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Indian Power

A powerful depiction of a man on horseback with raised arms captures the dynamic energy of Fritz Scholder's 1972 masterpiece Indian Power, inviting you to explore this iconic piece of modern Native American art.

Fritz Scholder (1937-2005) was a pivotal Native American artist known for his Abstract Expressionist paintings challenging stereotypes & Pop Art depictions of modern Indian life. Explore his iconic series and legacy.

Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

Giclee štampa / Umetnički otisak

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Corner sample of the P118B picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: kaljeni polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: kaljeni polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: kaljeni polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: kaljeni polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: kaljeni polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: kaljeni polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Ukupna cena

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Indian Power

Giclee štampa / Umetnički otisak

Veličina reprodukcije

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Ukupna cena

дин 8200

Brzi pregled

  • Subject or theme: Native American man riding a horse
  • Title: Indian Power
  • Artist: Fritz Scholder
  • Medium: Oil on canvas

A Vision of Unbridled Spirit

In the powerful strokes of Indian Power, created in 1972, we encounter a moment of profound kinetic energy that transcends the canvas. Fritz Scholder, a master of reimagining the Native American narrative, presents us with a figure that is both grounded in history and soaring in spirit. The painting captures a man atop a horse, his arm thrust toward the heavens in a gesture of triumph or perhaps a call to ancestral strength. This is not merely a portrait of a rider; it is an exploration of sovereignty and the indomitable will. The composition is masterfully balanced, with the horse occupying a commanding presence on the right, its form suggesting a rhythmic movement that mirrors the heartbeat of the plains. Against a backdrop of a vast, crystalline blue sky, the vibrant red of the man's shirt serves as a visual heartbeat, pulling the viewer’s eye into the center of this dramatic encounter.

The technique employed in this oil on canvas reflects Scholder’s unique ability to blend the raw emotion of Abstract Expressionism with a striking, almost Pop Art-inspired clarity. The brushwork is deliberate and bold, creating textures that give life to the horse's musculature and the flowing movement of the rider's hair. There is a magnificent contrast at play here—the stillness of the infinite sky clashing with the dynamic, muscular tension of the subject. This interplay of color and form creates a sense of depth that invites the observer to step into the scene, feeling the wind and the heat of the sun. For the collector or interior designer, such a piece offers more than just decoration; it provides a focal point of intense character that can anchor a room with its commanding presence.

The Legacy of a Renegade Perspective

To understand the emotional weight of Indian Power, one must look toward the revolutionary context in which Fritz Scholder worked. Moving away from the romanticized, often static depictions of Native life that dominated the early 20th century, Scholder utilized his art to interrogate and deconstruct stereotypes. He brought a modern, often gritty honesty to his subjects, refusing to let them be trapped in a nostalgic past. In this work, we see the culmination of that mission: a depiction of strength that is contemporary and vital. The symbolism of the raised arm suggests a reclamation of agency—a refusal to be silenced or relegated to the margins of history.

For those seeking to adorn a space with art that sparks conversation and evokes deep reflection, this reproduction serves as a window into a pivotal era of American art history. It is a piece that resonates with themes of resilience, identity, and the enduring power of the human spirit. Whether placed in a sophisticated gallery setting or a curated residential collection, Indian Power stands as a testament to Scholder's legacy—a legacy that continues to challenge, inspire, and captivate the modern eye.

Pitanja i odgovori

Da li je „Indian Power”, Fritz Scholder svetlo ili tamno umetničko delo?

Zabeležene vrednosti za „Indian Power”, Fritz Scholder su: osvetljenost bright, luminansa Gentle Luminance.

U koji pokret i u koje doba je smešteno delo „Indian Power”, Fritz Scholder?

Indian Power“ pripada pravcu Pop Art, a njen autor je stvarao u periodu Modern.

Ko je autor i koja je godina nastanka dela "Indian Power"?

Fritz Scholder je napravio/la "Indian Power" u 1972. godine.


