Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 407 del v našem katalogu avtorja Karl Brjoellov
Kratek opis
Med vsemi originali, ki jih je pustil Karl Brjoellov, je najbolj znan Zadnji dan Pompejev (1833), ki se nahaja v kolekciji Državni ruski muzej, St. Peterburg. Takoj za njima sta Jadalka (1832) in Bathsheba (1832). Naš katalog vsebuje 407 del umetnika Karl Brjoellov; galerija je ohranila 100 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
Karl Bryullov je med letoma 1830 in 1833 ustvaril čaodovito del Zadnji dan Pompejev. Ta monumentalno zgodovinsko platno je naročil Anatoly Demidov. Delu se ta veličanstavna slika posveča katastrofalni izbruhu Vezovija v letu 79 n. l.
Bryullovljeva "Jadalka", naslikana leta 1832, je več kot le portret; je skrbno zastavljena slika aristokratskega prostakostja in vzrastajočega romantičnega čustvenstva. To očarjajoče delo, ki je zdaj na voljo kot čudovita ročno naslikana reprodukcija na WahooArt.com, gledalca popelje na sončno osvetljeno italijansko posest, kjer zajame intimno prihajanje mlade ženske – Giovanine in Amacilie Pacini, adoptiranih otrok grofinje Julije Pavlovne Samoil – med vožnjo z njenimi ljubimi konji in zvestimi psi.
In the quiet, luminous depths of Karl Pavlovich Bryullov’s 1832 masterpiece, Bathsheba, we find ourselves transported to a moment where time itself seems to hold its breath. This monumental canvas is far more than a mere biblical illustration; it is a profound psychological study wrapped in the velvet textures of the Romantic era. The scene captures the biblical Bathsheba in a state of private contemplation, seated as she tends to…
To stand before Karl Pavlovich Brulloff's depiction of Pilgrims at the Entrance of the Lateran Basilica is to step across the threshold of time itself. This oil on canvas, executed in 1825, is far more than a mere historical scene; it is a profound meditation on faith, community, and the enduring human journey toward something sacred. Brulloff captures that exquisite moment when the weight of worldly experience meets the promise…
The artwork is titled Portrait of F.A. Bruni and was executed by the artist Karl Bryullov. This specific work is a monochromatic portrait sketch that focuses on the head and upper torso of a man. The subject is presented in a three-quarter view, with his gaze directed toward the viewer. Based on the title, the man depicted is likely F.A. Bruni.
The canvas bears the title Princess Yuliya Pavlovna Samoilova Leaving a Ball with Adopted Daughter Amacilia Pacini. It is a work by the artist Karl Bryullov. Within the frame, the Countess Yuliya Pavlovna Samoilova and her adopted daughter Amacilia Pacini are captured in a moment of quiet transition. The portrait reflects the artist's specific skill in rendering the likeness and presence of his subjects.
The Portrait of V. A. Perovsky is an oil on canvas painting from 1837. The subject is a man positioned in a military uniform, standing upon a dirt road. He holds a flag, a detail that establishes a sense of authority within the scene. A horse is situated near the center of the composition, providing a sense of depth to the landscape. In the background, two additional figures are visible,…
Karl Pavlovich Bryullov's "Child in a Swimming Pool," painted in 1829, is more than just a charming pastoral scene; it’s a poignant meditation on innocence, fleeting beauty, and the ephemeral nature of childhood. This watercolor masterpiece, currently residing within the hallowed halls of the Tretyakov Gallery in Moscow, captures a young boy – widely believed to be Prince Alexander Gagarin, a future figure in Russian history – immersed in a…
The evening air settles heavily around the figures in Vespers, a genre painting by Karl Bryullov. Created in 1825, the work captures a quiet, communal moment of devotion. Here, the artist turns his gaze toward the simple, profound acts of faith that define a community. The scene unfolds as a gathering of souls, each caught in a private moment of prayer or reflection during an evening service.
