Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 77 del v našem katalogu avtorja François-Hubert Drouais
Kratek opis
Med vsemi originali, ki jih je pustil François-Hubert Drouais, je najbolj znan Madame de Pompadour (1763), ki se nahaja v kolekciji National Gallery, London. Takoj za njima sta Louise-Marie de France (1763) in Hubert Drouais, the Artist's father (1760). Naš katalog vsebuje 77 del umetnika François-Hubert Drouais; galerija je ohranila 77 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
To gaze upon this portrait of Madame de Pompadour is to step directly into the gilded salons of 18th-century France, a world steeped in whispered secrets and breathtaking opulence. François Hubert Drouais captured not merely a likeness, but an entire atmosphere—the very essence of aristocratic grace during the reign of Louis XV. The subject herself radiates an undeniable magnetism; her posture is one of studied ease, yet every fold of…
In this 1763 oil on canvas, François Hubert Drouais presents Louise-Marie de France in a three-quarter length composition. The subject is positioned slightly off-center against a muted, dark, and indistinct background, which directs the viewer's attention toward her figure. She is depicted with a calm expression and a direct gaze. Her attire consists of heavy, patterned silk and intricate lace sleeves, featuring multi-colored floral motifs in shades of blue, orange,…
In this intimate portrait from 1760, we find Hubert Drouais seated within the quiet confines of his studio. He is captured in a moment of quiet focus, his gaze meeting ours as if we have just stepped into his private workspace. There is a profound sense of professional dignity in his posture, a man settled into his vocation. He holds a sheet of paper in his hands, poised to begin…
In this 1761 portrait, we encounter Marie Rinteau, known as Mademoiselle de Verrières, presented with a poise that defines the Rococo era. She is seated in a three-quarter length pose, her gaze meeting ours with a gentle, steady expression. The composition follows a stable pyramidal structure, centering her within an atmospheric, dark background that allows her figure to emerge through a soft chiaroscuro effect. There is a quiet dignity in…
The canvas holds a young woman caught in a soft, directional light. She sits in a three-quarter pose, her body turned slightly toward the viewer, draped in fabrics that catch the glow of an unseen sun. Her skin possesses a porcelain clarity, achieved through thin, translucent glazes of oil paint that suggest a warmth beneath the surface. Around her, the atmosphere is thick with the quietude of a garden, where…
The air in the room feels still, held in a quiet suspension as the young woman gazes out from her oval frame. She sits with a poised, calm expression, her presence filling the space with a sense of refined dignity. A delicate lace headdress, secured by a large striped ribbon beneath her chin, frames a face that seems to glow with an inner light. Her gown, adorned with intricate floral…
In this intimate bust portrait from 1750, we encounter a young woman who embodies the quiet refinement of the French court. She is positioned slightly off-center, her gaze directed toward the viewer's left, yet her eyes maintain a gentle, direct connection with us. The composition is characterized by a soft, luminous quality that seems to emanate from her skin, set against a dark, undifferentiated background that pushes her presence to…
An elegant portrait of a young woman, likely Mademoiselle de Forges, captures the refined grace of the mid-eighteenth century. She is positioned centrally within an oval frame, depicted from the waist up against a muted, atmospheric landscape. The composition relies on soft, curvilinear lines, seen in the flowing lace of her gown and the gentle curves of her powdered hair. A sense of three-dimensional depth is achieved through diffused lighting…
Lady with girl at a mirror is a portrait by François Hubert Drouais. This work dates to about 1752. The image presented here is a monochrome, grayscale reproduction of the original 18th-century Rococo portrait. It captures a quiet, intimate moment between two figures, rendered in shades of black, white, and gray.
