Portret Cornelius Johnson

100 najsłynniejszych obrazów artysty Cornelius Johnson – wybór z galerii

Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 127 dzieł Cornelius Johnson w naszym katalogu

W skrócie

Spośród wszystkich dzieł oryginalnych, które pozostawił Cornelius Johnson, najsłynniejszym jest Portrait of Susanna Temple, Later Lady Lister (1620), znajdujący się w kolekcji Tate Britain w Londyn. Tuż za nimi znajdują się Portrait of Elisabeth Vivien Parmentier (1655) oraz Sir Thomas Holte (1571-1654), 1st Baronet of Aston Hall (1650). Nasz katalog zawiera 127 dzieł autorstwa Cornelius Johnson; galeria zachowała 100 najbardziej podziwianych na świecie prac, z których każda została przedstawiona wraz z datą powstania, informacją o muzeum oraz jej historią.

1593 – 1661, Londyn Baroque Najwięcej dzieł: National Portrait Gallery

10 najlepszych obrazów artysty Cornelius Johnson: wybór galerii

1
Portrait of Susanna Temple, Later Lady Lister (1620) autorstwa Cornelius Johnson

Portrait of Susanna Temple, Later Lady Lister

1620 · Oil On Panel · Tate Britain, Londyn

In this 1620 oil portrait, titled Portrait of Susanna Temple, Later Lady Lister, Cornelis Janssens van Ceulen captures a woman poised at a threshold of identity and social standing. The sitter, Susanna Temple, gazes out from the canvas with a quiet presence that suggests a life of significant lineage. She is the only daughter of Sir Alexander Temple of Etchingham, Sussex, and her very likeness carries the weight of her…

2
Portrait of Elisabeth Vivien Parmentier (1655) autorstwa Cornelius Johnson

Portrait of Elisabeth Vivien Parmentier

1655 · Oil On Canvas · Nationalmuseum, Stockholm

Elisabeth Vivien Parmentier emerges from a deep, atmospheric darkness, her figure pushed forward by a masterful use of light that feels almost tactile. She sits in a three-quarter length pose, her presence commanding a quiet, aristocratic composure. The light, descending from the upper left, brushes against the soft curves of her face and catches the subtle sheen of her skin, creating a sense of three-dimensional life. There is a stillness…

3
Sir Thomas Holte (1571-1654), 1st Baronet of Aston Hall (1650) autorstwa Cornelius Johnson

Sir Thomas Holte (1571-1654), 1st Baronet of Aston Hall

1650 · Oil On Panel · Birmingham Museum and Art Gallery, Birmingham

In this formal portrait, we encounter Sir Thomas Holte, the 1st Baronet of Aston Hall, as he appeared in the mid-17th century. The composition is a bust-length study, positioning the subject slightly off-center to create a sense of natural movement. He turns his head toward the right, yet his gaze remains fixed upon the observer, establishing an immediate, quiet connection. The palette is restrained, relying on deep blacks and somber…

4
Unknown man, formerly known as Richard Weston, 1st Earl of Portland (1627) autorstwa Cornelius Johnson

Unknown man, formerly known as Richard Weston, 1st Earl of Portland

1627 · Oil On Panel · National Portrait Gallery, Londyn

A single man emerges from a void of deep, indeterminate darkness. The light, striking from the upper left, carves the contours of an aging face, casting the right side into a soft, heavy shadow. He wears a millstone collar, a rhythmic architecture of white linen that catches the light with startling clarity. The fabric folds in sharp, pleated lines, creating a stark contrast against the dark doublet of his clothing.…

5
Portrait of a Man, probably Sir Francis Godolphin (1633) autorstwa Cornelius Johnson

Portrait of a Man, probably Sir Francis Godolphin

1633 · Oil On Canvas · Yale Center for British Art, New Haven

The oil on canvas work titled Portrait of a Man, probably Sir Francis Godolphin presents a striking encounter with a figure from the seventeenth century. Created in 1633, the painting captures a moment of quiet dignity through the hand of Cornelis Janssens van Ceulen. This portraitist, known for his ability to navigate the artistic landscapes of both London and the Netherlands, brings a precise touch to the sitter's presence. The…

