Pregledaj u prostoru AR pregled Kupite ručno oslikano delo Pređi na digitalnu sliku Pošalji
Detalji o delu Vodič Dodaj u omiljene Preuzmi Slični predmeti Rendgenski snimak Automatska prezentacija Q&A Statistika

А Виев ин Сурреи

Dimenzije
24.0 x 35.0 cm

Уживајте у лепом крајолужу Јејмса Насмота из 1868. године, ‘А Виев ин Сурреи’, остварен мастилом на платну и представљен у Музеју Салфордског уметности и галерије. Истражите детаље и атмосферу овог ренесантног комада.

Scottish engineer & inventor James Nasmyth (1808-1890) revolutionized industry with the steam hammer! Explore his art, astronomy, photography & legacy.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B дин10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H дин10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W дин10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z дин10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH дин12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH дин12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H дин10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z дин10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ дин10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G дин10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ дин10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH дин10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ дин12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C дин8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G дин10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH дин8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y дин10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ дин10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G дин10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ дин8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ дин8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J дин10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY дин15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH дин15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G дин12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H дин8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG дин15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ дин8

Standardne dimenzije
po meri
CM
INCH

Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

širina
visina

Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.

Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (2 новембар)

Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Potpuno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
Garancija povrata 100% novca
Popust na više proizvoda

Ukupna cena

дин 8366

А Виев ин Сурреи

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Ukupna cena

дин 8366

Osnovne informacije

  • Artistic style: Dutch Golden Age Landscape Painting
  • Medium: Oil on canvas
  • Location: Salford Museum & Art Gallery
  • Movement: Romanticism
  • Subject or theme: Rural landscape
  • Year: 1868

A View in Surrey: A Masterpiece of Atmospheric Landscape Painting

James Nasmyth’s “A View in Surrey,” completed in 1868, stands as a testament to the Romantic spirit of Victorian England and exemplifies the meticulous craftsmanship characteristic of Dutch Golden Age landscape painting. Currently housed at Salford Museum – Art Gallery, this oil on canvas piece transcends mere depiction; it captures a profound sense of mood and invites contemplation about the relationship between humanity and nature.

Subject Matter and Composition

The painting portrays a tranquil rural scene dominated by a brooding sky and rolling hills—a familiar motif in landscape art of the era. A prominent gnarled tree on the left side serves as an immediate focal point, anchoring the composition and drawing the viewer’s gaze upwards towards the distant village nestled amongst the verdant slopes. The artist skillfully employs horizontal lines for the horizon and roadways, creating a stable visual rhythm that contrasts with the verticality of the tree and the steeple of a church—symbols of faith and permanence amidst the transient beauty of the landscape. Careful observation reveals a flattened perspective, aligning with established conventions of the time and prioritizing clarity of form over illusionistic depth.

Technique and Artistic Style

Nasmyth’s masterful technique is evident in his deliberate layering of brushstrokes to build up texture and create atmospheric depth. The artist meticulously renders light and shadow, utilizing diffused illumination from the overcast sky to imbue the scene with a soft, ethereal glow. Bold strokes define the contours of the landforms and tree bark, conveying a palpable energy while maintaining an overall sense of serenity. The muted color palette—dominated by earthy tones—reflects the prevailing weather conditions and reinforces the painting’s contemplative mood. Like other works by Nasmyth, notably “Rural Scene,” found on OriginalUniqueArt.com (completed in 1886), this piece showcases his ability to translate observation into expressive art.

Historical Context and Symbolism

“A View in Surrey” emerged during a period of significant social and intellectual change—the Victorian era—characterized by optimism about progress alongside anxieties regarding the impact of industrialization on rural life. The stormy sky serves as a subtle emblem of uncertainty and transformation, mirroring the broader concerns of the time. Simultaneously, the village represents stability and community—a comforting counterpoint to the turbulent forces reshaping British society. The painting’s stylistic echoes of Dutch Golden Age landscape art underscore its enduring appeal and demonstrate Nasmyth's commitment to capturing the sublime beauty of the natural world with unwavering realism.

