Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 78 del v našem katalogu avtorja Henri Gervex
Kratek opis
Med vsem originalom, ki ga je Henri Gervex pustil, je najbolj znan Study For A Portrait Of Tsar Nicholas Ii. Takoj za njima sta Portrait De Madame G. in Portrait of Alfred Stevens (1884). Naš katalog vsebuje 78 del umetnika Henri Gervex; galerija je ohranila 77 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
Henri Gervex produced this study, titled Study For A Portrait Of Tsar Nicholas Ii, during a period of significant imperial commission. The work focuses on the likeness of Tsar Nicholas II, the final ruler of the Romanov dynasty before the revolution of 1917. Gervex, a prominent figure in French Naturalism, developed this composition as a preparatory exploration for a larger official portrait of the Russian Emperor.
Portrait De Madame G. is a work by the French artist Henri Gervex. This piece depicts a woman positioned within an outdoor setting, likely a garden or a park situated near a body of water. The subject is presented in a formal yet relaxed pose, occupying the central portion of the frame. She is dressed in elegant attire, which includes a flowing gown and a large hat. A draped shawl…
The work before us is titled Portrait of Alfred Stevens, a significant oil on canvas created by the French artist Henri Gervex. Painted in 1884, this portrait offers a direct encounter with the subject, Alfred Stevens, capturing him in a moment of quiet presence. It is a piece that reflects the specific social and artistic milieu of late 19th-century France through its formal execution and the identity of its sitter.
In Café Scene in Paris, Henri Gervex offers us a quiet glimpse into the daily rhythms of the city. The painting captures a lively moment within a traditional Parisian café, focusing on a group of people gathered around a large rectangular table. Some figures are seated while others stand, creating a sense of natural, unforced movement. It is a snapshot of urban life, caught in a moment of social interaction.
In this preparatory study from 1880, we find Henri Gervex working with a sense of purpose that transcends mere sketching. This is a design for the wedding hall of the Mairie of the 19th Arrondissement in Paris, a space intended to host the most fundamental of civic ceremonies. The composition is structured around three octagonal medallions, arranged with a formal, rhythmic precision against a muted, olive-green ground. There is a…
The scene unfolds in a swirling, oval vignette, pulling the eye into a crowded celebration of human industry and community. Figures move with a restless energy, their bodies caught in mid-gesture against a backdrop of monumental architecture. To the right, massive classical columns rise upward, grounding the composition with a sense of permanence, while the sky peeks through in pale, airy blues. There is a palpable sense of motion here,…
The composition of Allegory of the Bank by Henri Gervex is centered on a single female figure positioned within an oval vignette. This figure is seated atop a celestial or cloud-like formation that occupies the middle ground. She holds a vessel or cornucopia-like object in her hands, symbolizing abundance. Below this central figure, elements suggestive of commerce and industry are partially visible. A globe and heavy, ornate fabrics are situated…
In this 1884 oil portrait, we find ourselves in an intimate, private space with Madame Blerzy. She is seated slightly off-center, her head resting gently against her right hand in a gesture of quiet introspection. There is a profound sense of poise in her posture, a stillness that suggests a woman accustomed to the weight of her own thoughts. The composition draws the eye through a soft, directional light that…
In this intimate oil on canvas, we encounter Woman with a Fan (Portrait of Réjane?), a work that captures a singular moment of poise and elegance. The artist, Henri Gervex, presents us with a subject who commands the space through a quiet, seated grace. She holds a pink folding fan, a detail that draws the eye toward her hands and the soft textures of her attire. There is a sense…
In the large-scale expanse of Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform, Henri Gervex captures a moment of quiet social gravity. This academic oil painting, dating to about 1889, presents a gathering of men that feels caught in a suspended breath of history. The figures occupy a space that bridges the gap between private conversation and public observation, creating a scene that feels both formal…
Panorama of the Century: Kléber and Monge, Surrounded by Personalities of the French Revolution1889 · Petit Palais
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Panorama of the Century: The Imperial Family Surrounded by Numerous Personalities of the Second Empire in Front of the Palais Bourbon1889 · Petit Palais
