Купить репродукцию Set a boat afloat

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The Japanese, during the period of Japan’s colonial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seongam School in Seongamdo Island, Ansan. Therein, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mistaking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beautiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fisherman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fisherman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seongam reformatory or salt field exists, among the reeds.

Биография художника

Park Jun Sik: A Vision of Tranquility

Park Jun Sik (박형식) emerged as a prominent figure in contemporary Korean art, captivating audiences with his distinctive landscapes imbued with profound symbolic meaning. Born on November 16, 1991, in Yongin, South Korea, Park’s artistic journey began amidst the vibrant cultural landscape of his homeland.

Early Life and Artistic Inclination

Growing up in a supportive family environment—his father serving as a director at BMW Korea and his mother a piano teacher—Park displayed an early passion for music, joining his school’s band as vocalist. This formative experience instilled within him a sensitivity to rhythm and melody that would later translate into the careful composition of his paintings.

Musical Roots and Artistic Training

During Yongin's Youth Music Contest, Park garnered considerable attention from entertainment agencies, sparking his ambition to pursue a career in art. He diligently honed his skills at Shingal High School and subsequently enrolled in Digital Seoul Culture Arts University, where he studied Business Administration alongside refining his artistic technique.

The Influence of ZE:A and Artistic Debut

Park’s foray into the performing arts commenced with his participation in the boy group ZE:A (Children of Empire) in 2010. This collaboration provided invaluable exposure to the creative process, shaping his artistic sensibilities and fostering a collaborative spirit.

Exploring Landscape Painting and Symbolic Imagery

Park Jun Sik’s artistic style is characterized by a masterful blend of minimalist aesthetics and evocative symbolic imagery—a deliberate choice reflecting his belief in conveying complex emotions through understated forms. His canvases often depict serene landscapes, rendered with meticulous detail and infused with subtle references to Korean folklore and mythology.

Notable Achievements and Recognition

His breakthrough came with the role of Ahn Min Hyuk in “Strong Woman Do Bong Soon,” a blockbuster drama that solidified his reputation as a charismatic performer. This success propelled him into the spotlight, earning critical acclaim for his portrayal of vulnerability and resilience.

Continuing Artistic Exploration

Park Jun Sik continues to push boundaries within Korean art, experimenting with new techniques and exploring themes that resonate deeply with contemporary audiences. His unwavering dedication to artistic excellence ensures that his legacy as a visionary landscape painter will endure for generations to come.

Парк Хёнсик

1991 - , Южная Корея

Основные сведения

Artistic Movement Or Style: Landscape Painting
Date Of Birth: November 16, 1991
Full Name: Park Jun Sik
Nationality: Korean
Notable Artworks: ['Set a Boat Afloat']
Place Of Birth: South Korea

Set a boat afloat

Описание предмета коллекционирования

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Описание предмета коллекционирования

Биография художника

Park Jun Sik: A Vision of Tranquility

Парк Хёнсик