Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 74 verk av Abraham Mignon i vår katalog
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Etter galleriets vurdering er Abraham Mignons mest kjente maleri Still-Life with Fruits (1660), hvis original henger i Staatliche Kunsthalle, Karlsruhe. Garland of Flowers (1675) og Still Life with Fruit, Tin Plate and Wine Glasses (1663) fullfører trioen som alle kjenner igjen. Av de 74 verkene til Abraham Mignon i vår katalog, presenterer galleriet de 67 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
Still-Life with Fruits is an oil on canvas work by Abraham Mignon, executed about 1660. The artist, born in Frankfurt, Germany, in 1640, was a significant figure in the Dutch Golden Age still life tradition. His career was marked by a rapid development of skill in rendering organic forms, a trajectory that continued until his death in 1679.
The oil on canvas painting titled Garland of Flowers was executed by the artist Abraham Mignon. This work dates to about 1675. Mignon, born in Frankfurt, Germany, was a practitioner of the Dutch Golden Age still life tradition. His technical approach involved a high degree of botanical accuracy and a focus on the specific textures of the natural world.
The painting titled Still Life with Fruit, Tin Plate and Wine Glasses is a work of the still life genre. Abraham Mignon rendered this composition using oil on oak. The surface captures a specific arrangement of objects, focusing on the textures of fruit and the clarity of glass. It dates to about 1663.
A dense, pyramidal arrangement of fruit and luxury objects occupies a dark, shadowy interior. Light emanates from the upper left, casting sharp highlights across the velvety skin of peaches and the crystalline translucency of grapes. A golden chalice sits amidst the bounty, its metallic sheen contrasting with the organic, fluid lines of winding grapevines and drooping leaves. The composition creates a sense of three-dimensionality through extreme chiaroscuro, where deep shadows…
A dense cluster of grapes occupies the center of this composition, displaying varieties of translucent green, deep purple, and dark blue. A single peach, possessing a velvety texture, sits among the fruit. The arrangement is framed by a large, textured grapevine with broad, serrated leaves in shades of ochre, gold, and muted green that arches over the subject. Small details are present throughout the scene, including stalks of wheat, tiny…
This highly detailed Baroque still life painting features a dense, pyramidal arrangement of various fruits set against a dark, atmospheric background. The composition includes plums, peaches, apricots, grapes, and a melon, alongside corn, a glass of wine, and small birds. These elements are draped with heavy, textured textiles and foliage. The color palette is dominated by warm tones, such as deep reds, oranges, yellows, and soft pinks, which contrast with…
In this composition, we find ourselves before a substantial metal vase, its gold-toned surface catching the light as it rests upon a stone ledge. Within this vessel, a profusion of flora spills outward, creating a dense, layered arrangement that feels both abundant and carefully orchestrated. One can almost sense the weight of the petals, from the soft curves of pink and red roses to the structured elegance of tulips and…
A bird's nest in a fruit basket is a still life painting by the artist Abraham Mignon. This work captures a dense arrangement of nature, centering on a basket overflowing with fruit and the delicate, fibrous structure of a bird's nest. The composition gathers various botanical elements, including grapes, peaches, and melons, alongside the small, fragile life contained within the nest.
A cluster of white grapes hangs as the central focus within a dark, architectural niche. The fruit appears luminous, catching a strong, directional light that defines its spherical volume and creates highlights on the smooth, dew-covered skins. Surrounding this central mass, a variety of other elements are suspended from a rope, including stalks of wheat, berries, and various leaves. The composition is defined by organic, fluid lines found in the…
is a still life genre painting by the artist Abraham Mignon. The work depicts the aftermath of a hunt, focusing on several dead birds arranged on a stone ledge. These birds, primarily partridges or similar game birds, are positioned within a dark, arched niche. The composition centers on the organic shapes of the plumage and the limp posture of the subjects.