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Panorama of the Century: Festival of the Federation 1790 - The Convention 17921889 · Petit Palais
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Panorama of the Century1889 · Petit Palais
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The Panorama of the Century: Dumas, Rachel, Daumier, Gavarni, Henri Monnier, Frédérick Lemaître, Rude, Horace Vernet, Delaroche1889 · Petit Palais
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Panorama of the Century: Dupré, Rousseau, Isabey, Millet, Couture, Daubigny, Diaz, Corot, Troyon, Fromentin, Barye, Decamp, Courbet, Robert-Fleury1889 · Petit Palais
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The Ball1890 · Carnavalet Museum
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Portrait of Thomas W. Evans1892
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Young Woman with a Fan1888
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Pierre Waldeck-Rousseau1894 · Carnavalet Museum
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Armenonville, the Evening of the Grand Prix (P2708)1905 · Carnavalet Museum
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Battle of Flowers in Nice1900 · Carnavalet Museum
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Portrait of Madame de Lorgeril1902 · Carnavalet Museum
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Un soir de grand prix au pavillon d'Armenonville1905 · Carnavalet Museum
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A Tuesday, Evening at Madeleine Lemaire's1910 · Carnavalet Museum
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France Welcoming Abundance, Ceiling Project for the Palais de l'Élysée1907 · Carnavalet Museum
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The Circle of the Île de Puteaux1907 · Carnavalet Museum
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The Train of the Wounded1915
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An Ambulance in Poitiers1914
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Madame Gervex1923
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Une Soiree MondaineCarnavalet Museum
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The Salon Jury
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Satyre and Menade1874 · Musée d'Orsay
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Valtesse De La BigneMusée d'Orsay
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A Meeting of the Judges of the Salon des Artistes
36
Femme Resuse À La Toilette
37
Study for 'Autopsy at the Hôtel-Dieu'1876 · National Gallery of Art
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Sketch for the Salle des Fêtes of the Hôtel de Ville de Paris: Music Through the Ages1889 · Petit Palais
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Study for an unidentified painting, showing the Deauville Hippodrome1905 · Carnavalet Museum
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Parmentier and Louis XVI on the Plain of Sablons
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Study for the Cercle de l'île de Puteaux (P2710)1907 · Carnavalet Museum
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Study for the Cercle de l'île de Puteaux1907 · Carnavalet Museum
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Study for the Cercle de l'île de Puteaux1907 · Carnavalet Museum
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An Elegant Lady
45
Ballerinas
46
The Tub
47
Le Modèle Masqué
48
Venus Et L'amour
49
The Coal CarrierPalais des Beaux-Arts de Lille
50
A Portrait Of Marie-clotilde De Faret Legrand
51
Liebe Und Ehe
52
Winter
53
Madame Valtesse De La Bigne -
54
Portrait Of Madame Gervex
55
Cinq Heures Chez Paquin
56
Liane De Pougy
57
Colette's First Steps
58
Portrait Of Colette Gervex
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Music Across The Ages
60
L'étéNationalmuseum
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Fragment Of The Panorama Of 'the History Of The Century' -
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Communion At The Church Of The Trinity
63
La Toilette
64
Portrait of Tsarina Alexandra
65
Cinq Heures chez le Couturier Paquin
66
Birth, Town Hall Of The 19th Arrondissement
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Study For The Civil Marriage In The Town Hall Of The 19th Arrondissement
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Portrait Of The Couturier Madame Paquin
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The Operation
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An Elegant Man On A Terrace
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Jules-émile Pean And His Surgery Class Before The Operation H. Gervex PinxMusée d'Orsay
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The wedding of Mathurin Moreau in the city hall of Paris
73
Study for the Coronation of Tsar Nicholas II
74
Portrait De Jenny Sacerdote.
