Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 114 del v našem katalogu avtorja Govert Flinck
Kratek opis
Med vsem originalom, ki ga je Govert Flinck pustil, je najbolj znan Angeli Obvesti O Roždestvu Kristusa Pastirjev. Takoj za njima sta Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company (1654) in Korsfæstelsen (1649). Naš katalog vsebuje 114 del umetnika Govert Flinck; galerija je ohranila 100 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
Govert Teunisz Flinckova slika iz leta 1639, "Objava Anglov, ki Oznanjajo Rojstvo Kristusa Pastirjem", je več kot le vizualna interpretacija ključnega verskega trenutka; to je močno raziskovanje vere, čudežnosti in božanskega vmešavanja, izraženo z dramo in življenjsko energijo, ki so značilni za obdobje nizozemske zlatih desetletij.
Gerard Pietersz Hulft is presented within an oval frame, a formal arrangement that functions as a trompe l'oeil vanitas. The composition centers on his bust-length portrait, surrounded by a meticulous collection of symbolic objects. These items—a globe, leather-bound books, and scientific instruments—denote his status as a high-ranking official of the Dutch East India Company. The lighting is dramatic, utilizing chiaroscuro to illuminate the subject's face and the immediate foreground, while…
The composition is defined by a stark, vertical tension. Three figures occupy the right side of the canvas, their forms silhouetted against a turbulent, dark sky. The central figure of Christ is the primary source of light, his body illuminated to create a sharp contrast against the surrounding gloom. To his sides, the two thieves remain partially lost to the shadows, their presence felt through the heavy chiaroscuro that defines…
A single light source strikes from the upper left, carving the young man’s features out of a deep, atmospheric darkness. He is caught in a moment of quietude, his gaze steady and slightly melancholic. A heavy red mantle drapes over his shoulder, its weight felt in the thick, painterly folds of the fabric. Beneath it, a teal doublet catches the light, revealing gold embroidery that glints against the muted tones…
Introduction The painting 'Officers and Other Civic Guardsmen of District XVIII in Amsterdam, under the Command of Captain Albert Dircksz Bas and Lieutenant Lucas Pietersz Conijn' is a masterpiece by Govert Teunisz Flinck, a renowned Dutch painter of the 17th century. This painting is an excellent example of the artist's skill in portraying civic guardsmen and their commanders with great detail and accuracy. Description The painting depicts Captain Albert Dircksz…
The heavy silence of the scene unfolds in 1637, as Govert Flinck captures the profound sorrow of the Lamentation of Christ. This oil on canvas presents a moment of deep mourning, where the weight of loss hangs in the air. The figures gather around the pale, lifeless body of Jesus, their grief palpable in the stillness of the composition. Every shadow seems to hold a piece of the tragedy, drawing…
In this 1639 oil on canvas, we encounter a young man caught in a moment of quiet, direct engagement. The subject is positioned slightly off-center, his gaze meeting ours with a calm, steady presence that suggests a person of substance and composure. There is a certain weight to his presence, achieved through the masterful application of chiaroscuro. Light enters from the upper left, carving the contours of his face and…
The air feels heavy with the stillness of a 1646 afternoon. In this double portrait, Dirck Graswinckel and Geertruyt van Loon exist in a suspended moment of connection, their presence anchored against a sprawling, organic landscape. The man stands to the left, his body turned slightly toward the viewer, while his hand reaches out to hold the hand of the seated woman on the right. There is a profound sense…
We are looking at Old man leaning on a balustrade, a portrait painted by Govert Teunisz Flinck in 1651. This oil on canvas work captures a quiet moment of introspection, focusing on the character of an elderly subject. It is a significant example of the artist's ability to handle the human form with a sense of weight and presence.
This work, titled Portrait of a Bearded Man, formerly called John the Baptist, was painted by Govert Flinck. It is a tronie, a genre of painting focused on the study of a face or a specific expression rather than a formal portrait of a known individual. The subject is presented as a dashing character dressed in romantic costume, characterized by a brilliantly brushed beard that draws the eye.