François-Hubert Drouais’s “Madame Sophie de France” (1762) is more than simply a portrait; it's a meticulously crafted window into the opulent world of 18th-century French aristocracy. Painted during a period of significant social and political change, this work captures not just the likeness of a young woman but also embodies the grandeur, formality, and subtle anxieties of the era. The painting’s enduring appeal lies in its exquisite detail, masterful use…
The Prince Dmitry Mikhaylovich Golitsyn1762 · Pushkin State Museum
12
Portrait of the Marquise d'Aguirandes1759 · Cleveland Museum of Art
13
The Sourches family1756 · Opera House
14
Drouais - Adélaïde of France1763 · Opera House
15
Mlle. Marguerite Catherine Haynault, later the Marquise de Montmelas in Turkish Costume1757 · Muzej fine arts
16
Carlos Fernando FitzJames-Stuart, Marquess of Jamaica1765 · Birmingham Museum of Art
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Madame de Pompadour1764 · Montreal Museum of Fine Arts
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A Young Boy Holding a Portfolio1761
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Portrait of Jeanne Antoinette Poisson, the Marquise de Pompadour (1721-1764) in muff1763 · Musée des Beaux-Arts
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Portrait of Countess Darya Petrovna Saltykova (1739-1802)1762 · Pushkin State Museum
21
Portrait of Madame du Barry (1743-1793)1770 · Muzej Prado
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Louis de Bourbon-Condé, Count of Clermont (1709-1771)1771 · Opera House
23
Portrait de Madame Du Barry en Flore1774 · Musée des Beaux-Arts d'Agen
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Madame Du Barry as Flora1774 · Château de Versailles
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Portrait de madame Du Barry tenant une corbeille de roses1770 · Musée Fabre
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Portait of Count of Provence1772 · Fondazione Accorsi - Ometto - Museo di Arti Decorative
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Marquise de Caumont La Force1767 · David Owsley Museum of Art Ball State University
28
Boy with a Black Spaniel1767 · Metropolitanski muzej umetnosti
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Monsieur Denis-Paul le Pot de la Fontaine1772 · Detroit Institute of Arts
30
Boy with a House of CardsMetropolitanski muzej umetnosti
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Portrait of a Young Woman as a Vestal Virgin1767 · Metropolitanski muzej umetnosti
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Jeanne Bécu, Comtesse du Barry1770 · National Gallery of Art
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Marie Antoinette, Queen of France, in a court dressNarodni muzej v Varšavi
34
Madame Drouais, Wife of the Artist1758 · Louvre
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PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUTLouvre
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The Children of the Duc de Bouillon1756
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Le Comte de Vaudreuil1758
38
Jeanne Bécu, Comtesse du Barry1774 · National Portrait Gallery of Sweden
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Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)1757 · Metropolitanski muzej umetnosti
40
Family Portrait1756 · Nationalmuseum
41
Portrait of a Little Girl Holding a DollMusée Cognacq-Jay
42
Portrait of a Little Girl in a White Dress, called Alexandrine Lenormant d'EtiollesMusée Cognacq-Jay
43
Portrait of Princess Louise Marie of France (1737-1787)Opera House
44
Portrait of a young woman
45
LE COMTE D'ARTOIS ET MADAME CLOTILDE
46
Marie-Joséphine-Louise de SavoieChâteau de Versailles
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LA FAMILLE DE SOURCHES
48
GUILLAUME II COUSTOU (1716 1777)Opera House
49
The Prince, and PrincessNational Trust
50
LOUIS DE BOURBON, COMTE DE CLERMONT, LIEUTENANT GENERAL DES ARMEES DU ROI (1709 1771)
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LOUIS STANISLAS XAVIER, COMTE DE PROVENCE (1755 1824)
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MARIE CLOTILDE XAVIERE DE FRANCE, DITE MADAME CLOTILDE, REINE DE SARDAIGNE (1759 1802)Opera House
53
Portrait de Jeanne Antoinette Poisson, marquise de PompadourMusée Condé
54
CHARLES PHILIPPE DE FRANCE, COMTE D'ARTOIS (1757 1836)
55
Madame la Dauphine Marie Antoinette, en HébéMusée Condé
56
Les Portraits de MM. De Béthune Jouant avec un Chien (Children of the Marquis de Béthune Playing with a Dog)Birmingham Museum of Art
57
Madame Jacques Benoit LoysLouvre
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ENFANT AU TRICORNELouvre
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LOUISE ELISABETH DE MAILLE KARMANLouvre
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EDME BOUCHARDONLouvre
61
Family Portrait1756 · National Gallery of Art
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LE COMTE DE NOGENTLouvre
