Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 207 dzieł Pierre-Paul Prud’hon w naszym katalogu
W skrócie
Portrait of the Empress Josephine (1805) to obraz autorstwa Pierre-Paul Prud’hon, który przyciąga najwięcej spojrzeń. Następnie wzrok kieruje się na Venus Bathing (1810) i Untitled (D2X835) (1817). Spośród 207 dzieł Pierre-Paul Prud’hon w naszym katalogu, tych 100 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.
The Portrait of the Empress Josephine by Pierre-Paul Prud'hon presents a quiet, intimate moment captured in 1805. The subject of this work is Josephine Bonaparte, the first wife of Napoleon Bonaparte. Rather than appearing in the rigid splendor of the imperial court, she is seen here in a more private, natural setting. She sits upon the mossy rocks of the gardens at Malmaison, a place deeply connected to her own…
Pierre-Paul Prud’hon's “Venus Bathing” stands as a cornerstone of Neoclassical art, embodying the era’s pursuit of idealized beauty and rational order. Painted in 1810 during a period marked by significant artistic upheaval—the waning influence of Rococo giving way to Romantic fervor—this monumental oil on canvas (134 x 103 cm) resides within the hallowed halls of the Musée du Louvre, Paris, ensuring its enduring legacy.
Pierre-Paul Prud’hon’s “Untitled (D2X835),” painted in 1817, offers a captivating glimpse into the world of Parisian society during the early 19th century. More than just a simple portrait, it's a carefully constructed tableau vivant—a staged scene brimming with subtle social commentary and an exquisite mastery of chiaroscuro, a technique that defines Prud’hon’s distinctive style. The painting depicts a gentleman in formal attire – a dark suit, top hat, and crisp…
The air in the room feels warm and still, filled with the soft scent of oil paint and the gentle breathing of young life. A seated child, draped in a luminous yellow dress that catches the light from an unseen window to the upper right, leans into a moment of pure connection. Beside them, another child stands, arms cradling a cluster of puppies. The scene is intimate, a private fragment…
The heavens open in a dramatic display of divine authority, casting a celestial light upon the earthly realm below. High above the clouds, angels descend through a luminous sky, their forms caught in a moment of eternal motion. Some of these heavenly beings carry swords and shields, their presence signaling a power that transcends the mortal plane. Amidst this swirling movement, small cherubs drift through the air, adding a sense…
A single figure occupies the space, a woman caught in a moment of quiet contemplation. She sits with her hand pressed against her head, her gaze turned upward toward an unseen source of light. The charcoal and chalk trace the soft contours of her skin, building a body through the delicate interplay of shadow and highlight. There is a stillness here, a pause in breath that feels heavy and intimate.…
The Zephyr is an oil sketch by Pierre-Paul Prud'hon, a work that captures a sense of mythological grace through its delicate handling of form. Created around 1814, this piece reflects the artist's ability to navigate the transition between Neoclassicism and Romanticism. The subject, often interpreted as a personification of the wind, is rendered with a lightness that suggests movement even within the stillness of the oil medium.
In the turbulent landscape of 1793, amidst the fervor and shadows of the French Revolution, Pierre-Paul Prud'hon captured more than just a likeness; he captured an era. His portrait of Louis Antoine de Saint Just serves as a profound window into a moment of intense political and personal transformation. The subject, a man whose name was synonymous with the radical shifts of the Reign of Terror, is presented not through…
In the painting Abundance, Pierre-Paul Prud'hon presents two human figures positioned in a close, intimate arrangement. Created about 1823, the work focuses on the interaction between these two subjects against a dark, indistinct background. The figures appear to be engaged in either a shared task or an embrace, though their exact movements remain partially obscured by the shadows. The composition centers on this physical proximity, placing the viewer in immediate…
In this 1821 oil on canvas, we find ourselves drawn into a quiet, heavy moment of human suffering. The composition centers on a family bound together by a profound sense of loss, their bodies slumped in a way that speaks of exhaustion and despair. A man and a woman sit at the heart of the group, surrounded by children, creating an intimate, tight arrangement that emphasizes their collective grief. The…
Dr. Thomas Dagoumer (1762-1833/1835)1819 · Fogg Museum
12
Innocence Choosing Between Love and Riches1804 · Art Institute of Chicago
13
