Portret Michiel Sweerts

83 najbolj znanih slik umetnika Michiel Sweerts, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 86 del v našem katalogu avtorja Michiel Sweerts

Kratek opis

Med vsemi originali, ki jih je pustil Michiel Sweerts, je najbolj znan Double portrait of a man and a boy (1650), ki se nahaja v kolekciji Schloss Weißenstein, Poppenhausen. Takoj za njima sta Head of a boy with a soap bubble (1657) in Portrait of Joseph Deutz (1648). Naš katalog vsebuje 86 del umetnika Michiel Sweerts; galerija je ohranila 83 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1618 – 1664, Bruselj Baroque Največ del: Museum Boijmans Van Beuningen

10 najboljših slik umetnika Michiel Sweerts: izbira galerije

1
Double portrait of a man and a boy (1650) avtorja Michiel Sweerts

Double portrait of a man and a boy

1650 · Oil On Canvas · Schloss Weißenstein, Poppenhausen

A heavy, scarlet robe anchors the composition, its folds catching a sharp, directional light that spills from the left. This light carves the man’s profile against a dark, indeterminate background, turning the fabric into a landscape of deep shadows and bright, lustrous peaks. He sits in a moment of quiet stillness, his gaze turning back toward the viewer, while a young boy remains positioned to his side, facing forward. The…

2
Head of a boy with a soap bubble (1657) avtorja Michiel Sweerts

Head of a boy with a soap bubble

1657 · Oil · Groninger Museum, Groningen

A young boy gazes into the distance, his attention caught by something just beyond the frame. He sits in a quiet, three-quarter view, his head and shoulders emerging from a deep, indeterminate darkness. The light falls softly from the upper left, brushing against the gentle curve of his forehead and the bridge of his nose, leaving the right side of his face in a soft, warm shadow. His wavy, light…

3
Portrait of Joseph Deutz (1648) avtorja Michiel Sweerts

Portrait of Joseph Deutz

1648 · Oil On Canvas · Rijksmuseum, Amsterdam

A young man sits suspended in a heavy, velvet silence, his presence emerging from a darkness so profound it feels tangible. The light, striking from the upper left, carves his features out of the shadows, illuminating the soft curve of his cheek and the thoughtful tilt of his head. He rests a hand near his chin, a gesture that suggests a mind caught in the middle of a sudden, heavy…

4
Boy in a Turban holding a Nosegay (1659) avtorja Michiel Sweerts

Boy in a Turban holding a Nosegay

1659 · Oil On Canvas · Thyssen-Bornemisza Museum, Madrid

In the dim, intimate space of this portrait, we find ourselves face to face with a young boy, his presence defined by a soft, directional light that enters from the upper left. He is draped in a heavy, cerulean blue cloak, the fabric rendered with a tactile weight that suggests both warmth and substance. A voluminous, creamy turban wraps around his head, partially obscuring his hair and lending him an…

5
A boy with an extinguished candle - smell (1650) avtorja Michiel Sweerts

A boy with an extinguished candle - smell

1650 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

A boy with an extinguished candle - smell by Michiel Sweerts functions as a deliberate allegory on the sense of smell. Created between 1656 and 1661, the work belongs to a series of sensory explorations. It is designed as a pendant to Girl with a bandaged finger (Feeling), forming a conceptual pair that examines human perception through allegorical representation.

6
A Sleeping Boy and a Man Removing Fleas from Himself (1652) avtorja Michiel Sweerts

A Sleeping Boy and a Man Removing Fleas from Himself

1652 · Oil On Canvas · Mauritshuis, Haag

The air feels heavy and still in this dim, rural corner. A muscular man sits hunched forward, his bare chest catching a sharp, dramatic light that cuts through the surrounding shadows. He leans into a private, repetitive motion, using a cloth to wipe his face or perhaps tending to the persistent irritation of fleas. Beside him, the world has slowed to a complete halt for a young boy. The child…

