Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 182 del v našem katalogu avtorja Jacopo Bassano
Kratek opis
Calvary (1575) je slika avtorja Jacopo Bassano, ki pritegne največ pogledov; original se nahaja v muzeju Narodni muzej umetnosti Katalonije, Barcelona. Nato se pogled smeri k Angels announcing to the shepherds the Birth of Jesus (1551) in Portrait of a Youth with Mandolin (1537). Med 182 dela umetnika Jacopo Bassano v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
In this somber composition from 1575, we find ourselves drawn into the immediate, claustrophobic tension of the Crucifixion. The scene is dominated by the verticality of the cross, which bisects the canvas and anchors the viewer's gaze. Christ is depicted with a pale, luminous skin tone that contrasts sharply against the surrounding darkness, highlighting the physical strain of the moment. Around him, the atmosphere is thick with chaos; spears and…
A celestial burst of golden light pierces a heavy, nocturnal landscape, marking the intersection of the heavenly and the earthly. At the center of this radiance, a winged messenger descends, casting a sharp chiaroscuro effect across the scene. Below this divine illumination, a group of shepherds and their livestock huddle in the darkness, their forms defined by the sudden, intense light. The composition relies on deep earth tones, blacks, and…
A young man emerges from a deep, dark void. His gaze meets the viewer directly, steady and unblinking. He wears a black beret-style cap and a heavy, dark doublet that absorbs the light. Only one side of his face catches the directional glow, carving his features out of the surrounding gloom. A white ruffled cuff breaks the darkness at his wrist, where his arm reaches toward the edge of the…
This Renaissance-era oil portrait, dating from 1585, presents a somber and deeply expressive close-up bust portrait of an elderly man. The subject is positioned slightly off-center, facing towards the left of the frame, while his gaze is directed piercingly toward the viewer. The composition utilizes a shallow depth of field, focusing all attention on the subject's facial features by leaving much of the background and the back of the head…
The Altarpiece of the Blessed Conception is a significant work by the Venetian painter Jacopo Bassano. Also known by the title Sant’Anna in trono con la Vergine bambina tra i santi Girolamo e Francesco, the painting captures a sacred assembly through the hand of a master. It was executed in 1541. The pigment rests upon a canvas surface, holding the weight of its original purpose within its fibers.
The composition rests upon a stable, triangular geometry. Within this shape, the Virgin Mary cradles the Christ Child, their forms intertwined in a quiet, domestic intimacy. A young Saint John the Baptist enters the frame, his small limbs mirroring the soft curves of the infants. The scene is a study in weight and texture. Heavy crimson drapery falls in deep, sculptural folds behind the figures, creating a dark stage for…
The oil painting depicts a close-up portrait of a woman and an infant, positioned against a dark, draped background. The composition focuses on the upper bodies of the two figures. The woman, the Madonna, is rendered with soft contours and a pale complexion. She wears a white veil that possesses a translucent quality, resting against her hair and shoulders. A heavy red drapery surrounds the figures, creating a deep contrast…
The portrait presents a bust-length view of a man, positioned slightly off-center against a dark, indeterminate background. The subject is a male figure with dark hair and a beard, looking toward the viewer with a weary expression. His gaze is direct, establishing an eye-level perspective that creates a sense of immediate presence. He wears a simple, light-colored garment that rests against his neck, providing a pale contrast to the darker…
This 16th-century portrait, titled Portrait of a Franciscan Friar, was executed by the artist Jacopo Dal Ponte, also known as Jacopo Bassano. It is an early work from the artist's career, capturing a moment of significant development in his stylistic evolution. The subject is an unidentified Franciscan friar, a figure whose presence in portraiture is relatively uncommon given the vows of humility associated with the order.