Portrait of a Man1654 · Minneapolis Institute of Art
12
Isaac blessing Jacob1635 · Museum Catharijneconvent
13
A Regent of Amsterdam.1630 · Narodni muzej v Varšavi
14
Susanna and the Elders1627 · Gemäldegalerie
15
Bust of a young woman, formerly known as Rembrandt's sister1634 · Indianapolis Museum of Art
16
Portrait of Saskia1633 · Fries Museum
17
Young Man with a Wide-brimmed Hat and Flat Collar1632
18
Bust of an old man with a beard and medal1632
19
Head of an old man with a beard and a cap1632
20
Bust of an old man with a beard and gold chain1632
21
Saskia with a plumed veil1635 · Foundation E.G. Bührle Collection
22
Portrait of an old man in a red hat1630 · Royal Łazienki Museum
23
Portrait of a Man with a Black Hat and Ruff (Pieter Reael)1643
24
Portrait of a Gentleman1640 · Staatliche Kunsthalle Karlsruhe
25
Head of an Old Man1642 · National Gallery of Ireland
26
Old Man at a Casement1646
27
Portrait of Jan Huydecoper (1600-1661)1643
28
Portrait of Jan van Hellemont (1616-1665)1646 · North Carolina Museum of Art
29
Portrait of a young man1637 · Wawelski grad
30
Portrait of Rembrandt1640
31
Portrait of a Woman1646 · Cleveland Museum of Art
32
A Child holding a Dog1641 · Upton House
33
Portrait of an unknown old man1643 · Staatliche Kunstsammlungen Dresden
34
Portrait of Dorothea Berck1647
35
Portrait of Joseph Coymans1647
36
Portrait of an Old Man1637 · Bavarske državne slikopisne zbirke
37
Portrait of an old man with hourglass1637 · Bavarske državne slikopisne zbirke
38
A young girl as shepherdess1641
39
A Girl as Flora - c. 16401640 · Musée d'Arts de Nantes
40
Young Shepherdess as Flora1638
41
Portrait of Sara van Baerle1636 · Henry E. Huntington Library
42
A Lady and her Child as Venus and Cupid1648 · Statens Museum For Kunst
43
Company of captain Joan Huydecoper and luitenant Frans van Waveren1648 · Amsterdam Museum
44
Portrait of Joan Huydecoper (1599-1661)1648 · Amsterdam Museum
45
Portrait of Pieter Reael1643 · Amsterdam Museum
46
Mercury, Argus and Io1640 · Rijksmuseum
47
A Shepherdess1636 · Herzog Anton Ulrich Museum
48
The angel leaves Manoah and his wife (Judges 13:20)1640 · Agnes Etherington Art Center
49
Portrait of a Man in Profile1637
50
Portrait of a Man with a Hat1641
51
Self-Portrait1643
52
Tobias and the angel finding the fish1640
53
Portrait of a gentleman with red cap1640
54
portrait of a lady and a boy1640
55
Portrait of Dirck Jacobsz Leeuw1636
56
The Rest on the Flight from Egypt1637 · Gemäldegalerie
57
The banishment of Hagar and Ishmael (Genesis 21:14)1642 · Gemäldegalerie
58
Portrait of a Young lady1641 · Gemäldegalerie
59
Sacrifice of Isaac1640
60
Portrait of a couple1646 · Staatliche Kunsthalle Karlsruhe
61
Johan de Mauregenault (possibly)1654 · Amsterdam Museum
62
Calvary1649
63
Bathsheba's Appeal to David1651 · National Gallery of Ireland
64
Penitent Mary Magdalene1657
65
Portrait of a woman wearing a hat with feathers1650 · National Museum of Fine Arts
66
Portrait of a Woman, Govert Flinck, 16591659 · Museum of Fine Arts Ghent (MSK)
67
Joseph´s bloody coat1655 · Finnish National Gallery
68
Portrait of a man surrounded by books1654 · Eva Klabin House Museum
69
Portrait of an unknown man1654 · Museum Mayer van den Bergh
70
Solomon prays for wisdom (1 Kings 3)1658 · Royal Palace Amsterdam
71
Portrait of Margaretha Tulp (1634-1709)1656 · Collection Six
72
King David writing the psalms1659 · Rafael Valls Limited
73
Bust of an Old Man with Two Gold Chains1700 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
74
Portrait of a 44-year-old man1637 · Mauritshuis
75
Old man with a red cap1639 · Staatliche Kunstsammlungen Dresden
