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StatistikaNames (Museums)
Acrylic- WallArt
- Contemporary Assemblage
1992
294.0 x 301.0 cm
MAM Rio
Pročitaj više
Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.
Kao poštovana i legalna alternativa, nudimo prilagođene, ručno oslikane umetničke radove inspirisane originalom. Naši stručni i profesionalni umetnici pažljivo proučavaju stil, ambijent i umetničku suštinu originala kako bi kreirali novo, unikatno delo koje budi istu emociju – ostajući pritom potpuno autentično stvaranje.
Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Ručno rađena uljana reprodukcija
Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. (
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Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite širinu i visinu koja vam je potrebna, kako bi se uklopili u vaš ram ili zid. Pošto je ovo ručno oslikano delo, umetnik može naslikati malo više prostora oko slike ili malo skratiti ivice za dimenzije drugačijeg oblika — izbor je na vama. Pre početka rada, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja konačan rezultat — samo digitalni prikaz pokazuje stvarnu sliku.
Nakon narudžbine, tim OriginalUniqueArt.com će klijentu putem e-pošte poslati uputstva i dostaviti prikaz predloženog rešenja
Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (25 октобар). Bez kompromisa po pitanju kvaliteta.
Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Sveobuhvatno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja i autentičnosti pri reprodukciji
Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
Garancija povrata 100% novca
Popust pri većoj količini
Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
Names (Museums)
Tehnika izrade reprodukcije
Veličina reprodukcije
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Ukupna cena
дин 30929
A Dense Tapestry of Institutional Memory: Jacqueline Leirner’s “Names (Museums)”
The artwork "Names (Museums)" by Jacqueline Leirner presents itself not as an aesthetic triumph in the conventional sense, but rather as a meticulously crafted document—a visual record of art world dissemination and institutional presence. Created in 1992, this piece transcends mere representation; it embodies a profound engagement with the materiality of archival history and the pervasive influence of museums on shaping cultural discourse. The composition is dominated by an expanse of white canvas overlaid with a collage of museum exhibition labels and promotional materials—a deliberate rejection of traditional artistic conventions favoring instead a documentary aesthetic.- Style & Technique: Leirner’s approach aligns closely with assemblage art, prioritizing the inherent qualities of the source documents rather than imposing stylistic interpretations. The technique involves direct adhesion of the labels to the surface, resulting in a textured expanse where the subtle variations in paper stock and plastic packaging contribute to an overall tactile experience. Lines are defined by the edges of the labels themselves—precise demarcations against which the printed text unfolds.
- Historical Context: The artwork emerged during a pivotal moment in American abstract expressionism, mirroring the broader trend toward process-based art that sought to challenge established artistic hierarchies. Leirner’s work stands as testament to the burgeoning interest in exploring unconventional materials and methods—a reaction against the formalism of earlier decades.
- Subject Matter & Symbolism: The collage's subject matter centers on the omnipresent role of museums in promoting art exhibitions and disseminating cultural information. While devoid of overt symbolic imagery, “Names (Museums)” speaks volumes about the anxieties surrounding the proliferation of visual culture and the desire to capture fleeting moments of artistic engagement.
- Emotional Impact: Viewing this piece evokes a contemplative mood—a feeling of encountering fragments of history and acknowledging the institutional forces that shape our understanding of art. The sheer density of information conveyed serves as a reminder of the vastness of cultural production and its impact on individual perception.
Pitanja i odgovori
Koji nacionalni poreklom stoji iza Contemporary Assemblage dela "Names (Museums)"?
Delo "Names (Museums)" delo je Jacqueline Leirner, rođenog u Brazil, u okviru pokreta Contemporary Assemblage. Poreklom umetnika, ovo delo se povezuje sa Contemporary Assemblage stilom kakav su zastupali umetnici iz Brazil.
Da li je „Names (Museums)”, Jacqueline Leirner svetlo ili tamno umetničko delo?
Sveukupno, "Names (Museums)" je zabeležen kao brilliant. Percepcija osvetljenosti opisuje koliko delo deluje svetlo ili tamno.
Ko je kreirao "Names (Museums)" i u kojoj godini?
Delo "Names (Museums)" delo je umetnika Jacqueline Leirner iz 1992. godine.
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