Aktualizacja: Październik 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 25 dzieł Cosimo Rosselli w naszym katalogu
W skrócie
The Last Supper (detail) (8) (1481) to obraz autorstwa Cosimo Rosselli, który przyciąga najwięcej spojrzeń; oryginał znajduje się w Kaplica Sykstyńska, Watykan. Następnie wzrok kieruje się na The Last Supper (1481) i The Last Supper (detail) (1481). Spośród 25 dzieł Cosimo Rosselli w naszym katalogu, tych 25 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.
Cosimo Rosselli's “The Last Supper,” completed in 1481-82 during the High Renaissance, stands as one of the most iconic depictions of Christianity. More than just a painting; it’s a testament to artistic innovation and spiritual contemplation—a scene meticulously rendered by Rosselli and his collaborators within the grandeur of Michelangelo's Sistine Chapel.
Cosimo Rosselli’s “The Last Supper,” painted in 1481–82 for the Sistine Chapel in Rome, isn't merely a depiction of a biblical meal; it’s a profound meditation on faith, betrayal, and the human condition. Commissioned during a period of immense artistic innovation—a time when Leonardo da Vinci was laying the groundwork for modern painting—Rosselli’s fresco stands as a testament to the Florentine Renaissance’s vibrant spirit and its masterful command of perspective…
To gaze upon this detail from Cosimo Rosselli's rendition of The Last Supper is to be transported across the centuries, into a moment suspended between profound intimacy and monumental destiny. This scene, painted in 1481 within the sacred confines of the Cappella Sistina, transcends mere depiction; it captures the very breath of human drama set against the backdrop of divine revelation. Rosselli masterfully frames the final meal shared by Jesus…
Cosimo Rosselli’s “The Last Supper,” a breathtaking detail from his monumental fresco cycle within the Cappella Sistina, offers an unparalleled glimpse into the heart of the late 15th century. Completed in 1481-82 amidst a complex political reconciliation between Florence and Rome, this work transcends mere biblical narrative; it’s a profound meditation on faith, betrayal, and the human condition. More than just a depiction of Christ's final meal with his disciples,…
Cosimo Rosselli’s “The Last Supper (Detail),” painted in 1481 as part of the monumental fresco cycle adorning the Sistine Chapel, is more than just a depiction of a biblical event; it's a vibrant testament to the burgeoning artistic spirit of the High Renaissance. This intimate detail captures a pivotal moment – the announcement of betrayal – with an intensity and emotional resonance that continues to captivate viewers centuries later. Commissioned…
Cosimo Rosselli’s “Portrait of a Man,” painted around 1481 in Florence, is far more than a simple likeness; it's a carefully constructed tableau of status, ambition, and the burgeoning artistic currents of the High Renaissance. This remarkably preserved panel painting offers a rare window into the world of Florentine nobility, capturing not just a man’s appearance but also his projected persona – a testament to the era’s fascination with portraiture…
Artist and Title Cosimo Rosselli was an Italian Renaissance painter born in Florence in 1439. He is best known for his frescoes, including the one we will discuss here: The Last Supper. Size and Media This masterpiece measures 349 cm x 570 cm and was created using the fresco technique. Fresco is a painting method in which pigments are applied to wet plaster, allowing them to become part of the…
In this formal altarpiece from 1499, we find ourselves within a highly structured sacred space. The composition is centered upon Saint Catherine of Siena, who sits enthroned with a quiet, commanding presence. She is flanked by standing saints and surrounded by kneeling nuns, arranged in a pyramidal formation that directs the eye upward toward her figure. The scene is one of profound solemnity, a moment of communal devotion captured through…
The composition centers on a tender, vertical arrangement of three figures: the Madonna, the Christ Child, and a young Saint John the Baptist. Set against a split background of ornate gold patterning and a distant, atmospheric landscape, the scene focuses on the intimate act of nursing. The Virgin wears a deep crimson tunic beneath a mantle of rich ultramarine blue, her features rendered with soft, fluid lines that define the…
The world settles into a quiet, circular hush within this tondo painting. At the very heart of the composition, the Virgin Mary kneels in prayer, her form anchored by the deep ultramarine blue of her mantle. Before her, the infant Jesus rests upon the earth, a small and precious focal point that draws every gaze toward the ground. Around them, the air feels soft and diffused, as if an overcast…
Madonna and Child with Angels1483 · Metropolitan Museum of Art
12
Portrait of Bartolomeo di Giovanni Berzichelli1450 · Musée de Tessé
13
The Annunciation between Four Saints1473 · Musée du Petit Palais
14
Virgin and Child with an Angel1470 · Museum of Fine Arts
15
The Virgin and Blessing Child Enthroned with Sts. John, Augustine, Dominic, Peter and Victims of the bethemitic Child Murder1475 · Gemäldegalerie
16
St. John the Baptist and St. Francis of Assisi1500 · Muzeum Narodowe w Warszawie
17
The Virgin with the Blessing Child in Glory, adored by Angels, Saints, Prayers and a Donor1495 · Gemäldegalerie
18
Tables of the Law with the Golden Calf1481 · Kaplica Sykstyńska
19
The Domination of Christ1883 · Gemäldegalerie
20