In this portrait of Countess Samoilova by Karl Bryullov, the composition is anchored by the central figure of the woman. She is positioned prominently in the middle of the frame, wearing a blue dress and a crown upon her head. This central placement establishes her as the primary focus of the work. To her sides, two other figures complete the grouping. On one side, a person is dressed in a…
Portrait of the Shishmariov Sisters1839
12
Girl riding a horse
13
Daphnis and Chloe1850 · Ermitaž
14
Portrait of Baroness Reinthal with her daughter.1825 · Narodni muzej v Varšavi
15
Italian Morning1823
16
Portrait of N. A. Okhotnikov1827 · Ermitaž
17
Portrait of U. M. Smirnova1840
18
Portrait of Countess Yu. P. Samoilova and Her Ward Amacilia Pacini Leaving a Ball1842
19
The head of Bacchus1811
20
Self-portrait1816
21
Portrait of the Actor A. N. Ramazanov1821
22
Kleobis and Biton1827
23
Hylas, Carried Along by the Nymphs in Water1827
24
Portrait of F. D. Gverazzi1830
25
Portrait of Alexander Bruloff1826
26
The Last Day of Pompeii1830
27
Hylas and the Nymphs1827
28
Alexander Ribeaupierre1829
29
Portrait of V. A. Perovsky1824
30
Portrait of A. N. Lvov1824
31
Portrait of the Poet and Playwrigh Nestor Kukolnic1836 · Tretyakovska galerija
32
Portrait of the Artist Prince G. G. Gagarin1829
33
Aleksandr Turgenev1833
34
Portrait of a Young Woman Embroidering1832
35
Innocence, leaving the Earth1839
36
Portrait of V. A. Zhukovsky1837 · Taras Shevchenko National Museum
37
Portrait of I. A. Krylov1839
38
Sketch on the Subject of the Trinity Beneath the Oak of Mambre1821 · Ermitaž
39
Portrait of a woman1841 · Finnish National Gallery
40
M.P. Volkonskaia1840
41
Portrait of the architect A. Bolotov1843
42
The Return of Pope Pius IX to Rome from Basillica Santa Maria Maggiore1850
43
Flying Angel Mourning Victims of the Inquisition1850
44
Portrait of Countess O.I.Orlova-Davydova and Her Daughter1834 · Tretyakovska galerija
45
Portrait of Sculptor I. P. Vitaly1836 · Tretyakovska galerija
46
Portrait of Georg Kleberg1833 · Art Museum RIGA BOURSE
47
Portrait of the Poet and Playwright Alexey Tolstoy as a Youth1836
48
Portrait of Children of Volkonsky1843 · Tretyakovska galerija
49
Girl in a Forest1851
50
Greek lying on a rock1835
51
Greek Morning in Myraca1835 · Pushkin State Museum
52
Erminia and the Shepherds. (Unfinished)1824 · Tretyakovska galerija
53
Genserich's Invasion of Rome. Study1833 · Tretyakovska galerija
54
Siege of Pskov1843 · Tretyakovska galerija
55
Portrait of Ye. I. Durnova1836 · Tretyakovska galerija
56
Portrait of Ye. Mussart and E. Mussart. (Riders)1849
57
Grape Harvest Celebration1827 · Tretyakovska galerija
58
Portrait of Grand Duchess Elena Pavlovna1829 · Tretyakovska galerija
59
Temple of Apollo in Phigalia1835 · Pushkin State Museum
60
Genserich's Invasion of Rome1835
61
A Dream of a Girl Before a Sunrise1833
62
Nuns of the Nunnery of Saint Heart in Rome1849 · Tretyakovska galerija
63
Girl Gathering Grapes in a Suburb of Naples1827
64
Forced to Swim1852
65
Portrait of P. V. Kukolnic1837 · Tretyakovska galerija
66
Self Portrait1813 · Tretyakovska galerija
67
Male Portrait1829
68
The Narcissus1819
69
Genius of Art1820
70
Portrait of Maria Kikina as a Child1817 · Tretyakovska galerija
71
Portrait of the Secretary of State Piotr Kikin1822
72
Portrait of the Actor A.N.Ramazanov1821 · Tretyakovska galerija
73
Portrait of Maria Kikina as a Child1821
74
Portrait of Maria Kikina as a Child1820
75
Portrait of M. A. Kikina1821 · Tretyakovska galerija
76
The Model1822
77
The Nymph1828
78
Ascension Baron Shieling1824
79
Bivouac on a Crater, Vesuvius1824
80
Participants of the expedition to Mount Vesuvius1824
81
Italian morning1823
82
Voltigeur1830
83
Italian Midday1827 · Tretyakovska galerija
84
Italian Midday1825
85
Portrait of V. A. Perovsky on column capitals1824
86
The Last Day of Pompeii1830
87