The composition presents a stark division between two disparate human conditions, rendered in oil on a canvas measuring 55.0 x 43.0cm. In the foreground, a figure lies on the ground, positioned at a lower physical plane. This individual is depicted with pale skin and a sense of physical frailty. Above this figure, a banquet table is laden with food, where figures are gathered in an interior setting. The lighting follows…
Portrait of a Bearded Man1550 · J. Paul Getty Museum
12
The Good Samaritan (1550)1550 · Kapitolinski muzeji
13
The Adoration of the Kings1540
14
Diana and Actaeon1585 · Art Institute of Chicago
15
Portrait of a Venetian Senator (Bernardo Morosini?)1540 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
16
Virgin and Child with the Saints Martin of Tours and Anthony the Great1542 · Bavarske državne slikopisne zbirke
17
The Supper at Emmaus1538 · Kimbell Art Museum
18
The Good Samaritan1547 · Kraljeva zbirka
19
The Martyrdom of Saint Mark1537 · Kraljeva zbirka
20
John the Baptist1553 · Bavarske državne slikopisne zbirke
21
The Market1553 · Bavarske državne slikopisne zbirke
22
Expulsion of the Merchants from the Temple1553 · Bavarske državne slikopisne zbirke
23
Annunciation to the Shepherds1553 · Bavarske državne slikopisne zbirke
24
The Entry of the Animals into the Ark1553 · Bavarske državne slikopisne zbirke
25
Adoration of the Shepherds1553 · Bavarske državne slikopisne zbirke
26
The Deluge1553 · Bavarske državne slikopisne zbirke
27
The Lamentation of Christ1553 · Bavarske državne slikopisne zbirke
28
Saint Jerome Penitent1550 · Bavarske državne slikopisne zbirke
29
St Jerome in the wilderness1562 · Fitzwilliam Museum
30
Saint Sebastian1553 · Bavarske državne slikopisne zbirke
31
Portrait of Dirck Volckertsz. Coornhert (1522-1590)1553 · Bavarske državne slikopisne zbirke
32
The birth of Jesus and adoration of the shepherds1550 · Nacionalna galerija v Jeravanu
33
The Journey of Jacob1561 · Kraljeva zbirka
34
Portrait of a Man Holding Gloves1557 · Buckingham Palace
35
The Decapitation of St John the Baptist1550 · Statens Museum For Kunst
36
Building the Ark of Noah1550 · Musée des Beaux-Arts
37
The Annunciation to the Shepherds )1553
38
Sketch for an Altarpiece1575 · Rhode Island School of Design Museum of Art
39
The Martyrdom of Saint Sebastian1574 · Musée des Beaux-Arts de Dijon
40
Portrait of an Old Gentleman1570 · Narodni muzej za umetnost, arhitekturo in dizajn
41
Pastoral Scene1568 · Muzej lepih umetnosti
42
The Israelites in the Desert1575 · Staatliche Kunstsammlungen Dresden
43
Christ in the House of Mary, Martha, and Lazarus1577 · Museum of Fine Arts
44
The Supper at Emmaus1565 · Kraljeva zbirka
45
The Flood1570 · Kraljeva zbirka
46
Tamar and Juda1566 · Kunsthistorisches Museum
47
Adoration of the Magi1577 · Narodni muzej umetnosti Katalonije
48
Vulcan's Forge1577 · Muzej Prado
49
Christ Healing the Lame Man1569 · Muzej fine arts
50
Portrait of a Man1576 · Muzej fine arts
51
The Adoration of the Shepherds1570 · Nationalmuseum
52
Autumn1577
53
The Animals Entering Noah's Ark1579
54
The Deposition1570
55
Saint Valentine Baptizing Saint Lucilla1575
56
Le Retour du Fils prodigue1576 · Musée d'Unterlinden
57
Entry of the Animals into Noah's Ark1590 · Bavarske državne slikopisne zbirke
58
The Adoration of the Shepherds1587
59
Daniel in the Lions' Den1581 · Ham House
60
Adoration of the Shepherds1585 · Museu de Arte de São Paulo Assis Chateaubriand
61
Portrait of Urban VII1590
62
San Cristóbal
63
Christ Crowned with Thorns1590
64
The Agony in the Garden1550 · Städel Museum
65
Adoration of the Shepherds1580 · Muzej Prado
66
The Miraculous Draught of FishesNational Gallery of Art
67
The Good Samaritan1562 · National Gallery
