Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 325 verk av Claude Lorrain i vår katalog
Kort fortalt
Etter galleriets vurdering er Claude Lorrains mest kjente maleri Landskap med Nymphe og Satyr Dansende (1641), hvis original henger i Toledo Museum of Art, Toledo. Utsikt over La Crescenza (1648) og Ideal View of Tivoli (1644) fullfører trioen som alle kjenner igjen. Av de 325 verkene til Claude Lorrain i vår katalog, presenterer galleriet de 100 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
I hjertet av barokken var det få kunstnere som besatt evnen til å fange det flyktige lysets dans like mesterlig som Claude Lorrain. Hans mesterverk fra 1641, Landskap med Nymphe og Satyr Dansende, er ikke bare et maleri, men en invitasjon inn i et tapt paradis. Idet øyet vandrer over dette monumentale lerretet, blir man umiddelbart slått av en følelse av dyp ro og idealisert skjønnhet som definerer selve konseptet…
Å betrakte Claude Lorrains Utsikt over La Crescenza er som å tre over tidens terskel og inn i en idealisert visjon av det italienske landskapet. Dette maleriet gjør mer enn bare å avbilde en scene; det fanger en dyp følelse av pastoralt fred, et øyeblikk suspendert mellom historie og fullkommen hvile. Selve motivet – en utsikt som omfatter en middelalderfestning som på elegant vis er omgjort til et landsted for…
The scene unfolds within a lush, green expanse where nature and architecture exist in quiet equilibrium. A waterfall descends through the center of a dense forest, introducing movement to an otherwise still landscape. In the distance, a castle rises against the horizon, providing a structural anchor to the wilder elements of the terrain. Scattered throughout the foreground and middle ground, cattle, horses, and sheep graze peacefully among small groups of…
In the luminous realm of Claude Lorrain’s Acis and Galatea, the boundaries between the earthly landscape and the divine myth blur into a single, breathtaking moment of classical repose. Painted in 1657, this masterpiece serves as a profound window into the Baroque era's obsession with idealized nature and timeless romance. The scene unfolds along a tranquil coastline, where the gentle rhythm of the waves meets a shore populated by figures…
The technique used to achieve such a specific, golden radiance is nothing short of miraculous. The artist treats light as a primary subject, using it to define the depth and volume of the entire scene. By placing the sun as the direct source of illumination, the foreground and middle distance are pushed into sharp relief, while the background dissolves into a soft, atmospheric haze. This method creates a sense of…
The sun hangs suspended in a warm, amber glow, casting a soft light across a wide, expansive landscape that feels both lived-in and dreamlike. In this tranquil setting, the air seems to hum with the quiet energy of a summer afternoon. Near the water's edge, a group of figures gathers, their movements suggesting a spontaneous moment of joy. Some dance with a light, rhythmic grace, while others stand in small…
To gaze upon this depiction, View of Delphi, is to be transported across the centuries to a moment suspended between myth and sublime natural beauty. Claude Lorrain masterfully captures not merely a location, but an entire atmosphere—a confluence of human endeavor, divine suggestion, and untamed nature. The scene unfolds with breathtaking scope: a majestic, rocky hillside dominates the background, crowned by the imposing silhouette of a castle, suggesting both civilization's…
In the quietude of Landscape with a Goatherd, created in 1637, we are invited into a realm where time seems to suspend its forward march. Claude Lorrain, a master of the Baroque era, does not merely paint a scene; he orchestrates an atmosphere. The canvas unfolds as a serene pastoral vision, where a solitary goatherd tends to his flock amidst a lush, verdant expanse. As one gazes upon this masterpiece,…
The artwork titled Pastoral landscape is a painting by the artist Claude Lorrain. This specific work is dated 1636. It is also recognized by the alternative title Diamond Claude, a name derived from its faceted format and the medium used for its execution.
