Portret Michele Marieschi

43 najbolj znanih slik umetnika Michele Marieschi, vsaka popolnoma edinstvena

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 46 del v našem katalogu avtorja Michele Marieschi

Kratek opis

The Grand Canal near the Salute (1733) je slika avtorja Michele Marieschi, ki pritegne največ pogledov; original se nahaja v muzeju Louvre, Pariz. Nato se pogled smeri k Capriccio with Classical Arch and Goats (1741) in The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742). Med 46 dela umetnika Michele Marieschi v našem katalogu so ta 43 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.

1710 – 1743, Venice Rococo Največ del: Narodni muzej v Varšavi

10 najboljjših slik umetnika Michele Marieschi skozi oči galerije

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Capriccio with Classical Arch and Goats (1741) avtorja Michele Marieschi

Capriccio with Classical Arch and Goats

1741 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Venecija

The composition centers on the intersection of human architecture and the persistent force of the natural world. Crumbling stone arches and weathered columns, once symbols of structural precision, now lie partially reclaimed by thick foliage and creeping vines. In the foreground, a man, a boy, and a dog move through the ruins, providing a sense of scale against the heavy, decaying masonry. Beyond this immediate scene, a body of water…

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The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) avtorja Michele Marieschi

The Grand Canal with the Ca' Rezzonico and the Campo San Samuele

1742 · Oil On Canvas · Staatliche Museen zu Berlin, Berlin

The oil on canvas titled The Grand Canal with the Ca' Rezzonico and the Campo San Samuele captures a specific slice of Venetian life. Painted by Michele Marieschi, the work dates to about 1742. It presents a wide view of the waterways that define the city, focusing on the intersection of grand architecture and the constant movement of the canals.

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Courtyard with a Staircase (1735) avtorja Michele Marieschi

Courtyard with a Staircase

1735 · Oil On Canvas · Ermitaž, Sankt Peterburg

Courtyard with a Staircase is an oil on canvas work by Michele Marieschi, executed in 1735. The composition functions as an architectural fantasy, presenting a structured arrangement of a staircase within a courtyard setting. This work belongs to the Venetian School, reflecting the topographical and imaginative traditions of 18th-century Italy.

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The Grand Canal in Venice (1700) avtorja Michele Marieschi

The Grand Canal in Venice

1700 · Oil · Museo di Capodimonte, Napoli

In the heart of the eighteenth century, Venice was not merely a city but a stage, a shimmering spectacle of light and water where every canal served as a corridor for drama and commerce. Michele Marieschi, a master of the veduta, captures this ephemeral magic in his breathtaking work, The Grand Canal in Venice. This painting serves as a portal to a bygone era, inviting the viewer to step onto…

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Most Rialta iz Riva del Vin (1740) avtorja Michele Marieschi

Most Rialta iz Riva del Vin

1740 · Olje na platnu · Ermitaž, Sankt Peterburg

Michele Marieschi: A Venetian Visionary Capturing Urban Life Michele Giovanni Marieschi (1710 – 18 January 1744) stands as a singular figure in the artistic landscape of Venice during the Rococo era, renowned primarily for his breathtaking landscapes and cityscapes—vedute—that captured the spirit of his time with remarkable vibrancy and innovation. Though biographical details remain scarce, Marieschi’s legacy rests on his ability to transform ordinary views into extraordinary canvases brimming with…

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The Grand Canal with Santa Maria della Salute (1730) avtorja Michele Marieschi

The Grand Canal with Santa Maria della Salute

1730 · Oil On Canvas · Thyssen-Bornemisza Museum, Madrid

The oil on canvas depicts the Grand Canal in Venice, Italy, as it appeared in 1730. At the terminus of the waterway, the Santa Maria della Salute church occupies the central focus. The structure features a prominent dome and smaller domes situated on either side. The building's architecture is characterized by its position at the end of the canal, which directs the eye toward the church's facade. Numerous gondolas and…

