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Руководство по студенческим работам

Set a boat afloat

Имя Класс обучения Дата

Парк Хёнсик, Set a boat afloat, Gyeonggi Creation Center. Воспроизведено в ознакомительных целях; все права защищены правообладателем. Посмотрите на этот холст при движении света: рисунок, истинный цвет под лаком, чистый пигмент

Сведения о произведении

Автор
Парк Хёнсик originaluniqueart.com/ru/artists/%D0%BF%D0%B0%D1%80%D0%BA-%D1%85%D1%91%D0%BD%D1%81%D0%B8%D0%BA_ru/
Даты жизни автора
1991 –
Место проведения
Gyeonggi Creation Center originaluniqueart.com/ru/museums/gyeonggi-creation-center-ansan/

В контексте

Set a boat afloat — Парк Хёнсик

Когда могла быть написана эта работа?

  1. 1990

Верхняя строка: годы. Нижняя строка: возраст художника на начало и конец каждого периода (отсчет от 0 с момента рождения).

каждая картина с датой, десятилетие за десятилетием

Точный год создания этой записи не указан — основываясь на годах жизни исполнителя и стиле произведения, к какому десятилетию вы бы его отнесли?

Цвета

Измерено по изображению

    Основной цвет

    White #eceff3

    Каталогизированная палитра

    • #ECEFF3
    • #2C2B25
    • #5C5140
    • #C2CEDF

    Эти цвета входят в полную палитру художника Поиск других картин по цвету

    Палитра
    Neutrals Преобладающая цветовая гамма изображения.
    Название основного цвета
    White
    Насыщенность
    Monochromatic Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Statement Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Discordant Palette Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Bright Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Muted Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    Об этом произведении

    Set a boat afloat — Парк Хёнсик

    The Japanese, during the period of Japan’s colo­nial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seon­gam School in Seongamdo Island, Ansan. There­in, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mis­taking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beau­tiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fish­erman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fish­erman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seon­gam reformatory or salt field exists, among the reeds.

    Художник и музей

    Автор

    Парк Хёнсик

    Место рождения Южная Корея

    Park Jun Sik: A Vision of Tranquility

    Park Jun Sik (박형식) emerged as a prominent figure in contemporary Korean art, captivating audiences with his distinctive landscapes imbued with profound symbolic meaning. Born on November 16, 1991, in Yongin, South Korea, Park’s artistic journey began amidst the vibrant cultural landscape of his homeland.

    Early Life and Artistic Inclination

    Growing up in a supportive family environment—his father serving as a director at BMW Korea and his mother a piano teacher—Park displayed an early passion for music, joining his school’s band as vocalist. This formative experience instilled within him a sensitivity to rhythm and melody that would later translate into the careful composition of his paintings.

    Musical Roots and Artistic Training

    During Yongin's Youth Music Contest, Park garnered considerable attention from entertainment agencies, sparking his ambition to pursue a career in art. He diligently honed his skills at Shingal High School and subsequently enrolled in Digital Seoul Culture Arts University, where he studied Business Administration alongside refining his artistic technique.

    The Influence of ZE:A and Artistic Debut

    Park’s foray into the performing arts commenced with his participation in the boy group ZE:A (Children of Empire) in 2010. This collaboration provided invaluable exposure to the creative process, shaping his artistic sensibilities and fostering a collaborative spirit.

    Exploring Landscape Painting and Symbolic Imagery

    Park Jun Sik’s artistic style is characterized by a masterful blend of minimalist aesthetics and evocative symbolic imagery—a deliberate choice reflecting his belief in conveying complex emotions through understated forms. His canvases often depict serene landscapes, rendered with meticulous detail and infused with subtle references to Korean folklore and mythology.

    Notable Achievements and Recognition

    His breakthrough came with the role of Ahn Min Hyuk in “Strong Woman Do Bong Soon,” a blockbuster drama that solidified his reputation as a charismatic performer. This success propelled him into the spotlight, earning critical acclaim for his portrayal of vulnerability and resilience.

    Continuing Artistic Exploration

    Park Jun Sik continues to push boundaries within Korean art, experimenting with new techniques and exploring themes that resonate deeply with contemporary audiences. His unwavering dedication to artistic excellence ensures that his legacy as a visionary landscape painter will endure for generations to come.

    Музей

    Gyeonggi Creation Center

    В экспозиции Ansan, South Korea

    A Crucible of Creativity: Exploring the Gyeonggi Creation Center

    Nestled in Ansan, a vibrant city southwest of Seoul, South Korea’s Gyeonggi Creation Center (GCC) stands as more than just an art space; it's a dynamic ecosystem pulsating with innovation and artistic exchange. Established in 2009, this sprawling complex has rapidly become the nation’s largest creative residence and a vital hub for artists both domestic and international. The GCC isn’t defined by static collections of fixed artworks, but rather by its living legacy – the ever-evolving body of work produced during residencies, a testament to the transformative power of dedicated time and collaborative spirit.

