Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 77 verk av François Hubert Drouais i vår katalog
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Av alle originalverkene François Hubert Drouais etterlot seg, er det mest kjente Madame de Pompadour (1763), som er en del av samlingen til National Gallery i London. Like bak følger Louise-Marie de France (1763) og Hubert Drouais, the Artist's father (1760). Vår katalog inneholder 77 verk av François Hubert Drouais; galleriet har bevart de 77 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
To gaze upon this portrait of Madame de Pompadour is to step directly into the gilded salons of 18th-century France, a world steeped in whispered secrets and breathtaking opulence. François Hubert Drouais captured not merely a likeness, but an entire atmosphere—the very essence of aristocratic grace during the reign of Louis XV. The subject herself radiates an undeniable magnetism; her posture is one of studied ease, yet every fold of…
In this 1763 oil on canvas, François Hubert Drouais presents Louise-Marie de France in a three-quarter length composition. The subject is positioned slightly off-center against a muted, dark, and indistinct background, which directs the viewer's attention toward her figure. She is depicted with a calm expression and a direct gaze. Her attire consists of heavy, patterned silk and intricate lace sleeves, featuring multi-colored floral motifs in shades of blue, orange,…
In this intimate portrait from 1760, we find Hubert Drouais seated within the quiet confines of his studio. He is captured in a moment of quiet focus, his gaze meeting ours as if we have just stepped into his private workspace. There is a profound sense of professional dignity in his posture, a man settled into his vocation. He holds a sheet of paper in his hands, poised to begin…
In this 1761 portrait, we encounter Marie Rinteau, known as Mademoiselle de Verrières, presented with a poise that defines the Rococo era. She is seated in a three-quarter length pose, her gaze meeting ours with a gentle, steady expression. The composition follows a stable pyramidal structure, centering her within an atmospheric, dark background that allows her figure to emerge through a soft chiaroscuro effect. There is a quiet dignity in…
The canvas holds a young woman caught in a soft, directional light. She sits in a three-quarter pose, her body turned slightly toward the viewer, draped in fabrics that catch the glow of an unseen sun. Her skin possesses a porcelain clarity, achieved through thin, translucent glazes of oil paint that suggest a warmth beneath the surface. Around her, the atmosphere is thick with the quietude of a garden, where…
The air in the room feels still, held in a quiet suspension as the young woman gazes out from her oval frame. She sits with a poised, calm expression, her presence filling the space with a sense of refined dignity. A delicate lace headdress, secured by a large striped ribbon beneath her chin, frames a face that seems to glow with an inner light. Her gown, adorned with intricate floral…
In this intimate bust portrait from 1750, we encounter a young woman who embodies the quiet refinement of the French court. She is positioned slightly off-center, her gaze directed toward the viewer's left, yet her eyes maintain a gentle, direct connection with us. The composition is characterized by a soft, luminous quality that seems to emanate from her skin, set against a dark, undifferentiated background that pushes her presence to…
An elegant portrait of a young woman, likely Mademoiselle de Forges, captures the refined grace of the mid-eighteenth century. She is positioned centrally within an oval frame, depicted from the waist up against a muted, atmospheric landscape. The composition relies on soft, curvilinear lines, seen in the flowing lace of her gown and the gentle curves of her powdered hair. A sense of three-dimensional depth is achieved through diffused lighting…
Lady with girl at a mirror is a portrait by François Hubert Drouais. This work dates to about 1752. The image presented here is a monochrome, grayscale reproduction of the original 18th-century Rococo portrait. It captures a quiet, intimate moment between two figures, rendered in shades of black, white, and gray.