6
William III, Prince of Orange, as a child (1657) autorstwa Cornelius Johnson

William III, Prince of Orange, as a child

1657 · Oil On Canvas · Yale Center for British Art, New Haven

This half-length oval portrait, titled William III, Prince of Orange, as a child, presents a quiet study of the young boy in a formal setting. Painted by Cornelis Janssens van Ceulen, the work captures the subject during a period of significant historical transition. The artist’s hand is clearly visible in the meticulous execution of the sitter's likeness, a task he undertook in 1657.

7
William Fitzwilliam, Second Lord Fitzwilliam of Liffer (1629) autorstwa Cornelius Johnson

William Fitzwilliam, Second Lord Fitzwilliam of Liffer

1629 · Oil On Panel · Detroit Institute of Arts, Detroit

In this 1629 portrait, Cornelis Janssens van Ceulen presents William Fitzwilliam, Second Lord Fitzwilliam of Liffer. The subject is a single male figure, captured in a moment of composed stillness. There is a quiet authority in his expression that speaks to his position. Through the careful rendering of his features and attire, the artist conveys an air of dignity, wealth, and status.

8
Madame Tulp (1660) autorstwa Cornelius Johnson

Madame Tulp

1660 · Oil On Canvas · Smithsonian American Art Museum, Waszyngton

In this 1660 portrait, we encounter Margaretha Tulp, presented with a quiet, poised dignity that defines the Baroque era. The composition is a three-quarter length study, positioning her against a deep, undifferentiated black background. This void does more than provide contrast; it pushes her figure forward, creating a sense of physical depth through the stark interplay of light and dark. The light enters from the upper left, washing over her…

9
Sir William Waller (1643) autorstwa Cornelius Johnson

Sir William Waller

1643 · Oil On Canvas · National Portrait Gallery, Londyn

This bust-length portrait depicts Sir William Waller, a man captured in the stillness of 1643. The subject is presented with a focused gaze, his presence defined by the weight of his station. Cornelis Janssens van Ceulen rendered this likeness during a period of significant transition, fixing the sitter within a somber, formal composition. The work remains a direct encounter with the man himself.

10
Portrait of Antoine Charles Parmentier (1655) autorstwa Cornelius Johnson

Portrait of Antoine Charles Parmentier

1655 · Oil On Canvas · Nationalmuseum, Stockholm

A formal three-quarter length portrait of Antoine Charles Parmentier presents a figure of quiet dignity. Positioned slightly off-center, the subject meets the observer's gaze directly, establishing an immediate, intimate connection. The composition relies on a restrained, monochromatic palette of deep blacks and muted earth tones, which allows the structural elements of the figure to emerge from the darkness. A sharp, white collar and cuffs provide the primary points of contrast…

