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A painting made for you, by hand

Judith and Holefernes

Ręcznie malowana reprodukcja olejowa

Ręcznie malowany obraz olejny na płótnie, wykonany na zamówienie przez naszych artystów w wybranym przez Ciebie wymiarze i oprawie. ( Przełącz na wydania drukowane Przejdź do wersji cyfrowej)

Opis obiektu

Explore 'Judith and Holofernes' by L'Orbetto Turchi – a dramatic Baroque oil painting featuring intense chiaroscuro & realistic detail. Discover this captivating work by Italian master.

Biografia artysty

Alessandro Turchi (L'Orbetto) – włoski malarz epoki baroku, znany z miękkiego, ale dramatycznego stylu, łączącego karawaggesizm z liryczną elegancją. Odkryj jego arcydzieła z Wenecji i Rzymu.

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Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standardowy format
personalizowane
CM
INCH

Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.

szerokość
wysokość

Wpisz wymaganą szerokość i wysokość, aby obraz pasował do Twojej ramy lub ściany. Ponieważ jest to dzieło malowane ręcznie, w przypadku rozmiaru o innych proporcjach artysta może domalować nieco więcej wokół obrazu lub przyciąć jego fragmenty — wybór należy do Ciebie. Przed rozpoczęciem pracy prześlemy Ci cyfrową wizualizację do zatwierdzenia. Obraz widoczny na tej stronie nie przedstawia rzeczywistego efektu — jedynie wizualizacja oddaje realny rezultat.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on lite drewno bars
White zł1
Corner sample of the BlurSideWrap canvas edge finish, stretched on lite drewno bars
Blurside zł1
Corner sample of the ExtendedWrap canvas edge finish, stretched on lite drewno bars
Extended zł1
Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118B zł10
Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118H zł10
Corner sample of the P118W picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118W zł10
Corner sample of the P438Z picture frame: polistyren formowany, 5.5 cm wide and 3.5 cm thick
P438Z zł10
Corner sample of the P508JH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P508JH zł12
Corner sample of the P508YH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P508YH zł12
Corner sample of the P805H picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
P805H zł10
Corner sample of the P805Z picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
P805Z zł10
Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919BZ zł10
Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919G zł10
Corner sample of the P919XJ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919XJ zł10
Corner sample of the P959ZH picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P959ZH zł10
Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
P968JZ zł12
Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
W106C zł8
Corner sample of the W218G picture frame: lite drewno, 5 cm wide and 3 cm thick
W218G zł10
Corner sample of the W218JH picture frame: lite drewno, 5 cm wide and 3 cm thick
W218JH zł8
Corner sample of the W218Y picture frame: lite drewno, 5 cm wide and 3 cm thick
W218Y zł10
Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
W307PJ zł10
Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
W316G zł10
Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
W316PJ zł8
Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
W316Y zł10
Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
W398PJ zł8
Corner sample of the W4111J picture frame: lite drewno, 6.5 cm wide and 3.5 cm thick
W4111J zł10
Corner sample of the W500HY picture frame: lite drewno, 7 cm wide and 5 cm thick
W500HY zł15
Corner sample of the W500JH picture frame: lite drewno, 7 cm wide and 5 cm thick
W500JH zł15
Corner sample of the W692G picture frame: lite drewno, 8 cm wide and 4 cm thick
W692G zł12
Corner sample of the W849H picture frame: lite drewno, 5 cm wide and 3 cm thick
W849H zł8
Corner sample of the W940BG picture frame: lite drewno, 7.5 cm wide and 4.5 cm thick
W940BG zł15
Corner sample of the W953PJ picture frame: lite drewno, 6 cm wide and 3.5 cm thick
W953PJ zł8
Corner sample of the H24-GOLD picture frame: rzeźbione drewno pokryte gipsem, 10 cm wide and 6 cm thick
H24-GOLD zł30
Corner sample of the H24-SILVER picture frame: rzeźbione drewno pokryte gipsem, 10 cm wide and 6 cm thick
H24-SILVER zł30
Corner sample of the H36-GOLD picture frame: rzeźbione drewno pokryte gipsem, 15 cm wide and 6.5 cm thick
H36-GOLD zł45
Corner sample of the H36-SILVER picture frame: rzeźbione drewno pokryte gipsem, 15 cm wide and 6.5 cm thick
H36-SILVER zł45

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Dostawa na całym świecie () w ciągu 3–4 tygodni zamiast standardowych 5 tygodni. (1 Listopad). Bez kompromisów w kwestii jakości.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Szczegóły grawerowanej brązowej tabliczki

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Szczegóły przezroczystej tabliczki akrylowej

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Szczegóły czarnej tabliczki akrylowej

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Judith and Holefernes

Technika reprodukcji

Wymiary reprodukcji

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Wybitny mistrz artystyczny

Większa szczegółowość, finezja i dodatkowy czas na realizację

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Opcje oprawy reprodukcji

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W przypadku dzieł sztuki lub reprodukcji, których którykolwiek z boków przekracza 105 cm (około 41 cali), rama zostanie wysłana w formie zestawu do samodzielnego montażu. Metoda ta zapewnia bezpieczną dostawę i zapobiega uszkodzeniom podczas transportu.