François-Hubert Drouais’s “Madame Sophie de France” (1762) is more than simply a portrait; it's a meticulously crafted window into the opulent world of 18th-century French aristocracy. Painted during a period of significant social and political change, this work captures not just the likeness of a young woman but also embodies the grandeur, formality, and subtle anxieties of the era. The painting’s enduring appeal lies in its exquisite detail, masterful use…
The Prince Dmitry Mikhaylovich Golitsyn1762 · Pushkin State Museum
12
Portrait of the Marquise d'Aguirandes1759 · Cleveland Museum of Art
13
The Sourches family1756 · Opera House
14
Drouais - Adélaïde of France1763 · Opera House
15
Mlle. Marguerite Catherine Haynault, later the Marquise de Montmelas in Turkish Costume1757 · Museum of Fine Arts
16
Carlos Fernando FitzJames-Stuart, Marquess of Jamaica1765 · Birmingham Museum of Art
17
Madame de Pompadour1764 · Montreal Museum of Fine Arts
18
A Young Boy Holding a Portfolio1761
19
Portrait of Jeanne Antoinette Poisson, the Marquise de Pompadour (1721-1764) in muff1763 · Musée des Beaux-Arts
20
Portrait of Countess Darya Petrovna Saltykova (1739-1802)1762 · Pushkin State Museum
21
Portrait of Madame du Barry (1743-1793)1770 · Museo del Prado
22
Louis de Bourbon-Condé, Count of Clermont (1709-1771)1771 · Opera House
23
Portrait de Madame Du Barry en Flore1774 · Musée des Beaux-Arts d'Agen
24
Madame Du Barry as Flora1774 · Château de Versailles
25
Portrait de madame Du Barry tenant une corbeille de roses1770 · Musée Fabre
26
Portait of Count of Provence1772 · Fondazione Accorsi - Ometto - Museo di Arti Decorative
27
Marquise de Caumont La Force1767 · David Owsley Museum of Art Ball State University
28
Boy with a Black Spaniel1767 · Metropolitan Museum of Art
29
Monsieur Denis-Paul le Pot de la Fontaine1772 · Detroit Institute of Arts
30
Boy with a House of CardsMetropolitan Museum of Art
31
Portrait of a Young Woman as a Vestal Virgin1767 · Metropolitan Museum of Art
32
Jeanne Bécu, Comtesse du Barry1770 · National Gallery of Art
33
Marie Antoinette, Queen of France, in a court dressNasjonalmuseet i Warszawa
34
Madame Drouais, Wife of the Artist1758 · Louvre
35
PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUTLouvre
36
The Children of the Duc de Bouillon1756
37
Le Comte de Vaudreuil1758
38
Jeanne Bécu, Comtesse du Barry1774 · National Portrait Gallery of Sweden
39
Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)1757 · Metropolitan Museum of Art
40
Family Portrait1756 · Nationalmuseum
41
Portrait of a Little Girl Holding a DollMusée Cognacq-Jay
42
Portrait of a Little Girl in a White Dress, called Alexandrine Lenormant d'EtiollesMusée Cognacq-Jay
43
Portrait of Princess Louise Marie of France (1737-1787)Opera House
44
Portrait of a young woman
45
LE COMTE D'ARTOIS ET MADAME CLOTILDE
46
Marie-Joséphine-Louise de SavoieChâteau de Versailles
47
LA FAMILLE DE SOURCHES
48
GUILLAUME II COUSTOU (1716 1777)Opera House
49
The Prince, and PrincessNational Trust
50
LOUIS DE BOURBON, COMTE DE CLERMONT, LIEUTENANT GENERAL DES ARMEES DU ROI (1709 1771)
51
LOUIS STANISLAS XAVIER, COMTE DE PROVENCE (1755 1824)
52
MARIE CLOTILDE XAVIERE DE FRANCE, DITE MADAME CLOTILDE, REINE DE SARDAIGNE (1759 1802)Opera House
53
Portrait de Jeanne Antoinette Poisson, marquise de PompadourMusée Condé
54
CHARLES PHILIPPE DE FRANCE, COMTE D'ARTOIS (1757 1836)
55
Madame la Dauphine Marie Antoinette, en HébéMusée Condé
56
Les Portraits de MM. De Béthune Jouant avec un Chien (Children of the Marquis de Béthune Playing with a Dog)Birmingham Museum of Art
57
Madame Jacques Benoit LoysLouvre
58
ENFANT AU TRICORNELouvre
59
LOUISE ELISABETH DE MAILLE KARMANLouvre
60
EDME BOUCHARDONLouvre
61
Family Portrait1756 · National Gallery of Art
62
LE COMTE DE NOGENTLouvre
63
MADAME DROUAISLouvre
64
Miss golden
65
Portrait of a Child
66
A Girl Holding a Canary, Time of Louis XVBowes Museum
67
Child with a TambourineFitzwilliam Museum
68