76
Portrait of a man1635 · Mauritshuis
77
Self-portrait1640 · Kelvingrove Art Gallery and Museum
78
A Young Man in a Feathered Beret1636 · Taft Museum of Art
79
Elegant Shepherdess Listening to a Shepherd Playing the Recorder in an Arcadian Landscape1654 · The Leiden Collection
80
Portrait of a Woman (Saskia van Uylenburgh?) (detail).1633 · Narodni muzej v Varšavi
81
Landscape with a Coach1637 · Wallace Collection
82
Portrait of an unknown woman1640 · Kraljevi muzeji lepih umetnosti na Belgiji
83
Joost van den Vondel (1587-1679), Poet, Govert Flinck, 16531653
84
Saint PaulBavarske državne slikopisne zbirke
85
Portrait of a Lady
86
Portrait of a young man in a beretNarodni muzej v Varšavi
87
Judgement of ParisNarodni muzej v Varšavi
88
Isaac Blessing Jacob_2
89
Portrait Of Margaretha TulpGemäldegalerie Alte Meister im Schloss Wilhelmshöhe
90
Portrait of a Man, probably Augustijn Wtenbogaert (1577-1655), Govert Flinck, c. 16431643 · Rijksmuseum
91
Landscape
92
Hope Comes To Amalia Van Solms At The Tomb Of Frederik HendrikRijksmuseum
93
Portrait Of A WomanErmitaž
94
Rembrandt As Shepherd With Staff And Flute
95
Bearded Man With A Velvet CapMetropolitanski muzej umetnosti
96
Four Governors Of The Arquebusiers Civic Guard, AmsterdamRijksmuseum
97
A Young Woman As A ShepherdessMetropolitanski muzej umetnosti
98
Portrait Of RembrandtGemäldegalerie
99
The Company Of Captain Albert Bas And Lieutenant Lucas Conijn
100
The Company of Captain Albert Bas and Lieutenant Lucas Conijn (detail)
#1 Angeli Obvesti O Roždestvu Kristusa Pastirjev
#2 Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company
#3 Korsfæstelsen
#5 Officers and Other Civic Guardsmen of District XVIII in Amsterdam, under the Command of Captain Albert Dircksz Bas and Lieutenant Lucas Pietersz Conijn, Govert Flinck, 1645
#8 Portrait of Dirck Graswinckel and Geertruyt van Loon
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Govert Flinck | Slike iz tega seznama |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 8 | Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company, Portrait of a man, known as Gozen Centen (1611/12-77), Mercury, Argus and Io |
 Amsterdam Museum |
Amsterdam | 5 | Officers and Other Civic Guardsmen of District XVIII in Amsterdam, under the Command of Captain Albert Dircksz Bas and Lieutenant Lucas Pietersz Conijn, Govert Flinck, 1645, Company of captain Joan Huydecoper and luitenant Frans van Waveren, Portrait of Joan Huydecoper (1599-1661) |
 Gemäldegalerie |
Berlin | 5 | Susanna and the Elders, The Rest on the Flight from Egypt, The banishment of Hagar and Ishmael (Genesis 21:14) |
 Narodni muzej v Varšavi |
Varšava | 4 | A Regent of Amsterdam., Portrait of a Woman (Saskia van Uylenburgh?) (detail)., Portrait of a young man in a beret |
 Bavarske državne slikopisne zbirke |
München | 3 | Portrait of an Old Man, Portrait of an old man with hourglass, Saint Paul |
 Mauritshuis |
Haag | 3 | Portrait of a 44-year-old man, Portrait of a man |
 Statens Museum For Kunst |
Kopenhagen | 2 | Korsfæstelsen, A Lady and her Child as Venus and Cupid |
 Ermitaž |
Sankt Peterburg | 2 | Portrait of a Young Man, Portrait Of A Woman |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Susanna and the Elders is an oil painting by Govert Flinck, executed about 1627. The work originates from the Dutch Golden Age, a period during which Flinck emerged as a significant figure in the Amsterdam art scene. Having trained in the studio of Rembrandt, Flinck developed a technical approach that balanced the dramatic lighting of his mentor with a more refined, elegant sensibility.