75
RollaMusée d'Orsay
76
The Birth of Venus1907 · Petit Palais
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Une Scéance Du Jury De PeintureMusée d'Orsay
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
#4 Café Scene in Paris
#6 Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling)
#12 Panorama of the Century: The Imperial Family Surrounded by Numerous Personalities of the Second Empire in Front of the Palais Bourbon
#14 Panorama of the Century
#10 Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform
#11 Panorama of the Century: Kléber and Monge, Surrounded by Personalities of the French Revolution
#13 Panorama of the Century: Festival of the Federation 1790 - The Convention 1792
#16 Panorama of the Century: Dupré, Rousseau, Isabey, Millet, Couture, Daubigny, Diaz, Corot, Troyon, Fromentin, Barye, Decamp, Courbet, Robert-Fleury
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Henri Gervex | Slike iz tega seznama |
|---|---|---|---|
 Carnavalet Museum |
Pariz | 17 | Allegory of the Bank, Portrait of Madame Blerzy, Woman with a Fan (Portrait of Réjane?) |
 Petit Palais |
Pariz | 11 | Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Supply, Voting, Tooling, Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling), Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform |
 Musée d'Orsay |
Pariz | 5 | Satyre and Menade, Valtesse De La Bigne, Jules-émile Pean And His Surgery Class Before The Operation H. Gervex Pinx |
 Kraljevi muzeji lepih umetnosti na Belgiji |
Bruselj | 1 | Portrait of Alfred Stevens |
 Detroit Institute of Arts |
Detroit | 1 | Café Scene in Paris |
 National Gallery of Art |
Washington | 1 | Study for 'Autopsy at the Hôtel-Dieu' |
 Palais des Beaux-Arts de Lille |
Lille | 1 | The Coal Carrier |
 Nationalmuseum |
Stockholm | 1 | L'été |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In this intimate oil on canvas, we encounter Woman with a Fan (Portrait of Réjane?), a work that captures a singular moment of poise and elegance. The artist, Henri Gervex, presents us with a subject who commands the space through a quiet, seated grace. She holds a pink folding fan, a detail that draws the eye toward her hands and the soft textures of her attire. There is a sense…
The work before us is titled Portrait of Alfred Stevens, a significant oil on canvas created by the French artist Henri Gervex. Painted in 1884, this portrait offers a direct encounter with the subject, Alfred Stevens, capturing him in a moment of quiet presence. It is a piece that reflects the specific social and artistic milieu of late 19th-century France through its formal execution and the identity of its sitter.
In "The Ball" by Henri Gervex, a sense of quiet repose settles over a sophisticated interior, even as a social gathering pulses in the distance. The composition centers on a woman seated upon a sofa, her presence anchored in the foreground. She is draped in an elegant, voluminous gown that spreads around her, creating a soft weight against the furniture. To her side, the scene opens up to reveal a…
The air inside the Armenonville feels thick with the hum of conversation and the warmth of a thousand flickering lamps. We find ourselves looking into a grand social gathering, a scene where the elegance of the Belle Époque breathes through every brushstroke. Large, imposing columns frame the view, pulling the eye past the immediate figures and into a crowded, luminous background. There is a sense of movement here, a lively…
A Tuesday, Evening at Madeleine Lemaire's is an oil on canvas painted by Henri Gervex. The work carries the original title Un mardi, soirée chez Madeleine Lemaire. It captures a specific moment of social gathering, frozen in the soft light of a Parisian interior. The brushwork traces the edges of a quiet, private world.
The air feels soft, almost heavy with the scent of old lace and quietude. A young woman turns her head, her gaze catching the light as she looks back toward us from a three-quarter view. She exists in a dreamlike space, an oval-shaped window into a moment of quiet elegance. Her skin glows with a luminous, pale quality, touched by the faintest rose at the cheeks and lips, as if…
Study For A Portrait Of Tsar Nicholas Ii. Zatem sledeta Portrait De Madame G. in Portrait of Alfred Stevens (1884).
Study For A Portrait Of Tsar Nicholas Ii, Portrait De Madame G., Portrait of Alfred Stevens, Café Scene in Paris, Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Supply, Voting, Tooling, Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling), Allegory of the Bank, Portrait of Madame Blerzy, Woman with a Fan (Portrait of Réjane?) in Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 78 del avtorja Henri Gervex, datiranih od 1874 do 1923.
Večini v Carnavalet Museum (Pariz), Petit Palais (Pariz) in Musée d'Orsay (Pariz). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1880s: 14 od 77 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of Alfred Stevens.
Na tej strani je najstarejše delo iz Satyre and Menade (1874) in najstarejše iz Madame Gervex (1923).
Woman (13), People (13) in Men (8), na 77 delih na tej strani.
Oil On Canvas, za 24 od 77 del na tej strani.
Naturalism in Impressionism, glede na originala na tej strani.
Allegory of the Bank, Portrait of Madame Blerzy in Woman with a Fan (Portrait of Réjane?): v muzeju Carnavalet Museum, Pariz se nahaja 17 del z te strani.