The Prince de Guémenée , and Mademoiselle de Soubise Dressed as Grape HarvestersNational Trust
69
Louis Auguste, duc de BerryMuseu de Arte de São Paulo Assis Chateaubriand
70
SOPHIE PHILIPPINE ELISABETH JUSTINE DE FRANCE, DITE MADAME SOPHIE (1744 1782)
71
Portrait du scuplteur Edme Bouchardon (1698 1762)Carnavalet Museum
72
Portrait de Monseigneur Dominique de la Rochefoucauld, archevêque d'Albi, plus tard Cardinal archevêque de Rouen
73
LOUIS XV, ROI DE FRANCE ET DE NAVARRE (1710 1774)Opera House
74
CHARLES PHILIPPE DE FRANCE, COMTE D'ARTOIS, ET SA SOEUR MADAME CLOTHILDELouvre
75
Madame de Pompadour at her Tambour FrameNational Gallery
76
The Comte and Chevalier de Choiseul as Savoyards1758 · The Frick Collection
77
Le Comte de VaudreuilNational Gallery
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av François Hubert Drouais | Malerier fra denne listen |
|---|---|---|---|
 Louvre |
Paris | 9 | Madame Drouais, Wife of the Artist, PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUT, Madame Jacques Benoit Loys |
 Opera House |
Versailles | 7 | The Sourches family, Drouais - Adélaïde of France, Louis de Bourbon-Condé, Count of Clermont (1709-1771) |
 Metropolitan Museum of Art |
New York | 6 | Marie Rinteau, called Mademoiselle de Verrières, Madame Sophie de France (1734–1782), Boy with a Black Spaniel |
 National Gallery |
London | 3 | Madame de Pompadour, Madame de Pompadour at her Tambour Frame, Le Comte de Vaudreuil |
 Nationalmuseum |
Stockholm | 2 | Hubert Drouais, the Artist's father, Family Portrait |
 Pushkin State Museum |
Moskva | 2 | The Prince Dmitry Mikhaylovich Golitsyn, Portrait of Countess Darya Petrovna Saltykova (1739-1802) |
 Birmingham Museum of Art |
Birmingham | 2 | Carlos Fernando FitzJames-Stuart, Marquess of Jamaica, Les Portraits de MM. De Béthune Jouant avec un Chien (Children of the Marquis de Béthune Playing with a Dog) |
 Château de Versailles |
Versailles | 2 | Madame Du Barry as Flora, Marie-Joséphine-Louise de Savoie |
Velg et tiår for å se originalverket som definerer det.
The canvas holds a young woman caught in a soft, directional light. She sits in a three-quarter pose, her body turned slightly toward the viewer, draped in fabrics that catch the glow of an unseen sun. Her skin possesses a porcelain clarity, achieved through thin, translucent glazes of oil paint that suggest a warmth beneath the surface. Around her, the atmosphere is thick with the quietude of a garden, where…
The air in the room feels still, held in a quiet suspension as the young woman gazes out from her oval frame. She sits with a poised, calm expression, her presence filling the space with a sense of refined dignity. A delicate lace headdress, secured by a large striped ribbon beneath her chin, frames a face that seems to glow with an inner light. Her gown, adorned with intricate floral…
To gaze upon this portrait of Madame de Pompadour is to step directly into the gilded salons of 18th-century France, a world steeped in whispered secrets and breathtaking opulence. François Hubert Drouais captured not merely a likeness, but an entire atmosphere—the very essence of aristocratic grace during the reign of Louis XV. The subject herself radiates an undeniable magnetism; her posture is one of studied ease, yet every fold of…
In this 1770 portrait, François Hubert Drouais captures the essence of mid-eighteenth-century French aristocratic grace. The subject, Jeanne Bécu, Comtesse du Barry, is presented in an oval-shaped bust-length composition. She is adorned with pink roses in her hair and holds a matching floral garland, symbols of youth and femininity. A soft, diffused light enters from the upper left, casting gentle shadows that define the contours of her face, neck, and…
Madame de Pompadour (1763), National Gallery, London. Deretter følger Louise-Marie de France (1763) og Hubert Drouais, the Artist's father (1760).
36 år gammel: Madame de Pompadour er fra 1763, og François Hubert Drouais ble født i 1727.