Oysters, Fruit and a Wineglass on a Stone Table1675 · Statens Museum for Kunst
12
Flowers in an ornamental Vase1660 · Ashmolean Museum
13
Flower Still Life1659 · Bavarian State Painting Collections
14
Hunting Prey with Bittern and Other Birds1659 · Bavarian State Painting Collections
15
Still Life with Fruits, Foliage and Insects1669 · Minneapolis Institute of Art
16
Flowers in a Grotto1660 · Nasjonalmuseet for kunst i Romania
17
Flowers and tiny creatures – Vanitas1650 · Nasjonalmuseet i Warszawa
18
Still-Life1660
19
Still life of fruit and a chalice in a niche1665 · Liechtenstein Museum
20
Still-life of flowers and fruits1674 · Muzeum Palacu Króla Jana Iii w Wilanowie
21
Still life of grapes, peaches, blackberries, acorns, prickly fruit, an elaborate glass and various insects on a ledge in a niche1665
22
Fruit, Basket, Insects, and Butterflies against a Background of a Stone Niche1674
23
Flower-piece1672 · Fitzwilliam Museum
24
Still-life: fruit and nuts on a stone ledge1672 · Fitzwilliam Museum
25
Flower still life with orange, hourglass and skull1670
26
Field flowers in woodland1671 · Bavarian State Painting Collections
27
Fruit Still-life1672 · Bavarian State Painting Collections
28
Flowers in a Crystal Vase Standing on a Stone Pedestal, with a Dragonfly1665
29
Stillife, flowers and bird-nest1669 · Noordbrabants Museum
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Garland of fruit1670 · Centraal Museum
31
A Garland of Flowers1667 · Statens Museum for Kunst
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Still Life with Crabs on a Pewter Plate1669 · Fine Arts Museums of San Francisco
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Flowers and a branch of blackberries in a glass vase, with insects and snails, in a niche1674 · Herzog Anton Ulrich Museum
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A swag of fruit and flowers hanging from a nail1670 · Kunsthandel P. de Boer
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Flowers and fruit on a plinth1665
36
stillife various fruit and plant.1665
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Flowers in a Vase on a plinth1665
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Still Life with a Goblet of Wine, Fruit and Oysters1670 · National Gallery Prague
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Still life with game in a niche1669 · Gemäldegalerie
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A Hanging Bouquet of Flowers1670 · National Gallery of Art
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Still-Life with Fishes and Bird Nest1670 · Szépművészeti Múzeum
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The Nature as a Symbol of Vanitas1665 · Hessisches Landesmuseum
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A Glass of Flowers and an Orange Twig1660 · Gemäldegalerie Alte Meister
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Flowers in a glass vase on a stone ledge1675
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Still life of wild flowers at the foot of an oak tree, in front of a grotto1675
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Flowers and a branch of berries in a glass vase on a stone ledge1679 · Koninklijk Museum voor Schone Kunsten Antwerpen
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Game, Fish, and a Nest on a Forest Floor1675
48
Fruit Still life with Lizard1670 · Staatliche Kunsthalle Karlsruhe
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Fruit and oysters in a niche1671 · Bavarian State Painting Collections
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Still Life with Dead Poultry1663 · Städel Museum
51
Flowers in a Glass Vase
52
Fruit Still-Life with Squirrel and GoldfinchStaatliche Museen
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Vase of flowers1672 · Museum Boijmans Van Beuningen
54
Wreath of fruit, with some flowers, suspended from a metal ring1659 · Staatliche Kunstsammlungen Dresden
55
Flower still life with cat and mouse trapRijksmuseum
56
Still-LifeLouvre
57
Vase of FlowersEremitasjen
58
Still Life with Fruit, Fish, and a Nest1675 · National Gallery of Art
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Flowers and FruitMauritshuis
60
Still life with fruit and a goldfinch
61
Still life with fruit and a goblet on barnyardgrassRijksmuseum
62
Still life with fruit, oysters and a porcelain bowlRijksmuseum
63
Still life with fruits and oystersRijksmuseum
64
Still-LifeWallraf-Richartz-Museum
65
Still Life with Flowers and a watchRijksmuseum
66
Still life with flowers in a glass vaseRijksmuseum
67
Fruit Still LifeBavarian State Painting Collections
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Abraham Mignon | Malerier fra denne listen |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 7 | Hunting Still Life, Flower Still Life, Hunting Prey with Bittern and Other Birds |
 Rijksmuseum |
Amsterdam | 6 | Flower still life with cat and mouse trap, Still life with fruit and a goblet on barnyardgrass, Still life with fruit, oysters and a porcelain bowl |
 Städel Museum |
Frankfurt | 2 | Still Life with Fruit, Tin Plate and Wine Glasses, Still Life with Dead Poultry |
 Ashmolean Museum |
Oxford | 2 | Interior with a Still Life, Flowers in an ornamental Vase |
 Museum Boijmans Van Beuningen |
Rotterdam | 2 | Still life with grapes and other fruit, Vase of flowers |
 Mauritshuis |
Haag | 2 | Flowers in a Metal Vase, Flowers and Fruit |
 Staatliche Kunstsammlungen Dresden |
Dresden | 2 | A bird's nest in a fruit basket, Wreath of fruit, with some flowers, suspended from a metal ring |
 Statens Museum for Kunst |
København | 2 | Oysters, Fruit and a Wineglass on a Stone Table, A Garland of Flowers |
Velg et tiår for å se originalverket som definerer det.
