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A painting made for you, by hand

Fire in a Village

Ručno rađena uljana reprodukcija

Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu Pređi na digitalnu sliku)

Opis predmeta

Witness the devastation of a night raid with Egbert van der Poel's 'Fire in a Village.' A dramatic realism depicting chaos, villagers fleeing flames, and a haunting glimpse into 17th-century disaster. Hand-painted reproduction available.

Biografija umetnika

Egbert van der Poel (1621-1664): Slutkar hollandskog zlatnog doba poznat po živopisnim žanrovskim scenama, pejzažima i dramatičnim prikazima eksplozije u Delftu iz 1654. godine. Istražite njegovu umetnost!

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Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standardne dimenzije
po meri
CM
INCH

Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

širina
visina

Unesite potrebnu širinu i visinu kako bi se slika uklopila u vaš ram ili zid. Pošto je ovo ručno oslikano delo, umetnik može za dimenzije drugačijeg oblika naslikati malo više prostora oko slike ili malo skratiti ivice — izbor je na vama. Pre početka rada, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja konačan rezultat — samo digitalni prikaz pokazuje stvarnu sliku.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on masivno drvo bars
White дин1
Corner sample of the BlurSideWrap canvas edge finish, stretched on masivno drvo bars
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Corner sample of the ExtendedWrap canvas edge finish, stretched on masivno drvo bars
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Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H дин10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W дин10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z дин10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z дин10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH дин10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ дин10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G дин10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G дин12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Corner sample of the H24-GOLD picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
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Corner sample of the H24-SILVER picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
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Corner sample of the H36-GOLD picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
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Corner sample of the H36-SILVER picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
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Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (1 новембар). Bez kompromisa po pitanju kvaliteta.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Detalji gravirane bronze ploče

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detalji prozirne akrilne pločice

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detalji crne akrilne pločice

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Fire in a Village

Tehnika reprodukcije

Dimenzije reprodukcije

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Vrhunski maestri umetnosti

Više detalja, prefinjenosti i dodatnog vremena za izradu

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Okvir za reprodukciju

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Za umetnička dela ili reprodukcije čija je bilo koja strana veća od 105 cm (približno 41 inč), okvir će biti isporučen u obliku rastavljenog seta za sklapanje. Ovaj metod osigurava bezbednu dostavu i sprečava oštećenja tokom transporta.

Potrebna je profesionalna montaža – ovo nije proizvod namenjen samostalnoj izradi.
Set mora sastaviti i platno zategnuti iskusni profesionalni ramitelj, koristeći drveni lepak (nije uključen u set), hvataljku za zatezanje platna i stege kako bi se održao prav ugao okvira dok se lepak suši. Nepravilno sklapanje ili neravnomerno zategnuto platno mogu trajno oštetiti umetničko delo, što nije pokriveno našom garancijom.

  • Sve šipke od masivnog drveta su uključene, precizno isečene po veličini.

  • Montira se pomoću priloženih šrafova, uz dodatno korišćenje lepka za drvo za spojeve u uglovima, koji nije uključen u set i koji vaš čuvar okvira mora obezbediti.

  • Potreban je profesionalni alat koji nije uključen u set: klešta za zatezanje platna (zatezač) i stege za održavanje pravih uglova letvica tokom sušenja lepka.

Važno:
Za spojeve u uglovima neophodan je lepak za drvo, šipke se moraju pričvrstiti stezgama dok lepak potpuno ne osuši, a za zatezanje platna na sklopljenom ramu potrebne su hvataljke za zatezanje platna. Nijedan od ovih alata nije uključen u komplet. Pre naručivanja ove veličine, molimo Vas da unapred obezbedite iskusnog profesionalca za ramačenje.

Kratki opis natpisa

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Zaštitni lak

Sjajni lak (pojačava intenzitet boja, štiti od svetlosti i vlage)

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Personalizujte svoje umetničko delo

Primeri mogućnosti izmene: Zamena lica fotografijom kupca; Dodavanje ljubimca (npr. zamena mačke psom); Uključivanje skrivene poruke u pozadini; Promena pejzaža ili elemenata pozadine.