Biografija umetnika

Fritz Scholder: A Renegade Voice in Native American Art

Fritz Scholder (1937-2005) wasn’t born into a world of tradition or steeped in the lore of his ancestry. He was, in many ways, an outsider—a European-American raised in Minnesota and California, with only a quarter Luiseno bloodline connecting him to the California Mission tribes. Yet, this very distance became the cornerstone of his revolutionary approach to Native American art, forging a path that challenged established stereotypes and offered a brutally honest, often uncomfortable, portrayal of modern Indian life. Scholder’s legacy isn't one of romanticized depictions; it’s a testament to the power of perspective—a refusal to simply observe but instead to actively interrogate and deconstruct the narratives surrounding Native Americans in American culture.

Scholder’s early artistic development was shaped by a confluence of influential figures. His initial exposure to art came through his high school teacher, Oscar Howe, a prominent Yanktonai Dakota artist who instilled in him an appreciation for traditional forms and storytelling. This foundation was further strengthened during the summer of 1955 at the Mid-West Art and Music Camp, where he encountered Robert B. Green and James Grittner. Later, his move to Sacramento in 1957 brought him into contact with Wayne Thiebaud, a pivotal figure in Abstract Expressionism, who introduced Scholder to the possibilities of modern abstraction. This exposure proved crucial, laying the groundwork for his later stylistic innovations.

The “Real Indian” Series and Controversy

Scholder’s most significant contribution to Native American art arrived in 1967 with the launch of his controversial "Indian Image" series. Rejecting the prevalent romanticized depictions of Native Americans—the stoic warrior, the noble savage—Scholder presented a starkly different reality. He depicted Indians engaging in everyday activities: drinking beer, smoking cigarettes, driving cars, and even wearing Western clothing. These images, rendered in bold acrylics with a textured surface reminiscent of folk art, were deliberately provocative, confronting viewers with the uncomfortable truth that Native Americans were not relics of the past but modern individuals grappling with contemporary issues.

The series ignited immediate controversy within the art world and among Native American communities. Some viewed it as disrespectful and exploitative, accusing Scholder of appropriating a culture he didn’t fully understand. Others recognized its power—its unflinching honesty and its challenge to ingrained prejudices. Despite the criticism, the "Indian Image" series cemented Scholder's reputation as a daring and uncompromising artist who refused to shy away from difficult subjects. It marked a turning point in Native American art, shifting the focus from traditional representations to explorations of contemporary identity.

Technique and Influences

Scholder’s artistic style evolved significantly throughout his career. Initially influenced by Abstract Expressionism, he gradually developed a distinctive approach characterized by bold colors, layered textures, and a flattened perspective—a technique that echoed the visual language of folk art and advertising. He was particularly adept at using acrylic paint to create thick, impasto surfaces, imbuing his canvases with a sense of physicality and immediacy.

Beyond painting, Scholder explored various mediums, including monotypes, lithographs, and sculpture. His work was deeply influenced by the teachings of Lloyd Kiva New, a Cherokee designer who encouraged him to embrace Native American aesthetics and storytelling traditions. He also drew inspiration from Hopi jeweler Charles Loloma, incorporating elements of indigenous craftsmanship into his artistic practice. His time at the Institute of American Indian Arts in Santa Fe exposed him to a diverse range of Native American artists and perspectives, further broadening his creative horizons.

Legacy and Historical Significance

Fritz Scholder’s impact on Native American art is undeniable. He shattered conventional representations, forcing viewers to confront uncomfortable truths about the relationship between Native Americans and mainstream America. His work paved the way for a new generation of artists who dared to explore complex issues of identity, culture, and history with honesty and vulnerability.

Scholder’s legacy extends beyond his individual artworks. He was a dedicated teacher and mentor, shaping the careers of numerous Native American artists. His willingness to challenge established norms and embrace unconventional approaches continues to inspire artists today. Fritz Scholder wasn't simply an artist; he was a catalyst for change—a voice that refused to be silenced and a testament to the power of art to provoke dialogue and foster understanding.

Brzi pregled

  • Full Name: Fritz William Scholder V
  • Nationality: American (Luiseño)
  • Date Of Birth: 1937
  • Date Of Death: February 10, 2005
  • Place Of Birth: Breckenridge, Minnesota
  • Notable Artworks:
    • Indian Image
    • Indian and Storefront
    • Indian Power
  • Artistic Movement Or Style: Abstract Expressionism, Pop Art
  • Artists Who Influenced This Artist:
    • Oscar Howe
    • Wayne Thiebaud
  • Artists Or Movements Influenced By This Artist: ['T.C. Cannon']