Kontynuacja zestawienia Cornelius Johnson, od 11 do 100

11Katheryn Spiller, Lady Reynell (1631) autorstwa Cornelius JohnsonKatheryn Spiller, Lady Reynell1631 · Amgueddfa Cymru 12Portrait of a Young Man (1643) autorstwa Cornelius JohnsonPortrait of a Young Man1643 · Fine Arts Museums of San Francisco 13Thomas Coventry, 1st Baron Coventry (1639) autorstwa Cornelius JohnsonThomas Coventry, 1st Baron Coventry1639 · National Portrait Gallery 14Portrait of a Lady in White (1639) autorstwa Cornelius JohnsonPortrait of a Lady in White1639 · Galeria Dulwich 15Portrait of an Unknown Woman (1619) autorstwa Cornelius JohnsonPortrait of an Unknown Woman1619 · Yale Center for British Art 16Portrait of Johan van Someren (1622-76) (1650) autorstwa Cornelius JohnsonPortrait of Johan van Someren (1622-76)1650 · Rijksmuseum 17Unknown man, formerly known as Cornelius Johnson (1636) autorstwa Cornelius JohnsonUnknown man, formerly known as Cornelius Johnson1636 · National Portrait Gallery 18Sir Alexander Temple (1620) autorstwa Cornelius JohnsonSir Alexander Temple1620 · Yale Center for British Art 19Portrait of Elisabeth Vervoorn (1617-1657) (1650) autorstwa Cornelius JohnsonPortrait of Elisabeth Vervoorn (1617-1657)1650 · Rijksmuseum 20Portrait of Joan Pietersz Reael (1625-59) (1648) autorstwa Cornelius JohnsonPortrait of Joan Pietersz Reael (1625-59)1648 · Rijksmuseum 21Portrait of a Woman, possibly Elizabeth Boothby (1619) autorstwa Cornelius JohnsonPortrait of a Woman, possibly Elizabeth Boothby1619 · Cleveland Museum of Art 22Walter Pye (1571 - 1635) (1617) autorstwa Cornelius JohnsonWalter Pye (1571 - 1635)1617 · Wallington Hall 23An Old Woman in a Cartwheel Ruff and a Black Hat (1621) autorstwa Cornelius JohnsonAn Old Woman in a Cartwheel Ruff and a Black Hat1621 · Uppark 24Isaac Bargrave, Dean of Canterbury (1636) autorstwa Cornelius JohnsonIsaac Bargrave, Dean of Canterbury1636 · Muzea Uniwersytetu Cambridge 25Portrait of Adrien de Montesquiou-Montluc, Count of Carmain, Prince of Chabanais (1571-1646) (1627) autorstwa Cornelius JohnsonPortrait of Adrien de Montesquiou-Montluc, Count of Carmain, Prince of Chabanais (1571-1646)1627 · Bawarskie Państwowe Zbiory Malarstwa 26Portrait of an Older Lady (1627) autorstwa Cornelius JohnsonPortrait of an Older Lady1627 · Bawarskie Państwowe Zbiory Malarstwa 27John Digby, 1st Earl of Bristol (1580-1653) (1628) autorstwa Cornelius JohnsonJohn Digby, 1st Earl of Bristol (1580-1653)1628 · National Gallery of Ireland 28Portrait of Willem Thielen (1596-1638) (1634) autorstwa Cornelius JohnsonPortrait of Willem Thielen (1596-1638)1634 · Museum Catharijneconvent 29Portrait of Maria de Fraeye (1605-1682) (1634) autorstwa Cornelius JohnsonPortrait of Maria de Fraeye (1605-1682)1634 · Museum Catharijneconvent 30Richard Herbert, later 2nd Baron Herbert of Chirbury (c.1606-1655) (1635) autorstwa Cornelius JohnsonRichard Herbert, later 2nd Baron Herbert of Chirbury (c.1606-1655)1635 · Powys Castle Museum 31Called Spencer Compton, 2nd Earl of Northampton (1601-1643) but probably Richard Sackville, 3rd Earl of Dorset (1589 - 1624) (1624) autorstwa Cornelius JohnsonCalled Spencer Compton, 2nd Earl of Northampton (1601-1643) but probably Richard Sackville, 3rd Earl of Dorset (1589 - 1624)1624 · Knole House 32Sarah Harington, Lady Edmondes, aged 63 (1628) autorstwa Cornelius JohnsonSarah Harington, Lady Edmondes, aged 631628 · Hatchlands Park 33An Unknown Boy with a Bird (1629) autorstwa Cornelius JohnsonAn Unknown Boy with a Bird1629 34Abigail Sacheverell, Mrs Humphrey Pakington (1630) autorstwa Cornelius JohnsonAbigail Sacheverell, Mrs Humphrey Pakington1630 · Coughton Court 35Sir Thomas Coventry, 1st Baron Coventry of Aylesborough (1578-1640) as  Lord Keeper of the Great Seal (1626) autorstwa Cornelius JohnsonSir Thomas Coventry, 1st Baron Coventry of Aylesborough (1578-1640) as Lord Keeper of the Great Seal1626 · Charlecote Park 36Portrait of an Unknown Lady (1629) autorstwa Cornelius JohnsonPortrait