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상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 통계 정보

The Band

Explore Edward Burra's vibrant watercolor masterpiece 'The Band,' capturing Harlem jazz culture with meticulous detail and surrealist influences—a captivating glimpse into the artistic spirit of the 1930s.

Discover Edward Burra (1905-1976): British Surrealist master of watercolor. Explore his unsettling scenes of urban life, exoticism & Dada influence. Pioneering 20thC art.

이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.

저희는 존중을 담은 합법적인 대안으로서, 원작에서 영감을 받은 맞춤형 수제 유화 작품을 제공합니다. 저희의 숙련된 전문 화가들은 원작의 스타일, 분위기, 예술적 정수를 면밀히 연구하여, 그 자체로 독창적인 창작물이면서도 원작과 동일한 감동을 불러일으키는 새로운 작품을 만들어냅니다.

이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.

핸드메이드 유화 복제화

작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환 디지털 이미지 판매 채널로 전환)

Corner sample of the P118B picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118B ₩10
Corner sample of the P118H picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118H ₩10
Corner sample of the P118W picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118W ₩10
Corner sample of the P438Z picture frame: 성형 폴리스티렌, 5.5 cm wide and 3.5 cm thick
P438Z ₩10
Corner sample of the P508JH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P508JH ₩12
Corner sample of the P508YH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P508YH ₩12
Corner sample of the P805H picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
P805H ₩10
Corner sample of the P805Z picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
P805Z ₩10
Corner sample of the P919BZ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919BZ ₩10
Corner sample of the P919G picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919G ₩10
Corner sample of the P919XJ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919XJ ₩10
Corner sample of the P959ZH picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P959ZH ₩10
Corner sample of the P968JZ picture frame: 성형 폴리스티렌, 6 cm wide and 4 cm thick
P968JZ ₩12
Corner sample of the W106C picture frame: 원목, 5 cm wide and 3 cm thick
W106C ₩8
Corner sample of the W218G picture frame: 원목, 5 cm wide and 3 cm thick
W218G ₩10
Corner sample of the W218JH picture frame: 원목, 5 cm wide and 3 cm thick
W218JH ₩8
Corner sample of the W218Y picture frame: 원목, 5 cm wide and 3 cm thick
W218Y ₩10
Corner sample of the W307PJ picture frame: 원목, 6 cm wide and 3 cm thick
W307PJ ₩10
Corner sample of the W316G picture frame: 원목, 6 cm wide and 3 cm thick
W316G ₩10
Corner sample of the W316PJ picture frame: 원목, 6 cm wide and 3 cm thick
W316PJ ₩8
Corner sample of the W316Y picture frame: 원목, 6 cm wide and 3 cm thick
W316Y ₩10
Corner sample of the W398PJ picture frame: 원목, 5 cm wide and 3 cm thick
W398PJ ₩8
Corner sample of the W4111J picture frame: 원목, 6.5 cm wide and 3.5 cm thick
W4111J ₩10
Corner sample of the W500HY picture frame: 원목, 7 cm wide and 5 cm thick
W500HY ₩15
Corner sample of the W500JH picture frame: 원목, 7 cm wide and 5 cm thick
W500JH ₩15
Corner sample of the W692G picture frame: 원목, 8 cm wide and 4 cm thick
W692G ₩12
Corner sample of the W849H picture frame: 원목, 5 cm wide and 3 cm thick
W849H ₩8
Corner sample of the W940BG picture frame: 원목, 7.5 cm wide and 4.5 cm thick
W940BG ₩15
Corner sample of the W953PJ picture frame: 원목, 6 cm wide and 3.5 cm thick
W953PJ ₩8

표준 규격
맞춤 제작
CM
INCH

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전 세계 배송()은 표준 5주 대신 3~4주 내에 완료됩니다. (27 10월). 품질에는 어떠한 타협도 하지 않습니다.

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총 결제 금액

₩ 407789

The Band

재현 매체

복제본 규격

-

총 결제 금액

₩ 407789

주요 정보

  • Influences:
    • Jazz
    • Popular culture
  • Subject or theme: African-American band
  • Movement: Surreal Visions
  • Notable elements: Exaggerated figures, Luminous colors
  • Title: The Band

Edward Burra’s ‘The Band’: A Captivating Glimpse into Harlem’s Jazz Age

Edward Burra's "The Band," completed in 1934, is more than just a depiction of an African-American jazz band; it’s a vibrant snapshot of a transformative moment in American culture and a testament to Burra’s unique artistic vision. Painted during his immersive journey into Harlem’s burgeoning cultural scene in October 1933, the artwork pulsates with energy, capturing the intoxicating rhythms of jazz and the spirit of liberation that defined the era. Burra, deeply influenced by Surrealism and Dadaist principles – a fact reflected in his eclectic approach to subject matter – doesn't simply record; he actively constructs a scene brimming with personality and intrigue. The painting’s off-center composition immediately draws the viewer into this contained world, creating an immediate sense of voyeuristic observation.