Slavna platna umetnika Michele Marieschi, od številk 11 do 43

11Fantastic Architecture of a Palace Courtyard (1730) avtorja Michele MarieschiFantastic Architecture of a Palace Courtyard1730 · Narodni muzej v Varšavi 12Riva degli Schiavoni (1730) avtorja Michele MarieschiRiva degli Schiavoni1730 · Narodni muzej v Varšavi 13Coastal Landscape (1730) avtorja Michele MarieschiCoastal Landscape1730 · Narodni muzej v Varšavi 14Fantastic Landscape with Ruins (1730) avtorja Michele MarieschiFantastic Landscape with Ruins1730 · Narodni muzej v Varšavi 15Italian scenery with figures (1727) avtorja Michele MarieschiItalian scenery with figures1727 16View of the Piazzetta dei Leoni (1734) avtorja Michele MarieschiView of the Piazzetta dei Leoni1734 · Bavarske državne slikopisne zbirke 17Saint Mark's Church and the Square in Venice (1739) avtorja Michele MarieschiSaint Mark's Church and the Square in Venice1739 18View of the Grand Canal near Cà Pesaro (1734) avtorja Michele MarieschiView of the Grand Canal near Cà Pesaro1734 · Bavarske državne slikopisne zbirke 19Landscape Capriccio (1735) avtorja Michele MarieschiLandscape Capriccio1735 · Minneapolis Institute of Art 20The Church of Santa Maria della Salute, Venice (1740) avtorja Michele MarieschiThe Church of Santa Maria della Salute, Venice1740 · Art Institute of Chicago 21Courtyard in a Renaissance House (1742) avtorja Michele MarieschiCourtyard in a Renaissance House1742 · Nationalmuseum 22Stairwell in a Renaissance Palace (1742) avtorja Michele MarieschiStairwell in a Renaissance Palace1742 · Nationalmuseum 23Architectural fantasy featuring a palace courtyard (1738) avtorja Michele MarieschiArchitectural fantasy featuring a palace courtyard1738 · Narodni muzej v Varšavi 24The Grand Canal with the Fishmarket (detail) (1740) avtorja Michele MarieschiThe Grand Canal with the Fishmarket (detail)1740 25The Grand Canal at San Geremia (1740) avtorja Michele MarieschiThe Grand Canal at San Geremia1740 26The Grand Canal with the Fishmarket (1740) avtorja Michele MarieschiThe Grand Canal with the Fishmarket1740 27View of the Rio di Cannareggio (1740) avtorja Michele MarieschiView of the Rio di Cannareggio1740 28The Grand Canal at San Geremia (detail) (1740) avtorja Michele MarieschiThe Grand Canal at San Geremia (detail)1740 29The Grand Canal with the Palazzo Labia and Entry to the Cannareggio (1742) avtorja Michele MarieschiThe Grand Canal with the Palazzo Labia and Entry to the Cannareggio1742 · Staatliche Museen zu Berlin 30Capriccio with Gothic Building and Obelisk (1741) avtorja Michele MarieschiCapriccio with Gothic Building and Obelisk1741 · Gallerie dell'Accademia di Venezia 31Piazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie Nuove avtorja Michele MarieschiPiazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie NuoveNational Gallery of Ireland 32View of the Dogana and Santa Maria della Salute avtorja Michele MarieschiView of the Dogana and Santa Maria della SaluteMuseum of Fine Arts 33View of Canale Grande in Venice with the Rialto Bridge avtorja Michele MarieschiView of Canale Grande in Venice with the Rialto BridgeStatens Museum For Kunst 34View of Canale Grande in Venice avtorja Michele MarieschiView of Canale Grande in VeniceStatens Museum For Kunst 35interior of a palazzo with scaffolding + figures avtorja Michele Marieschiinterior of a palazzo with scaffolding + figures 36View of a port avtorja Michele MarieschiView of a port 37palace - garden and walking people avtorja Michele Marieschipalace - garden and walking people 38St. Marcus place in Venice avtorja Michele MarieschiSt. Marcus place in Venice 39Landscape with ruins and a bridge avtorja Michele MarieschiLandscape with ruins and a bridgeNarodni muzej v Varšavi 40Landscape with ruins avtorja Michele MarieschiLandscape with ruinsNarodni muzej v Varšavi 41Architectural fantasy featuring a prison courtyard avtorja Michele MarieschiArchitectural fantasy featuring a prison courtyardNarodni muzej v Varšavi 42Imaginative View with Obelisk avtorja Michele MarieschiImaginative View with Obelisk 43View of Campo SS. Giovanni e Paolo, Venice avtorja Michele MarieschiView of Campo SS. Giovanni e Paolo, Venice