of an Unknown Lady1629 37Portrait of an Unknown Gentleman (1629) autorstwa Cornelius JohnsonPortrait of an Unknown Gentleman1629 38Portrait of Barney Reymes (1588-1668) (1630) autorstwa Cornelius JohnsonPortrait of Barney Reymes (1588-1668)1630 39Portrait of Eleanor or Mary Campion (1630) autorstwa Cornelius JohnsonPortrait of Eleanor or Mary Campion1630 · Museum of Fine Arts 40Portrait of a Lady (1624) autorstwa Cornelius JohnsonPortrait of a Lady1624 · Royal Collection 41Robert, Lord Bruce, later 2nd Earl of Elgin and 1st Earl of Ailesbury (1626 - 1685) (1633) autorstwa Cornelius JohnsonRobert, Lord Bruce, later 2nd Earl of Elgin and 1st Earl of Ailesbury (1626 - 1685)1633 · Scottish National Portrait Gallery 42Lettice Morison, Vicountess Falkland (1633) autorstwa Cornelius JohnsonLettice Morison, Vicountess Falkland1633 · Indianapolis Museum of Art 43Portrait of a Lady (1633) autorstwa Cornelius JohnsonPortrait of a Lady1633 · Auckland Art Gallery Toi o Tāmaki 44Portrait of a Woman (1631) autorstwa Cornelius JohnsonPortrait of a Woman1631 · Museum of Fine Arts 45Portrait of Thomas, 1st Baron Coventry (1631) autorstwa Cornelius JohnsonPortrait of Thomas, 1st Baron Coventry1631 46A Young Boy of the Harpur Family (1637) autorstwa Cornelius JohnsonA Young Boy of the Harpur Family1637 · Calke Abbey 47An Unknown Boy, inscribed as the Earl of Effingham (1638) autorstwa Cornelius JohnsonAn Unknown Boy, inscribed as the Earl of Effingham1638 · Antony House 48Unknown Lady (1646) autorstwa Cornelius JohnsonUnknown Lady1646 · Fitzwilliam Museum 49Portrait of an Unknown Lady (1646) autorstwa Cornelius JohnsonPortrait of an Unknown Lady1646 50Apolonius Veth (1644) autorstwa Cornelius JohnsonApolonius Veth1644 51Cornelia Veth (1644) autorstwa Cornelius JohnsonCornelia Veth1644 52The municipality of The Hague in 1646 (1647) autorstwa Cornelius JohnsonThe municipality of The Hague in 16461647 53Half-length Portrait of a Man against a Drapery Background (1650) autorstwa Cornelius JohnsonHalf-length Portrait of a Man against a Drapery Background1650 54Portrait of an Unknown Man (1652) autorstwa Cornelius JohnsonPortrait of an Unknown Man1652 · Fries Museum 55Portrait of a Lady, supposed to be Henrietta Maria, Queen of Charles I (1650) autorstwa Cornelius JohnsonPortrait of a Lady, supposed to be Henrietta Maria, Queen of Charles I1650 56William Hamilton, 2nd Duke of Hamilton MP, PC, KG (1616-1651) (1649) autorstwa Cornelius JohnsonWilliam Hamilton, 2nd Duke of Hamilton MP, PC, KG (1616-1651)1649 · Ham House 57William Hamilton, 2nd Duke of Hamilton (1616-1651) with John Maitland, Earl (later) Duke of Lauderdale (1616-1682) (1649) autorstwa Cornelius JohnsonWilliam Hamilton, 2nd Duke of Hamilton (1616-1651) with John Maitland, Earl (later) Duke of Lauderdale (1616-1682)1649 · Ham House 58A Young Girl with a Lamb (1660) autorstwa Cornelius JohnsonA Young Girl with a Lamb1660 · Calke Abbey 59Portrait of Jasper Schade (1623-1692) (1654) autorstwa Cornelius JohnsonPortrait of Jasper Schade (1623-1692)1654 · Rijksmuseum Twenthe 60Unknown Lady (1659) autorstwa Cornelius JohnsonUnknown Lady1659 61William III (1650-1702) when a Child (1657) autorstwa Cornelius JohnsonWilliam III (1650-1702) when a Child1657 · Royal Collection 62Portrait of a woman, 1652 (1652) autorstwa Cornelius JohnsonPortrait of a woman, 16521652 · Fries Museum 63Portrait of Ida Maria Hooft (1655) autorstwa Cornelius JohnsonPortrait of Ida Maria Hooft1655 · Museum Rotterdam 64Portrait of Daniël van Hogendorp (1655) autorstwa Cornelius JohnsonPortrait of Daniël van Hogendorp1655 · Museum Rotterdam 65Portrait of a man, possibly François van Beughem de Bodighem (?-1657) (1657) autorstwa Cornelius JohnsonPortrait of a man, possibly François van Beughem de Bodighem (?