A bird's nest in a fruit basket is a still life painting by the artist Abraham Mignon. This work captures a dense arrangement of nature, centering on a basket overflowing with fruit and the delicate, fibrous structure of a bird's nest. The composition gathers various botanical elements, including grapes, peaches, and melons, alongside the small, fragile life contained within the nest.
Still-Life with Fruits is an oil on canvas work by Abraham Mignon, executed about 1660. The artist, born in Frankfurt, Germany, in 1640, was a significant figure in the Dutch Golden Age still life tradition. His career was marked by a rapid development of skill in rendering organic forms, a trajectory that continued until his death in 1679.
The oil on canvas painting titled Garland of Flowers was executed by the artist Abraham Mignon. This work dates to about 1675. Mignon, born in Frankfurt, Germany, was a practitioner of the Dutch Golden Age still life tradition. His technical approach involved a high degree of botanical accuracy and a focus on the specific textures of the natural world.
Still-Life with Fruits (1660), Staatliche Kunsthalle, Karlsruhe. Deretter følger Garland of Flowers (1675) og Still Life with Fruit, Tin Plate and Wine Glasses (1663).
20 år gammel: Still-Life with Fruits er fra 1660, og Abraham Mignon ble født i 1640.
Still-Life with Fruits, Garland of Flowers, Still Life with Fruit, Tin Plate and Wine Glasses, Interior with a Still Life, Still life with grapes and other fruit, Still Life with Plums, Peaches, Apricots, Grapes and a Melon, Flowers in a Metal Vase, A bird's nest in a fruit basket, Festoon of fruit suspended from a rope, in a niche og Hunting Still Life. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 74 verk av Abraham Mignon, datert fra 1650 til 1679.
Hovedsakelig i Bavarian State Painting Collections (München), Rijksmuseum (Amsterdam) og Städel Museum (Frankfurt). Museumslisten ovenfor viser alle.
I 1670s: 28 av de 67 verkene på denne siden ble laget da, Garland of Flowers av dem.
På denne siden er det eldste Flowers and tiny creatures – Vanitas (1650) og det nyeste Flowers and a branch of berries in a glass vase on a stone ledge (1679).
Grapes (13), Leaves (12) og Flowers (11), fordelt på 67 verk på denne siden.
Oil On Canvas, for 23 av de 67 verkene på denne siden.
Baroque, basert på originalene på denne siden.
Hunting Still Life, Flower Still Life og Hunting Prey with Bittern and Other Birds: Bavarian State Painting Collections, München har 7 av verkene på denne siden.
Abraham Mignon, eller Minjon som han tidvis var kjent under, forblir en fengslende skikkelse innenfor den nederlandske gullalderens stilleben-tradisjon, til tross for en tragisk kort karriere som strakte seg fra 1640 til 1679. Han ble født i Frankfurt i Tyskland, inn i en familie med røtter i de sørlige Nederlandene og med en kalvinistisk tro. Mignons kunstneriske reise var preget av en rask utvikling og en usedvanlig ferdighet. Hans malerier—utsøkte komposisjoner av blomster, frukt, vilt og luksuriøse gjenstander—er ikke bare fremstillinger av materiell skjønnhet, men snarere nøye konstruerte meditasjoner over livets forgjengelighet, gjennomsyret av symbolikk og teknisk mesterskap.