Wymagany profesjonalny montaż – nie jest to produkt typu DIY.
Zestaw musi zostać złożony, a płótno naciągnięte przez doświadczonego profesjonalnego ramiarza, przy użyciu kleju do drewna (brak w zestawie), kleszczy do naciągania płótna oraz ścisków, które utrzymają krosna w równej pozycji podczas schnięcia kleju. Nieprawidłowy montaż lub nierównomierne napięcie płótna może trwale uszkodzić dzieło sztuki i nie podlega naszej gwarancji.

  • W zestawie znajdują się wszystkie listwy z litego drewna, precyzyjnie docięte do wymiarów.

  • Montaż odbywa się przy użyciu dołączonych wkrętów oraz kleju do drewna do łączenia narożników, którego zestaw nie zawiera i który musi zostać dostarczony przez ramiarza.

  • Wymagane są profesjonalne narzędzia, których nie ma w zestawie: kleszcze do naciągania płótna (napinacz) oraz zaciski, które pozwolą utrzymać listwy w równej pozycji podczas schnięcia kleju.

Ważne:
Do połączenia narożników niezbędny jest klej do drewna, listwy należy unieruchomić za pomocą ścisków do momentu całkowitego wyschnięcia kleju, a naciągnięcie płótna na złożoną ramę wymaga użycia kleszczy do naciągania płótna. Żaden z tych elementów nie jest dołączony do zestawu. Przed zamówieniem tego rozmiaru zalecamy konsultację z doświadczonym ramiarzem.

Etykieta obiektu

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Lakier ochronny

Lakier z połyskiem (pogłębia kolory, chroni przed światłem i wilgocią)

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Personalizacja dzieła

Przykłady możliwości personalizacji: zastąp twarz zdjęciem klienta; dodaj zwierzę domowe (np. zamień kota na psa); umieść ukrytą wiadomość w tle; zmień krajobraz lub elementy tła.

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Ekspresowa

Dostawa na cały świat () w ciągu 3–4 tygodni zamiast standardowych 5 tygodni. (1 Listopad). Bez kompromisów w kwestii jakości.

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Przesyłka ekspresowa

Dostawa na cały świat () w ciągu 5 tygodni. (8 Listopad).

W cenie

Cena całkowita

zł 1167

Suma całkowita zł 1167

Opcja ze szkłem jest dostępna wyłącznie w rozmiarach poniżej 110 cm

Included with every order

  • Bezpłatna ekspresowa wysyłka na cały świat
  • Wysokiej jakości płótno lniane
  • Pełne ubezpieczenie przesyłki
  • Gwarancja zwrotu należności celnych i podatków importowych
  • Gwarancja wiernego odwzorowania kolorów
  • 100-dniowa polityka zwrotów (tylko w przypadku wad)
  • Gwarancja 100% zwrotu pieniędzy
  • Zniżka przy zakupie wielu sztuk

A Masterpiece of Baroque Tension

In the shadowy corridors of art history, few moments capture the visceral intersection of violence and virtue as poignantly as Alessandro Turchi’s Judith and Holofernes. Painted around 1605, this monumental oil on canvas serves as a breathtaking window into the Roman Baroque era, a period defined by its theatricality and profound psychological depth. The scene depicts the climactic biblical moment where Judith, a Jewish heroine of unparalleled courage, executes the Assyrian king Holofernes to save her people from oppression. Turchi does not merely record a historical or religious event; he invites the viewer into a space of intense emotional confrontation, where the air feels heavy with the scent of iron and the weight of divine retribution.

The composition is masterfully anchored by Judith herself, whose presence dominates the foreground with an almost chilling composure. Clad in opulent fabrics—a pristine white blouse accented by crimson trim and draped in a flowing blue garment—she stands as a beacon of light against an indistinct, dark background. This use of chiaroscuro, the dramatic interplay between light and shadow, is a hallmark of Turchi’s style, drawing the eye irresistibly toward the central drama. As she holds aloft the severed head of her enemy, her expression remains remarkably steady, blending a sense of solemn duty with an unwavering resolve that transcends simple vengeance.

Technique and the Language of Light

To gaze upon this work is to witness the technical prowess of a Veronese master. Turchi employs a sophisticated layered oil painting technique, building up textures that make the tactile world of the painting feel palpable. One can almost feel the smoothness of the pearls adorning Judith’s neck and the heavy, luxurious folds of her drapery. The artist’s brushstrokes are deliberate and precise, used to render the gruesome reality of Holofernes’s demise with a realism that is both unsettling and beautiful. This balance between the grotesque and the graceful is what elevates the piece from a mere narrative illustration to a high-art triumph.