-1657)1657 · Centraal Museum 66Portrait of Anthony van Hilten (1585-1670) (1650) autorstwa Cornelius JohnsonPortrait of Anthony van Hilten (1585-1670)1650 · Centraal Museum 67Portrait of a Woman (1650) autorstwa Cornelius JohnsonPortrait of a Woman1650 · Centraal Museum 68Portrait of Cornelia Strick van Linschoten (1654) autorstwa Cornelius JohnsonPortrait of Cornelia Strick van Linschoten1654 · Rijksmuseum Twenthe 69Portrait of John Beck and his five children (1650) autorstwa Cornelius JohnsonPortrait of John Beck and his five children1650 · Mauritshuis 70Portrait of Antonius Aemilius (1589-1660), hoogleraar Historie en Staatkunde te Utrecht 1634-1660 (1659) autorstwa Cornelius JohnsonPortrait of Antonius Aemilius (1589-1660), hoogleraar Historie en Staatkunde te Utrecht 1634-16601659 71Portrait of Adriaan van Blijenburgh (1616-1682) (1654) autorstwa Cornelius JohnsonPortrait of Adriaan van Blijenburgh (1616-1682)1654 · Huis Van Gijn 72Francis Lord Cottington (1628) autorstwa Cornelius JohnsonFrancis Lord Cottington1628 · Parliamentary Art Collection 73A lady, thought to be Catherine Fenn (1623) autorstwa Cornelius JohnsonA lady, thought to be Catherine Fenn1623 · Art Gallery of South Australia 74Portrait of a Lady in Blue (1639) autorstwa Cornelius JohnsonPortrait of a Lady in Blue1639 · Galeria Dulwich 75Portrait of a Gentleman (1637) autorstwa Cornelius JohnsonPortrait of a Gentleman1637 · Smithsonian American Art Museum 76Lady Hester Mainwaring, née Wase (1618) autorstwa Cornelius JohnsonLady Hester Mainwaring, née Wase1618 · Government Art Collection 77Grace Bradbourne, Wife of Sir Thomas Holte autorstwa Cornelius JohnsonGrace Bradbourne, Wife of Sir Thomas HolteBirmingham Museums And Art Gallery 78John Coxwell (1614) autorstwa Cornelius JohnsonJohn Coxwell1614 79Gruffydd Madryn (1621) autorstwa Cornelius JohnsonGruffydd Madryn1621 · Amgueddfa Cymru 80Lucius, 2nd Viscount Falkland (1635) autorstwa Cornelius JohnsonLucius, 2nd Viscount Falkland1635 · Birmingham Museums And Art Gallery 81Margaret Miller, Lady Heath (1631) autorstwa Cornelius JohnsonMargaret Miller, Lady Heath1631 · Killerton 82Elizabeth Holte (1635) autorstwa Cornelius JohnsonElizabeth Holte1635 · Birmingham Museums And Art Gallery 83Mary Pakington, Lady Yate (1635) autorstwa Cornelius JohnsonMary Pakington, Lady Yate1635 84Lady Gertrude Howard (1630) autorstwa Cornelius JohnsonLady Gertrude Howard1630 85Mary Heath, Lady Morley (1631) autorstwa Cornelius JohnsonMary Heath, Lady Morley1631 · Killerton 86Lucius Carey, 2nd Viscount Falkland (1633) autorstwa Cornelius JohnsonLucius Carey, 2nd Viscount Falkland1633 · Montacute House 87James Ussher, Bishop of Armagh (1641) autorstwa Cornelius JohnsonJames Ussher, Bishop of Armagh1641 88Mary, Princess of Orange (1639) autorstwa Cornelius JohnsonMary, Princess of Orange1639 89Dr Robert Byng (1648) autorstwa Cornelius JohnsonDr Robert Byng1648 90King Charles II (1639) autorstwa Cornelius JohnsonKing Charles II1639 · National Portrait Gallery 91King James II (1639) autorstwa Cornelius JohnsonKing James II1639 92Hendrik van Brederode Aged 10 (1648) autorstwa Cornelius JohnsonHendrik van Brederode Aged 101648 · Kedleston Hall 93Henry Grey, 1st Earl of Stamford (1638) autorstwa Cornelius JohnsonHenry Grey, 1st Earl of Stamford1638 · Dunham Massey 94Edward Holte (1635) autorstwa Cornelius JohnsonEdward Holte1635 · Birmingham Museums And Art Gallery 95Portrait of an Officer in Armour autorstwa Cornelius JohnsonPortrait of an Officer in ArmourNational Gallery of Ireland 96An Unidentified Widow, known as Elizabeth Hardwick ('Bess of Hardwick'), Countess of Shrewsbury (c.1527-1608) autorstwa Cornelius JohnsonAn Unidentified Widow, known as Elizabeth Hardwick ('Bess of Hardwick'), Countess of Shrewsbury (c.1527-1608)Hardwick Hall 97Portrait of a Man autorstwa Cornelius JohnsonPortrait of a ManYale Center for British Art 98Sarah Harington, Lady Edmondo autorstwa Cornelius JohnsonSarah Harington, Lady EdmondoNationalmuseum 99Unknown man autorstwa Cornelius JohnsonUnknown manNationalmuseum 100Philip Marett, Lieutenant Governor (1632) autorstwa Cornelius JohnsonPhilip Marett, Lieutenant Governor (1632)

