1939
Two Violinists (David Park, 1939)
David Park (1911–1960) je izdelal Two Violinists. Zajema leto 1939. Dimenzije so 90 × 97 cm.
- 1939
- 90 × 97 cm
Predogled v realnem okolju
Ročno izdelano oljno slikarstvo
Pošlji
Deli
Informacijski list za tjači
Prenesi sliko
Podobni izdelki
Rentgenski posnetek
Predvajaj diaporama
Vprašanja in odgovori
StatistikaTwo Violinists, na kratek
- Naslov
- Two Violinists
- Umetnik
- David Park (1911–1960)
- Umetnik, rojen v
- Boston, United States
- Datum
- 1939
- Dimenzije
- 90 × 97 cm
Visokoresolucijske slike dela Two Violinists
Zaščitovano z avtorskimi pravicami: te datoteke so namenjene osebni referenci, ne paovojilo za ponovno objavo.
David Park, Two Violinists (1939).
Odgovori na vprašanja o Two Violinists
Kateri je datum nastanka dela "Two Violinists" avtorja David Park?
Ustvaritev dela "Two Violinists" avtorja David Park datiramo v 1939.
Kakšnih je originalnih dimenzij "Two Violinists"?
Dimenzije originalnega dela "Two Violinists" avtorja David Park so 90 x 97 cm.
Ali se lahko slika "Two Violinists" avtorja David Park prosto reproducira?
Status avtorskih pravic za "Two Violinists" avtorja David Park: del je še vedno pod avtorsko zaščito. To določa, ali se lahko reprodukcije slike izdelujejo prosto.
Kdo je avtor dela "Two Violinists"?
"Two Violinists" pripisujemo David Park.
Koliko je bil David Park let, ko je nastalo delo "Two Violinists"?
David Park je delo "Two Violinists" ustvaril v starostih 28 let. Umetnik se je rodil leta 1911, delo pa je datirano v leto 1939.
Ali je delo "Two Violinists" avtorja David Park v javni lastini in zakaj?
Status avtorske pravice za "Two Violinists" – še vedno pod avtorsko zaščito – izhaja iz smrti umetnika v letu 1960.
O umetniku, David Park
1911–1960, United States
David Park
The Genesis of a VisionaryBorn in the historic atmosphere of Boston in 1911, David Park’s artistic journey was anchored by a profound respect for the structural essence of life. His early years at Boston University, studying under the legendary George Bridgman, instilled in him an unparalleled understanding of anatomy and the rhythmic power of gesture. This foundational discipline provided the skeletal strength upon which he would later drape his most vibrant explorations of color. As he moved westward to the Otis Art Institute in Los Angeles, Park began to absorb the expansive light and energy of the American West, setting the stage for a transformation that would eventually challenge the very foundations of contemporary painting.The Great Stylistic RevolutionFor much of his early career, Park navigated the complex territories of abstraction, yet the year 1949 marked a seismic turning point in both his practice and his soul.
The Jazz Musicians1954
Sunbather1953
Woman with Red Mouth1955
Two Bathers1958