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Sergio Prego: Sculpting Space and Embracing Impermanence

Sergio Prego is a Spanish artist born in Donostia/San Sebastián in 1969, deeply rooted in the Basque artistic landscape of the late 1990s. His formative years at the University of the Basque Country and subsequent studies at the School of Visual Arts in New York instilled in him a multidisciplinary approach that would become central to his distinctive artistic vision. Prego’s work transcends traditional sculptural conventions, prioritizing exploration of spatial relationships and embracing the transformative potential of ephemeral materials—primarily polyethylene tubes and aluminum—to create installations that challenge perceptions of form and movement.

• Early Influences: Prego's artistic trajectory was significantly shaped by figures like Bruce Nauman and Andrei Tarkovsky, whose explorations of corporeality and cinematic storytelling resonated deeply with his conceptual framework. He drew inspiration from the radical architecture collectives of the 1960s—Ant Farm and Archigram—who envisioned new ideas of space and corporeality as a reaction to prevailing societal norms.
• Material Exploration: Prego’s fascination with pneumatic structures – inflatable membranes stabilized by compressed air – represents a pivotal element in his artistic practice. These constructions, often referred to as “poems in space,” are characterized by their delicate balance between rigidity and flexibility, mirroring the artist's preoccupation with capturing fleeting moments of transformation.
• Notable Exhibitions: Prego’s career has been marked by numerous prestigious exhibitions internationally, including the Guggenheim Museum Bilbao (2006), Museo Nacional Centro de Arte Reina Sofía (Madrid), Museo Contemporáneo Barcelona – MACBA (Barcelona), and Venice Biennale (2019). His collaborative project with Itziar Okariz at the Biennale garnered critical acclaim for its conceptual boldness and innovative use of materials.

Sculptural Methodology: Pneumatic Architecture and Kinetic Forms

Prego’s sculptural process is defined by a meticulous attention to detail and an unwavering commitment to experimentation. He employs tetrahedrons—triangular pyramids—arranged around a central axis as fundamental building blocks for his installations, creating modular structures that defy static categorization. These sculptures utilize polyethylene tubes and aluminum elements to generate movement and tension within the confines of space, mirroring Prego’s belief that sculpture should actively engage with its environment. As he articulates, “I have always been interested in inventing new modalities of apprehending the space or, even more, in inventing new spatial relations.”

• Technique: The artist meticulously folds polyethylene sheets into tubes and secures them with aluminum supports, resulting in structures that appear to breathe—expanding and contracting subtly under pressure.
• Conceptual Framework: Prego’s approach aligns with the broader artistic movement of the 1960s, which championed performance art and experiential engagement as means of questioning established conventions and exploring alternative perspectives on reality.

Recognition and Legacy: Venice Biennale Collaboration

Sergio Prego achieved international recognition through his participation in the Spanish Pavilion at the Venice Biennale (2019), alongside Itziar Okariz, where they presented *Get Out of the Way*, an inflatable sculpture referencing the pioneering work of architects like Buckminster Fuller and Frei Otto. This project underscored Prego’s enduring fascination with pneumatic structures—a technique rooted in the utopian visions of the late 1960s—and solidified his position as a visionary artist who pushes the boundaries of sculptural practice. His contribution to the Biennale was lauded for its conceptual depth and innovative exploration of spatial dynamics, cementing his legacy as a pivotal figure in contemporary art.