Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 11 werken van François Perrier in onze catalogus
Kortom
In het oog van de galerie is het beroemdste schilderij van François Perrier Orpheus before Pluto and Proserpine (1625). The Beheading of Saint John the Baptist (1625) en Acis and Galathea (1627) maken het trio compleet dat elk oog herkent. Van de 11 werken van François Perrier in onze catalogus presenteert de galerie hieronder de 11 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
Orpheus before Pluto and Proserpine is an oil on canvas painting by the French artist François Perrier. The work was executed during the second quarter of the seventeenth century, specifically about 1647 to 1650. The composition depicts a scene inspired by the mythological narratives found in Ovid's Metamorphoses.
The scene unfolds within a classical architectural setting, where deep shadows define the boundaries of the space. A muscular executioner occupies the left side of the frame, his body angled in a downward diagonal movement toward the center. He holds a blade, positioned to strike the kneeling figure of Saint John the Baptist. The saint is depicted with pale skin, his posture slumped in a manner that suggests heavy, tragic…
Acis and Galathea, painted by François Perrier in 1627, draws its narrative from the traditions of Greek mythology. The composition centers on the relationship between the mortal Acis and the Nereid Galathea. These figures inhabit a seascape, a setting central to the mythological cycle involving the sea-nymph and her lover.
A massive, muscular figure anchors the scene, seated upon a craggy, ochre-colored ledge. This is Polyphemus, the Cyclops, his skin pale against the dark, shadowed crevices of the rocks. He holds a panpipe to his lips, his expression caught between deep concentration and a heavy, lingering melancholy. Around his feet, the sea churns in white foam, a turbulent contrast to the stillness of his posture. The water rises to meet…
In this 1642 oil on canvas, we find ourselves witnessing a moment of profound tension and sudden relief. The scene captures the biblical narrative of Moses striking a rock to provide water for his people, a moment where the physical desperation of the crowd meets the spiritual authority of their leader. On the left, a massive, dark rocky overhang dominates the composition, its heavy, textured surface acting as a rugged…
In Adoration of the Golden Calf, François Perrier organizes a vast landscape to frame this biblical scene of idolatry. The composition is expansive, guiding the viewer through a space that transitions from dense, dark foliage on the left toward an open, mountainous vista on the right. This movement creates a sense of rhythmic chaos, mirroring the themes of temptation and pagan ritual. The perspective draws the eye from the detailed…
In this 1646 oil painting, a scene from classical mythology unfolds through a dynamic arrangement of figures set against a mountainous landscape. The composition directs the eye from a dense group of soldiers on the left toward a central figure in golden Roman-style armor. This noble man gestures toward a ritual site, his form illuminated by a strong, directional light. To the far right, a female figure draped in white…
The oil on canvas titled Bacchus and Ariadne was executed by the French artist François Perrier. This work emerged from his brush circa 1647-50. It captures a moment of divine intersection through the medium of oil, where pigment meets the woven texture of the canvas to define the figures of the god and the princess.
The Sacrifice of Iphigenia is an oil on canvas work by the French artist François Perrier. Completed in 1632, the painting belongs to the Baroque movement. It represents a significant contribution to the seventeenth-century French artistic landscape, reflecting the stylistic shifts occurring in Parisian ateliers during this period.
The canvas captures a moment of violent upheaval as Aeneas and his followers confront the Harpies. Set against the backdrop of a classical structure, the scene is crowded with figures caught in a state of kinetic tension. A central figure, armored and wielding both sword and shield, leads the struggle against the winged creatures. The composition is dense, populated by at least thirteen individuals whose movements range from active combat…
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 7 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van François Perrier | Schilderijen uit deze lijst |
|---|---|---|---|
 Capitoolse Musea |
Rome | 2 | Moses draws water from the Rock, Adoration of the Golden Calf |
 Louvre |
Parijs | 2 | Aeneas and his Companions Fighting the Harpies, Acis, Galatea, and Polyphemus |
 Kedleston Hall |
1 | The Beheading of Saint John the Baptist | |
 Statens Museum for Kunst |
Kopenhagen | 1 | Acis and Galathea |
 Nationaal Museum in Warschau |
Warschau | 1 | Aeneas and the Cumaean Sibyl. |
 Blanton Museum of Art |
1 | Bacchus and Ariadne | |
 Musée des Beaux-Arts de Dijon |
Dijon | 1 | The Sacrifice of Iphigenia |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
Orpheus before Pluto and Proserpine is an oil on canvas painting by the French artist François Perrier. The work was executed during the second quarter of the seventeenth century, specifically about 1647 to 1650. The composition depicts a scene inspired by the mythological narratives found in Ovid's Metamorphoses.
The Sacrifice of Iphigenia is an oil on canvas work by the French artist François Perrier. Completed in 1632, the painting belongs to the Baroque movement. It represents a significant contribution to the seventeenth-century French artistic landscape, reflecting the stylistic shifts occurring in Parisian ateliers during this period.
A massive, muscular figure anchors the scene, seated upon a craggy, ochre-colored ledge. This is Polyphemus, the Cyclops, his skin pale against the dark, shadowed crevices of the rocks. He holds a panpipe to his lips, his expression caught between deep concentration and a heavy, lingering melancholy. Around his feet, the sea churns in white foam, a turbulent contrast to the stillness of his posture. The water rises to meet…
Orpheus before Pluto and Proserpine (1625). The Beheading of Saint John the Baptist (1625) en Acis and Galathea (1627) volgen.
31 jaar oud: Orpheus before Pluto and Proserpine dateert uit 1625, en François Perrier werd geboren in 1594.
Orpheus before Pluto and Proserpine, The Beheading of Saint John the Baptist, Acis and Galathea, Polyphemus and the Sea Nymphs, Moses draws water from the Rock, Adoration of the Golden Calf, Aeneas and the Cumaean Sibyl., Bacchus and Ariadne, The Sacrifice of Iphigenia en Aeneas and his Companions Fighting the Harpies. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 11 werken van François Perrier, daterend van 1625 tot 1648.
Voornamelijk in Capitoolse Musea (Rome), Louvre (Parijs) en Kedleston Hall. De bovenstaande museumtabel bevat een volledig overzicht.
In 1640s: 7 van de 11 werken op deze pagina werden toen gemaakt, waaronder Polyphemus and the Sea Nymphs.
Op deze pagina is het vroegste Orpheus before Pluto and Proserpine (1625) en het laatste Bacchus and Ariadne (1648).
Woman (6), Man (5) en Sky (5), verspreid over de 11 werken op deze pagina.
Oil On Canvas, voor 8 van de 11 werken op deze pagina.
Baroque, te oordelen aan de originelen op deze pagina.
Moses draws water from the Rock en Adoration of the Golden Calf: het Capitoolse Musea, Rome herbergt 2 van de werken op deze pagina.
