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      Marinus Van Reymerswaele

      Saint Jerome in His Study

      A profound sense of divine revelation fills this Dutch Renaissance masterpiece by Marinus van Reymerswaele as Saint Jerome contemplates his studies amidst symbols of mortality, inviting you to explore this timeless scene.
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      A master of Northern Renaissance genre scenes, Marinus van Reymerswaele captured the tension of greed and devotion in iconic works like The Tax Collectors, inviting you to discover the shadows of his satirical world.
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      Corner sample of the P118B picture frame: lieto polistirolo detalės, 5 cm wide and 3 cm thick
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      Saint Jerome in His Study

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      Trumpa informacija

      • Movement: Dutch Renaissance
      • Title: Saint Jerome in His Study
      • Artist: Marinus van Reymerswaele
      • Artistic style: Genre painting / Religious
      The painter chose to represent Saint Jerome in a corner of his scriptorium, symbolizing the retreat from the affairs of the world. Other symbols of his detachment from worldly values are the skull – a sign of the vanity and transience of all worldly things – and the cardinal’s hat, pushed back from his head, signifying contempt for hierarchical rank. The paraphernalia of work in a scriptorium is spread out on the table, in front of him: inkwell, chalk powder and metal pen (stylus). The labour of translating the Bible is under way (suggested by the presence of the manuscript of one of Saint Paul’s epistles) and fairly close to completion, for the codex in front of him is open to a miniature representing the scene of The Ascension – possibly the end of the Gospel of Mark or Luke. What immediately impresses the viewer of this painting, giving it a particular feel, is a sense of miracle, in accordance with the Protestant belief that the only source of divine revelation is the Bible. Saint Jerome is experiencing revelation, in no way different from the inspiration of the Holy Spirit, that was granted to biblical authors; his eyes focus on other-worldly things and his upraised right hand suggests the acknowledgement of a mysterious, divine whisper. The painting is flooded by light and yet his candle has gone out and the floating folds of the loincloth of the Christ figure on wooden crucifix facing him suggest the unfolding miracle. ©Dana Roxana Hrib, European Art Gallery Guidebook, Second edition, Sibiu 2011.

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