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Cup

Explore Giovanni Battista Gariboldi’s 1936 ceramic bowl – a textured masterpiece showcasing organic forms & serene green hues. A unique, hand-built piece reflecting Italian artistry.

Discover Giovanni Battista Gariboldi’s breathtaking Italian landscapes & genre scenes. A renowned 19th-century painter celebrated for his mastery of light & color.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B дин10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H дин10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W дин10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z дин10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH дин12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH дин12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H дин10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z дин10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ дин10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G дин10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ дин10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH дин10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ дин12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C дин8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G дин10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH дин8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y дин10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ дин10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G дин10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ дин8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ дин8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J дин10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY дин15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH дин15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G дин12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H дин8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG дин15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ дин8

Standardne dimenzije
po meri
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INCH

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Ukupna cena

дин 8485

Cup

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Ukupna cena

дин 8485

Osnovne informacije

  • Year: 1936
  • Subject or theme: Mythic Art
  • Influences: Edward Burne-Jones
  • Movement: Pre-Raphaelite
  • Title: Cup

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
What artistic movement is Giovanni Battista Gariboldi’s ‘Cup’ primarily associated with?
Pitanje 2:
The image description highlights a particular stylistic element of the artwork. What is it?
Pitanje 3:
What color palette dominates the visual experience presented by the ‘Cup’ image?
Pitanje 4:
Giovanni Battista Gariboldi's artistic style reflects a rejection of what characteristic found in academic painting?
Pitanje 5:
Edward Burne-Jones's artistic approach involved studying and imitating masters like Botticelli. What was a key difference between his method and that of traditional art education?

Giovanni Battista Gariboldi: Cup - A Study in Organic Texture and Serene Green

Giovanni Battista Gariboldi’s 1936 ceramic bowl stands as a testament to the enduring power of Italian craftsmanship and a masterful exploration of natural forms. More than just tableware, it embodies a deliberate aesthetic choice—a commitment to capturing the essence of organic beauty within a meticulously crafted medium.

  • Subject Matter: The bowl’s central focus is simplicity itself: a single ceramic vessel designed to hold liquid. However, its unassuming appearance belies a profound consideration for visual harmony and textural richness.
  • Style: Gariboldi's work aligns squarely with the principles of ceramic art—a tradition rooted in ancient techniques and celebrated for its ability to transform raw materials into objects of enduring elegance. Influenced by Art Deco sensibilities, it leans towards geometric forms softened by organic contours.
  • Technique: The bowl’s surface is achieved through a painstaking process of hand-building – likely utilizing coil construction—followed by careful glazing application. This technique ensures that every piece possesses unique variations in tone and texture, reflecting the inherent irregularities of natural materials.

The glaze itself contributes significantly to the overall impression. Gariboldi skillfully employs a palette dominated by shades of green – from deep olive tones reminiscent of ancient woodlands to lighter hues suggestive of tranquil lagoons. These colors aren’t merely decorative; they evoke feelings of serenity and connection with the natural world.

Historical Context: Created in 1936, Gariboldi's bowl reflects the broader artistic currents of its time—a period marked by a renewed interest in organic forms and a desire to express emotion through visual language. It stands as an exemplar of Italian ceramic art during the Fascist era, showcasing a dedication to tradition while embracing stylistic innovations.

Symbolism: The bowl’s textured surface – resembling a leaf or petal – speaks to themes of growth, fragility, and renewal. These symbols resonate deeply within Pre-Raphaelite aesthetics—a movement that championed idealized beauty and sought inspiration in medieval myths and legends. Gariboldi's piece invites contemplation on the relationship between humanity and nature.

Emotional Impact: Viewing Gariboldi’s bowl is an experience of quiet contemplation. Its understated elegance and harmonious color palette inspire a sense of calm and appreciation for artisanal skill—a reminder that beauty can be found in simplicity and that objects crafted with care hold profound emotional resonance.

Pitanja i odgovori

Da li je zakonski dozvoljeno reprodukovati delo „Cup”, autor Giovanni Battista Gariboldi koje se nalazi u muzeju Sforza Castle?

Delo „Cup”, autor Giovanni Battista Gariboldi, koje se čuva u muzeju Sforza Castle, nalazi se u u javnom vlasništvu – autorska prava su istekla statusu. Ovaj status određuje da li je dozvoljeno izrada reprodukcija slike.

U kom periodu karijere Giovanni Battista Gariboldi pripada delo "Cup"?

U okviru karijere umetnika Giovanni Battista Gariboldi, delo "Cup" pripada periodu Early Modern, što omogućava poređenje sa drugim radovima ovog autora.

Ko je kreirao "Cup" i u kojoj godini?

Giovanni Battista Gariboldi je napravio/la "Cup" u 1936. godini.