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StatistikaBaianas Chegando Para a Lavagem
Lithograph- Other
1950- Modern
21.0 x 27.0 cm
Museu de Arte da Bahia
Pročitaj više
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. (
Naručite ručno oslikano reprodukciju Pređi na prodaju digitalnih slika)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (27 септембар)
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Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
Garancija povrata 100% novca
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Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
Baianas Chegando Para a Lavagem
Giclee štampa / Umetnički otisak
Veličina reprodukcije
-
Ukupna cena
$ 80
A Rhythmic Celebration in Monochrome
In the evocative lithograph Baianas Chegando Para a Lavagem, created in 1950 by the master Héctor Julio Páride Bernabolt—affectionately known as Carybé—we are transported into the heart of a Brazilian cultural ritual. The artwork captures a fleeting, high-energy moment of a procession, where the figures of the Baianas move with a grace that is both grounded and ethereal. Through the medium of black and white lithography, Carybé strips away the distraction of color to focus our attention on the raw, pulsating rhythm of the dance. The composition is intentionally crowded and dynamic, utilizing overlapping forms to create a sense of a living, breathing crowd. It is not merely a depiction of a scene, but an invitation to join a movement, feeling the vibration of the feet against the earth and the collective spirit of a community in celebration.
The technique employed by Carybé is nothing short of masterful, utilizing bold, gestural lines that lend the piece an immediate sense of urgency. By employing intricate hatching and cross-hatching, the artist achieves a sophisticated range of tonal variations, providing depth and texture to the monochromatic landscape. These fine lines do more than just define shape; they simulate the very movement of the dancers, creating a visual vibration that mimics the music of the procession. The flattened perspective and simplified anatomical forms prioritize the essence of action over rigid realism, allowing the viewer to experience the "feeling" of the dance rather than just its physical mechanics. This graphic approach makes the work particularly striking for modern interiors, where its strong linework can serve as a sophisticated focal point.
Cultural Resonance and Artistic Legacy
Beyond its technical brilliance, Baianas Chegando Para a Lavagem serves as a profound historical document of Afro-Brazilian traditions. The subject matter—the arrival of the Baianas for the ritual washing—is steeped in symbolism, representing purity, devotion, and the enduring strength of cultural identity. Every fold in the traditional clothing and every purposeful gesture of the figures hints at a deep-seated heritage that Carybé, as both an artist and a researcher, was dedicated to documenting. His ability to blend his Argentine roots with his profound Brazilian experiences allowed him to capture these cultural nuances with an authenticity that resonates deeply with collectors of ethnographic and fine art.
For the discerning collector or interior designer, this piece offers more than just aesthetic beauty; it offers a narrative of resilience and joy. The artwork’s ability to convey intense emotion through simple black and white tones makes it a versatile addition to any curated space, whether placed in a minimalist contemporary setting or a classic, richly textured room. Owning a reproduction of such a significant work allows one to bring the vibrant, soulful energy of Carybé’s vision into the home, serving as a constant reminder of the beauty found in communal celebration and the timeless power of cultural ritual.
Biografija umetnika
Rani period i umetnička karijera
Héctor Julio Páride Bernabó, širom sveta poznat pod umetničkim imenom Carybé, bio je istinski polimat – argentinsko-brazilski umetnik, istraživač, pisac, istoričar i novinar. Rođen 7. februara 1911. godine u Buenos Airesu, u Argentini, njegov životni put obeležila je duboka, gotovo nepresušna strast prema umetnosti koja će trajati decenijama.Umetnički doprinos
Tokom svoje bogate karijere, Carybé je stvorio hiljade dela koja obuhvataju slike, crteže, skulpture i skice, čineći njegovu umetničku svestranost neospornim dokazom kreativnog genija. Njegov rad fascinira preciznošću i emocijom, a među najznačajnijim delima izdvajaju se:- Torso retangular ou pano da costa I, delo koje demonstrira njegovo majstorstvo u oblikovanju forme i teksture, dostupno za pregled na platformi OriginalUniqueArt.
- The Pier (Molo), očaravajuće ulje na platnu koje se izlaže u Centro Cultural Banco do Brasil - Brasília u Braziliji, a može se pronaći u kolekciji OriginalUniqueArt.
- Baiana sambando - série Bonfim, živopisni rad perom i tušem, koji se čuva u Museu de Arte da Bahia u Salvadoru, Brazil, i dostupan je za posmatranje na sajtu OriginalUniqueArt.
Nasleđe i priznanja
Carybé je nosio počasnu titulu Obá de Xangô u instituciji Ilê Axé Opô Afonjá. Njegov doprinos svetu umetnosti ne slavi se samo u Argentini, već i u Brazilu, zemlji u kojoj je proveo značajan deo svog života, prožimajući svoju kulturu svojim stvaralaštvom.Završne godine i odlazak
Héctor Julio Páride Bernabó preminuo je 2. oktobra 1997. godine u Salvadoru, Brazil. Njegovo nasleđe nastavlja da živi kroz brojna dela koja je za nama ostavio, neprestano inspirišući buduće generacije umetnika i ljubitelje umetnosti širom sveta. Otkrijte više o Carybéjevom životu i delima na OriginalUniqueArt: Héctor Julio Páride Bernabó | OriginalUniqueArt Wikipedia: Héctor Julio Páride Bernabó
Ektor Julio Paride Bernabo
1911 - 1997 , Argentina
Brzi pregled
- Artistic Movement Or Style: Art Deco
- Date Of Birth: 7. februar 1911.
- Date Of Death: 2. oktobar 1997.
- Full Name: Héctor Julio Páride Bernabó
- Nationality: Argentinski-brazilijac
- Notable Artworks:
- Torso Retangular Ou Pano Da Costa I
- The Pier
- Baiana Sambando - Série Bonfim
- Place Of Birth: Buenos Aires, Argentina
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