Słynne obrazy Cornelius Johnson epoka po epoce

Tematy, które przyciągnęły wzrok Cornelius Johnson

Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.

Muzea przechowujące oryginały Cornelius Johnson

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzea Miasto Dzieła artysty Cornelius Johnson Obrazy z tej listy
National Portrait Gallery, LondynNational Portrait Gallery Londyn 5 Unknown man, formerly known as Richard Weston, 1st Earl of Portland, Sir William Waller, Thomas Coventry, 1st Baron Coventry
Yale Center for British Art, New HavenYale Center for British Art New Haven 5 Portrait of a Man, probably Sir Francis Godolphin, William III, Prince of Orange, as a child, Portrait of an Unknown Woman
Nationalmuseum, StockholmNationalmuseum Stockholm 4 Portrait of Elisabeth Vivien Parmentier, Portrait of Antoine Charles Parmentier, Sarah Harington, Lady Edmondo
Birmingham Museums And Art Gallery, BirminghamBirmingham Museums And Art Gallery Birmingham 4 Grace Bradbourne, Wife of Sir Thomas Holte, Lucius, 2nd Viscount Falkland, Elizabeth Holte
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 3 Portrait of Johan van Someren (1622-76), Portrait of Elisabeth Vervoorn (1617-1657), Portrait of Joan Pietersz Reael (1625-59)
Centraal Museum, UtrechtCentraal Museum Utrecht 3 Portrait of a man, possibly François van Beughem de Bodighem (?-1657), Portrait of Anthony van Hilten (1585-1670), Portrait of a Woman
Smithsonian American Art Museum, WaszyngtonSmithsonian American Art Museum Waszyngton 2 Madame Tulp, Portrait of a Gentleman
Amgueddfa Cymru, CardiffAmgueddfa Cymru Cardiff 2 Katheryn Spiller, Lady Reynell, Gruffydd Madryn

