Portret Michele Marieschi

43 najsłynniejszych obrazów artysty Michele Marieschi, każdy niepowtarzalny

Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 46 dzieł Michele Marieschi w naszym katalogu

W skrócie

The Grand Canal near the Salute (1733) to obraz autorstwa Michele Marieschi, który przyciąga najwięcej spojrzeń; oryginał znajduje się w Luwr, Paryż. Następnie wzrok kieruje się na Capriccio with Classical Arch and Goats (1741) i The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742). Spośród 46 dzieł Michele Marieschi w naszym katalogu, tych 43 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.

1710 – 1743, Venice Rococo Najwięcej dzieł: Muzeum Narodowe w Warszawie

10 najlepszych obrazów autorstwa Michele Marieschi według oka galerii

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Capriccio with Classical Arch and Goats (1741) autorstwa Michele Marieschi

Capriccio with Classical Arch and Goats

1741 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Wenecja

The composition centers on the intersection of human architecture and the persistent force of the natural world. Crumbling stone arches and weathered columns, once symbols of structural precision, now lie partially reclaimed by thick foliage and creeping vines. In the foreground, a man, a boy, and a dog move through the ruins, providing a sense of scale against the heavy, decaying masonry. Beyond this immediate scene, a body of water…

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The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) autorstwa Michele Marieschi

The Grand Canal with the Ca' Rezzonico and the Campo San Samuele

1742 · Oil On Canvas · Berlińskie Muzea Państwowe, Berlin

The oil on canvas titled The Grand Canal with the Ca' Rezzonico and the Campo San Samuele captures a specific slice of Venetian life. Painted by Michele Marieschi, the work dates to about 1742. It presents a wide view of the waterways that define the city, focusing on the intersection of grand architecture and the constant movement of the canals.

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Courtyard with a Staircase (1735) autorstwa Michele Marieschi

Courtyard with a Staircase

1735 · Oil On Canvas · Ermitaż, Sankt Petersburg

Courtyard with a Staircase is an oil on canvas work by Michele Marieschi, executed in 1735. The composition functions as an architectural fantasy, presenting a structured arrangement of a staircase within a courtyard setting. This work belongs to the Venetian School, reflecting the topographical and imaginative traditions of 18th-century Italy.

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The Grand Canal in Venice (1700) autorstwa Michele Marieschi

The Grand Canal in Venice

1700 · Oil · Museo di Capodimonte, Napoli

In the heart of the eighteenth century, Venice was not merely a city but a stage, a shimmering spectacle of light and water where every canal served as a corridor for drama and commerce. Michele Marieschi, a master of the veduta, captures this ephemeral magic in his breathtaking work, The Grand Canal in Venice. This painting serves as a portal to a bygone era, inviting the viewer to step onto…

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Most Rialto z Riva del Vin (1740) autorstwa Michele Marieschi

Most Rialto z Riva del Vin

1740 · Akryl na płótnie · Ermitaż, Sankt Petersburg

Michele Marieschi: Venice Captured in Light and Shadow The painting “The Rialto Bridge from the Riva del Vin” by Michele Marieschi stands as a testament to Venetian Veduta painting—a genre dedicated to capturing urban landscapes with remarkable precision and artistic flair. Executed around 1740, this artwork isn’t merely a depiction of Venice; it's an immersive experience designed to transport the viewer back to the bustling atmosphere of eighteenth-century Venice. Marieschi’s…

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The Grand Canal with Santa Maria della Salute (1730) autorstwa Michele Marieschi

The Grand Canal with Santa Maria della Salute

1730 · Oil On Canvas · Thyssen-Bornemisza Museum, Madryt

The oil on canvas depicts the Grand Canal in Venice, Italy, as it appeared in 1730. At the terminus of the waterway, the Santa Maria della Salute church occupies the central focus. The structure features a prominent dome and smaller domes situated on either side. The building's architecture is characterized by its position at the end of the canal, which directs the eye toward the church's facade. Numerous gondolas and…

