Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 20 del v našem katalogu avtorja Cesare Da Sesto
Kratek opis
Mary with child and Saint John (1513) je slika avtorja Cesare Da Sesto, ki pritegne največ pogledov; original se nahaja v muzeju Bavarske državne slikopisne zbirke, München. Nato se pogled smeri k Madonna and Child with Saint John the Baptist and Saint George (1515) in Christ Carrying His Cross (1520). Med 20 dela umetnika Cesare Da Sesto v našem katalogu so ta 20 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
The composition rests upon a stable, pyramidal structure, centering the Virgin Mary within a quiet, sacred geometry. She sits draped in heavy fabrics of deep red, teal, and gold, the textures of the cloth folds rendered with a tactile realism. Across her lap, the Christ Child reclines, a small movement of life as he reaches toward her with one arm while clutching an open book in the other. In the…
The painting presents a pyramidal arrangement of figures set against a receding landscape. At the center, the Madonna sits upon an elevated stone pedestal characterized by detailed relief carvings of classical figures. She wears a red gown and a blue mantle. The Christ Child is positioned with her, creating a focal point within the structured geometry of the work. To the left, Saint John the Baptist is depicted holding an…
The oil painting titled Christ Carrying His Cross, or Le Christ portant sa croix, was executed by the artist Cesare da Sesto. Also known by the epithet Le Milanese, the painter was active during the High Renaissance. This specific work is a religious composition that depicts a central biblical scene through a focused, intimate lens.
Cesare da Sesto's "Holy Family with St Catherine," painted in 1515, is more than just a depiction of a sacred scene; it’s a window into the heart of the Florentine Renaissance and a testament to the enduring power of artistic lineage. This oil on canvas masterpiece, measuring 89 x 71 cm, immediately draws the viewer into a world of serene contemplation, a space where faith, familial love, and divine grace…
A muscular, aged figure kneels upon a grassy slope, his skin textured by years of ascetic discipline. This is Jerome, caught in a moment of profound quietude. He is semi-nude, draped only in a small loincloth, his body angled toward a small figure of the Christ Child. The infant lies upon a wooden cross, which is itself draped in a heavy crimson fabric. The scene is set against a landscape…
The painting depicts a scene from Greek mythology involving Leda and a swan. Two female figures occupy the central space of the composition. Leda is positioned in the foreground, holding a nursing infant in her arms. A second woman stands behind her, observing the scene. The figures are surrounded by several birds; one bird is situated on the left side of the frame, while two others are placed toward the…
A man sits upon the earth, his body anchored by the gravity of thought. He wears a red robe, the color of dried blood or deep wine, which spills in heavy folds across the ground. His hair and beard are long, catching the light in a way that suggests the dust of many years. In his hands, he cradles a skull. The bone is pale against the warmth of his…
In The Wounded Christ appears to Oliviero Carafa, Cesare da Sesto presents a profound moment of spiritual encounter. The composition centers on the figure of Jesus, whose red clothing provides a heavy visual weight against the scene. He stands over a man kneeling in prayerful respect, a figure draped in a pink robe that offers a soft contrast to the more intense tones of the central subject. Around them, several…
Studies of Feet is a work by Cesare da Sesto. The artist was born in Sesto Calende, Italy, in 1477. His hand moved across the surface until his death in 1523.
In the quiet intimacy of Madonna and Child with the Lamb of God, we are invited into a sacred moment that transcends the boundaries of time. Painted around 1515 by the masterful Cesare da Sesto, this work serves as a profound testament to the grace of the High Renaissance. The composition centers on the Virgin Mary, whose presence radiates both maternal warmth and divine serenity. Clad in a striking red…
The Virgin and Child with Saint John the BaptistNational Gallery of Ireland
12
Salomè with head of John the BaptistNational Gallery
13
Study of a BullPierpont Morgan Library
14
Holy Family with the Infant Saint John the Baptist
15
Madonna and ChildPinacoteca di Brera
16
Seated BullKraljeva zbirka
17
Studija drevesaKraljeva zbirka
18
Virgin, Child and St. John the BaptistNational Museum of Ancient Art
19
The Adoration of the Magi1516 · Museo di Capodimonte
20
The Last Supper1550
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Cesare Da Sesto | Slike iz tega seznama |
|---|---|---|---|
 Kraljeva zbirka |
London | 2 | Seated Bull, Studija drevesa |
 Bavarske državne slikopisne zbirke |
München | 1 | Mary with child and Saint John |
 Fine Arts Museums of San Francisco |
San Francisco | 1 | Madonna and Child with Saint John the Baptist and Saint George |
 Musée de Grenoble |
Grenoble | 1 | Christ Carrying His Cross |
 Ermitaž |
Sankt Peterburg | 1 | Holy Family with St Catherine |
 Nationalmuseum |
Stockholm | 1 | St Jerome |
 Wilton House |
Salisbury | 1 | Leda and the Swan |
 City Art Gallery |
Southampton | 1 | St Jerome |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The painting depicts a scene from Greek mythology involving Leda and a swan. Two female figures occupy the central space of the composition. Leda is positioned in the foreground, holding a nursing infant in her arms. A second woman stands behind her, observing the scene. The figures are surrounded by several birds; one bird is situated on the left side of the frame, while two others are placed toward the…
The composition rests upon a stable, pyramidal structure, centering the Virgin Mary within a quiet, sacred geometry. She sits draped in heavy fabrics of deep red, teal, and gold, the textures of the cloth folds rendered with a tactile realism. Across her lap, the Christ Child reclines, a small movement of life as he reaches toward her with one arm while clutching an open book in the other. In the…
The oil painting titled Christ Carrying His Cross, or Le Christ portant sa croix, was executed by the artist Cesare da Sesto. Also known by the epithet Le Milanese, the painter was active during the High Renaissance. This specific work is a religious composition that depicts a central biblical scene through a focused, intimate lens.