68
Moses Strikes Water from the Rock1584 · Kunsthistorisches Museum
69
The Sacrifice of Noah1580 · Walker Art Gallery
70
The Miraculous Draught of Fishes1545
71
The Journey to Calvary1543 · Fitzwilliam College
72
Christ among the Doctors1539 · Muzej umetnosti in arheologije Ashmolean
73
Entry into the Ark1550 · château-musée de Boulogne-sur-Mer
74
Winter1550 · Musée de Grenoble
75
The Annunciation to the Shepherds )1554
76
The Annunciation to the Shepherds )1552
77
The Annunciation to the Shepherds )1557
78
The Annunciation to the Shepherds )1556
79
The Annunciation to the Shepherds )1555
80
The Annunciation to the Shepherds )1558 · National Gallery of Art
81
Alfonso d'Arcano, Prior of Venice1560
82
The Adoration of the Magi1560 · The Barber Institute of Fine Arts
83
Birth of the VirginCampion Hall
84
The Arrest of Christ1592
85
Lazarus and the Rich Man, Jacopo Bassano (copy after), 1544 - 17001700 · Rijksmuseum
86
The Annunciation to the Shepherds )1551
87
Christ in EmmausBavarske državne slikopisne zbirke
88
The Flight into EgyptToledo Museum of Art
89
The Holy Family with DonorsNational Gallery of Ireland
90
Shepherds watering their CattleNarodni muzej za umetnost, arhitekturo in dizajn
91
The Adoration of the ShepherdsNarodni muzej za umetnost, arhitekturo in dizajn
92
Virgin and Child with John the Baptist and Saint Anthony the AbbotFinnish National Gallery
93
The Mocking of ChristMuzej fine arts
94
Christ with St Martha and the Virgin MaryStatens Museum For Kunst
95
Annunciation to the Shepherds (The Night Camp)Musée des Beaux-Arts de Strasbourg
96
portrait of a man 1528
97
Annunciation to the ShepherdsMusée des Beaux-Arts de Strasbourg
98
Gondolier
99
Study for 'The Good Samaritan
100
Lazarus and the Rich ManCleveland Museum of Art
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Jacopo Bassano | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 16 | Virgin and Child with the Saints Martin of Tours and Anthony the Great, John the Baptist, The Market |
 Kunsthistorisches Museum |
Dunaj | 6 | Portrait of a Youth with Mandolin, Male Portrait, The parable of the rich man and poor Lazarus |
 Kraljeva zbirka |
London | 6 | The Good Samaritan, The Martyrdom of Saint Mark, The Journey of Jacob |
 Muzej Prado |
Madrid | 9 | Angels announcing to the shepherds the Birth of Jesus, Vulcan's Forge, Adoration of the Shepherds |
 Narodni muzej za umetnost, arhitekturo in dizajn |
Oslo | 3 | Portrait of an Old Gentleman, Shepherds watering their Cattle, The Adoration of the Shepherds |
 Muzej fine arts |
Boston | 3 | Christ Healing the Lame Man, Portrait of a Man, The Mocking of Christ |
 Narodni muzej umetnosti Katalonije |
Barcelona | 2 | Calvary, Adoration of the Magi |
 Art Institute of Chicago |
Chicago | 2 | Virgin and Child with the Young Saint John the Baptist, Diana and Actaeon |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
A young man emerges from a deep, dark void. His gaze meets the viewer directly, steady and unblinking. He wears a black beret-style cap and a heavy, dark doublet that absorbs the light. Only one side of his face catches the directional glow, carving his features out of the surrounding gloom. A white ruffled cuff breaks the darkness at his wrist, where his arm reaches toward the edge of the…
The Altarpiece of the Blessed Conception is a significant work by the Venetian painter Jacopo Bassano. Also known by the title Sant’Anna in trono con la Vergine bambina tra i santi Girolamo e Francesco, the painting captures a sacred assembly through the hand of a master. It was executed in 1541. The pigment rests upon a canvas surface, holding the weight of its original purpose within its fibers.