    The Center's core mission revolves around fostering artistic research and development. It achieves this through meticulously curated residency programs, offering artists unparalleled access to individual studios equipped with essential resources alongside shared creative spaces like media labs and woodworking workshops. These aren’t simply temporary accommodations; they are incubators for experimentation, encouraging artists to push the boundaries of their practice across a diverse range of mediums – from traditional painting and sculpture to cutting-edge installation art and digital media. The GCC actively champions interdisciplinary projects, recognizing that the most compelling artistic breakthroughs often arise when seemingly disparate fields converge. This commitment is reflected in exhibitions showcasing these collaborative outcomes, offering visitors a glimpse into the fertile ground where creativity flourishes.

    Architecture as Inspiration

    The Gyeonggi Creation Center’s architecture itself plays a crucial role in its unique environment. While specific architectural details remain somewhat understated – likely prioritizing functionality and artistic freedom – it's understood to be a modern design, thoughtfully constructed to stimulate both individual focus and collaborative interaction. Situated on Seongamdo Island, a strategically chosen location offering scenic beauty and relative seclusion, the building’s layout is designed to facilitate serendipitous encounters and foster a sense of community among resident artists. The island setting provides a refreshing contrast to the bustling urban landscape of Seoul, creating an atmosphere conducive to deep work and creative contemplation.

    A Living Collection: Residencies as the Heart

    What truly distinguishes the GCC is its “collection” – a dynamic archive of works born from its residency programs. These aren’t museum-quality pieces displayed behind velvet ropes; they are living, breathing artworks that reflect the unique experiences and processes of each artist in residence. The Center actively supports emerging talents, providing them with invaluable exposure and opportunities to develop their careers within a supportive international network. The GCC's commitment extends beyond simply hosting artists; it’s about nurturing their growth and facilitating their engagement with the wider art world. Past residents have included artists exploring themes of identity, technology, environmental sustainability, and social justice – reflecting the Center’s dedication to fostering diverse and thought-provoking artistic expressions.

    Beyond the Canvas: A Hub for Cultural Exchange

    The Gyeonggi Creation Center's influence extends far beyond its physical walls. It actively promotes cross-cultural exchange through its residency programs, attracting artists from around the globe and facilitating dialogue between different creative traditions. The Center’s location in Ansan, a city with strong ties to Seoul but also a distinct cultural identity, further enhances this international focus. Ansan itself, as evidenced by its Wikipedia entry, is a dynamic hub of learning institutions and technological development – a setting perfectly suited to the GCC's mission of fostering innovation. The Center’s exhibitions are open to the public, offering a valuable opportunity for local communities to engage with contemporary art and experience diverse perspectives.

    A Future Forged in Creativity

    The Gyeonggi Creation Center is more than just an artistic venue; it's a testament to South Korea’s commitment to fostering a vibrant and globally connected arts scene. Its scale, international focus, and dynamic environment make it a truly unique destination for artists seeking inspiration and support. As the GCC continues to evolve, it remains dedicated to its core mission: to nurture creativity, encourage research, and push the boundaries of artistic expression – solidifying its position as a cornerstone of Gyeonggi province’s cultural landscape and a significant contributor to the global art community.

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    QR-код со ссылкой на страницу загрузки Set a boat afloat

    originaluniqueart.com/ru/art/download/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Как цитировать это произведение

    MLA
    Хёнсик, Парк. Set a boat afloat. n.d., Gyeonggi Creation Center. https://originaluniqueart.com/ru/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    APA
    Хёнсик, Парк (n.d.). Set a boat afloat [Painting]. Gyeonggi Creation Center. https://originaluniqueart.com/ru/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Chicago
    Парк Хёнсик. Set a boat afloat. n.d. Gyeonggi Creation Center. https://originaluniqueart.com/ru/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Harvard
    Хёнсик, Парк (n.d.) Set a boat afloat. Gyeonggi Creation Center. Available at: https://originaluniqueart.com/ru/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Присмотритесь внимательнее

    Set a boat afloat — Парк Хёнсик

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    Вопросы и ответы

    Кто создал "Set a boat afloat"?

    Автор произведения «Set a boat afloat» — Парк Хёнсик. Работа внесена в каталог под именем Парк Хёнсик.

    Сколько человек просматривают «Set a boat afloat»?

    Для произведения «Set a boat afloat» доступна страница Статистика просмотров. На ней представлен график ежемесячных просмотров данного произведения и других работ автора с разбивкой по странам и языкам.

    Какова воспринимаемая яркость произведения «Set a boat afloat», Парк Хёнсик?

    С точки зрения воспринимаемой яркости, «Set a boat afloat», Парк Хёнсик — это bright.