scattered throughout the composition—some lingering in the foreground, others fading into the hazy distance—suggests a moment captured in the eternal flow of time. The inclusion of an animal near the center-right adds a touch of pastoral intimacy, grounding the vastness of the landscape in the humble, everyday rhythms of ancient life.

The technique employed by Álvarez-Mon is deeply informed by his unique dual identity as both an artist and a scholar of archaeology. Rather than relying solely on aesthetic impulse, he utilizes a meticulous approach that breathes life into the silent relics of the Elamite civilization. The brushwork possesses a textured, organic quality that mimics the very earth it depicts, blending the grit of the mountain paths with the softness of the highland flora. This mastery of texture allows the painting to function as a bridge between the modern observer and the Bronze and Iron Ages. For the collector or interior designer, this piece offers more than just visual beauty; it provides a tactile connection to the dust and grandeur of antiquity, making it a profound focal point for any space dedicated to contemplation and historical depth.

The Symbiosis of Archaeology and Artistry

What distinguishes this work is its deep-seated historical resonance. As a specialist in the Elamite civilization, Álvarez-Mon does not merely paint scenery; he reconstructs lost grandeur. Every element within Kul-e Farah open-air sanctuary serves as a narrative fragment of a forgotten era. The landscape itself becomes a character, embodying the resilience and the spiritual sanctity of an ancient open-air sanctuary. The symbolism of the road is particularly poignant, representing the passage of human history and the interconnectedness of civilizations that once thrived in these very mountains. There is an inherent emotional weight to the piece—a sense of peaceful solitude intertwined with the haunting realization of how much of our past remains shrouded in mystery.

For those seeking to adorn a curated collection or a sophisticated interior, this reproduction offers an unparalleled opportunity to integrate intellectual depth with aesthetic elegance. The painting’s palette, rich with earthy tones and natural light, creates an atmosphere of tranquility that can transform a room into a sanctuary of its own. It invites the viewer to pause, to wander the dirt paths of the mind, and to rediscover the beauty found in the weathered stones and ancient shadows of our shared human heritage.

Pitanja i odgovori

Koji raspoloženje izražava „Kul-e Farah open-air sanctuary”, autor Javier Álvarez Mon unutar Contemporary Realism?

U okviru pokreta Contemporary Realism, delo "Kul-e Farah open-air sanctuary" je prikazano sa Tranquil tonom.

Da li je "Kul-e Farah open-air sanctuary" tipično za ono što je Javier Álvarez Mon obično stvarao?

Među upečatljivim temama umetnika Javier Álvarez Mon – ancient near east history, elamite civilization reconstruction, archaeological historical narratives, reconstructing lost grandeur, natural landscape settings – delo "Kul-e Farah open-air sanctuary" donosi sopstveni fokus na mountains, dirt road, people, animals, grassy fields, rocky terrain.

Da li je zakonski dozvoljeno reprodukovati delo „Kul-e Farah open-air sanctuary”, autor Javier Álvarez Mon koje se nalazi u muzeju Macquarie University?

Status autorskih prava za delo „Kul-e Farah open-air sanctuary”, autor Javier Álvarez Mon je jasan: rad pripada i dalje je zaštićeno autorskim pravima. Njegovo prisustvo u muzeju Macquarie University ne menja taj status.


Biografija umetnika

Javier Álvarez-Mon je španski arheolog i istoričar, specijalizovan za drevni Bliski istok. Rođen je u Madridu 1969. godine, a doktorat iz arheologije stekao je na Univerzitetu Complutense u Madridu 2001. godine. Trenutno je istraživač u Nacionalnom savetu za istraživanje (CSIC) i direktor grupe za studije Elamita na Univerzitetu u Barseloni.

Obrazovanje i karijera

javier álvarez mon se fokusirao na arheologiju i istoriju, sa posebnim osvrtom na drevni Bliski istok. Njegovo istraživanje je duboko usmereno ka elamitskoj kulturi, što je rezultiralo brojnim objavljenim radovima i knjigama, među kojima se izdvajaju Elamitski svet (2018) i Elam: istorija, umetnost i arheologija (2021).

Istraživanja i publikacije

Istraživački rad javiera álvareza mona fokusiran je na elamitsku kulturu, kroz šta je objavio širok spektar naučnih članaka i knjiga. Njegova najznačajnija dela uključuju:Njegov doprinos naučnoj zajednici je široko priznat, što je potkrepljeno brojnim nagradama i akademskim priznanjima.

Saradnje i projekti

Kroz saradnju sa drugim istraživačima, javier álvarez mon je učestvovao u značajnim naučnim projektima. Neki od njegovih najistaknutijih poduhvata su:Njegova sinergija sa drugim stručnjacima omogućila je značajan napredak u razumevanju elamitske kulture i doprinela bogatoj literaturi na ovu temu.

Značaj njegovog rada

Rad koji obavlja javier álvarez mon je od presudnog značaja za razumevanje elamitske kulture i njene uloge u istoriji drevnog Bliskog istoka. Njegova istraživanja su otvorila nova vrata u razumevanju ovog regiona, što se ogleda u brojnim objavljenim radovima. Neke od njegovih knjiga i članaka možete pronaći na https://OriginalUniqueArt.com, gde se mogu dobiti dodatne informacije o njegovom radu i publikacijama. Informacije o drugim umetnicima i slikarima takođe su dostupne putem Muzeja Kraljevske akademije lepih umetnosti San Fernando i Muzeja lova i prirode.
Javier Álvarez Mon

Javier Álvarez Mon

1969 - , Španija