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Hitna dostava

Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (1 новембар). Bez kompromisa po pitanju kvaliteta.

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Brza dostava

Dostava širom sveta () u roku od 5 nedelja. (8 новембар).

Uključeno u cenu

Ukupna cena

дин 31252

Ukupna cena дин 31252

Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm

Included with every order

  • Besplatna ekspresna dostava širom sveta
  • Visokokvalitetno laneno platno
  • Potpuno osiguranje transporta
  • Garancija povraćaja carine i uvoznih dažbina
  • Garancija vernosti boja
  • Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
  • Garancija povrata 100% novca
  • Popust na više proizvoda

A Night of Desperation: Egbert van der Poel’s “Fire in a Village”

Egbert van der Poel's "Fire in a Village," a haunting depiction of a Dutch village consumed by flames, is more than just a historical scene; it’s a visceral exploration of human vulnerability and the destructive power of chaos. Painted around 1654, likely shortly after the devastating Delft gunpowder explosion – an event that profoundly impacted van der Poel's life and artistic focus – this work offers a chillingly intimate glimpse into a community gripped by panic. The painting’s immediate impact lies in its dramatic use of light and shadow; the intense orange and yellow of the inferno violently contrast with the deep, earthy tones of the surrounding buildings and the silhouetted figures fleeing their homes. This stark juxtaposition immediately establishes a sense of urgency and impending doom.

Van der Poel’s realism is meticulously rendered. Every thatched roof, every rough-hewn wooden wall, speaks to the humble origins of this village – a rural setting deliberately chosen by the artist to amplify the tragedy. The figures themselves are not heroic; they are simply people caught in an impossible situation, their forms reduced to silhouettes against the fiery backdrop, emphasizing their helplessness and desperation. The composition is carefully balanced, drawing the eye towards the central blaze while simultaneously hinting at the wider devastation unfolding beyond the immediate foreground.

The Artist’s Witness: Context and Technique

Understanding Egbert van der Poel requires acknowledging his unique position within the Dutch Golden Age. While contemporaries like Rembrandt and Vermeer are often celebrated for their portraits and landscapes, van der Poel carved a distinct niche by specializing in dramatic historical scenes and depictions of everyday life – particularly those marked by calamity. His training is debated, with theories suggesting influences from Esaias van de Velde’s expansive landscapes and Aert van der Neer's atmospheric lighting. However, it was the Delft explosion itself that truly shaped his artistic trajectory, leading him to document this pivotal moment in Dutch history with unflinching detail.

Technically, “Fire in a Village” showcases van der Poel’s mastery of oil paint. The layering is incredibly rich, creating a palpable sense of texture and depth. Notice the subtle gradations of color within the flames – from the brightest yellows to the deepest reds – achieved through meticulous blending and glazing techniques. The artist's signature in the lower right corner serves as a quiet testament to his dedication and skill. The painting’s current location at the Hermitage Museum in St. Petersburg is fitting, given its enduring power to evoke both historical memory and profound emotional resonance.

Symbolism of Destruction and Resilience

Beyond simply depicting a fire, “Fire in a Village” carries significant symbolic weight. The village itself represents a microcosm of Dutch society – a community built on hard work, faith, and resilience. Its destruction serves as a potent metaphor for the fragility of life and the unpredictable nature of fate. The fleeing figures embody the human instinct to survive, highlighting our capacity for both fear and courage in the face of overwhelming adversity. The smoke billowing upwards, obscuring parts of the scene, can be interpreted as a visual representation of loss and uncertainty – a reminder that some things are irrevocably changed.

Bringing “Fire in a Village” Home: A OriginalUniqueArt Reproduction

OriginalUniqueArt is proud to offer meticulously crafted hand-painted reproductions of Egbert van der Poel’s "Fire in a Village." We replicate the artist's masterful use of light, shadow, and texture with unparalleled accuracy, ensuring that your reproduction captures the full emotional impact of this iconic work. Available in a range of sizes – from intimate 26 x 35 cm prints to larger statement pieces – our reproductions are created using archival-quality materials and techniques, guaranteeing their longevity and beauty for generations to come. Whether you’re an art collector, interior designer seeking to evoke a sense of drama and history, or simply someone captivated by this powerful image, a OriginalUniqueArt reproduction of “Fire in a Village” is a stunning addition to any space. Explore our selection today and bring home a piece of Dutch Golden Age artistry.