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MADAME DROUAISLouvre
64
Miss golden
65
Portrait of a Child
66
A Girl Holding a Canary, Time of Louis XVBowes Museum
67
Child with a TambourineFitzwilliam Museum
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The Prince de Guémenée , and Mademoiselle de Soubise Dressed as Grape HarvestersNational Trust
69
Louis Auguste, duc de BerryMuseu de Arte de São Paulo Assis Chateaubriand
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SOPHIE PHILIPPINE ELISABETH JUSTINE DE FRANCE, DITE MADAME SOPHIE (1744 1782)
71
Portrait du scuplteur Edme Bouchardon (1698 1762)Carnavalet Museum
72
Portrait de Monseigneur Dominique de la Rochefoucauld, archevêque d'Albi, plus tard Cardinal archevêque de Rouen
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LOUIS XV, ROI DE FRANCE ET DE NAVARRE (1710 1774)Opera House
74
CHARLES PHILIPPE DE FRANCE, COMTE D'ARTOIS, ET SA SOEUR MADAME CLOTHILDELouvre
75
Madame de Pompadour at her Tambour FrameNational Gallery
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The Comte and Chevalier de Choiseul as Savoyards1758 · The Frick Collection
77
Le Comte de VaudreuilNational Gallery
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga François-Hubert Drouais | Slike iz tega seznama |
|---|---|---|---|
 Louvre |
Pariz | 9 | Madame Drouais, Wife of the Artist, PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUT, Madame Jacques Benoit Loys |
 Opera House |
Versailles | 7 | The Sourches family, Drouais - Adélaïde of France, Louis de Bourbon-Condé, Count of Clermont (1709-1771) |
 Metropolitanski muzej umetnosti |
New York | 6 | Marie Rinteau, called Mademoiselle de Verrières, Madame Sophie de France (1734–1782), Boy with a Black Spaniel |
 National Gallery |
London | 3 | Madame de Pompadour, Madame de Pompadour at her Tambour Frame, Le Comte de Vaudreuil |
 Nationalmuseum |
Stockholm | 2 | Hubert Drouais, the Artist's father, Family Portrait |
 Pushkin State Museum |
Moskva | 2 | The Prince Dmitry Mikhaylovich Golitsyn, Portrait of Countess Darya Petrovna Saltykova (1739-1802) |
 Birmingham Museum of Art |
Birmingham | 2 | Carlos Fernando FitzJames-Stuart, Marquess of Jamaica, Les Portraits de MM. De Béthune Jouant avec un Chien (Children of the Marquis de Béthune Playing with a Dog) |
 Château de Versailles |
Versailles | 2 | Madame Du Barry as Flora, Marie-Joséphine-Louise de Savoie |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The canvas holds a young woman caught in a soft, directional light. She sits in a three-quarter pose, her body turned slightly toward the viewer, draped in fabrics that catch the glow of an unseen sun. Her skin possesses a porcelain clarity, achieved through thin, translucent glazes of oil paint that suggest a warmth beneath the surface. Around her, the atmosphere is thick with the quietude of a garden, where…
The air in the room feels still, held in a quiet suspension as the young woman gazes out from her oval frame. She sits with a poised, calm expression, her presence filling the space with a sense of refined dignity. A delicate lace headdress, secured by a large striped ribbon beneath her chin, frames a face that seems to glow with an inner light. Her gown, adorned with intricate floral…
To gaze upon this portrait of Madame de Pompadour is to step directly into the gilded salons of 18th-century France, a world steeped in whispered secrets and breathtaking opulence. François Hubert Drouais captured not merely a likeness, but an entire atmosphere—the very essence of aristocratic grace during the reign of Louis XV. The subject herself radiates an undeniable magnetism; her posture is one of studied ease, yet every fold of…
In this 1770 portrait, François Hubert Drouais captures the essence of mid-eighteenth-century French aristocratic grace. The subject, Jeanne Bécu, Comtesse du Barry, is presented in an oval-shaped bust-length composition. She is adorned with pink roses in her hair and holds a matching floral garland, symbols of youth and femininity. A soft, diffused light enters from the upper left, casting gentle shadows that define the contours of her face, neck, and…
Madame de Pompadour (1763), National Gallery, London. Zatem sledeta Louise-Marie de France (1763) in Hubert Drouais, the Artist's father (1760).
36 let: delo Madame de Pompadour iz leta 1763, François-Hubert Drouais pa je bil/a rojen/a leta 1727.
Madame de Pompadour, Louise-Marie de France, Hubert Drouais, the Artist's father, Marie Rinteau, called Mademoiselle de Verrières, Mademoiselle Marie Pélissier (1707-1749), of the Opéra, also known as Marie Pélissier in Florence., Portrait of a Lady with Lace Headdress and Muff, Portrait of a Young Lady, Portrait of a Lady, said to be Mademoiselle de Forges, Lady with girl at a mirror in Madame Sophie de France (1734–1782). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 77 del avtorja François-Hubert Drouais, datiranih od 1737 do 1774.