Wisdom and Truth Descending to Earth1758 · Bawarskie Państwowe Zbiory Malarstwa
14
The Preparations of War or The Preparations of Love1790 · Musée Cognacq-Jay
15
The Cruel Laughs at the Tears He Makes Fall1794
16
Monument to Pope Clement XIV by Canova1787
17
Portrait of sculptor Nicolas Bornier1788 · Musée des Beaux-Arts de Dijon
18
Minerva Illuminating the Genii of the Arts and Sciences1800
19
The Genius of Peace1800
20
Young Naiad Ravished by Loves1800
21
Diana Imploring Jupiter Not to Subject Her to the Laws of Hymen1802
22
Minerva1797
23
Apollo1797
24
Plutus1797
25
Pan1797
26
Time1797
27
Old Age1797
28
Two Winged Horses1797
29
Mnemosyne1797
30
The Folly1797
31
Mercury1797
32
Bacchus1797
33
Portrait of an Unknown Person1800 · Musée Carnavalet
34
Diana begs Jupiter not to subject her to the hymen1803
35
Portrait of Marguerite Duffour, wife of sculptor Nicolas Bornier1796
36
Male Nude Grasping his Wrists1800
37
Seated Male Nude1800
38
Female Nude from Behind1800
39
Standing Female Nude1800
40
Male Nude Raising his Arm1800
41
Seated Female Nude by a Fountain1800
42
Female Nude Reclining1800
43
Female Nude Leaning1800
44
Daphnis and Chloe1802
45
Female Nude Bound1800
46
Male Nude Turning1800
47
Male Nude Pointing1800
48
Female Nude Raising her Arm1800
49
The Source1801
50
Drawing of Female Nude with charcoal and chalk1800
51
Portrait of Georges Anthony1796 · Musée des Beaux-Arts de Dijon
52
Drawing of Female Nude with charcoal and chalk1800
53
Drawing of Female Nude with charcoal and chalk1800
54
Arts, Wealth, Pleasure and Philosophy: Wealth1800
55
Drawing of Female Nude with charcoal and chalk1800
56
Arts, Wealth, Pleasure and Philosophy: Philosophy1800
57
Monsieur Vallet1812
58
Minerva Leading the Genius of the Arts to Immortality1812
59
Meeting of Napoleon I and Francis II of Austria, December 4, 18051809 · Opera w Wersalu
60
Victory and Peace1807 · Musée Carnavalet
61
The Empress Josephine1807 · Wallace Collection
62
Seated Woman Plucking a Flower1810 · Rhode Island School of Design Museum of Art
63
Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent1807 · Musée Carnavalet
64
Study for 'Minerva leading the Genius of the Arts into Immortality'1813 · Fitzwilliam Museum
65
Young Zephyrus balancing above water1814 · Musée des Beaux-Arts de Dijon
66
Abundance1812 · Museum of Fine Arts
67
Venus Bathing1814 · Fine Arts Museums of San Francisco
68
Josephine Bonaparte (study)1805
69
Madame Jarre1821
70
The Dream of Happiness (sketch)1818
71
The Assumption of the Virgin1817 · Wallace Collection
72
Flora and Zephyr1820 · National Museum in Wrocław
73
Gian Battista Sommariva1815
74
Arnauld de Beaufort1818 · Saint Louis Art Museum
75
The Happy Mother1810 · Wallace Collection
76
Portrait of a Young Man1874
77
Crucifixion1822 · Luwr
78
Marquis de Lafayette1820 · National Portrait Gallery
79
Homage to Beauty1808 · Musée Condé
80
The King of Rome in the form of sleeping Cupid1811 · Museo Glauco Lombardi
81
Arts, Wealth, Pleasure and Philosophy1800 · Musée Fabre
82
Portrait of Charles Maurice de Talleyrand-Perigord
83
Rutger Jan Schimmelpenninck with his Wife and Children1801 · Rijksmuseum
84
Venus and Cupid asleep, caressed and awakened by the Zephyrs1806 · Musée Condé
85
David Johnston1808 · National Gallery of Art
86
French, prudhon)1758
87
The First Kiss of Love1795
88
Madame Copia1792
89
The union of love and friendship1793
90
Nicolas Perchet1795
91
Etienne Renon de Franois1795
92
Christ on the Cross. Mary Magdalene and the Virgin are at His feet1800
93
Seated Female Nude1800
94
Female Nude Raising her Arm1800
95
Drawing of Female Nude with charcoal and chalk1800
96
Portrait of Constance Mayer1804
97
Arts, Wealth, Pleasure and Philosophy: Pleasure1800
98
Arts, Wealth, Pleasure and Philosophy: Arts1800
99
The wisdom and truth1799
100
Portrait of Josephine de Beauharnais1800
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
8 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Pierre-Paul Prud’hon | Obrazy z tej listy |
|---|---|---|---|
 Wallace Collection |
Londyn | 6 | Puppies, The Zephyr, The Empress Josephine |
 Musée Condé |
Chantilly | 3 | Abundance, Homage to Beauty, Venus and Cupid asleep, caressed and awakened by the Zephyrs |
 Musée des Beaux-Arts de Dijon |
Dion | 3 | Portrait of sculptor Nicolas Bornier, Portrait of Georges Anthony, Young Zephyrus balancing above water |
 Musée Carnavalet |
Paryż | 3 | Portrait of an Unknown Person, Victory and Peace, Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent |
 Luwr |
Paryż | 5 | Venus Bathing, Crucifixion |
 Metropolitan Museum of Art |
Nowy Jork | 2 | Untitled (D2X835) |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Seated Woman Plucking a Flower |
 Rijksmuseum |
Amsterdam | 2 | Rutger Jan Schimmelpenninck with his Wife and Children |
Wybierz dekadę, aby zobaczyć dzieło, które ją definiuje.