The lighting in the piece acts as a silent narrator, originating from above to cast dramatic shadows that define the contours of the figures and create a profound sense of volume. This light does more than illuminate; it sanctifies the act of resistance, casting Judith in a heroic glow while leaving the fallen king in the encroaching darkness of death. For collectors and interior designers, such a piece offers more than just visual interest; it provides a focal point of immense character, capable of anchoring a room with its sophisticated palette and commanding presence.

Symbolism and Lasting Emotional Resonance

Beyond the immediate shock of the decapitation, Judith and Holofernes is a rich tapestry of symbolic meaning. The severed head serves as a potent emblem of mortality and the inevitable defeat of tyranny, while Judith herself embodies the triumph of faith and justice over brute force. The jewelry and fine clothing she wears are not merely decorative; they represent the dignity of her cause and the grandeur of the moment, suggesting that even in the midst of carnage, there is a divine order being restored.

For those seeking to surround themselves with art that provokes thought and stirs the soul, Turchi’s vision offers an unparalleled experience. A high-quality reproduction of this work allows the drama of the Baroque to inhabit modern spaces, bringing a sense of history, gravity, and timeless elegance to any collection. It is a piece that demands attention, inviting continuous re-examination of its themes of courage, sacrifice, and the enduring struggle between light and shadow.

Pytania i odpowiedzi

Czy prawa autorskie do „Judith and Holefernes” – Alessandro Turchi pozwalają na tworzenie reprodukcji?

Oryginał dzieła „Judith and Holefernes” znajduje się w Fondazione Brescia Musei, a utwór jest należy do domeny publicznej – autorskie prawa majątkowe wygasły.

Jak nasycone są kolory w „Judith and Holefernes” – Alessandro Turchi?

Intensywność barw w dziele „Judith and Holefernes” wynosi Monochromatic. Intensywność określa, jak nasycone wydają się kolory.

Jaki poziom kontrastu prezentuje „Judith and Holefernes” – Alessandro Turchi?

„Judith and Holefernes” – Alessandro Turchi prezentuje Balanced kontrast między jasnymi a ciemnymi partiami dzieła.

More about this painting

Podgląd w skali 1:1 Podgląd AR Przełącz na wydania drukowane Przejdź do wersji cyfrowej Wyślij jako kartkę
Szczegóły dzieła Przewodnik Dodaj do ulubionych Pobierz obraz Podobne obiekty RTG Pokaz slajdów Q&A Statystyki

In numbers

  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it
Alessandro Turchi

Alessandro Turchi

1578 - 1649, Włochy

Quick facts about Alessandro Turchi

  • Artistic Movement Or Style: Barok
  • Artists Or Movements Influenced By This Artist:
    • Giovanni Ceschini
    • Giovanni B. Rossi
  • Artists Who Influenced This Artist:
    • Felice Riccio
    • Carlo Cagliari
  • Date Of Birth: 1578
  • Date Of Death: 1649
  • Full Name: Alessandro Turchi
  • Nationality: Włoski
  • Notable Artworks:
    • Madonna z Dzieciątkiem
    • Resurrezione di Lazaro
    • Giudizio di Paride
  • Place Of Birth: Weronia, Italia

Biografia artysty

A Veronese Master in the Roman Baroque: The Life and Art of Alessandro Turchi

Alessandro Turchi, affectionately known as “L’Orbetto” – the little urchin – was a pivotal figure bridging the late Mannerist traditions of Verona with the burgeoning drama of the early Roman Baroque. Born in 1578 into a Verona touched by artistic fervor, Turchi's journey reflects a fascinating interplay between regional styles and the magnetic pull of Rome’s artistic innovations. His initial training under Felice Riccio (il Brusasorci), a prominent Veronese painter, laid a solid foundation in technique and composition. This apprenticeship instilled within him a meticulous approach to form and a sensitivity to color that would characterize his early works. By 1603, Turchi had established himself as an independent artist, quickly gaining recognition for his emerging talent. A significant early commission – the organ shutters for the Accademia Filarmonica of Verona (1606-1609) – demonstrated not only his technical skill but also his versatility in handling large-scale decorative projects. This period solidified his position within the Veronese art scene, preparing him for a broader artistic horizon.