Madame de Pompadour, Louise-Marie de France, Hubert Drouais, the Artist's father, Marie Rinteau, called Mademoiselle de Verrières, Mademoiselle Marie Pélissier (1707-1749), of the Opéra, also known as Marie Pélissier in Florence., Portrait of a Lady with Lace Headdress and Muff, Portrait of a Young Lady, Portrait of a Lady, said to be Mademoiselle de Forges, Lady with girl at a mirror og Madame Sophie de France (1734–1782). Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 77 verk av François Hubert Drouais, datert fra 1737 til 1774.
Hovedsakelig i Louvre (Paris), Opera House (Versailles) og Metropolitan Museum of Art (New York). Museumslisten ovenfor viser alle.
I 1760s: 15 av de 77 verkene på denne siden ble laget da, Madame de Pompadour av dem.
På denne siden er det eldste Mademoiselle Marie Pélissier (1707-1749), of the Opéra, also known as Marie Pélissier in Florence. (1737) og det nyeste Portrait de Madame Du Barry en Flore (1774).
Woman (23), Portraiture (13) og Lace (13), fordelt på 77 verk på denne siden.
Oil On Canvas, for 41 av de 77 verkene på denne siden.
Rococo, basert på originalene på denne siden.
Madame Drouais, Wife of the Artist, PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUT og Madame Jacques Benoit Loys: Louvre, Paris har 9 av verkene på denne siden.
I den lysende og overdådige atmosfæren i midten av det attende århundrets Frankrike, var det få kunstnere som fanget essensen av aristokratisk ynde så intimt som François Hubert Drouais. Som en ledende portrettmaler under de siste årene av Ludvig XVs regjeringstid, besatt Drouais en unik evne til å overføre det franske hoffets raffinement og sjarm til lerretet. Hans arbeid fungerer som et pustende vakkert vindu inn i rokokko-æraen, en periode definert av sin streben etter en idealisert skjønnhet og en nøye orkestrert symfoni av lys og tekstur.
Født i Paris, Frankrike, ble Drouais fordypet i den fine kunstens verden fra sine tidligste år. Han fulgte i fotsporene til sin far, Hubert Drouais, og mottok sin første kunstneriske opplæring av ham. Denne arven innen portrettmaleri ga et fundament av teknisk mestring som senere gjorde det mulig for ham å navigere i de høyeste lag av det parisiske samfunnet. Hans talent var ikke bare begrenset til å fange likhetstrekk; han hadde en dyp evne til å gi sine motiver en psykologisk tilstedeværelse som transcenderer århundrene, noe som gjør hans portretter både personlige og tidløse.
Drouais' økende popularitet var uadskillelig knyttet til hans voksende nærvær ved det franske hoffet. Etter hvert som hans rykte vokste, utvidet klientellet seg til å inkludere den franske kongefamilien, adelen, utenlandsk aristokrati og de velstående fermiers-généraux. Hans portretter ble en moteriktig nødvendighet for medlemmene av det parisiske samfunnet og deres favoritter, som søkte å forevige sin status gjennom hans utsøkte penselstrøk.
Drouais' teknikk var preget av en delikat lagvis påføring av tynne, transparente lasurer med oljemaling. Denne metoden gjorde det mulig for ham å oppnå en porselensaktig glød i huden til sine motiver, noe som skapte et mykt, diffust lys som virket å stråle ut fra selve lerretet. Hans mesterskap strakte seg utover den menneskelige form til selve teksturene i rokokko-livsstilen:
Den historiske betydningen til François Hubert Drouais ligger i hans rolle som en definerende kronikør av Ancien Régime. Gjennom hans øyne er vi vitne til den stille verdigheten og den lavmælte elegansen til skikkelser som Madame Jacques Benoit Loys og Comte de Vaudreuil. Hans arbeid gjør mer enn å dokumentere historiske individer; det fanger selve sjelen til en periode definert av sin søken etter raffinement.
Hans innflytelse strakte seg også gjennom familien, spesielt til hans sønn, Jean Germain Drouais, som førte tradisjonen med portrett- og historiemaleri videre. Selv om rokokkoens æra til slutt måtte vike for nye kunstneriske bevegelser, forblir verkene til François Hubert Drouais varige monumenter over en tapt tid av fransk prakt, bevart i prestisjetunge samlinger som National Gallery, London og National Gallery of Art.