The Last Day of Pompeii (detail 2)1830
88
Portrait of the Architect K. A. Ton1827
89
Satyr and Bacchante (Bacchanalia)1824
90
Portrait of Alexander Bruloff1827
91
Scene at the Entrance of a Cathedral1827
92
Mother Awoken by Her Crying Child1831
93
The Last Day of Pompeii1828
94
Nun's Dream1831
95
Vespers1825 · Tretyakovska galerija
96
The Last Day of Pompeii (detail 4)1830
97
Portrait of A. N. Demidov, Prince of San-Donato1831
98
Portrait of the Artist Sylvester Shchedrin1824
99
Confession of an Italian Woman1830
100
A Merry Return1830
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Karl Brjoellov | Slike iz tega seznama |
|---|---|---|---|
 Tretyakovska galerija |
Moskva | 32 | Jadalka, Bathsheba, Pilgrims at the Entrance of the Lateran Basilica |
 Ermitaž |
Sankt Peterburg | 5 | Daphnis and Chloe, Portrait of N. A. Okhotnikov, Sketch on the Subject of the Trinity Beneath the Oak of Mambre |
 Pushkin State Museum |
Moskva | 6 | Greek Morning in Myraca, Temple of Apollo in Phigalia |
 Državni ruski muzej |
Sankt Peterburg | 3 | Princess Yuliya Pavlovna Samoilova Leaving a Ball with Adopted Daughter Amacilia Pacini |
 Državni ruski muzej |
St. Peterburg | 2 | Zadnji dan Pompejev |
 Finnish National Gallery |
Helsinki | 2 | Portrait of a woman |
 Narodni muzej v Varšavi |
Varšava | 1 | Portrait of Baroness Reinthal with her daughter. |
 Taras Shevchenko National Museum |
Kiev | 1 | Portrait of V. A. Zhukovsky |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The head of Bacchus, a work by Karl Bryullov, dates to about 1811. This drawing focuses on the head and upper shoulders of a female figure. The subject is characterized by prominent horns curving above the head, a visual attribute likely representing Bacchus, the Roman god of wine, or Dionysus.
To stand before Karl Pavlovich Brulloff's depiction of Pilgrims at the Entrance of the Lateran Basilica is to step across the threshold of time itself. This oil on canvas, executed in 1825, is far more than a mere historical scene; it is a profound meditation on faith, community, and the enduring human journey toward something sacred. Brulloff captures that exquisite moment when the weight of worldly experience meets the promise…
Karl Bryullov je med letoma 1830 in 1833 ustvaril čaodovito del Zadnji dan Pompejev. Ta monumentalno zgodovinsko platno je naročil Anatoly Demidov. Delu se ta veličanstavna slika posveča katastrofalni izbruhu Vezovija v letu 79 n. l.
The Portrait of U. M. Smirnova is an oil on canvas work by the artist Karl Bryullov. Created in 1840, the painting captures a woman in a moment of quiet repose. She is accompanied by a dog, its fur resting near her. This portrait is also known by the alternative title Portrait of Ulyana Smirnova, née Spiridonova.
In this oil painting, two figures occupy a woodland setting during twilight or a nocturnal hour. The composition centers on the interaction between Daphnis and Chloe. One figure, Chloe, stands with her back to the viewer, while Daphnis sits on the right, facing her. The figures are rendered with pale, luminous skin tones that contrast against a background of deep greens and dark shadows. A small stream flows through the…
Zadnji dan Pompejev (1833), Državni ruski muzej, St. Peterburg. Zatem sledeta Jadalka (1832) in Bathsheba (1832).
34 let: delo Zadnji dan Pompejev iz leta 1833, Karl Brjoellov pa je bil/a rojen/a leta 1799.
Zadnji dan Pompejev, Jadalka, Bathsheba, Pilgrims at the Entrance of the Lateran Basilica, Portrait of F.A. Bruni, Princess Yuliya Pavlovna Samoilova Leaving a Ball with Adopted Daughter Amacilia Pacini, Portrait of V. A. Perovsky, Child in a Swimming Pool (Portrait of Prince A.G. Gagarin in Childhood), Vespers in Portrait of Countess Samoilova. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 407 del avtorja Karl Brjoellov, datiranih od 1811 do 1852.