The heavens open in a dramatic display of divine authority, casting a celestial light upon the earthly realm below. High above the clouds, angels descend through a luminous sky, their forms caught in a moment of eternal motion. Some of these heavenly beings carry swords and shields, their presence signaling a power that transcends the mortal plane. Amidst this swirling movement, small cherubs drift through the air, adding a sense…
The air in the room feels warm and still, filled with the soft scent of oil paint and the gentle breathing of young life. A seated child, draped in a luminous yellow dress that catches the light from an unseen window to the upper right, leans into a moment of pure connection. Beside them, another child stands, arms cradling a cluster of puppies. The scene is intimate, a private fragment…
The Portrait of the Empress Josephine by Pierre-Paul Prud'hon presents a quiet, intimate moment captured in 1805. The subject of this work is Josephine Bonaparte, the first wife of Napoleon Bonaparte. Rather than appearing in the rigid splendor of the imperial court, she is seen here in a more private, natural setting. She sits upon the mossy rocks of the gardens at Malmaison, a place deeply connected to her own…
Pierre-Paul Prud’hon's “Venus Bathing” stands as a cornerstone of Neoclassical art, embodying the era’s pursuit of idealized beauty and rational order. Painted in 1810 during a period marked by significant artistic upheaval—the waning influence of Rococo giving way to Romantic fervor—this monumental oil on canvas (134 x 103 cm) resides within the hallowed halls of the Musée du Louvre, Paris, ensuring its enduring legacy.
In the painting Abundance, Pierre-Paul Prud'hon presents two human figures positioned in a close, intimate arrangement. Created about 1823, the work focuses on the interaction between these two subjects against a dark, indistinct background. The figures appear to be engaged in either a shared task or an embrace, though their exact movements remain partially obscured by the shadows. The composition centers on this physical proximity, placing the viewer in immediate…
Portrait of the Empress Josephine (1805). Następne są Venus Bathing (1810) oraz Untitled (D2X835) (1817).
47 lat: Portrait of the Empress Josephine pochodzi z 1805, a Pierre-Paul Prud’hon urodził(a) się w 1758.
Portrait of the Empress Josephine, Venus Bathing, Untitled (D2X835), Puppies, The Glorification of the government of Burgundy, Drawing of Female Nude with charcoal and chalk, The Zephyr, Louis Antoine de Saint Just, Abundance i Une Famille dans la désolation (A Grief-Stricken Family). Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 207 dzieł artysty Pierre-Paul Prud’hon, datowanych od 1786 do 1823.
W większości znajdują się w Wallace Collection (Londyn), Musée Condé (Chantilly) i Musée des Beaux-Arts de Dijon (Dion). Powyższa tabela muzeów zawiera ich pełną listę.
W 1800s: 47 z 100 dzieł na tej stronie powstało w tym czasie, w tym Portrait of the Empress Josephine.
Na tej stronie najwcześniejszy to The Glorification of the government of Burgundy (1786), a najpóźniejszy Abundance (1823).
Woman (47), Man (34) i Nude (21), w ramach 100 dzieł na tej stronie.
Oil, dla 32 z 100 dzieł na tej stronie.
Neo-classicism i Romantic neoclassicism, sądząc po oryginałach na tej stronie.
Puppies, The Zephyr i The Empress Josephine: Wallace Collection, Londyn posiada 5 dzieł widocznych na tej stronie.
Pierre-Paul Prud’hon był postacią kluczową dla francuskiej sztuki, stanowiąc pomost między neoklasycyzmem a romantyzmem. Urodzony w Cluny, w departamencie Saône-et-Loire, przeszedł artystyczną drogę, która odzwierciedlała zmieniający się krajobraz estetyczny Europy przełomu XVIII i XIX wieku. Sławę przyniosły mu zarówno malarstwo alegoryczne, jak i portrety, w których wykazał się mistrzostwem w operowaniu światłocieniem oraz realizmem, co zachwycało ówczesnych widzów i wywarło głęboki wpływ na kolejne pokolenia twórców.
Prud'hon wywarł niebagatelny wpływ na kolejne pokolenia francuskich artystów. Jego biegłość w posługiwaniu się światłocieniem, umiejętność nadania portretom psychologicznej głębi oraz synteza stylów neoklasycznego i romantycznego uczyniły go postacią niezwykle szanowaną w świecie sztuki. Twórcy tacy jak Théodore Géricault czy Eugène Delacroix przyznawali, że czerpali inspirację z jego dramatycznych kompozycji i emocjonalnej ekspresji. Warto również wspomnieć, że wybitne postaci literatury i malarstwa, jak Stendhal, Millet czy Baudelaire, dostrzegali artystyczną wartość dzieł Prud'hona, co ostatecznie ugruntowało jego miejsce w historii kultury francuskiej.
