1953
Beach Profile (David Park, 1953)
David Park (1911–1960) je izdelal Beach Profile. Zajema leto 1953. Dimenzije so 85 × 76 cm.
- 1953
- 85 × 76 cm
Beach Profile, na kratek
- Naslov
- Beach Profile
- Umetnik
- David Park (1911–1960)
- Umetnik, rojen v
- Boston, United States
- Datum
- 1953
- Dimenzije
- 85 × 76 cm
Visokoresolucijske slike dela Beach Profile
Zaščitovano z avtorskimi pravicami: te datoteke so namenjene osebni referenci, ne paovojilo za ponovno objavo.
David Park, Beach Profile (1953).
Odgovori na vprašanja o Beach Profile
V letu katerega je bilo ustvarjeno delo "Beach Profile" avtorja David Park?
"Beach Profile" izvira iz 1953. Ta datum delo situira v okvir David Parkove kariere in obdobja, v katerem je nastalo.
Kakšnih je originalnih dimenzij "Beach Profile"?
Originalne dimenzije dela "Beach Profile" znašajo 85 x 76 cm. Prvotne mere so koristna referenca pri izbiri velikosti reprodukcije.
Ali je delo "Beach Profile" avtorja David Park v javni lastini?
Status avtorskih pravic za "Beach Profile" avtorja David Park: del je še vedno pod avtorsko zaščito. To določa, ali se lahko reprodukcije slike izdelujejo prosto.
Kdo je ustvaril "Beach Profile"?
Avtor dela "Beach Profile" je David Park. Del je katalogiran pod imenom David Park.
Pri katerih letih je David Park ustvaril/a "Beach Profile"?
Ko je bilo delo "Beach Profile" ustvarjeno leta 1953, je bil David Park – rojen leta 1911 – star 42 let.
Kaj pojasnjuje status avtorskih pravic za "Beach Profile" avtorja David Park?
Del "Beach Profile" avtorja David Park je še vedno pod avtorsko zaščito. Avtorske pravice se izračunajo od smrti umetnika, pri čemer je David Park umrl leta 1960.
O umetniku, David Park
1911–1960, United States
David Park
The Genesis of a VisionaryBorn in the historic atmosphere of Boston in 1911, David Park’s artistic journey was anchored by a profound respect for the structural essence of life. His early years at Boston University, studying under the legendary George Bridgman, instilled in him an unparalleled understanding of anatomy and the rhythmic power of gesture. This foundational discipline provided the skeletal strength upon which he would later drape his most vibrant explorations of color. As he moved westward to the Otis Art Institute in Los Angeles, Park began to absorb the expansive light and energy of the American West, setting the stage for a transformation that would eventually challenge the very foundations of contemporary painting.The Great Stylistic RevolutionFor much of his early career, Park navigated the complex territories of abstraction, yet the year 1949 marked a seismic turning point in both his practice and his soul.