In this 1638 oil on canvas, we find ourselves looking through a window into an idealized world. The composition uses a repoussoir technique, where the dark, detailed elements of ancient architectural ruins on the left and the heavy, leafy trees on the right frame a luminous central vista. This structure directs the eye toward a receding landscape of undulating hills and misty mountains. There is a profound sense of stillness…
Imaginary View of Tivoli1642 · Courtauld Gallery
12
Landscape with Narcissus and Echo
13
Landscape with Christ on the Road to Emmaus1660 · Eremitasjen
14
The Embarkation of the Queen of Sheba1648 · National Gallery
15
Landscape with the Rest on the Flight to Egypt, 16601660 · Albertina
16
Landscape with an Imaginary View of Tivoli1642 · Courtauld Gallery
17
Rest on the Flight into Egypt1640 · Cleveland Museum of Art
18
Capriccio with ruins of the Roman Forum1634 · Art Gallery of South Australia
19
Forest Path with Herdsmen and Herd1633 · Academy of Fine Arts Vienna
20
Landscape with Tobias and the Angel (Evening)1663 · Eremitasjen
21
Pastoral with the Arch of Constantine1648 · Kunsthaus Zürich
22
The Mill1631 · Museum of Fine Arts
23
Marine with the Trojans Burning their Boats1643 · Metropolitan Museum of Art
24
The Judgment of Paris1645 · British Museum
25
Port Scene with the Embarkation of St Ursula1641 · National Gallery
26
Ideal Landscape with the Flight into Egypt1663 · Thyssen-Bornemisza-museet
27
Port Scene with the Departure of Ulysses from the Land of the Feaci1646 · Louvre
28
Landscape with Flight into Egypt1663
29
Landscape with Shepherds1645 · Szépművészeti Múzeum
30
Evening Landscape with Dense Group of Trees1643 · Bavarian State Painting Collections
31
Panorama from the Sasso1649
32
Coast Scene with the Rape of Europa1667 · Royal Collection
33
Ford of a River1636 · Museo del Prado
34
Harbour with Villa Medici1637
35
The Judgement of Paris1645 · National Gallery of Art
36
Villa in the Roman Campagna1645 · Szépművészeti Múzeum
37
Evening at the Harbour1640 · Eremitasjen
38
Landscape with Psyche in front of Cupid1663 · Staatliche Kunsthalle Karlsruhe
39
Landscape with Apollo and the Muses1652 · Scottish National Gallery
40
A Seaport at Sunrise1674 · Alte Pinakothek
41
Landscape with Dancing Figures1669 · Eremitasjen
42
Landscape with the Rest during the Flight into Egypt1647
43
Landscape with Christ appearing to St. Mary Magdalene (1681 · Städel Museum
44
Pastoral Landscape1636
45
Landscape with Merchants1630 · National Gallery of Art
46
Pastoral LandscapeBarnes Foundation
47
Landscape with Shepherds1646
48
Harbour SceneBritish Museum
49
The Disembarkation of Cleopatra at Tarsus1642 · Louvre
50
Roman Ideal Landscape with Cephalus, Procris, and Diana1635 · Gemäldegalerie
51
Setting out with the Herd1636 · Museo del Prado
52
Landscape with the Flight into Egypt1647 · Staatliche Kunstsammlungen Dresden
53
Tiber Landscape with Castel SantAlbertina
54
Coast View with the Abduction of Europa1650 · J. Paul Getty Museum
55
The Embarkation of St. Paula in Ostia
56
Pastoral Landscape1677 · Kimbell Art Museum
57
View of the CampagnaBritish Museum
58
View of La Crescenza1649
59
Landscape with Aeneas at Delos1672
60
Egeria weeps over Numa1669
61
Landscape with Saint George and the Dragon1643 · Wadsworth Atheneum
62
Landscape with Saint Onuphrius1638 · Museo del Prado
63
A Seaport at Sunset1643 · Detroit Institute of Arts
64
TreesLouvre
65
Port with Capitol1630
66
Landscape with Brigands1633
67
Landscape with the Flight into Egypt1639 · Musée des Beaux-Arts de Strasbourg
68
Landscape with a Shepherd and Shepherdess1636 · Hood Museum of Art
69
A Pastoral Landscape1645 · Barber Institute of Fine Arts
70
Rest on the Flight into Egypt1640 · Joslyn Art Museum
71
Pastoral landscape with Lake Albano and Castel Gandolfo1639 · Fitzwilliam Museum
72
David Anointed King by the Prophet Samuel1637
73
Rest on the Flight into Egypt1646
74
Villagers Dancing1638 · Saint Louis Art Museum
75
Landscape with Shepherds - The Pont Molle1645 · Birmingham Museum and Art Gallery
76
Landscape with Jacob and Laban and His Daughters1659 · Norton Simon Museum
77
The Adoration of the Golden Calf1660 · Manchester Art Gallery
78
Ariadne & Bacchus on Naxos1656 · Arnot Art Museum
79
Juno Confiding Io to the Care of Argus1660 · National Gallery of Ireland
80
Mill on the Tiber1650 · The Nelson-Atkins Museum of Art
81
An Evening Landscape with Mercury and Battus1654
82
A Classical Landscape with Cattle Crossing a Stream1670 · Anglesey Abbey
83
Landscape with Erminia in Discourse with the Old Man and his Sons1666
84
Apollo and the Muses on Mount Helicon1680
85
Landscape with Noli Me Tangere Scene1681 · Städel Museum
86
Landscape with Saint Philip Baptising the Eunuch1678 · Amgueddfa Cymru
87
Evening
88
Landscape with Dancing Satyrs and Nymphs1646 · Nasjonalmuseet for Vestlig Kunst
89
Landscape with Jacob, Rachel and Leah at the Well (Morning)1666 · Eremitasjen