Pitanja i odgovori

U kom periodu karijere Egbert Van Der Poel pripada delo "Fire in a Village"?

"Fire in a Village" predstavlja Late Period umetnika Egbert Van Der Poel.

Da li je dostupno preuzimanje za "Fire in a Village"?

„Fire in a Village”, autor Egbert Van Der Poel možete preuzeti na stranici za Preuzimanje digitalnog prikaza ovog dela, kao preuzimanje digitalne slike visoke rezolucije.

Ko je autor dela "Fire in a Village" i u kom umetničkom pravcu?

Autor dela "Fire in a Village" je Egbert Van Der Poel, koji pripada pokretu 17th Century Realism.

More about this painting

Pregledaj u prostoru AR pregled Pređi na štampu Pređi na digitalnu sliku Pošalji
Detalji o delu Vodič Dodaj u omiljene Preuzmi Slični predmeti Rendgenski snimak Automatska prezentacija Q&A Statistika

In numbers

  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it
Egbert Van Der Poel

Egbert Van Der Poel

1621 - 1664, Holandija

Quick facts about Egbert Van Der Poel

  • Artistic Movement Or Style: Holandsko zlatno doba
  • Artists Who Influenced This Artist:
    • Esaias van de Velde
    • Aert van der Neer
    • Cornelis Saftleven
  • Date Of Birth: 1621
  • Date Of Death: 1664
  • Full Name: Egbert van der Poel
  • Nationality: Holandski
  • Notable Artworks:
    • Eksplozija delftskog magacina
    • Scena u dvorištu
    • Požar u selu
  • Place Of Birth: Delft, Holandija

Biografija umetnika

Svedok katastrofe: Život i umetnost Egberta van der Poela

Egbert van der Poel, ime možda manje slavno od nekih njegovih savremenika iz holandskog zlatnog doba, ipak zauzima vitalan i dirljiv prostor unutar umetničkog pejzaža sedamnaestovegnih Holandije. Rođen u Delftu 1621. godine, u porodici zanatlija — čiji je otac bio zlatar — Van der Poelov život se odvijao na pozadini naglog prosperiteta i, tragično, razornog neuzdanog puta. Iako detalji o njegovom ranoj edukaciji ostaju donekle neuhvatljivi, istorijski zapisi sugerišu mogućnost učenja pod vodstvom Esaiasa van de Velde, poznatog po svojim prostranim pejzažima, i Aerta van der Neera, majstora atmosferskih efekata svetlosti. Postoje i veze sa slikarom Adrijenom Lievenszom van der Poelom, za koga se veruje da mu je bio brat, kao i studije kod Kornelisa Saftlivena u Roterdamu, što nagoveštava formativni period prožet raznovrsnim umetničkim uticajima. Ova rana izlaganja oblikovala bi Van der Poelov prepoznatljiv stil, spajajući detaljno posmatranje sa dramskom veštinom u dočaravanju kako mira svakodnevnog života, tako i haosa nepredviđenih događaja.

Od pejzaža do elegije: Umetnički razvoj i ključne teme

Van der Poelovo umetničko putovanje počelo je fokusom na slikanje pejzaža, popularnog žanra tokom holandskog zlatnog doba. Međutim, on je brzo pokazao talenat za žanrovske scene — prikaze svakodnevice — prožete izuzetnom pažnjom posvećenom detaljima. Njegova rana dela otkrivaju suptilni uticaj njegovih potencijalnih mentora; odjekovi Van de Veldeovih panoramskih vidika i Van Neerove upečatljive upotrebe svetlosti mogu se uočiti u njegovim kompozicije. Dinamični aranžmani koje je favorizovao Saftleven verovatno su doprineli osećaju pokreta i drame koji će postati zaštitni znak Van der Poelovog stila. Godine 1650, zvanično se registrovao u esnaf Svetog Luke u Delftu kao pejzažni slikar, učvrstivši svoj profesionalni status u umetničkoj zajednici. Godinu dana kasnije, oženio se Aeltgen Willems van Linschooten u Maassluisu, blizu Roterdama, i zajedno su izgradili porodicu — sina i tri kćerke — dok su navigirali kroz složenosti života u brzom promenljivom svetu. Ali upravo je događaj koji je 1654. godine srušio mir Delfta neizbrisivo obeležio Van der Poelovo umetničko nasleđe.