7
Portrait of a Man (1650) avtorja Michiel Sweerts

Portrait of a Man

1650 · Oil On Panel · Ermitaž, Sankt Peterburg

A somber, intimate study of a young man emerges from a void-like, dark background. Positioned slightly off-center, the subject meets the viewer's gaze with a calm, contemplative expression. The composition utilizes dramatic chiaroscuro, where light falls intensely upon the face and gesturing hands, creating a sense of three-dimensionality against the shadows. Soft, blended lines define the hair and skin, while delicate brushwork suggests the texture of a lace collar and…

8
Portrait of an unknown man (1650) avtorja Michiel Sweerts

Portrait of an unknown man

1650 · Oil On Panel · Kunsthistorisches Museum, Dunaj

A middle-aged man sits in a quiet, interior space, his body angled slightly toward the light. He is draped in heavy, voluminous red fabric that catches the shadows in its deep folds. A soft fur trim edges his doublet, adding a tactile layer to the composition. To his left, the muscular, stone-like contours of a classical statue emerge from the gloom, a silent companion to his scholarly air. Through a…

9
A young gentleman (1637) avtorja Michiel Sweerts

A young gentleman

1637 · Oil · Fitzwilliam Museum

A young gentleman is a portrait by the artist Michiel Sweerts. This work is dated 1637. The painting depicts a single youth positioned in a vertical, three-quarter length composition. The subject is a boy with dark, shoulder-length hair. He is presented against a deep, nearly black background that provides a sense of depth behind the figure.

10
Homely Scene (1641) avtorja Michiel Sweerts

Homely Scene

1641 · Oil · Bavarske državne slikopisne zbirke, München

is an oil painting by the Flemish artist Michiel Sweerts. Created about 1641, the work captures a quiet, monochromatic moment of domesticity. The scene focuses on the silent connection between an older woman and a young child, rendered in grayscale tones that emphasize the weight of the interaction.