Cornelius Johnson dekada po dekadzie: oryginały definiujące każdy okres

Dzieła według dekad

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Pytania kolekcjonerów o obrazy Cornelius Johnson

Z jakiego dzieła najbardziej znany jest Cornelius Johnson?Odkryj odpowiedź

Portrait of Susanna Temple, Later Lady Lister (1620), Tate Britain, Londyn. Następne są Portrait of Elisabeth Vivien Parmentier (1655) oraz Sir Thomas Holte (1571-1654), 1st Baronet of Aston Hall (1650).

W jakim wieku był Cornelius Johnson, gdy powstało Portrait of Susanna Temple, Later Lady Lister?Odkryj odpowiedź

27 lat: Portrait of Susanna Temple, Later Lady Lister pochodzi z 1620, a Cornelius Johnson urodził(a) się w 1593.

Jakie są dziesięć najsłynniejszych obrazów, których autorem jest Cornelius Johnson?Odkryj odpowiedź

Portrait of Susanna Temple, Later Lady Lister, Portrait of Elisabeth Vivien Parmentier, Sir Thomas Holte (1571-1654), 1st Baronet of Aston Hall, Unknown man, formerly known as Richard Weston, 1st Earl of Portland, Portrait of a Man, probably Sir Francis Godolphin, William III, Prince of Orange, as a child, William Fitzwilliam, Second Lord Fitzwilliam of Liffer, Madame Tulp, Sir William Waller i Portrait of Antoine Charles Parmentier. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.

Ile obrazów pozostawił po sobie Cornelius Johnson?Odkryj odpowiedź

Nasz katalog zawiera 127 dzieł artysty Cornelius Johnson, datowanych od 1614 do 1660.

W których muzeach znajdują się arcydzieła Cornelius Johnson?Odkryj odpowiedź

W większości znajdują się w National Portrait Gallery (Londyn), Yale Center for British Art (New Haven) i Nationalmuseum (Stockholm). Powyższa tabela muzeów zawiera ich pełną listę.

W których latach Cornelius Johnson namalował swoje najsłynniejsze dzieła?Odkryj odpowiedź

W 1630s: 33 z 100 dzieł na tej stronie powstało w tym czasie, w tym Portrait of a Man, probably Sir Francis Godolphin.

Jakie są pierwsze i ostatnie słynne oryginały Cornelius Johnson?Odkryj odpowiedź

Na tej stronie najwcześniejszy to John Coxwell (1614), a najpóźniejszy Madame Tulp (1660).

Jakie tematy Cornelius Johnson wybierał najczęściej?Odkryj odpowiedź

Man (41), Woman (35) i Lace collar (33), w ramach 100 dzieł na tej stronie.

Której techniki Cornelius Johnson używał najczęściej?Odkryj odpowiedź

Oil On Canvas, dla 65 z 100 dzieł na tej stronie.

Do jakiego nurtu artystycznego należy Cornelius Johnson?Odkryj odpowiedź

Baroque, sądząc po oryginałach na tej stronie.

Które dzieła Cornelius Johnson znajdują się w National Portrait Gallery?Odkryj odpowiedź

Unknown man, formerly known as Richard Weston, 1st Earl of Portland, Sir William Waller i Thomas Coventry, 1st Baron Coventry: National Portrait Gallery, Londyn posiada 5 dzieł widocznych na tej stronie.