Mignons tidlige utdanning begynte under veiledning av Jacob Marrel i Wetzlar. Marrel, en respektert blomstermaler og kunsthandler, anerkjente den unge Abrahams talent og fostret hans evner. Dette lærlingforholdet var avgjørende, da det ga Mignon et solid fundament i botanisk nøyaktighet og komposisjon. Likevel var det flyttingen til Utrecht i Den nederlandske republikken som virkelig tente hans kunstneriske potensial. Det livlige kunstmiljøet i Utrecht, kombinert med eksponeringen for verkene til mestere som Jan Davidszoon de Heem, skulle komme til å prege hans stil på dypeste vis.
Utrecht fungerte som et pulserende sentrum for stillebenmaleri, og Mignon integrerte seg raskt i dette kunstneriske fellesskapet. I 1669 ble han medlem av Sankt Lukas' laug, noe som sementerte hans posisjon som en profesjonell kunstner. Enda viktigere var det imidlertid at han ble assistent i verkstedet til Jan Davidszoon de Heem. De Heem var en skjellsettende skikkelse i utviklingen av de overdådige og komplekse stillebenene, viden kjent for sin dramatiske lyssetting, rike teksturer og symbolske dybde. Mignon absorberte disse lærdommene med en bemerkelsesverdig hastighet, og utviklet en stil som gjenlød av De Heems storslåtthet, samtidig som han etablerte sin helt egen, unike stemme.
Etter at De Heem vendte tilbake til Antwerpen i 1672, er det en utbredt oppfatning at Mignon tok over ledelsen av verkstedet hans. Denne overgangen sier mye om den høye anseelsen han nøt blant sine samtidige, og den tilliten De Heem viste hans evner. Mignons malerier fra denne perioden utviser et forhøyet nivå av sofistikasjon, preget av nitid detaljrikdom, levende fargepaletter og en stadig mer raffinert forståelse av lys og skygge. Komposisjonene hans preges ofte av en overflod av blomster i blomst, moden frukt, delikate insekter og glitrende glassvarer, alt arrangert med en følelse av dynamisk energi.
Mignons stilleben var ikke bare øvelser i teknisk ferdighet; de var dypt forankret i Vanitas-tradisjonen—en sjanger som fungerte som en visuell påminnelse om dødelighet og jordiske gleders forgjengelighet. Inkluderingen av visnende blomster, råtnende frukt, utslukte lys eller timeglass, pekte alle mot tidens uunngåelige gang og verdenslige eierskapers forgjengelighet. Likevel var ikke Mignons arbeid utelukkende fokusert på dyster kontemplasjon. Hans malerier feiret også naturens skjønnhet og overflod, noe som skapte en delikat balanse mellom glede og melankoli.
Tilstedeværelsen av eksotisk frukt, sjeldne skjell eller importert porselen antydet rikdom og status, men disse symbolene ble ofte satt opp mot elementer som understreket deres midlertidighet. En halvskrelt sitron kunne for eksempel representere både livets sødme og dets uunngåelige forfall. Dette subtile samspillet av symbolikk løftet Mignons stilleben langt forbi ren dekorasjon, og transformerte dem til dype refleksjoner over menneskets eksistens.
Til tross for sin tidlige død i en alder av 39 år i Utrecht, etterlot Abraham Mignon et uutslettelig spor i stillebensmaleriets verden. Hans verk var høyt ettertraktet av samlere over hele Europa i hans levetid, og prydet hjemmene til både adel og velstående kjøpmenn. Oraniefamilien var blant hans mest fremtredende mæcener, noe som ytterligere sementerte hans rykte som en ledende kunstner i sin samtid.
I dag er Mignons malerier høyt verdsatt for sin utsøkte skjønnhet, tekniske briljans og symbolske dybde. Han står som et vitnesbyrd om observasjonens kraft, den materielle praktens tiltrekningskraft og menneskets evige fascinasjon for eksistensens forgjengelighet. Hans innflytelse kan spores i verkene til senere stillebensmalere, noe som befester hans posisjon som en betydningsfull skikkelse i den nederlandske gullalderen og en mester innen Vanitas-maleriet.