Izbor umetnika Michiel Sweerts se nadaljuje, od 11 do 83

11Soldiers playing cards in a cave converted into a guardroom (1645) avtorja Michiel SweertsSoldiers playing cards in a cave converted into a guardroom1645 12Burying the dead (one of the seven acts of mercy) (1647) avtorja Michiel SweertsBurying the dead (one of the seven acts of mercy)1647 · Wadsworth Atheneum 13Young artist drawing beggars in a landscape (1643) avtorja Michiel SweertsYoung artist drawing beggars in a landscape1643 · Gebruder Douwes 14Interior with an old man and a boy by a fire pit and a woman sweeping the floor (1648) avtorja Michiel SweertsInterior with an old man and a boy by a fire pit and a woman sweeping the floor1648 15Woman in an interior delousing a child (1648) avtorja Michiel SweertsWoman in an interior delousing a child1648 16An old man knitting with a boy by his side (1646) avtorja Michiel SweertsAn old man knitting with a boy by his side1646 · Musée de Grenoble 17Nitpicking (1646) avtorja Michiel SweertsNitpicking1646 · Musée des Beaux-Arts de Strasbourg 18Gentleman arriving in a southern port (1650) avtorja Michiel SweertsGentleman arriving in a southern port1650 19Bathers (1655) avtorja Michiel SweertsBathers1655 · Musée des Beaux-Arts de Strasbourg 20Self-portrait with a Skull (1660) avtorja Michiel SweertsSelf-portrait with a Skull1660 · Agnes Etherington Art Center 21A Young Couple and a Boy in a Garden (1650) avtorja Michiel SweertsA Young Couple and a Boy in a Garden1650 · Worcester Art Museum 22Self-portrait (1656) avtorja Michiel SweertsSelf-portrait1656 · Allen Memorial Art Museum 23Boy with a Hat (1655) avtorja Michiel SweertsBoy with a Hat1655 · Wadsworth Atheneum 24Old pilgrim (1650) avtorja Michiel SweertsOld pilgrim1650 · Kapitolinski muzeji 25Old peasant (1650) avtorja Michiel SweertsOld peasant1650 · Kapitolinski muzeji 26Boy Drawing before the Bust of a Roman Emperor (1661) avtorja Michiel SweertsBoy Drawing before the Bust of a Roman Emperor1661 · Minneapolis Institute of Art 27Plague in an Ancient City (1652) avtorja Michiel SweertsPlague in an Ancient City1652 · Los Angeles County Museum of Art 28Portrait of a Youth (1656) avtorja Michiel SweertsPortrait of a Youth1656 · Fine Arts Museums of San Francisco 29Sleeping old man and girl (1650) avtorja Michiel SweertsSleeping old man and girl1650 · Museum Boijmans Van Beuningen 30Peasant Family, with a Man Removing Fleas from Himself (1658) avtorja Michiel SweertsPeasant Family, with a Man Removing Fleas from Himself1658 · Mauritshuis 31Young man wearing a turban holding an upturned roemer (The fingernail test) (1649) avtorja Michiel SweertsYoung man wearing a turban holding an upturned roemer (The fingernail test)1649 32Portrait of an Old Man Begging (1650) avtorja Michiel SweertsPortrait of an Old Man Begging1650 33Genre scene (1650) avtorja Michiel SweertsGenre scene1650 · Accademia di San Luca 34Old Man and Spinster (1650) avtorja Michiel SweertsOld Man and Spinster1650 · Musée des Beaux-Arts 35Portrait of an unknown man (1657) avtorja Michiel SweertsPortrait of an unknown man1657 36A Woman Spinning (1656) avtorja Michiel SweertsA Woman Spinning1656 · Museum Gouda 37Elegant couple with shepherds in the Roman Campania (1650) avtorja Michiel SweertsElegant couple with shepherds in the Roman Campania1650 · Accademia di San Luca 38Portrait of a boy (1660) avtorja Michiel SweertsPortrait of a boy1660 39Men wrestling before a crowd (1650) avtorja Michiel SweertsMen wrestling before a crowd1650 40Hunting party resting by an inn (1650) avtorja Michiel SweertsHunting party resting by an inn1650 41Woman making her toilet (1650) avtorja Michiel SweertsWoman making her toilet1650 · Accademia di San Luca 42A lady sewing in an interior (1652) avtorja Michiel SweertsA lady sewing in an interior1652 43Old Man With a Boy (1651) avtorja Michiel SweertsOld Man With a Boy1651 · Gemäldegalerie 44Old Woman With a Girl (1651) avtorja Michiel SweertsOld Woman With a Girl1651 · Gemäldegalerie 45Girl with a bandaged finger - feeling (1650) avtorja Michiel SweertsGirl with a bandaged finger - feeling1650 · Museum Boijmans Van Beuningen 46Four Youths around a Fire (1650) avtorja Michiel SweertsFour Youths around a Fire1650 · Philadelphia Museum of Art 47Portrait of a Seated Man with a Boy (1669) avtorja Michiel SweertsPortrait of a Seated Man with a Boy1669 · Philadelphia Museum of Art 48Portrait of a Young Boy with a Hat (1655) avtorja Michiel SweertsPortrait of a Young Boy with a Hat1655 · The Leiden Collection 49The Great Laundry Day (1647) avtorja Michiel SweertsThe Great Laundry Day1647 50Man Drinking (1648) avtorja Michiel SweertsMan Drinking1648 51Clothing the Naked (1661) avtorja Michiel SweertsClothing the Naked1661 · Metropolitanski muzej umetnosti 52Mars Destroying the Arts (1652) avtorja Michiel SweertsMars Destroying the Arts1652 53Man with a Pipe (1650) avtorja Michiel SweertsMan with a Pipe1650 · Fogg Museum of Art 54A Young Maidservant (1660) avtorja Michiel SweertsA Young Maidservant1660 · Mauritshuis 55Man Holding a Jug (1660) avtorja Michiel SweertsMan Holding a Jug1660 · Metropolitanski muzej umetnosti 56Self-Portrait (1656) avtorja Michiel SweertsSelf-Portrait1656 · Allen Memorial Art Museum 57A Hunting Company Resting (1651) avtorja Michiel SweertsA Hunting Company Resting1651 58Portrait of a Girl avtorja Michiel SweertsPortrait of a GirlNew Walk Museum - Art Gallery 59Boy in a Turban (1656) avtorja Michiel SweertsBoy in a Turban1656 · Thyssen-Bornemisza Museum 60An Inn Parlour (1660) avtorja Michiel SweertsAn Inn Parlour1660 · Alte Pinakothek 61Portrait of a man avtorja Michiel SweertsPortrait of a manMuseum of Fine Arts Ghent (MSK) 62Woman making her toilet, Vanitas avtorja Michiel SweertsWoman making her toilet, Vanitas 63Artists Resting by a Fountain avtorja Michiel SweertsArtists Resting by a Fountain 64Portrait of a Boy (1658) avtorja Michiel SweertsPortrait of a Boy1658 65A Game of Draughts (1652) avtorja Michiel SweertsA Game of Draughts1652 · Rijksmuseum 66Young Artist Drawing Bernini's Neptune and Triton avtorja Michiel SweertsYoung Artist Drawing Bernini's Neptune and TritonMuseum Boijmans Van Beuningen 67Old man and a boy avtorja Michiel SweertsOld man and a boyAccademia di San Luca 68Two Seated Figures with a Dog avtorja Michiel SweertsTwo Seated Figures with a Dog 69Portrait of a Sculptor avtorja Michiel SweertsPortrait of a Sculptor 70Harbouring the Stranger avtorja Michiel SweertsHarbouring the Stranger 71Portrait of a gentleman avtorja Michiel SweertsPortrait of a gentlemanDallas Museum of Art 72An old woman spinning avtorja Michiel SweertsAn old woman spinningFitzwilliam Museum 73Portrait of Man avtorja Michiel SweertsPortrait of ManWallace Collection 74Portrait of a young woman. avtorja Michiel SweertsPortrait of a young woman. 75Portrait of a Young Man (1656) avtorja Michiel SweertsPortrait of a Young Man1656 · Ermitaž 76The Drawing Class (1656) avtorja Michiel SweertsThe Drawing Class1656 · Frans Halsmuseum 77Wrestling match avtorja Michiel SweertsWrestling matchStaatliche Kunsthalle Karlsruhe 78In the Studio (1652) avtorja Michiel SweertsIn the Studio1652 · Detroit Institute of Arts 79Roman Street Scene with a Young Artist (1640) avtorja Michiel SweertsRoman Street Scene with a Young Artist1640 · Museum Boijmans Van Beuningen 80Head of an Old Woman (1654) avtorja Michiel SweertsHead of an Old Woman1654 · J. Paul Getty Museum 81Young Man and the Procuress (1660) avtorja Michiel SweertsYoung Man and the Procuress1660 · Louvre 82Soldiers Playing Dice (1655) avtorja Michiel SweertsSoldiers Playing Dice1655 · Thyssen-Bornemisza Museum 83Double Portrait (1662) avtorja Michiel SweertsDouble Portrait1662 · J. Paul Getty Museum