90
Adoration of the shepherds1600 · Pinacoteca Stuard
91
Gathering Grapes1642 · Dulwich Picture Gallery
92
The Flight into Egypt1635 · Museum of Art
93
The Judgment of Paris1645 · British Museum
94
Seaport with the Embarkation of Saint Ursula1641 · National Gallery
95
Ulysses Returning Chryseis to her Father1644
96
Landscape with the Nymph Egeria1669 · Museo di Capodimonte
97
Landscape with Ruins, Pastoral Figures, and Trees1650
98
Jacob with Laban and His Daughters1676 · Dulwich Picture Gallery
99
Landscape with the Rest on the Flight into Egypt1666 · Eremitasjen
100
Landscape with Cattle and Peasants1629 · Philadelphia Museum of Art
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Claude Lorrain | Malerier fra denne listen |
|---|---|---|---|
 Eremitasjen |
St. Petersburg | 13 | Landscape with Christ on the Road to Emmaus, Landscape with Tobias and the Angel (Evening), Evening at the Harbour |
 British Museum |
London | 6 | Landscape with a Goatherd, The Judgment of Paris, Harbour Scene |
 National Gallery |
London | 11 | The Embarkation of the Queen of Sheba, Port Scene with the Embarkation of St Ursula, Seaport with the Embarkation of Saint Ursula |
 Museo del Prado |
Madrid | 11 | Ford of a River, Setting out with the Herd, Landscape with Saint Onuphrius |
 Louvre |
Paris | 5 | Port Scene with the Departure of Ulysses from the Land of the Feaci, The Disembarkation of Cleopatra at Tarsus, Trees |
 Metropolitan Museum of Art |
New York | 8 | Utsikt over La Crescenza, Marine with the Trojans Burning their Boats |
 Albertina |
Wien | 3 | Landscape with the Rest on the Flight to Egypt, 1660, Tiber Landscape with Castel Sant |
 National Gallery of Art |
Washington | 3 | The Judgement of Paris, Landscape with Merchants |
Velg et tiår for å se originalverket som definerer det.
In this oil on canvas, we encounter Landscape with Cattle and Peasants, a work by Claude Lorrain, who was also known as Claude Gellée. This piece holds a particular significance in the artist's development, as it is Claude's first dated work. It was painted in 1629, marking an early moment in a career that would eventually define the landscape genre.
In the quietude of Landscape with a Goatherd, created in 1637, we are invited into a realm where time seems to suspend its forward march. Claude Lorrain, a master of the Baroque era, does not merely paint a scene; he orchestrates an atmosphere. The canvas unfolds as a serene pastoral vision, where a solitary goatherd tends to his flock amidst a lush, verdant expanse. As one gazes upon this masterpiece,…
I hjertet av barokken var det få kunstnere som besatt evnen til å fange det flyktige lysets dans like mesterlig som Claude Lorrain. Hans mesterverk fra 1641, Landskap med Nymphe og Satyr Dansende, er ikke bare et maleri, men en invitasjon inn i et tapt paradis. Idet øyet vandrer over dette monumentale lerretet, blir man umiddelbart slått av en følelse av dyp ro og idealisert skjønnhet som definerer selve konseptet…
In the luminous realm of Claude Lorrain’s Acis and Galatea, the boundaries between the earthly landscape and the divine myth blur into a single, breathtaking moment of classical repose. Painted in 1657, this masterpiece serves as a profound window into the Baroque era's obsession with idealized nature and timeless romance. The scene unfolds along a tranquil coastline, where the gentle rhythm of the waves meets a shore populated by figures…
The technique used to achieve such a specific, golden radiance is nothing short of miraculous. The artist treats light as a primary subject, using it to define the depth and volume of the entire scene. By placing the sun as the direct source of illumination, the foreground and middle distance are pushed into sharp relief, while the background dissolves into a soft, atmospheric haze. This method creates a sense of…
To gaze upon this depiction, View of Delphi, is to be transported across the centuries to a moment suspended between myth and sublime natural beauty. Claude Lorrain masterfully captures not merely a location, but an entire atmosphere—a confluence of human endeavor, divine suggestion, and untamed nature. The scene unfolds with breathtaking scope: a majestic, rocky hillside dominates the background, crowned by the imposing silhouette of a castle, suggesting both civilization's…
In the quietude of the Baroque era, few artists possessed the ability to weave the divine into the terrestrial as masterfully as Claude Lorrain. His 1681 masterpiece, Landscape with Christ Appearing to St. Mary Magdalene, is far more than a mere depiction of a biblical encounter; it is a profound meditation on the intersection of the eternal and the ephemeral. As the viewer’s eye wanders across the serene Provençal vista,…
Landskap med Nymphe og Satyr Dansende (1641), Toledo Museum of Art, Toledo. Deretter følger Utsikt over La Crescenza (1648) og Ideal View of Tivoli (1644).
