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Last Supper

Witness the iconic 'Last Supper' by Leonardo da Vinci! This masterpiece captures Jesus’s final meal with his disciples, showcasing unparalleled artistry and emotion. Explore its history & details.

Sebastiano Ricci (1659-1734) je bil vodilni beneški baročni slikar, znan po svetlih freskah in monumentalnem slogu. Raziskajte dela kot 'Bakus in Ariadna' ter odkrijte zapuščino tega vplivnega italijanskega umetnika.

Ročno izdelana oljna reprodukcija

Ročno slikano olje na platnu v vaši izbiri velikosti in okvirja, izdelano po naročilu naših umetnikov. ( Preklop na tiskanine Preklop na digitalno sliko)

Corner sample of the P118B picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: izoblit polistiren, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: izoblit polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drevo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drevo, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: masivno drevo, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: masivno drevo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: masivno drevo, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: masivno drevo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drevo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drevo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drevo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drevo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drevo, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: masivno drevo, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: masivno drevo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drevo, 6 cm wide and 3.5 cm thick
W953PJ €8

Standardna velikost
po meri
CM
INCH

Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

širina
višina

Vnesite širino in višino, ki jih potrebujete, da se slika prilega vašemu okviru ali steni. Ker je delo ročno slikano, lahko umetnik pri različnih oblikih slik pri robovih doda malo več barve ali pa jih malo odreže — izberite sami. Pred začetkom slikanja vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ni končni rezultat — le predogled prikazuje dejansko podobo.

Primeri možnih sprememb: Zamenjava obraza s fotografijo stranke; Dodajanje hišnega ljubljenčka (npr. zamenjava mačke s psom); Vključitev skritega sporočila v ozadje; Sprememba pokrajine ali elementov v ozadju.
Po oddaji naročila bo ekipa OriginalUniqueArt.com stranki po e-pošti poslala navodila in predogled digitalnega predogleda.

Mednarodna dostava () v 3/4 tednih namesto običajnih 5 tednov. (24 oktober). Brez kompromisov pri kakovosti.

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Skupna cena

€ 263

Last Supper

Tehnika reprodukcije

Velikost reprodukcije

-

Skupna cena

€ 263

Hitri podatki

  • Artist: Sebastiano Ricci
  • Title: The Last Supper
  • Dimensions: 67 x 104 cm
  • Subject or theme: Last Supper of Jesus
  • Year: 1713

Kviz o umetnosti

Pri vsakem vprašanju je na voljo le eden pravilen odgovor.

Vprašanje 1:
What biblical event is depicted in Sebastiano Ricci’s ‘The Last Supper’?
Vprašanje 2:
According to the image description, what object is prominently located near the bottom left corner of the painting?
Vprašanje 3:
In what year was Sebastiano Ricci born?
Vprašanje 4:
The Last Supper is located in which city’s church?
Vprašanje 5:
What artistic technique did Sebastiano Ricci primarily employ when creating ‘The Last Supper’?

A Moment Frozen in Time: The Story of the Last Supper

Sebastiano Ricci’s “Last Supper,” a monumental fresco dominating the refectory of Santa Maria delle Grazie in Milan, isn't merely a depiction of a biblical event; it’s a profound exploration of human emotion and betrayal. Painted between 1713 and 1714, this work captures the immediate aftermath of Jesus’ announcement that one among his disciples will betray him – a moment charged with disbelief, apprehension, and simmering resentment. Ricci masterfully conveys the palpable tension in the room, drawing the viewer into the heart of this dramatic exchange. The composition is carefully orchestrated; Jesus sits at the center, radiating an almost serene authority, while the apostles react with a spectrum of responses—shock, denial, suspicion, and outright anger – each face meticulously rendered to reveal their individual personalities and inner turmoil.