Motivi, ki so očarali Michiel Sweerts

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika Michiel Sweerts

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Michiel Sweerts Slike iz tega seznama
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 5 A boy with an extinguished candle - smell, Sleeping old man and girl, Girl with a bandaged finger - feeling
Accademia di San Luca, RimAccademia di San Luca Rim 4 Genre scene, Elegant couple with shepherds in the Roman Campania, Woman making her toilet
Thyssen-Bornemisza Museum, MadridThyssen-Bornemisza Museum Madrid 3 Boy in a Turban holding a Nosegay, Boy in a Turban, Soldiers Playing Dice
Mauritshuis, HaagMauritshuis Haag 3 A Sleeping Boy and a Man Removing Fleas from Himself, Peasant Family, with a Man Removing Fleas from Himself, A Young Maidservant
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of Joseph Deutz, A Game of Draughts
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 2 Portrait of a Man, Portrait of a Young Man
Fitzwilliam MuseumFitzwilliam Museum 2 A young gentleman, An old woman spinning
Wadsworth Atheneum, HartfordWadsworth Atheneum Hartford 2 Burying the dead (one of the seven acts of mercy), Boy with a Hat

Michiel Sweerts desetletje za desetletjem: originali, ki definira vsako od njih

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Vprašanja zbirateljev o slikah umetnika Michiel Sweerts

Za katero delo je Michiel Sweerts najbolj znan/a?Razkriti odgovor

Double portrait of a man and a boy (1650), Schloss Weißenstein, Poppenhausen. Zatem sledeta Head of a boy with a soap bubble (1657) in Portrait of Joseph Deutz (1648).

