Kort fortalt
Av alle originalverkene Jacob Savery etterlot seg, er det mest kjente Landscape with Village: "Autumn" (1600), som er en del av samlingen til Städel Museum i Frankfurt. Like bak følger St. Sebastian fair in a Flemish village (1598) og Winter landscape (1600). Vår katalog inneholder 7 verk av Jacob Savery; galleriet har bevart de 7 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
Jacob Saverys topp 10 malerier: galleriets utvalg
Landscape with Corn Fields, Jacob Savery (II) (attributed to), 1602 - 1630
Landscape with corn fields on the right side of a country road, on the left an inn. Travelling by road and a shepherd with sheep. In the foreground two sitting women who read the hand of two farmers.
Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589
Landscape with the story of Jefta's daughter. Mountain landscape with a city in a valley. On the left the city gate where Jefta's daughter plays tambourine to greet her father. In the background a vast landscape with a large church and more buildings on the edge of a bay.
Museene som har Jacob Saverys originalverk
De 4 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Jacob Savery | Malerier fra denne listen |
|---|---|---|---|
| Amsterdam | 2 | Landscape with Corn Fields, Jacob Savery (II) (attributed to), 1602 - 1630, Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589 | |
| Frankfurt | 1 | Landscape with Village: "Autumn" | |
| Haag | 1 | St. Sebastian fair in a Flemish village | |
| Stockholm | 1 | Rural Scene |
Jacob Savery tiår for tiår: originalverket som definerer hvert av dem
Verk per tiår
Velg et tiår for å se originalverket som definerer det.
Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589
Landscape with the story of Jefta's daughter. Mountain landscape with a city in a valley. On the left the city gate where Jefta's daughter plays tambourine to greet her father. In the background a vast landscape with a large church and more buildings on the edge of a bay.
Samlere spør om maleriene til Jacob Savery
Hvilket verk er Jacob Savery mest kjent for?Avslør svaret
Landscape with Village: "Autumn" (1600), Städel Museum, Frankfurt. Deretter følger St. Sebastian fair in a Flemish village (1598) og Winter landscape (1600).
Hvor gammel var Jacob Savery da Landscape with Village: "Autumn" ble laget?Avslør svaret
40 år gammel: Landscape with Village: "Autumn" er fra 1600, og Jacob Savery ble født i 1560.
Hvor mange malerier etterlot Jacob Savery?Avslør svaret
Vår katalog inneholder 7 verk av Jacob Savery, datert fra 1589 til 1600.
I hvilke museer henger mesterverkene til Jacob Savery?Avslør svaret
Hovedsakelig i Rijksmuseum (Amsterdam), Städel Museum (Frankfurt) og Mauritshuis (Haag). Museumslisten ovenfor viser alle.
I hvilke år malte Jacob Savery sine mest kjente verk?Avslør svaret
I 1600s: 2 av de 7 verkene på denne siden ble laget da, Landscape with Village: "Autumn" av dem.
Hva er de første og de siste kjente originalverkene til Jacob Savery?Avslør svaret
På denne siden er det eldste Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589 (1589) og det nyeste Landscape with Village: "Autumn" (1600).
Hvilke verk av Jacob Savery stilles ut på Rijksmuseum?Avslør svaret
Landscape with Corn Fields, Jacob Savery (II) (attributed to), 1602 - 1630 og Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589: Rijksmuseum, Amsterdam har 2 av verkene på denne siden.
Jacob Savery: liv og virke
Early Life and Artistic Beginnings
The story of Hans Heys, a name increasingly resonant in contemporary landscape painting, is one rooted deeply in the Dutch tradition yet blossoming into a uniquely personal vision. Born in 1974 in the Netherlands, Heys’s early life was steeped in the visual language of his surroundings – the expansive skies, the intricate network of waterways, and the flat, fertile polders that define much of the country's character. While not formally trained in a classical sense initially, Heys developed an acute observational skill through countless hours spent sketching *en plein air*, capturing the fleeting effects of light and atmosphere. This self-directed education fostered a direct connection to his subject matter, one that would become a hallmark of his mature work. His initial artistic explorations were modest, focusing on local scenes – windmills silhouetted against dramatic sunsets, fields of tulips ablaze with color, and the quiet dignity of traditional Dutch farmhouses. These early paintings, though relatively unassuming, reveal a nascent talent for capturing mood and an instinctive understanding of composition. Heys wasn’t immediately drawn to grand narratives or historical themes; instead, he found beauty in the everyday, imbuing ordinary landscapes with a sense of poetic stillness.Influences and Development
Heys's artistic journey was significantly shaped by his immersion in the Dutch Masters, particularly the 17th-century landscape painters like Jacob van Ruisdael and Aert van der Neer. He admired their masterful rendering of light, their ability to convey depth and atmosphere, and their subtle psychological portrayal of nature. However, Heys wasn’t content with mere imitation. He sought to move beyond the meticulous realism of his predecessors, incorporating elements of Impressionism and Post-Impressionism into his evolving style. The broken brushwork and vibrant color palettes of artists like Monet and Van Gogh resonated deeply with him, inspiring him to experiment with more expressive techniques.- Jacob van Ruisdael: Influenced Heys’s understanding of atmospheric perspective and the depiction of cloud formations.
- Aert van der Neer: Provided a model for capturing the subtle nuances of light in nocturnal scenes and winter landscapes.
- Claude Monet: Inspired Heys’s exploration of broken color and *plein air* painting techniques.
- Vincent van Gogh: Contributed to Heys’s expressive use of brushwork and emotional intensity.