The painting’s historical context is crucial to understanding its power. Commissioned during the late Baroque period, Ricci's work reflects the era’s fascination with dramatic narratives and intense emotional expression. The Renaissance ideals of humanism are present, not in a purely idealized form, but through the realistic portrayal of flawed humanity – the vulnerability beneath the bravado, the fear masked by defiance. Ricci was part of a vibrant artistic milieu in Venice, influenced by masters like Dal Simè and Titian, yet he developed a distinct style characterized by a luminous palette and dynamic compositions. His work stands as a bridge between the grandeur of the High Renaissance and the more emotionally charged sensibilities of the Baroque.

Technique and Materials: A Delicate Balance

What sets Ricci’s “Last Supper” apart is not just its subject matter, but also the innovative – and ultimately problematic – techniques he employed. Unlike traditional fresco methods, which involve painting directly onto wet plaster, Ricci utilized tempera on a prepared gesso ground. This allowed for greater flexibility in altering details after the paint had dried, a crucial element for a work of this scale and complexity. However, it also introduced instability; the materials used were not entirely compatible with the wall’s structure, leading to rapid deterioration over centuries. The painting's surface has undergone numerous restorations, each attempting to mitigate the damage caused by humidity, temperature fluctuations, and the inherent fragility of tempera paint.

  • The Gesso Ground: A carefully prepared layer of gesso provided a stable base for the pigment.
  • Tempera Paint: Ricci used tempera, a fast-drying emulsion of pigments in egg yolk, known for its luminosity and rich colors.
  • Pitch and Mastic: These substances were applied to seal the wall and create a barrier against moisture, though they ultimately proved insufficient to protect the delicate paint layer.

Symbolism and Emotional Resonance

Beyond the immediate narrative of betrayal, Ricci’s “Last Supper” is rich in symbolic detail. The arrangement of the apostles around the table reflects their social standing and relationships within the group. Judas Iscariot, often depicted with a subtly averted gaze and a gesture of offering, embodies deceit and treachery. The use of light and shadow – *chiaroscuro* – dramatically emphasizes key figures and creates a sense of drama and psychological intensity. Notice how Ricci uses subtle shifts in color to convey the emotional state of each apostle; the vibrant reds and yellows associated with Jesus contrast sharply with the muted blues and grays used for the disciples, highlighting their internal conflict.

The inclusion of the dog at the bottom left corner is a particularly intriguing detail. While its precise meaning remains debated by art historians, it’s often interpreted as representing loyalty or perhaps even the impending doom that awaits Judas. The overall effect is one of profound emotional depth – a visceral portrayal of human fallibility and the devastating consequences of betrayal.

A Timeless Masterpiece: Reproduction and Legacy

“The Last Supper” remains one of the most studied and admired paintings in the world, captivating viewers with its dramatic composition, masterful technique, and profound emotional resonance. High-quality reproductions capture much of the original’s power, offering a window into this pivotal moment in Christian history. When selecting a reproduction, consider factors such as print quality, color accuracy, and archival suitability to ensure that you are preserving the essence of Ricci's masterpiece for years to come. This iconic image continues to inspire artists, designers, and art lovers alike, solidifying its place as a cornerstone of Western artistic heritage.

Vprašanja in odgovori

Za kakšno velikost se za Dining Room priporoča "Last Supper"?

Za Dining Room je priporočena velikost tiska za "Last Supper" avtorja Sebastiano Ricci Large.

Na katero obdobje v karieri Sebastiano Ricci ustreza datum 1713 za delo "Last Supper"?

"Last Supper", ustvarjeno leta 1713, pripada Late Renaissance v karieri umetnika Sebastiano Ricci.

Ali se lahko delo "Last Supper" avtorja Sebastiano Ricci, ki se nahaja v muzeju National Gallery of Art, pravno reproducira?

Originalno delo "Last Supper" se nahaja v National Gallery of Art, njegova avtorska pravica pa je v javni domeni – njegova avtorska pravica je zastarela.