A celestial burst of golden light pierces a heavy, nocturnal landscape, marking the intersection of the heavenly and the earthly. At the center of this radiance, a winged messenger descends, casting a sharp chiaroscuro effect across the scene. Below this divine illumination, a group of shepherds and their livestock huddle in the darkness, their forms defined by the sudden, intense light. The composition relies on deep earth tones, blacks, and…
The composition rests upon a stable, triangular geometry. Within this shape, the Virgin Mary cradles the Christ Child, their forms intertwined in a quiet, domestic intimacy. A young Saint John the Baptist enters the frame, his small limbs mirroring the soft curves of the infants. The scene is a study in weight and texture. Heavy crimson drapery falls in deep, sculptural folds behind the figures, creating a dark stage for…
In this somber composition from 1575, we find ourselves drawn into the immediate, claustrophobic tension of the Crucifixion. The scene is dominated by the verticality of the cross, which bisects the canvas and anchors the viewer's gaze. Christ is depicted with a pale, luminous skin tone that contrasts sharply against the surrounding darkness, highlighting the physical strain of the moment. Around him, the atmosphere is thick with chaos; spears and…
This Renaissance-era oil portrait, dating from 1585, presents a somber and deeply expressive close-up bust portrait of an elderly man. The subject is positioned slightly off-center, facing towards the left of the frame, while his gaze is directed piercingly toward the viewer. The composition utilizes a shallow depth of field, focusing all attention on the subject's facial features by leaving much of the background and the back of the head…
The air is thick with the heavy scent of dust and animal musk. In this wide landscape, a great procession moves toward a distant, illuminated structure. Oxen and horses form heavy, muscular masses in the foreground, their bodies defined by deep shadows and sharp highlights. They move with a slow, rhythmic weight. Above them, the sky is a theater of small, delicate silhouettes—birds in flight, tracing lines against the light.…
Calvary (1575), Narodni muzej umetnosti Katalonije, Barcelona. Zatem sledeta Angels announcing to the shepherds the Birth of Jesus (1551) in Portrait of a Youth with Mandolin (1537).
65 let: delo Calvary iz leta 1575, Jacopo Bassano pa je bil/a rojen/a leta 1510.
Calvary, Angels announcing to the shepherds the Birth of Jesus, Portrait of a Youth with Mandolin, Portrait of an Old Man, Altarpiece of the Blessed Conception, Virgin and Child with the Young Saint John the Baptist, Madonna and Child, Male Portrait, Portrait of a Franciscan Friar in The parable of the rich man and poor Lazarus. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 182 del avtorja Jacopo Bassano, datiranih od 1537 do 1592.
Večini v Bavarske državne slikopisne zbirke (München), Kunsthistorisches Museum (Dunaj) in Kraljeva zbirka (London). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1550s: 31 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Angels announcing to the shepherds the Birth of Jesus.
Na tej strani je najstarejše delo iz Portrait of a Youth with Mandolin (1537) in najstarejše iz The Arrest of Christ (1592).
Man (31), People (30) in Landscape (14), na 100 delih na tej strani.
Oil On Canvas, za 56 od 100 del na tej strani.
High renaissance, glede na originala na tej strani.
Virgin and Child with the Saints Martin of Tours and Anthony the Great, John the Baptist in The Market: v muzeju Bavarske državne slikopisne zbirke, München se nahaja 14 del z te strani.
Rodjen v skromnem mestu Bassano del Grappa, ki leži blizu živahnega srca Benetke, je Jacopo da Ponte – kasneje znan kot Jacopo Bassano – izstopil iz družine, globoko vplete v umetniško tradicijo. Njegov oče, Francesco il Vecchio, je bil že uveljavljen slikar, ko je okoli leta 1510 v svojo delavnico sprejel mladega Jacopa in ga vključil v zahtevni svet umetnosti. Ta zgodnja izobrazba, v kombinaciji z izpostavljenostjo živahnemu in inovativnemu vzdušju Benetke, bi globoko oblikovala Bassanovo prepoznavno slog – očarljivo mešanjo religiozne dostojnosti, intimnih žanrovskih scen in dišečih, neverjetno realističnih pejzažev.
Bassanove formative leta so bila zaznamovana s edinstim učeništvom. Za razliko od mnogih umetnikov, ki so iskali formalno izobrazbo v oddaljenih mestih, kot sta Florenca ali Rim, je svoje veščine izpiloval v znanem okolju svojega rojnega mesta. Očeva delavnica mu je nudila neprecenljivo izkušnjo, ne le v tehnikah slikanja, temve v praktičnih poklicih, kot sta kartografija in zemljopis – veščin, ki bi kasneje podpirale njegove mojstrovske prikaze venetske podeželja. Ključno je bilo to, da se je Bassano srečal z deli vodilnih venetskih mojstrov, kot sta Titian in Giorgione, ter v sebe vprel njihove inovativne pristope k barvi, kompoziciji in svetlobi. Ta vpliv je posebej očit v njegovih zgodnjih delih, kjer spretno imitira Titianovo luminostno paleto in dramatično uporabo chiaroscuro – igre svetlobe in sence.