V živahnem, pogosto turbulentnem srcu Pariza poznega 19. stoletja je malo število umetnikov tako spretno navigiralo po tanki mejnici med akademsko prestižnostjo in moderno provokacijo kot Henri Gervex. Gervex, rojen leta 1852 v četrti Montmartre, je bil otrok prav tistih ulic, ki jih bo kasneje nesmiştir. Njegove mladostne leta so bile prepojeni z doslednimi tradicijami francijske umetnosti, saj so ga oblikovale disciplinirane roke mojstrov, kot sta Alexandre Cabanel in Pierre-N Nicolas Brisset. Pod njihovim vodstvom na École des Beaux-Arts je Gervex osvajal anatomsko natančnost in klasično eleganco, ki sta bila potrebni za vzrečenega zvezdnika v sistemu Salonov. Vendar pa se je pod tem urejenim akademskim ogledom skrival nemiren duh, ki je želel odstopiti velurne zavese parizkega visokega družbenega življenja, da bi razkrit medaljonično, pulzirajočo realnost Belle Époque.
Pot Gervexove kariere je v letu 1878 nepopravljivo spremenil en sam, silovit dogodek. Njegova slika Rolla, navdihnjen s melanholično poezijo Alfreda de Musseta, je postala magnet za kontroverze. Čeprav so gole figure bile del klasične mitologije, se je Gervex upal postaviti svoje teme v sodoben, skoraj neprijetno modern način. Žori Salonov, ki se je zgrožalo nad tistim, kar je zaznal kot moralna nesramnost in družbeni komentar o skriti želji, je delo zavrnil. Namesto da bi se umaknili v neznanost, je Gervex sprejel slavo. Ta trenutek zavračanja ga je spremenil iz zgolj učenika tradicije v drznega provokatorja, umetnika, katerega ime je postalo sinonim za napetost med moralo starega sveta in prihajajočim naturalizmom novega sveta.
Ko se je njegova karijera zrela, se je Gervex odmaknil od čisto mitoloških motivov in sprejel tisto, kar je imenoval Naturalisme mondain. Postal je kronikar parizkega zeitgeista, ki je zajemal bleščeče večerke, živahne urbane pokrajine in celo klinično ostre poteze moderne znanosti. Njegov čop se je začel odražati v fascinantni sintezi; ohranil je natančnost svoje akademske izobrazbe, a je svoje kompozicije napolnil s svetlobo in gibanjem, ki sta spominjala na impresioniste. Ta edinstven slogski most mu je omogočil prikaz psihološke globine njegovih subjektov, naj bi bili to družbenike na balu ali bolniki v bolnišni。
Ena njegove najbolj globokih dosežkov ostaja Dr Péan at the Salpétrière, ki se pogosto imenuje preprosto Operacija. V tem monumentalnem delu je Gervex dosegel moderno parafrazo Rembrandtove Anatomy Lesson, kjer je zgodovinsko alegorijo zamenjal z vizceralno, znanstveno realnostjo sodobnega medicinskega postopka. Skozi to sliko je pokazal neverjetno sposobnost iskanja drame v kliničnem in lepote v vsakdanjem. Njegov repertoar je bil izjemno raznolik, od nežne elegance portretov do velikih uradnih naročil, ki so krasila samo tkivo francuskega javnega življenja, vključno z deli za Palais de l'Industrie in različne parizke hotele.
Zgodovinski pomen Henrija Gervexa leži v njegovi vlogi prehodne osebnosti. Stal je na razpotju zgodovine, z eno roko trdno v stiski akademije, z drugo pa se je dosegal proti radikalnim inovacijam avantgarde. Njegovo del služi kot vizualni dnevnik obdobja, ki ga opredeljuje hitra družbena sprememba, kjer so meje spodobnosti nenehno prenegotiwane skozi umetnost in literaturo. Pod vplivom naturalizma Émilea Zole njegove slike počnejo več kot le prikazovanje scen; zajamejo sam dih dobe, ki je bila hkrati okrasna in nemirna.
Danes, ko gledamo Gervexova dela, vidimo več kot le lepo olje na platnu. Priča nam je o pogum umetnika, ki ni dovolil, da bi tradicija dušila resnico. Njegova dediščina se skriva v:
S svojimi zmagami in škandali ostaja Henri Gervex ključna figura za razumevanje kompleksne, bleščeče duše Pariza na prelomu stoletij.