Biografija umetnika

Življenje in zgodnji začetki Sebastiana Riccija

Sebastiano Ricci, rojen 1. avgusta 1659 v Bellunu, je bil eden najpomembnejših predstavnikov poznega beneškega baroka. Njegovo umetniško potovanje se je začelo v mladosti, ko se je leta 1671 učil pri Federicu Cervelliju v Benetkah. Nekateri viri omenjajo tudi Sebastiana Mazzonija kot njegovega prvega mojstra. Že kmalu pa je postalo jasno, da ima Ricci izjemno nadarjenost za monumentalne freske in dramatično uporabo svetlobe – značilnosti, ki bodo definirale njegovo kasnejšo slavo.

Razvoj umetniškega sloga in vplivi

Riccijev slog je bil globoko oblikovan z izkušnjami v Bologni, kjer ga je navdihnil Giovanni Gioseffo dal Sole. Njegova dela odražajo eleganco in virtuoznost beneške šole, a hkrati nosijo močan pečat dramatične kompozicije in bogate barvne palete, ki so bile značilne za bolognese slikarstvo. Ricci se je hitro uveljavil kot mojster fresk, ustvarjal pa je tudi številna olja na platnu. Njegova dela so bila od samega začetka prepoznavna po živahnosti, svetlobni moči in izraziti dinamiki.

Pomembna dela in naročniki

Riccijev opus obsega številne pomembne freske in slike. Med najbolj znanimi deli štejemo Bakha in Ariadno, ki jo hranijo v National Gallery v Londonu, delo pa je izraz njegovega mojstrstva baročnega sloga. Pomembna je tudi Spomenik admiralu Sir Clowdisleyju Shovellu, olje na platnu, ki priča o njegovi sposobnosti ujamevanja dramatičnih trenutkov in portretiranja pomembnih osebnosti. Leta 1685-1687 je sodeloval s Ferdinando Galli-Bibieno pri dekoraciji oratorija Madonne del Seraglio, za kar je prejel znatno plačilo – 4.482 lire.

Zadnja leta in zapuščina

Riccijeva kariera ni bila brez težav; zaznamovali so jo obdobja zapora in škandalov. Kljub temu je nadaljeval s ustvarjanjem pomembnih del, kot je Venere odhod iz Adonisa, ki kaže njegovo spretnost pri prikazovanju nebeških motivov. V zadnjih letih življenja je sprejel naročilo Lorda Burlingtona in se preselil v London, kjer je dokončal pomembno delo. Ricci je umrl 15. maja 1734 in pustil za sabo bogato zapuščino kot eden najpomembnejših predstavnikov poznega beneškega baroka.

Riccijev vpliv in sodobna obravnava

  • Njegov slog je močno vplival na Marca Riccija, njegovega sorodnika in sledilca.
  • Raziskovanje Riccijevega dela ponuja vpogled v bogato umetnostno sceno Benetk 17. in 18. stoletja.
  • Njegova freske so še danes občudovane zaradi svoje monumentalnosti, dramatičnosti in virtuozne tehnike.

Odkrijte več o pozno beneškem baroku in njegovih vplivih na Wikipediji. Raziskajte dela drugih pomembnih umetnikov iz istega obdobja, kot je Luigi Bonazza, na OriginalUniqueArt.com.

Pomembno: Ta članek temelji na razpoložljivih informacijah s strani OriginalUniqueArt.com in se lahko spremeni z dodajanjem novih podatkov.

Sebastiano Ricci

Sebastiano Ricci

1659 - 1734 , Italija

Ključne informacije

  • Datum Rojstva: 1. avgust 1659
  • Datum Smrti: 15. maj 1734
  • Državljanstvo: Italijan
  • Kraj Rojstva: Belluno, Italija
  • Polno Ime: Sebastiano Ricci
  • Pomembna Dela:
    • Bacchus in Ariadna
    • Venus se poslavlja
  • Umetniški Smer: Pozni barok
  • Vplivi Umetnikov: ['Giovanni Dal Sole']
Raziščite umetniška dela, razvrščena po temah, slogih in značilnostih.