The Daredevils (Thérèse Lessore)
Thérèse Lessore (1884–1945) sukūrė The Daredevils. Dimensijos – 91 × 71 cm.
- 91 × 71 cm
The Daredevils, trumpai
- Pavadinimas
- The Daredevils
- Autorius
- Thérèse Lessore (1884–1945)
- Dizainere/is gimęs
- Southwick, United Kingdom
- Matmenys
- 91 × 71 cm
The Daredevils dididraudžios kokybės vaizdai
Viešoji domenė: suregalis mirė 1945 m.
Thérèse Lessore, The Daredevils. Viešoji domenė.
Atsakimai į klausimus apie The Daredevils
Kokie yra „The Daredevils“ – Thérèse Lessore realūs matmenys?
Originalaus kūrinio „The Daredevils“ – Thérèse Lessore matmenys yra 91 x 71 cm.
Ar „The Daredevils“ yra viešosios teisės kūrinys?
Autorių teisių statusas kūriniui „The Daredevils“ – Thérèse Lessore: kūrinys priklauso yra viešosios erdvės dalis – jo autorinė teisė pasibaigusi. Tai nulemia, ar galima laisvai reprodukciuoti šį vaizdą.
Kuriam menininkui priskiriamas kūrinys „The Daredevils“?
„The Daredevils“ priskiriamas Thérèse Lessore.
Ar Thérèse Lessore kūrinys „The Daredevils“ yra viešosios nuoslegos ir kodėl?
Autorinės teisės statusas kūriniui „The Daredevils“ – yra viešosios erdvės dalis – jo autorinė teisė pasibaigusi – nustatomas remiantis to, kad menininkas mirė 1945 m.
Apie šį menininką, Thérèse Lessore
1884–1945, United Kingdom
Thérèse Lessore
Thérèse Lessore: A Quiet Observer of Bloomsbury Beauty Thérèse Lessore (1884 – 1945) was a British artist whose distinctive watercolor paintings and collaborative designs for Wedgwood pottery cemented her place as a significant figure in the artistic landscape of the early twentieth century. Born in Southwick, West Sussex, she inherited an artistic lineage stretching back to Jules Frédéric Lessore, her father—a French painter who had established himself in England—and his wife Ada Louise Cooper. Her family’s connections to Wedgwood and its celebrated designers further shaped her creative vision, fostering a fascination with decorative arts alongside her passion for capturing the subtleties of human experience. Her formative years were marked by exposure to artistic excellence; she attended the Slade School of Fine Art from 1904 to 1909, where she honed her skills and earned the prestigious Melville Nettleship Prize for figure composition.