Słynne obrazy artysty Michele Marieschi, od 11 do 43

11Fantastic Architecture of a Palace Courtyard (1730) autorstwa Michele MarieschiFantastic Architecture of a Palace Courtyard1730 · Muzeum Narodowe w Warszawie 12Riva degli Schiavoni (1730) autorstwa Michele MarieschiRiva degli Schiavoni1730 · Muzeum Narodowe w Warszawie 13Coastal Landscape (1730) autorstwa Michele MarieschiCoastal Landscape1730 · Muzeum Narodowe w Warszawie 14Fantastic Landscape with Ruins (1730) autorstwa Michele MarieschiFantastic Landscape with Ruins1730 · Muzeum Narodowe w Warszawie 15Italian scenery with figures (1727) autorstwa Michele MarieschiItalian scenery with figures1727 16View of the Piazzetta dei Leoni (1734) autorstwa Michele MarieschiView of the Piazzetta dei Leoni1734 · Bawarskie Państwowe Zbiory Malarstwa 17Saint Mark's Church and the Square in Venice (1739) autorstwa Michele MarieschiSaint Mark's Church and the Square in Venice1739 18View of the Grand Canal near Cà Pesaro (1734) autorstwa Michele MarieschiView of the Grand Canal near Cà Pesaro1734 · Bawarskie Państwowe Zbiory Malarstwa 19Landscape Capriccio (1735) autorstwa Michele MarieschiLandscape Capriccio1735 · Minneapolis Institute of Art 20The Church of Santa Maria della Salute, Venice (1740) autorstwa Michele MarieschiThe Church of Santa Maria della Salute, Venice1740 · Art Institute of Chicago 21Courtyard in a Renaissance House (1742) autorstwa Michele MarieschiCourtyard in a Renaissance House1742 · Nationalmuseum 22Stairwell in a Renaissance Palace (1742) autorstwa Michele MarieschiStairwell in a Renaissance Palace1742 · Nationalmuseum 23Architectural fantasy featuring a palace courtyard (1738) autorstwa Michele MarieschiArchitectural fantasy featuring a palace courtyard1738 · Muzeum Narodowe w Warszawie 24The Grand Canal with the Fishmarket (detail) (1740) autorstwa Michele MarieschiThe Grand Canal with the Fishmarket (detail)1740 25The Grand Canal at San Geremia (1740) autorstwa Michele MarieschiThe Grand Canal at San Geremia1740 26The Grand Canal with the Fishmarket (1740) autorstwa Michele MarieschiThe Grand Canal with the Fishmarket1740 27View of the Rio di Cannareggio (1740) autorstwa Michele MarieschiView of the Rio di Cannareggio1740 28The Grand Canal at San Geremia (detail) (1740) autorstwa Michele MarieschiThe Grand Canal at San Geremia (detail)1740 29The Grand Canal with the Palazzo Labia and Entry to the Cannareggio (1742) autorstwa Michele MarieschiThe Grand Canal with the Palazzo Labia and Entry to the Cannareggio1742 · Berlińskie Muzea Państwowe 30Capriccio with Gothic Building and Obelisk (1741) autorstwa Michele MarieschiCapriccio with Gothic Building and Obelisk1741 · Gallerie dell'Accademia di Venezia 31Piazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie Nuove autorstwa Michele MarieschiPiazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie NuoveNational Gallery of Ireland 32View of the Dogana and Santa Maria della Salute autorstwa Michele MarieschiView of the Dogana and Santa Maria della SaluteMuseum of Fine Arts 33View of Canale Grande in Venice with the Rialto Bridge autorstwa Michele MarieschiView of Canale Grande in Venice with the Rialto BridgeStatens Museum for Kunst 34View of Canale Grande in Venice autorstwa Michele MarieschiView of Canale Grande in VeniceStatens Museum for Kunst 35interior of a palazzo with scaffolding + figures autorstwa Michele Marieschiinterior of a palazzo with scaffolding + figures 36View of a port autorstwa Michele MarieschiView of a port 37palace - garden and walking people autorstwa Michele Marieschipalace - garden and walking people 38St. Marcus place in Venice autorstwa Michele MarieschiSt. Marcus place in Venice 39Landscape with ruins and a bridge autorstwa Michele MarieschiLandscape with ruins and a bridgeMuzeum Narodowe w Warszawie 40Landscape with ruins autorstwa Michele MarieschiLandscape with ruinsMuzeum Narodowe w Warszawie 41Architectural fantasy featuring a prison courtyard autorstwa Michele MarieschiArchitectural fantasy featuring a prison courtyardMuzeum Narodowe w Warszawie 42Imaginative View with Obelisk autorstwa Michele MarieschiImaginative View with Obelisk 43View of Campo SS. Giovanni e Paolo, Venice autorstwa Michele MarieschiView of Campo SS. Giovanni e Paolo, Venice

Tematy, które przyciągnęły wzrok Michele Marieschi

Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.

