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세르히오 프레고의 시퀀스 오브 디에드로스 작품 소개
세르히오 프레고의 시퀀스 오브 디에드로스는 스페인 아티스트 세르히오 프레고가 2007년에 제작한 작품으로, 비야르바 지역의 구겐하임 미술관 유리 벽면에 설치된 혁신적인 건축 조형물입니다. 이 작품은 자동 공압 기계 장치와 함께 움직이는 모듈식 구조 패널들을 사용하여 기존 미술관의 소리들과 시각적 경험에 혼란을 야기하며 독특한 공간적 효과를 선사합니다. 각 패널은 동일한 높이와 너비를 갖는 유리 패널 위에 설치되었으며, 패널 간의 관계에서 디에드로스를 형성하는 중요한 요소입니다. 기존 유리 벽면에 대한 오르토노멀 격자 위에 새로운 패널은 비오트라노 말격자를 추가하여 공간 구성에 변화를 가져옵니다. 패널들은 상하 모서리 부분에서 각각 10도 또는 15도 각도로 회전하며 움직이며 특정 위치로 이동하기 위한 전달력을 확보합니다. 이러한 기계 장치와 함께 사용된 패널은 건축적 요소들의 움직임과 상호 작용을 통해 관람객에게 새로운 시각적 경험을 제공하는 동시에 공간의 역동성을 표현합니다.- 작품 정보: 시퀀스 오브 디에드로스 (Secuencia de diedros)
- 작가: 세르히오 프레고
- 제작 연도: 2007년
- 장소: 비야르바 구겐하임 미술관
- 재료: 공압 기계 장치와 알루미늄 패널
작가 약력
Sergio Prego: Sculpting Space and Embracing Impermanence
Sergio Prego is a Spanish artist born in Donostia/San Sebastián in 1969, deeply rooted in the Basque artistic landscape of the late 1990s. His formative years at the University of the Basque Country and subsequent studies at the School of Visual Arts in New York instilled in him a multidisciplinary approach that would become central to his distinctive artistic vision. Prego’s work transcends traditional sculptural conventions, prioritizing exploration of spatial relationships and embracing the transformative potential of ephemeral materials—primarily polyethylene tubes and aluminum—to create installations that challenge perceptions of form and movement.- Early Influences: Prego's artistic trajectory was significantly shaped by figures like Bruce Nauman and Andrei Tarkovsky, whose explorations of corporeality and cinematic storytelling resonated deeply with his conceptual framework. He drew inspiration from the radical architecture collectives of the 1960s—Ant Farm and Archigram—who envisioned new ideas of space and corporeality as a reaction to prevailing societal norms.
- Material Exploration: Prego’s fascination with pneumatic structures – inflatable membranes stabilized by compressed air – represents a pivotal element in his artistic practice. These constructions, often referred to as “poems in space,” are characterized by their delicate balance between rigidity and flexibility, mirroring the artist's preoccupation with capturing fleeting moments of transformation.
- Notable Exhibitions: Prego’s career has been marked by numerous prestigious exhibitions internationally, including the Guggenheim Museum Bilbao (2006), Museo Nacional Centro de Arte Reina Sofía (Madrid), Museo Contemporáneo Barcelona – MACBA (Barcelona), and Venice Biennale (2019). His collaborative project with Itziar Okariz at the Biennale garnered critical acclaim for its conceptual boldness and innovative use of materials.
Sculptural Methodology: Pneumatic Architecture and Kinetic Forms
Prego’s sculptural process is defined by a meticulous attention to detail and an unwavering commitment to experimentation. He employs tetrahedrons—triangular pyramids—arranged around a central axis as fundamental building blocks for his installations, creating modular structures that defy static categorization. These sculptures utilize polyethylene tubes and aluminum elements to generate movement and tension within the confines of space, mirroring Prego’s belief that sculpture should actively engage with its environment. As he articulates, “I have always been interested in inventing new modalities of apprehending the space or, even more, in inventing new spatial relations.”- Technique: The artist meticulously folds polyethylene sheets into tubes and secures them with aluminum supports, resulting in structures that appear to breathe—expanding and contracting subtly under pressure.
- Conceptual Framework: Prego’s approach aligns with the broader artistic movement of the 1960s, which championed performance art and experiential engagement as means of questioning established conventions and exploring alternative perspectives on reality.
Recognition and Legacy: Venice Biennale Collaboration
Sergio Prego achieved international recognition through his participation in the Spanish Pavilion at the Venice Biennale (2019), alongside Itziar Okariz, where they presented *Get Out of the Way*, an inflatable sculpture referencing the pioneering work of architects like Buckminster Fuller and Frei Otto. This project underscored Prego’s enduring fascination with pneumatic structures—a technique rooted in the utopian visions of the late 1960s—and solidified his position as a visionary artist who pushes the boundaries of sculptural practice. His contribution to the Biennale was lauded for its conceptual depth and innovative exploration of spatial dynamics, cementing his legacy as a pivotal figure in contemporary art.
sergio prego
1969 - , Spain
주요 정보
- Artistic Movement Or Style: Sculpture & Installations
- Artists Or Movements Influenced By This Artist:
- Juan Luis Moraza
- Ángel Bados
- Txomin Badiola
- Artists Who Influenced This Artist:
- Bruce Nauman
- J.G. Ballard
- Ant Farm
- Trisha Brown
- Date Of Birth: 1969
- Full Name: Sergio Prego
- Nationality: Spanish
- Notable Artworks:
- Sequence of Dihedrals
- Rose-colored Drift/To the Students
- Place Of Birth: San Sebastián, Spain
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