Bassanovo umetniško pot lahko grobo razdelimo na različna obdobja, vsako zaznačeno z subtilnimi premiki v njegovem slogu in tematikah. Njegova zgodnja dela, predvsem religiozne scene iz 30. in 40. let 16. stoletja, kažejo jasno dolgovanje do Titianovega vpliva. Slike, kot je “Očiščenje templja”, prikazujejo bogato, živahno barvno paleto in dinamično kompozicijo – odstopanje od bolj statičnih konvencij sodobnikov. Vendar pa že v teh zgodnjih delih Bassano uvaja elemente, ki bodo postali njegove značilnosti: osredotočenost na vsakdanje podrobnosti, zanimanje za zajemanje prehodnih trenutkov človeškega stika in izjemno sposobnost, da svoje scene napolni z vzdušjem.
Ko je zrastal, se je Bassanova umetniška vizija razširila. Vedno bolj se je usmerjal v žanrske slike – intimne prikaze podeželnega življenja, ki vključujejo kmetov, živali in ritme kmetijskega dela. Ta dela, pogosto postavljena v ozadje slikovite venetske pokrajine, so prepojena z neverjetnim občutkom realizma in neposrednosti. Slike, kot sta “Ovca in jagnje” ali “Vrnitev izgubljenega sina”, exemplificirajo ta premik ter dokazujejo Bassanovo sposobnost zajema bistva človeške izkušnje v naturalističnem okolju. Spretno je združil religiozne teme z svetovnimi predmeti in ustvaril dela, ki so bila tako duhovno resonančna kot vizualno očarljiva.
Bassanovo delo je izjemno raznoliko in obsega širok spekter tem in slogov. Med njegovimi najbolj slavnimi slikami je “Večer v Emmausu”, mojstrovina venetske slikarstva, ki jo odlikujejo svetleče barve, dinamična komudicija in evokativna prikaz biblijne scene; “Gorečica” – dramatičen prikaz požara v sklopu, ki prikazuje Bassanovo vladanje z luzino in senco; ter “Jakobov povzetek v Kanaan”, čustvena narativna scena, polna psihološke globine. Njegova tvorba vključuje tudi številne portrete, pejzaže in religiozne kompozicije, od katerih vsaka odraža njegovo razvijajočo se umetniško občutljivost.
Poleg Titiana je Bassano vplival na širok okrog umetnikov, vključno z mojstri zgodnje renesanse, kot sta Dürer in Raphael, ter sodobnimi venetskimi slikarji, kot sta Tintoretto in Veronese. Spretno je v sebe vprel elemente iz teh raznolikih virov in jih zsimultiral v edinstven, osebni slog, ki je hkrati inovativen in globoko zakoreninjen v venetski tradiciji.
Vpliv Jacopa Bassana na razvoj venetskega slikarstva je nepodvden. Njegovi mojstrovski prikazi svetlobe, barve in človeških čustev so pomagali oblikovati pot venetske umetnosti za prihajajoča generacije. Bil je pionir v žanru pejzažnega slikanja, ki ga je dvignil iz zgolj dekorativnega elementa v integralni del svojih kompozicij. Poleg tega je Bassanova sposobnost nemotljivega združevanja religioznih in svetovnih motivov – svetih tem z vsakdanjim življenjem – vzpostavila precedens, ki so ga sledili številni kasnejši venetski umetniki.
Bassanovo dedstvo se razteza dlje od posameznih del, ki jih je ustvaril. Njegovi štirje sinovi – Francesco Bassano mlajši, Giovanni Battista da Ponte, Leandro Bassano in Girolamo da Ponte – so nadaljevali njegovo umetniško linijo, s svojo slogom pa so prispevali k živahni umetniški skupnosti Bassano del Grappa. Danes je Jacopo Bassano zapamščen kot eden najpomembnejših renesančnih slikarjev v Benetkah – mojster luči, barve in človeške izkušnje, katere dela še vedno očarajo občredlavce po vsem svetu.