Motivi, ki so očarali Michele Marieschi

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika Michele Marieschi

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Michele Marieschi Slike iz tega seznama
Narodni muzej v Varšavi, VaršavaNarodni muzej v Varšavi Varšava 10 Ponte di Rialto, Fantastic Architecture of a Prison Courtyard, Fantastic Architecture of a Palace Courtyard
Gallerie dell'Accademia di Venezia, VenecijaGallerie dell'Accademia di Venezia Venecija 2 Capriccio with Classical Arch and Goats, Capriccio with Gothic Building and Obelisk
Staatliche Museen zu Berlin, BerlinStaatliche Museen zu Berlin Berlin 2 The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, The Grand Canal with the Palazzo Labia and Entry to the Cannareggio
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 2 Courtyard with a Staircase, Most Rialta iz Riva del Vin
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 2 View of the Piazzetta dei Leoni, View of the Grand Canal near Cà Pesaro
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Courtyard in a Renaissance House, Stairwell in a Renaissance Palace
Statens Museum For Kunst, KopenhagenStatens Museum For Kunst Kopenhagen 2 View of Canale Grande in Venice with the Rialto Bridge, View of Canale Grande in Venice
Louvre, ParizLouvre Pariz 1 The Grand Canal near the Salute

Michele Marieschi skozi desetetja: vsak unikatni original za vsako obdobje

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Slike umetnika Michele Marieschi: vprašanja za galerijo

Katero je najbolj znano delo umetnika Michele Marieschi?Razkriti odgovor

The Grand Canal near the Salute (1733), Louvre, Pariz. Zatem sledeta Capriccio with Classical Arch and Goats (1741) in The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Pri kateri dobe je Michele Marieschi ustvaril The Grand Canal near the Salute?Razkriti odgovor

23 let: delo The Grand Canal near the Salute iz leta 1733, Michele Marieschi pa je bil/a rojen/a leta 1710.

Katera desetina slik avtorja Michele Marieschi je najbolj znana?Razkriti odgovor

The Grand Canal near the Salute, Capriccio with Classical Arch and Goats, The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, Courtyard with a Staircase, The Grand Canal in Venice, Most Rialta iz Riva del Vin, The Grand Canal with Santa Maria della Salute, An Architectural Capriccio with Figures beside a River, Ponte di Rialto in Fantastic Architecture of a Prison Courtyard. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko je znanih del avtorja Michele Marieschi?Razkriti odgovor

Naš katalog vsebuje 46 del avtorja Michele Marieschi, datiranih od 1727 do 1742.

Kje si lahko ogledate najslavnejše originale umetnika Michele Marieschi?Razkriti odgovor

Večini v Narodni muzej v Varšavi (Varšava), Gallerie dell'Accademia di Venezia (Venecija) in Staatliche Museen zu Berlin (Berlin). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerem obdobju je Michele Marieschi ustvaril svoja najbolj znana dela?Razkriti odgovor

V obdobju 1730s: 14 od 43 del na tej strani je bilo izdelovanih takrat, med njimi pa The Grand Canal near the Salute.

Katero znano sliko je naslikal Michele Marieschi najprej in katero najpozdneje?Razkriti odgovor

Na tej strani je najstarejše delo iz Italian scenery with figures (1727) in najstarejše iz The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Katere teme je Michele Marieschi najprej ravnate?Razkriti odgovor

Boats (4), Architecture (4) in Canal (3), na 43 delih na tej strani.