Večini v Louvre (Pariz), Opera House (Versailles) in Metropolitanski muzej umetnosti (New York). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1760s: 15 od 77 del na tej strani je bilo izdelovanih takrat, med njimi pa Madame de Pompadour.
Na tej strani je najstarejše delo iz Mademoiselle Marie Pélissier (1707-1749), of the Opéra, also known as Marie Pélissier in Florence. (1737) in najstarejše iz Portrait de Madame Du Barry en Flore (1774).
Woman (23), Portraiture (13) in Lace (13), na 77 delih na tej strani.
Oil On Canvas, za 41 od 77 del na tej strani.
Rococo, glede na originala na tej strani.
Madame Drouais, Wife of the Artist, PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUT in Madame Jacques Benoit Loys: v muzeju Louvre, Pariz se nahaja 9 del z te strani.
V svetlobni in obilni atmosferi Francije sredine eighteenthga stoletja je malo umetnikov tako intimno zajela bistvo aristokratične gracilnosti kot Françoise Hubert Drouais. Kot vodovni portretist v zadnjih letih vladavine Ludvika XV. je Drouais posedoval edinstveno sposobnost, da je prefinjenost in šarm francoskega dvora prenese na platno. Njegovo del služi kot zapirač, ki nam odpira nefabelen pogled v dobo rokokov, obdobje, ki ga definira težnja po idealiziranem smislu lepote ter skrbno urejena simfonija svetlobe in tekstur.
Rodjen v Parizu, v Franciji, je bil Drouais v svet likovne umetnosti potopljen že od najstarejših let. Sledil je stopinjama svojega očeta, Huberta Drouaja, od katerega je prejel svoje prve umetniške pouke. Ta dediščino portretiranja mu je zagotovila temelj tehničnega mojstraštva, ki mu je kasneje omogočilo vstop v najvišje sloje parizkega družbena družbe. Njegov talent se ni omejeval le na zajemanje podob; imel je globoko sposobnost, da je svojim motivom podaril psihološko prisotnost, ki presega stoletja, s čimer so njegovi portreti postali hkrati osebni in brezčasni.
Rise Drouaisove priljubnosti je neposredno povezan z njegovo vseboljjo prisotnostjo na francoskem dvoru. Ko se je njegova ugled povečeval, se je njegova klijentela razširila in vključila francijsko kraljevsko družino, plemistvo, tuj aristokratijo in bogate fermiers-généraux. Njegovi portreti so postali modna nujnost za člane parizkega družbena družbe in njihove ljubljenčke, ki so želeli svoje statusno položaj večno ohraniti skozi njegovo izstopajoče črtanje z bruskom.
Drouaisova tehnika je bila značilna po nežnem prek layeringovanju tankih, prosočnih glacov oljne barve. Ta metoda mu je omogočila doseganje porcelanaste svetlobnosti kože njegovih motivov, kar je ustvarilo mehak, razpršen svetlobni vire, ki se je zdalo, da izvirajo neposredno iz notranjega dela platna. Njegovo mojstvo se je razširilo dlje od človeške oblike vse do same teksture rokokovskega življenjskega sloga:
Zgodovinski pomen Françoise Hubert Drouais leži v njegovi vlogi kot definitiivnega kronikarja Ancien Régime. Skozi njegove oči priča zvati mirni dostojništvu in nenametni eleganciji oseb, kot sta Madame Jacques Benoit Loys in Comte de Vaudreuil. Njegovo del ne dokumentira le zgodovinskih posameznikov; ono zajema samo dušo obdobja, ki ga definira nenehna težnja po prefinjenosti.
Njegov vpliv se je širil tudi skozi njegovo družino, predvsem do njegovega sina, Jeana Germaina Drouaisa, ki je nadaljeval tradicijo portretiranja in zgodovinske slikarstva. Čepredo se je era rokokov sčasoma predala novim umetnostnim pog गति, dela Françoise Hubert Drouais ostajajo trajna spomenika izgubljeni dobi francoskega razkoša, ohranjena v prestižnih zbirkah, kot sta National Gallery v Londonu in National Gallery of Art.
