Surrealism · 1986
Outskirts (Ivan Eyre, 1986)
Ivan Eyre (1935–2022) je napravio Outskirts. Datirano je iz 1986. Pripada pokretu Surrealism. Dimenzije su 203 × 142 cm.
- 1986
- 203 × 142 cm
Outskirts, ukratko
- Naslov
- Outskirts
- Umetnik
- Ivan Eyre (1935–2022)
- Rođen/a u
- Saskatchewan, Canada
- Datum
- 1986
- Dimenzije
- 203 × 142 cm
- Pokret
- Surrealism
- Tema
- urban decay, fragmented city, female figure, atmospheric chaos, geometric shapes, digital landscape
Slike visoke rezolucije za Outskirts
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Ivan Eyre, Outskirts (1986).
Odgovori na pitanja o Outskirts
Kada je nastalo delo „Outskirts”, autor Ivan Eyre?
Koje su dimenzije originalnog dela „Outskirts”, autor Ivan Eyre?
Šta prikazuje „Outskirts”, autor Ivan Eyre?
Da li je delo „Outskirts”, autor Ivan Eyre u javnom vlasništvu?
Ko je autor dela "Outskirts"?
Koji umetnički pravac obuhvata „Outskirts”, autor Ivan Eyre?
„Outskirts“ je delo Surrealism pokreta. Ovaj pokret označava umetničku tradiciju kojoj je delo pripada.
U kojoj periodi karijere umetnika Ivan Eyre pripada delo "Outskirts"?
Koliko je godina imao/la Ivan Eyre kada je kreirao/la "Outskirts" 1986. godine?
Šta objašnjava status autorskih prava za „Outskirts”, autor Ivan Eyre?
Status autorskih prava za delo "Outskirts" - i dalje je zaštićeno autorskim pravima - proizilazi iz godine smrti umetnika, 2022.
O umetniku, Ivan Eyre
1935–2022, Canada
Ivan Eyre
A Prairie Visionary: The Life and Art of Ivan Eyre Ivan Kenneth Eyre, who passed away in November 2022 at the age of 87, was a profoundly important figure in Canadian art—a painter, sculptor, and educator whose work resonated with the vastness and subtle power of the prairie landscape. Born in the small Saskatchewan community of Tulymétik in 1935, Eyre’s artistic journey wasn't simply about depicting what he saw, but about translating a deeply felt connection to place into a visual language that explored existential themes and the complexities of human experience. His early life, marked by moves across the prairies—from Red Deer, Alberta, to Saskatoon—instilled in him an intimate understanding of the land’s character: its solitude, its ever-changing light, and its capacity for both beauty and starkness. This formative connection would become the bedrock of his artistic expression.