1969
Factory Workers (Saul Steinberg, 1969)
Saul Steinberg (1914–1999) je izdelal Factory Workers. Zajema obdobje iz leta 1969. Dimenzije so 59 × 74 cm.
- 1969
- 59 × 74 cm
Factory Workers, na kratek
- Naslov
- Factory Workers
- Avtor
- Saul Steinberg (1914–1999)
- Umetnik, rojen v
- Râmnicu Sărat, Romania
- Datum
- 1969
- Dimenzije
- 59 × 74 cm
Visokoresolucijske slike dela Factory Workers
Zaščitovano z avtorskimi pravicami: ti datoteke so namenjene osebni referenci, ne paovojilu za ponovno objavo.
Saul Steinberg, Factory Workers (1969).
Odgovori na vprašanja o Factory Workers
Kdaj je bilo ustvarjeno "Factory Workers"?
"Factory Workers" avtorja Saul Steinberg je nastalo leta 1969.
Kakšna je dejanska velikost dela "Factory Workers" avtorja Saul Steinberg?
Dimenzije originalnega dela "Factory Workers" avtorja Saul Steinberg so 59 x 74 cm.
Ali je delo "Factory Workers" avtorja Saul Steinberg v javni lastini?
Status avtorskih pravic za "Factory Workers" avtorja Saul Steinberg: del je še vedno pod avtorsko zaščito. To določa, ali se lahko reprodukcije slike izdelujejo prosto.
Kdo je avtor dela "Factory Workers"?
Avtor dela "Factory Workers" je Saul Steinberg. Del je katalogiran pod imenom Saul Steinberg.
Koliko je bil Saul Steinberg let, ko je nastalo delo "Factory Workers"?
Saul Steinberg je delo "Factory Workers" ustvaril v starostih 55 let. Umetnik se je rodil leta 1914, delo pa je datirano v leto 1969.
Zakaj je status avtorske pravice za "Factory Workers" prav takšen, kot je?
"Factory Workers" avtorja Saul Steinberg je še vedno pod avtorsko zaščito. Avtorske pravice se izračunajo od smrti umetnika, ki je umrl leta 1999.
O umetniku, Saul Steinberg
1914–1999, Romania
Saul Steinberg
The Writer in Line: The Visionary World of Saul Steinberg To encounter the work of Saul Steinberg is to step into a realm where the boundaries between thought and line, between reality and metaphor, begin to dissolve. Often described by the man himself as “a writer who draws,” Steinberg did not merely illustrate; he used the tip of his pen to reason on paper, constructing complex philosophical inquiries through the deceptively simple medium of ink. His journey began in Râmnicu Sărat, Romania, born into a family of Russian Jewish descent, and was shaped by a life defined by movement, displacement, and an ever-watchful eye for the absurdities of modern existence. This profound sense of observation would later become the heartbeat of his most iconic contributions to The New Yorker, where he transformed the printed page into a stage for surrealist exploration.