Muzea przechowujące oryginały Michele Marieschi

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzea Miasto Dzieła artysty Michele Marieschi Obrazy z tej listy
Muzeum Narodowe w Warszawie, WarszawaMuzeum Narodowe w Warszawie Warszawa 10 Ponte di Rialto, Fantastic Architecture of a Prison Courtyard, Fantastic Architecture of a Palace Courtyard
Gallerie dell'Accademia di Venezia, WenecjaGallerie dell'Accademia di Venezia Wenecja 2 Capriccio with Classical Arch and Goats, Capriccio with Gothic Building and Obelisk
Berlińskie Muzea Państwowe, BerlinBerlińskie Muzea Państwowe Berlin 2 The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, The Grand Canal with the Palazzo Labia and Entry to the Cannareggio
Ermitaż, Sankt PetersburgErmitaż Sankt Petersburg 2 Courtyard with a Staircase, Most Rialto z Riva del Vin
Bawarskie Państwowe Zbiory Malarstwa, MonachiumBawarskie Państwowe Zbiory Malarstwa Monachium 2 View of the Piazzetta dei Leoni, View of the Grand Canal near Cà Pesaro
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Courtyard in a Renaissance House, Stairwell in a Renaissance Palace
Statens Museum for Kunst, KopenhagaStatens Museum for Kunst Kopenhaga 2 View of Canale Grande in Venice with the Rialto Bridge, View of Canale Grande in Venice
Luwr, ParyżLuwr Paryż 1 The Grand Canal near the Salute

Michele Marieschi na przestrzeni dekad: jeden unikatowy oryginał dla każdego

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Obrazy artysty Michele Marieschi: pytania do galerii

Jakie jest najsłynniejsze dzieło artysty Michele Marieschi?Odkryj odpowiedź

The Grand Canal near the Salute (1733), Luwr, Paryż. Następne są Capriccio with Classical Arch and Goats (1741) oraz The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

W jakim wieku Michele Marieschi stworzył/a The Grand Canal near the Salute?Odkryj odpowiedź

23 lat: The Grand Canal near the Salute pochodzi z 1733, a Michele Marieschi urodził(a) się w 1710.

Które dziesięć obrazów Michele Marieschi jest najbardziej znanych?Odkryj odpowiedź

The Grand Canal near the Salute, Capriccio with Classical Arch and Goats, The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, Courtyard with a Staircase, The Grand Canal in Venice, Most Rialto z Riva del Vin, The Grand Canal with Santa Maria della Salute, An Architectural Capriccio with Figures beside a River, Ponte di Rialto i Fantastic Architecture of a Prison Courtyard. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.

Ile znanych dzieł stworzył Michele Marieschi?Odkryj odpowiedź

Nasz katalog zawiera 46 dzieł artysty Michele Marieschi, datowanych od 1727 do 1742.

Gdzie można zobaczyć najsłynniejsze oryginały Michele Marieschi?Odkryj odpowiedź

W większości znajdują się w Muzeum Narodowe w Warszawie (Warszawa), Gallerie dell'Accademia di Venezia (Wenecja) i Berlińskie Muzea Państwowe (Berlin). Powyższa tabela muzeów zawiera ich pełną listę.

W jakim okresie Michele Marieschi stworzył/a swoje najsłynniejsze obrazy?Odkryj odpowiedź

W 1730s: 14 z 43 dzieł na tej stronie powstało w tym czasie, w tym The Grand Canal near the Salute.