Crossing of the Red Sea1481 · Kaplica Sykstyńska
21
Sermon on the Mount1481 · Kaplica Sykstyńska
22
The Descent From the CrossMuseum of Fine Arts
23
The Last Supper (detail)1481 · Kaplica Sykstyńska
24
Scenes on the left wall
25
Scene from the Life of St Filippo Benizzi1475 · Santissima Annunziata
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
#14 Virgin and Child with an Angel
#15 The Virgin and Blessing Child Enthroned with Sts. John, Augustine, Dominic, Peter and Victims of the bethemitic Child Murder
#17 The Virgin with the Blessing Child in Glory, adored by Angels, Saints, Prayers and a Donor
#9 Madonna and Child with the Young Saint John the Baptist
8 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzeum | Miasto | Dzieła artysty Cosimo Rosselli | Obrazy z tej listy |
|---|---|---|---|
 Kaplica Sykstyńska |
Watykan | 10 | The Last Supper (detail) (8), The Last Supper, The Last Supper (detail) |
 Metropolitan Museum of Art |
Nowy Jork | 3 | Portrait of a Man, Madonna and Child with the Young Saint John the Baptist, Madonna and Child with Angels |
 Gemäldegalerie |
Berlin | 3 | The Virgin and Blessing Child Enthroned with Sts. John, Augustine, Dominic, Peter and Victims of the bethemitic Child Murder, The Virgin with the Blessing Child in Glory, adored by Angels, Saints, Prayers and a Donor, The Domination of Christ |
 Museum of Fine Arts |
Boston | 2 | Virgin and Child with an Angel, The Descent From the Cross |
 Scottish National Gallery |
Edynburg | 1 | Saint Catherine of Siena as Spiritual Mother of the Second and Third Orders of Saint Dominic |
 Rijksmuseum |
Amsterdam | 1 | The Adoration of the Christ Child |
 Musée de Tessé |
Le Mans | 1 | Portrait of Bartolomeo di Giovanni Berzichelli |
 Musée du Petit Palais |
Avignon | 1 | The Annunciation between Four Saints |
Wybierz dekadę, aby zobaczyć dzieło, które ją definiuje.
The Portrait of Bartolomeo di Giovanni Berzichelli is a formal and dignified Renaissance portrait of a young man. The composition is a medium close-up, featuring the subject from the chest up, positioned slightly off-center but facing forward with a subtle three-quarter turn. The subject is depicted with a focused psychological presence, conveying an air of solemnity and quiet introspection.
In The Annunciation between Four Saints by Cosimo Rosselli, the sacred space unfolds through a highly structured and symmetrical arrangement. The composition divides the scene into three distinct vertical sections, creating a sense of divine order. At the heart of this arrangement, the Archangel Gabriel kneels in a moment of profound reverence before the Virgin Mary. This central encounter is framed by two flanking groups of saints who stand as…
Cosimo Rosselli's “The Last Supper,” completed in 1481-82 during the High Renaissance, stands as one of the most iconic depictions of Christianity. More than just a painting; it’s a testament to artistic innovation and spiritual contemplation—a scene meticulously rendered by Rosselli and his collaborators within the grandeur of Michelangelo's Sistine Chapel.
In this formal altarpiece from 1499, we find ourselves within a highly structured sacred space. The composition is centered upon Saint Catherine of Siena, who sits enthroned with a quiet, commanding presence. She is flanked by standing saints and surrounded by kneeling nuns, arranged in a pyramidal formation that directs the eye upward toward her figure. The scene is one of profound solemnity, a moment of communal devotion captured through…
The world settles into a quiet, circular hush within this tondo painting. At the very heart of the composition, the Virgin Mary kneels in prayer, her form anchored by the deep ultramarine blue of her mantle. Before her, the infant Jesus rests upon the earth, a small and precious focal point that draws every gaze toward the ground. Around them, the air feels soft and diffused, as if an overcast…
The Last Supper (detail) (8) (1481), Kaplica Sykstyńska, Watykan. Następne są The Last Supper (1481) oraz The Last Supper (detail) (1481).
42 lat: The Last Supper (detail) (8) pochodzi z 1481, a Cosimo Rosselli urodził(a) się w 1439.
The Last Supper (detail) (8), The Last Supper, The Last Supper (detail), The Last Supper (detail), The Last Supper (detail), Portrait of a Man, The Last Supper (after restauration), Saint Catherine of Siena as Spiritual Mother of the Second and Third Orders of Saint Dominic, Madonna and Child with the Young Saint John the Baptist i The Adoration of the Christ Child. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 25 dzieł artysty Cosimo Rosselli, datowanych od 1450 do 1500.
W większości znajdują się w Kaplica Sykstyńska (Watykan), Metropolitan Museum of Art (Nowy Jork) i Gemäldegalerie (Berlin). Powyższa tabela muzeów zawiera ich pełną listę.
W 1480s: 12 z 25 dzieł na tej stronie powstało w tym czasie, w tym The Last Supper (detail) (8).
Na tej stronie najwcześniejszy to Portrait of Bartolomeo di Giovanni Berzichelli (1450), a najpóźniejszy The Adoration of the Christ Child (1500).
Woman (7), Last supper (5) i Child (5), w ramach 25 dzieł na tej stronie.
Tempera On Panel, dla 8 z 25 dzieł na tej stronie.
Renaissance, sądząc po oryginałach na tej stronie.
The Last Supper (detail) (8), The Last Supper i The Last Supper (detail): Kaplica Sykstyńska, Watykan posiada 10 dzieł widocznych na tej stronie.
Tak, jako reprodukcja: oryginał pozostaje w muzeum, ale każdy obraz na tej stronie może zostać namalowany ręcznie specjalnie dla Ciebie, na zamówienie, z poziomu strony danego dzieła.