Koliko je bil Michiel Sweerts let, ko je nastalo delo Double portrait of a man and a boy?Razkriti odgovor

32 let: delo Double portrait of a man and a boy iz leta 1650, Michiel Sweerts pa je bil/a rojen/a leta 1618.

Katera je deset najbolj znanih slik umetnika Michiel Sweerts?Razkriti odgovor

Double portrait of a man and a boy, Head of a boy with a soap bubble, Portrait of Joseph Deutz, Boy in a Turban holding a Nosegay, A boy with an extinguished candle - smell, A Sleeping Boy and a Man Removing Fleas from Himself, Portrait of a Man, Portrait of an unknown man, A young gentleman in Homely Scene. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko slik je pustil Michiel Sweerts?Razkriti odgovor

Naš katalog vsebuje 86 del avtorja Michiel Sweerts, datiranih od 1637 do 1662.

V katerih muzejih so razložena remek dela umetnika Michiel Sweerts?Razkriti odgovor

Večini v Museum Boijmans Van Beuningen (Rotterdam), Accademia di San Luca (Rim) in Thyssen-Bornemisza Museum (Madrid). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerih letih je Michiel Sweerts naslikal svoja najbolj znana dela?Razkriti odgovor

V obdobju 1650s: 45 od 83 del na tej strani je bilo izdelovanih takrat, med njimi pa Double portrait of a man and a boy.

Kakšna sta prva in zadnja znana originala umetnika Michiel Sweerts?Razkriti odgovor

Na tej strani je najstarejše delo iz A young gentleman (1637) in najstarejše iz Double Portrait (1662).

Katere teme je Michiel Sweerts najpogosteje izbiral?Razkriti odgovor

Man (31), Woman (17) in Dark background (16), na 83 delih na tej strani.

Katero tehniko je Michiel Sweerts najpogosteje uporabljal?Razkriti odgovor

Oil On Canvas, za 40 od 83 del na tej strani.

Kateri umetniški slog pripada Michiel Sweerts?Razkriti odgovor

Baroque, glede na originala na tej strani.

Katera dela umetnika Michiel Sweerts so razstavljena v muzeju Museum Boijmans Van Beuningen?Razkriti odgovor

A boy with an extinguished candle - smell, Sleeping old man and girl in Girl with a bandaged finger - feeling: v muzeju Museum Boijmans Van Beuningen, Rotterdam se nahaja 5 del z te strani.

Michiel Sweerts: življenje in delo

Življenje skozi meje: razkrivanje enigmatičnega Michiela Sweertsja

Rojen v Bruselu leta 1618 je se Michiel Sweerts pojavil kot prepričljiv, pa pogosto preobremenjen osebnost v živahnem baroknem umetniškem svetu. Jeho življenje je bilo znakjaven z izjemno gibljivičnjo potijo, ki je presegala kulturne krajine Italije, Belgije, Amsterdama, pa je celo šlo do eksotičnih končin Persije in Indije. V nasprotju s številnimi umetniki, tesno zakorenjenimi v eni tradiciji, je Sweerts absorbiral različne vplive, ustvarjajoč edinstven stil, ki je spletal flamski realizem z italijansko veličastjo in nizozemskim žanrsko občutjem. Malo se znano o njegovem zgodnjem usposabljanju; izgleda, da je kot umetnik prilegel v Rim okoli leta 1646, kjer se je takoj povezal z krožem umetnikov, znanih kot Bamboccianti. Ti slikari, večinoma iz severne Evrope, so se specializirali na prikaz vsakdanje življenja v Italiji – pomrjne ulične scene, skromna delavnice in barvne likovke, ki so naseljevale rimsko družbo – zadovoljčitev vse večj trga za žanrskimi sliko v mediborci doma.

