1989
Almost There (Al Held, 1989)
Al Held (1928–2005) je napravio Almost There. Datirano je iz 1989. Dimenzije su 60 × 45 cm.
- 1989
- 60 × 45 cm
Almost There, ukratko
- Naslov
- Almost There
- Umetnik
- Al Held (1928–2005)
- Rođen/a u
- Brooklyn, United States
- Datum
- 1989
- Dimenzije
- 60 × 45 cm
Slike visoke rezolucije za Almost There
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Al Held, Almost There (1989).
Odgovori na pitanja o Almost There
Kada je nastalo delo „Almost There”, autor Al Held?
„Almost There“ potiče iz 1989. Ovaj datum smešta delo u okviru karijere umetnika Al Held i same ere.
Koje su stvarne dimenzije dela „Almost There”, autor Al Held?
Dimenzije originalnog dela „Almost There”, autor Al Held su 60 x 45 cm.
Da li se prikaz „Almost There”, autor Al Held može slobodno reprodukovati?
Status autorskih prava za „Almost There”, autor Al Held: delo je i dalje je zaštićeno autorskim pravima. Ovo određuje da li se reprodukcije slike mogu slobodno izrađivati.
Ko je autor dela "Almost There"?
Delo "Almost There" pripisuje se umetniku Al Held.
Koliko je godina imao/la Al Held u vreme nastanka dela "Almost There"?
Al Held je kreirao/la "Almost There" u uzrastu od 61 godina. Umetnik je rođen/a 1928, a delo je datirano na 1989. godinu.
Da li je delo "Almost There" autora Al Held u javnom vlasništvu i zašto?
„Almost There”, autor Al Held je u i dalje je zaštićeno autorskim pravima. Autorska prava traju od smrti umetnika, koja se dogodila 2005.
O umetniku, Al Held
1928–2005, United States
Al Held
A Life Forged in Abstraction: The Journey of Al Held Al Held, a name synonymous with the dynamic tension between Abstract Expressionism and geometric precision, emerged from post-war Brooklyn as a pivotal figure in American art. Born in 1928 to Jewish immigrant parents navigating the hardships of the Great Depression, his early life instilled a quiet resilience that would later manifest in the ambitious scale and unwavering conviction of his canvases. The seeds of artistic ambition weren’t immediately sown; Held initially drifted, serving in the Navy before finding direction through a friend, Nicholas Krushenick, who encouraged him to enroll at the Art Students League of New York. This marked the beginning of a profound transformation, a shedding of early realism fueled by a burgeoning desire for something more elemental and expressive.