S katerimi materiali je Michele Marieschi najpogosteje slikal?Razkriti odgovor

Oil On Canvas, za 5 od 43 del na tej strani.

Kateri umetniški slog predstavlja delo umetnika Michele Marieschi?Razkriti odgovor

Rococo, glede na originala na tej strani.

Katere originale Michele Marieschi lahko vidim v muzeju Narodni muzej v Varšavi?Razkriti odgovor

Ponte di Rialto, Fantastic Architecture of a Prison Courtyard in Fantastic Architecture of a Palace Courtyard: v muzeju Narodni muzej v Varšavi, Varšava se nahaja 10 del z te strani.

Michele Marieschi: portret umetnika

The Venetian Visionary: The Life and Legacy of Michele Marieschi

In the golden age of the Venetian Rococo, few artists captured the ephemeral magic of the Serenissima with as much vitality as Michele Giovanni Marieschi. Born in Venice in 1710, Marieschi emerged from a lineage of craftsmanship, being the son of a woodcarver—a background that likely instilled in him a profound respect for structure, texture, and the physical essence of the objects he depicted. While his life was relatively brief, spanning only until his death in early 1744, his impact on the veduta tradition remains indelible. He did not merely document the architecture of Venice; he breathed life into its stone and water, transforming static cityscapes into breathing, luminous narratives of light and movement.

The development of Marieschi’s unique style was deeply rooted in the artistic currents flowing through 18th-century Italy. Scholars often point to the influence of masters such as Gaspare Diziani and the legendary Canaletto, whose works provided a blueprint for capturing the grandeur of urban environments. However, where Canaletto sought a certain topographical precision and a more restrained, classical clarity, Marieschi found his voice in a bolder, more emotive approach. He embraced a palette that pulsed with color and a brushwork that felt spontaneous and energetic. This stylistic distinction allowed him to move beyond mere architectural recording, infusing his landscapes with a sense of theatricality and atmosphere that suggested the very pulse of Venetian life.

Mastery of Light and the Veduta Tradition

Marieschi’s contribution to the veduta—the genre of highly detailed, large-scale topographical paintings—is characterized by an extraordinary command of perspective and light. His works often feature iconic landmarks such as the Grand Canal, the Salute, and various majestic palaces, yet they are far from being mere postcards of the era. Instead, he utilized a technique that blended meticulous detail with imaginative embellishment, creating scenes that felt both real and dreamlike. Through his eyes, the water of the canals becomes a mirror for the shifting sky, and the shadows cast by ancient churches become vessels for mystery and depth.

His technical prowess is perhaps most evident in his ability to manipulate light to evoke specific moods:

  • Atmospheric Perspective: The use of soft, hazy tones to create a sense of immense distance and scale within his cityscapes.
  • Dynamic Brushwork: A lively application of paint that captures the shimmering reflections on the Venetian lagoons.
  • Architectural Grandeur: A profound understanding of structural geometry, allowing him to render complex facades with both accuracy and elegance.

Historical Significance and Artistic Resonance

The historical significance of Michele Marieschi lies in his ability to bridge the gap between the rigid documentation of the early 18th century and the more expressive, emotive landscapes that would follow. He was a pivotal figure in transitioning the Venetian view from a purely observational medium into an art form capable of conveying profound emotional resonance. His work serves as a vital window into a vanished world, preserving the splendor of Venice before the seismic shifts of the late 18th century altered its social and political landscape forever.

Today, Marieschi’s canvases continue to captivate collectors and historians alike. Whether it is the breathtaking view of the Grand Canal near the Salute or his more intimate architectural studies, his paintings remain masterclasses in the Rococo spirit. He remains a celebrated figure for those seeking to experience the vibrant energy, the luminous light, and the enduring elegance of a Venice that continues to haunt the collective imagination of the art world.