Rim in Bamboccianti: Temelj realizma

Sweerts je hitro našel svoje mesto znotraj te skupine, se pa je razdvojil s povišeno stopnjo stilistike majstorstva in podtemeljnim socialnim komentarjem, ki je rezoniral čez zgolj slikovito predstavitev. Medtem ko so drugi namestili na površinsko privlačnost, je Sweerts v svoje scene vgradil ostreje opažanje človeške narave in kompleksnosti vsakdanje obstoja. Njegovi spletni prikazi umetnikovih delavnic – prostorov, kjer je rojilo širilo alongside zahtevnega usposabljanja – so posebej vpogledni, saj ponujajo zmočince v umetniške procese te epoh. On ni le bil dokumentovalec tega, kar je videl; analiziral ga je, subtilno vprašal po ustaljenih normah in raziskoval teme umetniškega poukašanja in intelektualnega sticanja. Ta obdobje je prav tako prineslo Sweertsju možnost ustvarjati prepričljive portrete in *tronije* – likovne študije, ki niso nujno nameravali biti natančne podobnosti, temveč razenje izraza in tipa. Njegova rastjojo ugleda je privlačila patronato znamljivih osebnosti kot so družina Deutz in princ Camillo Pamphili, kar je utrdilo njegovo mesto v rimskih umetniških krogih.

Potnik umetnik: Razširitev vidikov

Vendar pa ni bil Rim trajno bivališče za Sweertsja. Okoli leta 1655 se je kratko vrnil v Bruselj, kjer je ustanovil risarsko akademijo – dokaz svoje namene za vzgojo umetniškega talenta. Ta podjetje, čeprav je bilo kratkotrajno, kaže na njegove pedagoške nagonke in željo po delitvi znanja. Njegovi potovanja so ga nato vodila v Amsterdam zgodnjih 1660-ih let, kjer se je namaknil v razvijajočo se umetniško sceno nizozemskega zlatajega doba. Vpliv nizozemskih majstorjev – njihov pedantičen realizem, majstersko uporabo svetlobe in fokus na žanrsko gradivo – je očitno v njegovih kasnejših delih. Toda najizemnejše potovanje Sweertsja se je zgodilo naprej: potovanje v Persijo in Indijo (Goa). Podrobnosti, ki okoli tega obdobja obstajajo, ostajajo redke, prekrivene zlamom, vendar je brez dvoma razširilo njegove kulturne vidike in morda vplivalo na njegovo gradivo, predstavljajoč nove perspektive in eksotične elemente v njegov umetniški vokabular. Točna narava njegove dejavnosti med těimi potovanjami ostaja eno od trajnega enigmatikov njegove kariere.

Zakladje ponovno odkriveno: Barokni majstor za novo dobo

Michiel Sweerts je umrl leta 1664, pustil za seboj zbirko del, ki so bili cenjeni v življenju, a so sčasoma postali relativno zapostljeni. Šele v 20. stoletju so znanstveniki začeli ponovno odkrivati in preobremenjevati njegove prispevke barokni umetnosti. Danes so njegove slike ohranjene v uglednih muzejih po vsej sveti – Nacionalna galerija v Londonu, Detroitški institut umetnosti in številne zbirke po Evropi in Ameriki – svedočanstvo o njegovi trajnem umetniškem zaslušju. Знаčenje Sweertsja leži ne samo v njegovem tehničnem znanji, temviš tudi v njegovi sposobnosti brezhibno spajati različne vplive – italijanski barokni dramatik, nizozemski realizem in eksotično privlačnost vzhoda. Bil je res internacionalni umetnik, ki je telesoval vse bolj povezano naravo umetniškega sveta 17. stoletja. Njegove slike ponujajo več kot le vizualno zadovoljstvo; namestijo vpogledne zmočince v družbeni tkivo njegovega časa, odraščajo njegovo ostre opažanje in subtilne kritike. Portret moškega z rdečim plaščem, ki se verjetno nanaša na Jeana Deutza, predstavlja njegovo majstorstvo portretiranja, medtem ko so njegove žanrske scene še naprej osvajajo gledalce svojo živahno podrobnost in narativno globino. Michiel Sweerts ostaja enigmatična osebnost, vendar takšna, čigar umetniški naslejko končno prejema priznanje, ki mu pripada – versatilni majstor, ki je barokno obdobje obogatelj svojimi edinstvenimi vizijami in neomajenostjo v zbiranju človeškega izkušnja.