A single light source strikes from the upper left, carving the young man’s features out of a deep, atmospheric darkness. He is caught in a moment of quietude, his gaze steady and slightly melancholic. A heavy red mantle drapes over his shoulder, its weight felt in the thick, painterly folds of the fabric. Beneath it, a teal doublet catches the light, revealing gold embroidery that glints against the muted tones…
The composition is defined by a stark, vertical tension. Three figures occupy the right side of the canvas, their forms silhouetted against a turbulent, dark sky. The central figure of Christ is the primary source of light, his body illuminated to create a sharp contrast against the surrounding gloom. To his sides, the two thieves remain partially lost to the shadows, their presence felt through the heavy chiaroscuro that defines…
Gerard Pietersz Hulft is presented within an oval frame, a formal arrangement that functions as a trompe l'oeil vanitas. The composition centers on his bust-length portrait, surrounded by a meticulous collection of symbolic objects. These items—a globe, leather-bound books, and scientific instruments—denote his status as a high-ranking official of the Dutch East India Company. The lighting is dramatic, utilizing chiaroscuro to illuminate the subject's face and the immediate foreground, while…
Angeli Obvesti O Roždestvu Kristusa Pastirjev. Zatem sledeta Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company (1654) in Korsfæstelsen (1649).
Angeli Obvesti O Roždestvu Kristusa Pastirjev, Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company, Korsfæstelsen, Portrait of a Young Man, Officers and Other Civic Guardsmen of District XVIII in Amsterdam, under the Command of Captain Albert Dircksz Bas and Lieutenant Lucas Pietersz Conijn, Govert Flinck, 1645, The Lamentation, Portrait of a man, known as Gozen Centen (1611/12-77), Portrait of Dirck Graswinckel and Geertruyt van Loon, Old man leaning on a balustrade in Portrait of a Bearded Man, formerly called John the Baptist. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 114 del avtorja Govert Flinck, datiranih od 1627 do 1659.
Večini v Rijksmuseum (Amsterdam), Amsterdam Museum (Amsterdam) in Gemäldegalerie (Berlin). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1640s: 36 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Korsfæstelsen.
Na tej strani je najstarejše delo iz Susanna and the Elders (1627) in najstarejše iz Portrait of a Woman, Govert Flinck, 1659 (1659).
Man (53), Woman (26) in Dark background (18), na 100 delih na tej strani.
Oil On Canvas, za 46 od 100 del na tej strani.
Dutch golden age in Baroque, glede na originala na tej strani.
Gerard Pietersz Hulft (1621-56). First councillor and director-general of the Dutch East India Company, Portrait of a man, known as Gozen Centen (1611/12-77) in Mercury, Argus and Io: v muzeju Rijksmuseum, Amsterdam se nahaja 6 del z te strani.
Govert Teunisz Flinck, ime, ki odmeva skozi zlato dobo nizozemske slikarstva, je bil več kot le portretist; bil je most med Rembrandtovim revolucionarnim slogom in cvetočim umetnostnim pejzažem Amsterdama 17. stoletja. Rodil se je leta 1615 v Klevu na Nemčiji – mestu, ki je bilo prežeto z nemškimi in nizozemskimi vplivi – in njegovo zgodnje življenje je nakazalo pot, ki je bila daleč od sveta umetnosti. Njegov oče, uspešen trgovec s platnom, je za svojega sina načrtoval prihodnost v trgovini, toda usoda je posegla z nepričakovanim vodstvom Lambertja Jacobszja, pomembnega menonitskega prerutnika in slikarja, ki je prepoznal mladikovo vroden umetniški talent. Ta ključni srečanje je Flincka usmerilo proti Leeuwardenu, kjer je začel svoje uravno usposabljanje pod Jacobszjem, s čimer je postavil temelje karieri, ki bo v svojem vrhuncu presegle njegove začetne želje.