41 år gammel: Landskap med Nymphe og Satyr Dansende er fra 1641, og Claude Lorrain ble født i 1600.
Landskap med Nymphe og Satyr Dansende, Utsikt over La Crescenza, Ideal View of Tivoli, Acis and Galatea, The Enchanted Castle (also known as Landscape with Psyche outside the Palace of Cupid), Landscape with Dancing Figures (also known as The Mill), View of Delphi, Landscape with a Goatherd, Pastoral landscape og Pastoral Landscape. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 325 verk av Claude Lorrain, datert fra 1629 til 1681.
Hovedsakelig i Eremitasjen (St. Petersburg), British Museum (London) og National Gallery (London). Museumslisten ovenfor viser alle.
I 1640s: 35 av de 100 verkene på denne siden ble laget da, Landskap med Nymphe og Satyr Dansende av dem.
På denne siden er det eldste Landscape with Cattle and Peasants (1629) og det nyeste Landscape with Christ appearing to St. Mary Magdalene ( (1681).
Trees (42), Sky (35) og People (28), fordelt på 100 verk på denne siden.
Oil On Canvas, for 73 av de 100 verkene på denne siden.
Baroque landscape, basert på originalene på denne siden.
Landscape with Christ on the Road to Emmaus, Landscape with Tobias and the Angel (Evening) og Evening at the Harbour: Eremitasjen, St. Petersburg har 6 av verkene på denne siden.
Født rundt år 1600 i Chamagne, en liten landsby i Hertugdømmet Lorraine (dagens Frankrike), forblir Claude Lorrain – opprinnelig Claude Gellée – en av de mest anerkjente landskapsmalerne fra barokken. Hans tidlige liv er innhyllet i noe mystikk, med motstridende beretninger om hans lærlingdager. Ett vitnesbyrd, fra Joachim von Sandrart, antyder en ydmyk begynnelse som lærling hos en konditor før han fant arbeid blant kunstnere i Roma. Et annet, fra Filippo Baldinucci, beskriver tidligere opplæring i Napoli med Goffredo Wals og senere i Roma under Agostino Tassi.
På 1630-tallet hadde Claude Lorrain etablert seg som den ledende landskapsmaleren i Italia. Maleriene hans fikk raskt anerkjennelse for sine atmosfæriske kvaliteter og krevde høye priser. Han blandet mesterlig italienske landskap med klassiske og bibelske temaer, og skapte scener som var både visuelt slående og intellektuelt engasjerende.
Claudes tidlige påvirkninger inkluderte landskapstradisjonene fra Nord-Europa, spesielt de flamske malerne. Han studerte også verkene til italienske renessansemestre som Titian og Rafael. Over tid utviklet stilen hans seg fra mørkere, mer dramatiske komposisjoner til lysere, luftigere scener preget av en gyllen glød.
Claude Lorrains innflytelse på landskapsmaleriet er umålelig. Han løftet sjangeren til et prestisjenivå som tidligere var forbeholdt historiske og religiøse motiver. Verkene hans påvirket generasjoner av kunstnere, inkludert J.M.W. Turner og impresjonistiske malere som søkte å fange de flyktige effektene av lys og atmosfære. I dag er maleriene hans høyt verdsatt og kan finnes i store museer over hele verden, spesielt National Gallery (London) og Art Gallery of South Australia.
Claude Lorrain døde 23. november 1682 i Roma. Gravsteinen hans i kirken San Luigi dei Francesi bærer en enkel inskripsjon: “Claude / peintre de / rome / mort / le 23 novembre 1682”. Han etterlot seg en arv som en av de viktigste og mest innflytelsesrike landskapsmalerne i vestlig kunsthistorie.