Eksplozija u Delftu: Trenutak zamrznut u vremenu

Dana 12. oktobra 1654. godine, katastrofalna eksplozija prožešla je Delft, detonirajući skladište baruta i sravnivši veliki deo grada sa zemljom. Živeći u tom pogođenom području u to vreme, Van der Poel je iz prve ruke svedočio nezamislivoj razaranja. Ovaj događaj postao je presudna tema njegovog umetničkog stvaralaštva. Za razliku od mnogih umetnika koji bi se možda uzdržali od prikazivanja takvog užasa, Van der Poel se suočio sa njim direktno, kreirajući seriju slika koje su služile i kao istorijski zapis i kao duboko dirljiva elegija za izgubljene živote i razoreni grad. Eksplozija delftskog magacina, možda njegovo najikoničnije delo, živopisno prikazuje neposredne posledice — scenu potpunog haosa, sa zgradama svedenim na ruševine, figurama koje se probijaju kroz gomilu krhotina i dimom koji se izvija ka nebu. Ove slike nisu samo prikazi uništenja; one su moćni dokazi ljudske otpornosti pred licem tragedije. Druga dela poput Scena u dvorištu i Požar u selu, iako naizgled različitih tema, pokazuju njegov neprestani fascinacioni odnos prema scenama poremećaja i dramatičnim događajima.

Stil, značaj i trajno nasleđe

Van der Poelov umetnički stil karakterišu realizam, pedantna pažnja posvećena detaljima i generalno prigušena paleta boja koja njegovim radovima daje sombričan ton. Majstorstvo u upotrebi svetlosti i senke omogućavalo je stvaranje dubine i atmosfere, uvlačeći posmatrača u srce svake scene. Njegove kompozicije često sadrže dinamične rasporede figura i objekata, pojačavajući opšti osećaj drame i neposrednosti. Iako nije bio toliko slavljen tokom svog života kao neki od njegovih kolega, istorijski značaj Van der Poela leži u njegovoj jedinstvenoj dokumentaciji eksplozije baruta u Delftu — slikama koje služe kao neprocenjivi vizuelni zapisi ključnog trenutka u holandskoj istoriji. Umro je u Roterdamu 1664. godine, ostavivši za sobom korpus dela koji i danas rezonuje sa posmatračima. Njegove slike nude uvid u svet holandskog zlatnog doba, beležeći ne samo njegovu lepotu i prosperitet, već i njegovu ranjivost i podložnost tragediji. One nas podsećaju da čak i usred umetničkog veličanstva, uvek postoji prostor za svedočenje — za sećanje i za odavanje počasti onima čije bi priče inače mogle biti izgubljene u vremenu.
  • Rođen: Delft, Holandija (1621)
  • Preminuo: Rotterdam, Holandija (1664)
  • Poznat po: Žanrovskim scenama, pejzažima, prikazima eksplozije baruta u Delftu
  • Uticaji: Esaias van de Velde, Aert van der Neer, Cornelis Saftleven

Osnovne informacije

  • Subject or theme: Village fire disaster
  • Artistic style: Realism
  • Dimensions: 26 x 35 cm
  • Medium: Painting
  • Artist: Egbert van der Poel

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
What is the primary subject depicted in ‘Fire in a Village’?
Pitanje 2:
The color palette used in ‘Fire in a Village’ is characterized by:
Pitanje 3:
What is suggested by the simple and rustic architecture of the village in ‘Fire in a Village’?
Pitanje 4:
According to the description, what is the overall mood conveyed by ‘Fire in a Village’?
Pitanje 5:
Where is ‘Fire in a Village’ currently housed?