Mary with child and Saint John (1513), Bavarske državne slikopisne zbirke, München. Zatem sledeta Madonna and Child with Saint John the Baptist and Saint George (1515) in Christ Carrying His Cross (1520).
36 let: delo Mary with child and Saint John iz leta 1513, Cesare Da Sesto pa je bil/a rojen/a leta 1477.
Mary with child and Saint John, Madonna and Child with Saint John the Baptist and Saint George, Christ Carrying His Cross, Holy Family with St Catherine, St Jerome, Leda and the Swan, St Jerome, The Wounded Christ appears to Oliviero Carafa, Studies of Feet in Madonna and Child with the Lamb of God. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 20 del avtorja Cesare Da Sesto, datiranih od 1505 do 1520.
Večini v Kraljeva zbirka (London), Bavarske državne slikopisne zbirke (München) in Fine Arts Museums of San Francisco (San Francisco). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1510s: 5 od 20 del na tej strani je bilo izdelovanih takrat, med njimi pa Mary with child and Saint John.
Na tej strani je najstarejše delo iz Leda and the Swan (1505) in najstarejše iz Christ Carrying His Cross (1520).
Man (5), Woman (4) in Child (3), na 20 delih na tej strani.
Oil, za 7 od 20 del na tej strani.
High renaissance in Renaissance, glede na originala na tej strani.
Seated Bull in Studija drevesa: v muzeju Kraljeva zbirka, London se nahaja 2 del z te strani.
Cesare Da Sesto (1477–1523) predstavlja ključno figuro florentanske Renesanse, umetnika, katerega dediščina ne leže v milanski umetniški krog, temveč v njegovo vroče umetniško okolje in širše ozmerjene ozemlje. Rodjen v Sesto Calende na Lombardiji—regiji, znani po svojem skrbništvu nad umetnostjo—je Cesare Da Sesto svoje formative leta preživel v času vrhunca vpliva Leonarda da Vinčija, kar je spodbudilo stilsko sorodnost, ki se je preletela skozi celotno njegovo delo. Kot del vplivne skupine Leonardeschi so umetniki, kot sta Bernardino Luini in Marco d’Oggione, podobno absorbirali Da Vincijev inovativni pristop k perspektivi in chiaroscuro, s čimer so Cesare Da Sesto trdno utrdili v tej prestižni umetniški liniji.
Njegova pot je bila pot nenehnega gibanja in globoke potopnosti v velikih središčih włoske kulture. Dokazi nakazujejo, da je svoje veščine izpil pod Baldassare Peruzzijem v Romu leta 1505, ko se je potopil v vzpostavljajočega humanističnega duha papeskovih dvorov. To obdobje je prineslo izjemne naročnine, kot je luneta, ki krasila baziliko Sant’Onofrio, in več slikov v Campagnano Romano, kar dokazuje Sestovo zgodnje nadobnosti za zajemanje emotivnih pričev v natančno izdelanih kompozicijah. Njegova umetniška evolucija je bila zaznamovana z sposobnostjo združevanja mehkega, atmosferskega sfumato milanske tradicije z strukturno veličastnostjo, ki jo najdemo v rimskem klasičizmu.
Širina Sestove talente je morda najbolj vidna v njegovem mojstrovstvu pri obdelavi tako monumentalnih religioznih pričev kot tudi intimnih, podrobno izdelanih študij. Njegova dela pogosto zajamejo občutek globoke duhovne težave, ki jo uravnoteča klasično lepoto, ki opredelja visoko renesanso. Med izjemnimi primeri njegove izpostavljenosti izpostavljamo:
Pomembno poglavje njegove kariere se je odvijalo v Napolju med letoma 1514 in 1515, kjer je Cesare Da Sesto ustvaril plodno umetniško delo, ki je utrdilo njegovo ugled vsestranskega slikarja. Culminacija tega obdobja je prinesla dokončanje monumentalne Pobožnosti kraljev, umetniškega dela, ki je globoko vplivalo na naslednje umetnike na jugu Italije—slike, ki je zdaj doma v Museo Nazionale di Napoli.
Ob vrnitvi v Milano leta 1520 se je Sesto odločil za še en ambiciozen podjem: fresko ciklus za cerkev San Rocco, ki je bil plod sodelovanja z Bernardinom Bernazzano. Čeprav je veliko njegovih originalnih del iz nekaterih projektov žal izginilo skozi stoletja, njegov vpliv na razvoj lombardske šole ostaja neosporen. Uspešno je premostil razpored med eksperimentalnimi inovacijami Leonarda in bolj strukturiranimi, klasičnimi zahtevami pozne Renesanse.
Danes se Cesare Da Sesto ne spominča le kot sledilca Da Vincija, temveč kot samostojnega mojstra, ki je prinesel edinstevno emocionalno globino v religiozne in naravnostične motive svojega časa. Njegova sposobnost navigacije med kompleksnimi zahtevami papeskovih naročnin, velikostnih poliptihov in občutljivih skic mu zagotavlja mesto v panteonu velikih italijanskih renesančnih mojstrov.