From Verona to Rome: A Blossoming Career

The death of Felice Riccio in 1605 proved a turning point. Turchi, alongside Pasquale Ottino, stepped forward to complete several canvases left unfinished by their master, an act that further honed his skills and cemented his reputation within the artistic community. This collaborative effort wasn’t merely about finishing existing works; it was a crucial period of learning and refinement, allowing Turchi to absorb Riccio's stylistic nuances while simultaneously developing his own unique voice. His ambition soon led him beyond Verona. By 1616, he had ventured to Rome, the epicenter of artistic innovation, where he quickly became immersed in the vibrant atmosphere of papal patronage and artistic competition. His involvement in the fresco decoration of the Sala Reggia at the Quirinal Palace – depicting the Gathering of Manna – marked his arrival on the Roman stage. This commission brought him into contact with leading artists of the day and exposed him to the dramatic intensity that defined the emerging Baroque style. A particularly notable achievement during this period was *Christ, Magdalen, and Angels*, commissioned by Cardinal Scipione Borghese, a powerful patron known for his discerning taste and support of artistic talent.

A Synthesis of Styles: Caravaggism and Grace

Turchi’s artistic style is remarkably distinctive – a compelling blend of softness and dramatic intensity. While deeply influenced by the works of Carlo Cagliari and, crucially, his early mentor Felice Riccio, he didn't simply imitate their styles. Instead, he forged a unique path that set him apart from his contemporaries. The influence of Caravaggio is undeniable; Turchi masterfully employed *chiaroscuro* – the dramatic use of light and shadow – to create a sense of theatricality and emotional depth in his paintings. However, unlike some of Caravaggio’s more starkly realistic depictions, Turchi tempered this intensity with a lyrical grace and a refined sensitivity to color. His figures possess a sculptural quality, yet they are imbued with a gentle humanity that softens the dramatic impact. This ability to balance these seemingly opposing forces – drama and delicacy – is what defines his artistic signature. He frequently employed black marble as a background in his historical scenes, creating a striking contrast that further enhanced the emotional power of his compositions. His works often display an exquisite attention to detail, combined with a loose brushstroke technique that gives them a sense of movement and vitality.

Major Works and Patronage

Turchi’s career was marked by numerous significant commissions from wealthy patrons throughout Italy. He created altarpieces for churches in Verona and Rome, including the *Assumption* altarpiece for the church of San Luca in Verona (1610) and a *Holy Family* for San Lorenzo in Lucina in Rome. His work for Cardinal Scipione Borghese included *Christ, Magdalen, and Angels* (1616) and *Death of Marcantonio and Cleopatra*, both now housed in the Galleria Borghese. He also produced a series of smaller paintings on black marble depicting historical events, which he frequently presented to his patrons as diplomatic gifts. His involvement with the Virtuosi al Pantheon, a prestigious artistic society based in Rome, further elevated his status within the art world. In 1637, he was elected “Principe” – director – of the Accademia di San Luca, a testament to his leadership and artistic authority.

Legacy and Recognition: A Prince of the Roman Art World

Throughout his career, Alessandro Turchi wasn’t only an accomplished painter but also a dedicated mentor. He generously shared his knowledge and expertise with promising young artists, including Giovanni Ceschini and Giovanni Battista Rossi (il Gobbino), both of whom went on to establish successful careers in Verona. His professional standing continued to ascend; in 1637, he was elected “principe” – director – of the Accademia di San Luca, a testament to his leadership and artistic authority within the Roman art world. A year later, in 1638, he joined the prestigious Papal Guild of Artists, known as the Pontifical Academy of Fine Arts and Letters of the Virtuosi al Pantheon, further solidifying his position among Rome’s elite artists. Turchi's contributions to early Baroque painting are now recognized for their skillful blending of dramatic intensity with a gentle aesthetic sensibility. His compelling religious and historical works continue to captivate viewers, offering a glimpse into the artistic ferment of 17th-century Italy. He left behind a legacy not only through his paintings but also through the artists he inspired, ensuring that his unique vision would endure for generations to come. *His work remains a testament to the power of artistic synthesis and the enduring appeal of beauty tempered with drama.*

Najważniejsze informacje

  • Movement: Baroque
  • Medium: Pen, ink and chalk on paper
  • Dimensions: 22.9 x 32.1 cm.
  • Location: Nasjonalmuseet
  • Subject or theme: Death; Judgment; Revenge
  • Artistic style: Classical oil painting

Quiz o sztuce

Do każdego pytania dotyczy tylko jedna poprawna odpowiedź.

Pytanie 1:
What artistic movement is Alessandro Turchi’s Judith and Holofernes primarily associated with?
Pytanie 2:
The painting utilizes a technique known as chiaroscuro. What is chiaroscuro?
Pytanie 3:
What symbolic significance does the severed head represent in Judith and Holofernes?
Pytanie 4:
The artist’s style is characterized by layering oil paint to build up texture. Why is this technique important?
Pytanie 5:
Where was Alessandro Turchi’s Judith and Holofernes created?
Odkryj dzieła sztuki uporządkowane według tematów, stylów i cech charakterystycznych.