Emotional Impact

Ultimately, “A View in Surrey” succeeds in transporting the viewer to a bygone era—a moment of quiet contemplation amidst the grandeur of the English countryside. Its evocative atmosphere invites reflection on themes of peace, resilience, and the enduring power of nature’s majesty. It remains a captivating artwork for collectors and interior designers alike who appreciate the timeless elegance of masterful landscape painting.
  • Artist: James Nasmyth
  • Year: 1868
  • Medium: Oil on Canvas
  • Location: Salford Museum – Art Gallery
Additional Information: Explore similar artworks at OriginalUniqueArt.com and delve deeper into James Nasmyth’s biography on Wikipedia.

Pitanja i odgovori

Koja je dominantna boja dela „А Виев ин Сурреи”, autor James Nasmyth?

Boja koja najviše izdvaja se u delu "А Виев ин Сурреи" je Kvinakridon magenta (#756649). Dominantna boja je korisna pri uklapanju umetničkog dela u enterijer.

U kom delu doma bi se reprodukcija dela "А Виев ин Сурреи" lepo uklopila?

Preporučeni prostor za „А Виев ин Сурреи”, autor James Nasmyth je Dnevna soba. Ovaj predlog se, naravno, može prilagoditi vašem enterijeru.

Da li su boje dela „А Виев ин Сурреи”, autor James Nasmyth zasićene ili prigušene?

„А Виев ин Сурреи”, autor James Nasmyth je zabeležen sa Suptilne boje zasićenjem.


Biografija umetnika

Early Life and Education

  • Born: August 19, 1808, Edinburgh, United Kingdom
  • Died: May 7, 1890
  • Parents: Alexander Nasmyth (painter) and Barbara Foulis
  • Early exposure to mechanics through his father’s workshop.
  • Attended the Royal High School in Edinburgh.
  • Studied at the Edinburgh School of Arts (later Heriot-Watt University), demonstrating early mechanical aptitude.
  • Constructed a working model of a high-pressure steam engine at age 17, showcasing his skills.

Career and Inventions

  • Apprenticed to Henry Maudslay in London, gaining experience in machine manufacturing.
  • Established his own machine shop in Manchester in 1834.
  • Founded Nasmyth, Gaskell and Company (Bridgewater Foundry) in 1836, specializing in machine tools and steam engines.
  • Major Invention: The Steam Hammer – revolutionized iron forging by significantly reducing processing time and improving quality. Patented in 1842.
  • Manufactured over 100 steam locomotives and various other machines like pumps and hydraulic presses.
  • Developed pile drivers for marine construction projects.

Artistic Pursuits and Later Life

  • Retired at age 48 to Penshurst, Kent in 1856.
  • Dedicated himself to hobbies including astronomy, photography, and painting.
  • Authored "The Moon: Considered as a Planet, a World, and a Satellite" (1874), demonstrating his interest in astronomical observation.
  • Created detailed drawings and illustrations of machinery throughout his career, showcasing artistic talent alongside engineering skills.

Influences and Historical Significance

  • Influence: Henry Maudslay – Nasmyth’s apprenticeship under Maudslay provided crucial experience in precision machining.
  • Impact: The steam hammer significantly advanced the Industrial Revolution, enabling larger-scale metalworking operations.
  • Contribution to Engineering: Emphasized efficiency and control in machinery design.
  • Legacy: Recognized as a key figure in British engineering and innovation during the Victorian era.

Philosophical Views and Opposition to Organized Labor

  • Nasmyth held strong views on labor, opposing organized labor movements.
  • He believed in individual effort and responsibility rather than collective bargaining.
  • His philosophical stance reflected a broader perspective prevalent among industrialists of his time.
  • These beliefs shaped his approach to managing his workforce and contributed to his overall legacy.
James Nasmyth

James Nasmyth

1808 - 1890 , United Kingdom

Osnovne informacije

  • Full Name: James Hall Nasmyth
  • Nationality: Scottish
  • Date Of Birth: 1808
  • Date Of Death: 1890
  • Place Of Birth: Edinburgh, United Kingdom
  • Artistic Movement Or Style: Engineer and Inventor
  • Artists Who Influenced This Artist: ['Henry Maudslay']
Istražite umetnička dela organizovana prema temama, stilovima i karakteristikama.