Večini v Tretyakovska galerija (Moskva), Ermitaž (Sankt Peterburg) in Pushkin State Museum (Moskva). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1820s: 44 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Pilgrims at the Entrance of the Lateran Basilica.
Na tej strani je najstarejše delo iz The head of Bacchus (1811) in najstarejše iz Forced to Swim (1852).
Man (32), Woman (28) in Portrait (27), na 100 delih na tej strani.
Oil On Canvas, za 50 od 100 del na tej strani.
Romantizem in Neo-classicism, glede na originala na tej strani.
Jadalka, Bathsheba in Pilgrims at the Entrance of the Lateran Basilica: v muzeju Tretyakovska galerija, Moskva se nahaja 23 del z te strani.
Karl Pavlovich Bryullov, rojen Karl Briullo 23. decembra 1799 v Sankt Peterburgu, je bil ruski slikar, ki je pustil neizbrisljiv pečat na ruskem slikarstvu 19. stoletja. Njegovo ustvarjanje se prepleta z dramatično močjo romantike, globoko čustvenostjo in izjemno tehnično dovršenostjo. Že v otroštvu je pokazal nadarjenost za umetnost, ki jo je spodbujal njegov oče, Pavel Ivanovich Briullo, akademik, lesorezbar in graver hugenotskega rodu. Očetova ljubezen do umetnosti je bila temelj Bryullovove prihodnje poti, saj ga je usmerjal v zgodnjih korakih pred formalnim študijem na Imperialni akademiji za umetnost v Sankt Peterburgu leta 1809.
Bryullov se je izobraževal v okviru klasične tradicije, vendar se ni nikoli popolnoma podredil njenim strogim omejitvam. Že kmalu ga je privlačila Italija, njena umetnost pa je imela odločilen vpliv na njegov razvoj. Njegovo delo nosi sledove vpliva italijanskih renesančnih mojstrov – Raphaela, Michelangela in Caravaggia – zlasti njihove dramatične uporabe svetlobe in sence ter izjemne anatomije. Potovanje v Rim leta 1821 je bilo ključno za njegovo umetniško dozorevanje; tam je preživel več kot desetletje, brusil svoje spretnosti in se navdihoval z bogato zgodovino in lepoto italijanske umetnosti.
Njegova resnična prelomnica je prišla z monumentalno sliko “Zadnji dan Pompejev” (1830-1833), ki ga je katapultirala v mednarodno slavo. Delo, ki prikazuje kaotičen izbruh Vezuva, je bilo pohvaljeno zaradi svoje dramatične kompozicije, intenzivne čustvenosti in tehnične briljantnosti. Sodelavci kot sta Puškin in Gogol so ga obsipali s pohvalami. Slika ni bila zgolj umetniški triumf, ampak tudi odraz Bryullovovega globokega zanimanja za zgodovino in človeško usodo v trenutkih ekstremne stiske.
Po uspehu “Zadnjega dne Pompejev” se je Bryullov triumfalno vrnil v Rusijo, kjer si je zagotovil prestižno mesto na Imperialni akademiji za umetnost leta 1836. Do leta 1848 je bil profesor in mentor številnim ruskim slikarjem, ki so ga občudovali kot mojstra in navdih. Razvil je prepoznaven portretni slog, ki združuje klasično preprostost z romantičnimi čustvi.
Karl Pavlovich Bryullov velja za ključno figuro ruskega romantizma. Njegovo delo je označilo premik k večji čustveni izrazitosti in dramatičnemu pripovedovanju v ruskem slikarstvu. Je pomembna povezava med neoklasicistično formalnostjo in razvijajočo se romantično umetnostjo, ki je navdihnila naslednje generacije umetnikov, kot je bil Gavriil Gorelov. Njegova zapuščina presega njegove slike; cenjen učitelj in zagovornik umetniške inovacije. S svojimi prispevki si je utrdil mesto med največjimi ruskimi vizualnimi umetniki in pustil trajen pečat na nacionalni kulturni dediščini. Umrl je 23. junija 1852 v bližini Rima, pokopan pa je na Cimiteru Acattolico.