Który z najsłynniejszych obrazów artysty Michele Marieschi powstał najwcześniej, a który najpóźniej?Odkryj odpowiedź

Na tej stronie najwcześniejszy to Italian scenery with figures (1727), a najpóźniejszy The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Jakie tematy preferował Michele Marieschi?Odkryj odpowiedź

Boats (4), Architecture (4) i Canal (3), w ramach 43 dzieł na tej stronie.

Jakich materiałów Michele Marieschi używał najczęściej?Odkryj odpowiedź

Oil On Canvas, dla 5 z 43 dzieł na tej stronie.

Do jakiego nurtu należy twórczość Michele Marieschi?Odkryj odpowiedź

Rococo, sądząc po oryginałach na tej stronie.

Jakie oryginały Michele Marieschi można zobaczyć w Muzeum Narodowe w Warszawie?Odkryj odpowiedź

Ponte di Rialto, Fantastic Architecture of a Prison Courtyard i Fantastic Architecture of a Palace Courtyard: Muzeum Narodowe w Warszawie, Warszawa posiada 10 dzieł widocznych na tej stronie.

Michele Marieschi: portret artysty

The Venetian Visionary: The Life and Legacy of Michele Marieschi

In the golden age of the Venetian Rococo, few artists captured the ephemeral magic of the Serenissima with as much vitality as Michele Giovanni Marieschi. Born in Venice in 1710, Marieschi emerged from a lineage of craftsmanship, being the son of a woodcarver—a background that likely instilled in him a profound respect for structure, texture, and the physical essence of the objects he depicted. While his life was relatively brief, spanning only until his death in early 1744, his impact on the veduta tradition remains indelible. He did not merely document the architecture of Venice; he breathed life into its stone and water, transforming static cityscapes into breathing, luminous narratives of light and movement.

The development of Marieschi’s unique style was deeply rooted in the artistic currents flowing through 18th-century Italy. Scholars often point to the influence of masters such as Gaspare Diziani and the legendary Canaletto, whose works provided a blueprint for capturing the grandeur of urban environments. However, where Canaletto sought a certain topographical precision and a more restrained, classical clarity, Marieschi found his voice in a bolder, more emotive approach. He embraced a palette that pulsed with color and a brushwork that felt spontaneous and energetic. This stylistic distinction allowed him to move beyond mere architectural recording, infusing his landscapes with a sense of theatricality and atmosphere that suggested the very pulse of Venetian life.

Mastery of Light and the Veduta Tradition

Marieschi’s contribution to the veduta—the genre of highly detailed, large-scale topographical paintings—is characterized by an extraordinary command of perspective and light. His works often feature iconic landmarks such as the Grand Canal, the Salute, and various majestic palaces, yet they are far from being mere postcards of the era. Instead, he utilized a technique that blended meticulous detail with imaginative embellishment, creating scenes that felt both real and dreamlike. Through his eyes, the water of the canals becomes a mirror for the shifting sky, and the shadows cast by ancient churches become vessels for mystery and depth.

His technical prowess is perhaps most evident in his ability to manipulate light to evoke specific moods:

  • Atmospheric Perspective: The use of soft, hazy tones to create a sense of immense distance and scale within his cityscapes.
  • Dynamic Brushwork: A lively application of paint that captures the shimmering reflections on the Venetian lagoons.
  • Architectural Grandeur: A profound understanding of structural geometry, allowing him to render complex facades with both accuracy and elegance.

Historical Significance and Artistic Resonance

The historical significance of Michele Marieschi lies in his ability to bridge the gap between the rigid documentation of the early 18th century and the more expressive, emotive landscapes that would follow. He was a pivotal figure in transitioning the Venetian view from a purely observational medium into an art form capable of conveying profound emotional resonance. His work serves as a vital window into a vanished world, preserving the splendor of Venice before the seismic shifts of the late 18th century altered its social and political landscape forever.

Today, Marieschi’s canvases continue to captivate collectors and historians alike. Whether it is the breathtaking view of the Grand Canal near the Salute or his more intimate architectural studies, his paintings remain masterclasses in the Rococo spirit. He remains a celebrated figure for those seeking to experience the vibrant energy, the luminous light, and the enduring elegance of a Venice that continues to haunt the collective imagination of the art world.