Cornelius Johnson: życie i twórczość

Cornelis Janssens van Ceulen (1593 - 1661): Bridging Two Worlds Through Portraiture

Cornelis Janssens van Ceulen, commonly known as Cornelius Johnson, stands as a pivotal figure in the artistic landscape of early seventeenth-century England and Holland—a testament to the dynamism of cultural exchange during a period defined by upheaval and innovation. Born in London around 1593 to Dutch parents seeking refuge from religious persecution, his upbringing instilled within him a unique perspective that profoundly shaped his artistic vision and career trajectory. Early Training and Influences Details regarding Johnson’s formative years remain somewhat elusive, yet evidence suggests he received foundational instruction in Holland, potentially under the guidance of Michiel Jansz. van Mierevelt—a master renowned for his meticulous realism and mastery of Venetian influences. This exposure to Dutch painting techniques undoubtedly instilled in him a stylistic sensibility that would permeate his subsequent works.
  • This period fostered an appreciation for restrained palettes and compositional clarity, characteristics prevalent throughout the Dutch Baroque.
  • The influence of Mierevelt’s style is discernible in Johnson's early portraits, particularly their careful attention to detail and subtle tonal gradations.
Establishing a Reputation: Portraiture in Jacobean and Caroline England

By approximately 1618, Johnson had firmly established himself as a leading portrait painter in London—a city brimming with Netherlandish artistic activity centered around Austin Friars Dutch Church.His clientele rapidly expanded, encompassing members of the aristocracy and prominent figures in society. He quickly gained recognition for his ability to capture the likenesses of emerging English gentry with remarkable accuracy and artistry.
  • Johnson’s signature oval frames—a fashionable stylistic device of the time—served not merely as decorative elements but actively focused attention on the sitter, enhancing their presence and social standing.
  • Notable commissions included portraits of Charles I, Charles II, and James II as children, securing royal patronage and cementing his reputation as a court artist.
  • Beyond royalty, he immortalized individuals like William Harvey—the revolutionary physician whose groundbreaking work on circulation revolutionized medical understanding—and Lucius Carey, 2nd Viscount Falkland—a celebrated intellectual and statesman.
  • A Style Defined by Adaptation and Detail

    Johnson’s artistic style wasn't static; it evolved gracefully over time, demonstrating a remarkable capacity to absorb new influences while maintaining a distinctive artistic voice.
    • His early works undeniably reflect the impact of Dutch painters—particularly in their restrained palettes and emphasis on realism.
    • However, he adeptly adapted to the prevailing tastes in England—incorporating elements of Elizabethan and Jacobean portraiture into his compositions.
    • A hallmark of Johnson’s practice was his meticulous attention to texture and surface detail—rendering fabrics with astonishing accuracy and capturing the subtle nuances of light and shadow.
    • He consistently signed and dated his works—a rare occurrence for artists of that era—providing invaluable insights into the chronology of his oeuvre.
    From London to Utrecht: A Life Disrupted by Civil War

    The outbreak of the English Civil War in 1643 precipitated a significant turning point in Johnson’s life—forcing him to relocate to Middelburg in the Netherlands. Subsequently, he resided in Amsterdam (1646-1652) before finally settling permanently in Utrecht, where he remained until his death in 1661.
    • Despite this geographical shift, Johnson continued to paint prolifically—adapting his style to suit the tastes of his new patrons.
    • His portraits from this period often exhibit a greater emphasis on psychological depth and emotional expression.
    • He maintained connections with England through ongoing commissions and correspondence.
    Legacy and Significance

    Cornelius Janssens van Ceulen’s artistic legacy extends far beyond his individual portraits—representing invaluable insights into the social and cultural landscape of seventeenth-century England.His meticulous technique, combined with his ability to capture both physical likenesses and inner character, solidified his place as one of the foremost portrait painters of his time. He stands as a testament to the power of art to transcend political boundaries and cultural divides—a beacon of artistic excellence amidst turbulent historical currents.