Prehod v Amsterdam leta 1633 je označil pomembno mejnico. Tam je Flinck vstopil v studio Rembrandta van Rijna, kar je močno oblikovalo njegov umetniški razvoj. Rembrandtov vpliv je nedvomno prisoten skozi celotno Flinckovo delo – še posebej v njegovih zgodnjih delih – ki jih zaznamujejo dramatična osvetlitev, subtilne izrazi in mojstrovsko upravljanje s chiaroscuro. Vendar pa, v nasprotju z izredno teatralnim Rembrandtom, je Flinck postopoma razvil bolj prefinjen in eleganten slog, ki je vključeval elemente Rubensovskega dinamizma in povečano občutje realizma. Ta evolucija je očitna v delih, kot je “Isak blagoslavlja Jakeja” (1638), kjer ravnovesje kompozicije in čustvena globina figur kažejo jasno odstopanje od neposrednega Rembrandtovega vpliva.
Flinck se je hitro uveljavil kot eden najbolj iskanih portretistov v Amsterdamu, saj je zadovoljal stranke, ki so vključevale bogate trgovce, mestne uradnike in vidne člane menonitske skupnosti. Njegovi portreti niso bili le prikazi podobnosti; bili so skrbno konstruirane pripovestja, prepojena z družbenim komentarjem, ki odražajo status in aspiracije njegovih modelov. “Portret moškega, verjetno Augustinja Wtenbogaerta (1577–1655)” je odličen primer tega pristopa, saj prikazuje starejšega modela, slikano z izjemno občutljivostjo, in zajema ne le njegov fizični videz, temveč tudi težo izkušenj, ki so vrezane v njegovo obraz.
Njegova naročila za mestne stražarje – kot je videti v delu “Oficirji in drugi mestni stražarji okrožja XVIII v Amsterdamu...” – so še dodatno utrdila njegovo ugled. Ta dela niso le prikazi vojaških osebnosti; so živahna praznovanja mestne ponosa, natančno slikana z občutkom za detajle in globoko zavedanjem o družbeni dinamiki. Vpliv Rembrandta je tukaj oprijemljiv, zlasti v dinamični kompoziciji in uporabi svetlobe ter sence za ustvarjanje občutka gibanja in drame. Slikanje ne zajema le videza stražarjev, temveč tudi njihovo vlogo zaščitnikov amsterdamskega blaginje in stabilnosti.
Čeprav je bil znan po svojih portretih, se je Flinčkova umetniška paleta raztepanje daleč izven okvirov formalnih predstavitev. Ustvaril je serijo prepričljivih žanrovskih scen – intimnih prikazov vsakdana – ki so ponudile pogled v domače sfero Amsterdama 17. stoletja. Ta dela zaznamuje realizem in sposobnost zajema nians v človeškem stiku, kar razkriva tako radosti kot izzive vsakodnevnega obstoja. Njegove religiozne slike, kot je “Angeli na pastirjem napovedujejo rojstvo Kristusa”, kažejo mojstrovsko vladanje z kompozicijo, barvo in simboliko, s čimer ustvarjajo prizore, ki so vizualno očarjani in čustveno globoki.
Flinnova kariera je trajala skoraj štiri desetletja, v katerih je proizvedel impresivno celoto del, ki še danes očarjavajo gledalce. Njegov umetniški razvoj – od zgodnjega učeništva pri Rembrandtju do izpiljenosti lastnega prepoznavnega sloga – odraža dinamično umetniško klimo nederlandskega zlate dobe. Zapustil je trajen dediščino kot eden najbolj izpolnjenih portretistov in žanrskih slikarjev svojega časa, s čimer je vplival na generacije umetnikov, ki so sledili njegovim stopinjama. Njegova dela so zdaj shranjena v prestižnih zbirkah po vsem svetu, vključno z Rijksmuseumom v Amsterdamu, kar je dokaz njegove trajne prispevka k zgodovini umetnosti.