  • Subject Matter: A lively jazz band performance in Harlem, New York City.
  • Key Figures: An exaggerated conductor, a sultry songstress, and a jovial bystander, each contributing to the painting’s eccentric charm.
  • Instrumentation: Detailed depictions of musical instruments – a drum set, violins, cellos – essential elements in conveying the heart of the jazz experience.

Technique and Materials: Watercolors and Burra's Unique Process

Created primarily using luminous watercolors on paper, “The Band” showcases Burra’s masterful control of color and his innovative approach to composition. Notably, due to chronic arthritis that plagued him throughout his life, Burra found oil paints too cumbersome to use, opting instead for the fluidity of watercolor. This decision profoundly shaped the painting's character – its delicate washes, luminous highlights, and a sense of immediacy. The artist’s meticulous attention to detail is evident in the rendering of costume, facial expressions, and skin tones, creating an atmosphere of intense vibrancy. The use of reflected stage lights, particularly on the sousaphone player’s glasses, adds a dramatic element, further emphasizing the performance's energy. Burra’s process involved spending hours observing the scene in bars and cafes before translating his memories onto the paper, a technique that imbued the work with a palpable sense of authenticity.

Historical Context and Symbolism: A Window into the 1930s

“The Band” is inextricably linked to the social and cultural landscape of Harlem during the 1930s. Harlem, at this time, was experiencing a remarkable renaissance – a flourishing of music, art, and literature fueled by the Great Migration of African Americans from the South. Burra’s presence in this vibrant environment, facilitated by his friendship with Olivia Wyndham and Edna Lloyd Thomas, reflects a genuine engagement with the era's artistic currents. The painting subtly evokes themes of social mobility, cultural exchange, and the allure of escape – all powerfully represented within the scene. The incongruous figure in the old-fashioned attire can be interpreted as a commentary on the clash between tradition and modernity, further enriching the artwork’s symbolic layers.

Emotional Impact and Artistic Legacy

“The Band” possesses an undeniable emotional resonance, capturing not just a musical performance but also the spirit of excitement, exuberance, and perhaps even a touch of melancholy that characterized this pivotal moment in American history. Burra's ability to blend observation with imagination, combined with his distinctive style, has secured his place as one of the most intriguing figures of Surrealist art. This large-scale watercolor reproduction offers an exceptional opportunity to experience the captivating energy and artistic brilliance of Edward Burra’s vision – a timeless piece that continues to resonate with collectors and art enthusiasts alike.

질의응답

Edward Burra의 "The Band"의 원화는 어디에서 볼 수 있나요?

The Band의 원작은 British Council, 런던, 영국에서 관람하실 수 있습니다.

"The Band"의 색감은 얼마나 강렬한가요?

Edward Burra의 "The Band"의 색채는 Balanced Soft의 채도와 Balanced의 강도를 보여줍니다.

"The Band"은(는) 어떤 색조에 가깝나요?

Edward Burra의 "The Band"의 주된 색조는 Amber to Saffron입니다. 이 색조는 팔레트의 바탕이 되는 톤을 형성합니다.


작가 소개

Edward Burra: A Life in Surreal Visions

Early Life and Education

  • Born: South Kensington, United Kingdom, 1905.
  • Edward Burra demonstrated artistic talent early on, particularly as a draughtsman.
  • He received his formal training at the Royal College of Art from 1923 to 1925, honing his skills in drawing and painting.

Early Travels and Influences (1920s)

  • During the latter half of the 1920s, Burra travelled extensively throughout France.
  • He focused on depicting detailed urban scenes, often portraying the harsh realities of life in cities like Toulon and Marseille.
  • These early works reveal a keen observational eye and a sensitivity to social conditions.
  • A pivotal moment came in 1927 when he met Paul Nash, who introduced him to avant-garde periodicals.
  • Exposure to artists like George Grosz through these publications profoundly influenced Burra, inspiring him to experiment with collage and drawing within a Dadaist spirit.

Artistic Development & Key Themes (1930s-1940s)

  • The Jungle (1931) exemplifies Burra’s fascination with the exotic and forbidden. The painting depicts a lavish dinner party set in a fantastical tropical world, blending sensuality with premonitions of death.
  • Burra was among the first British artists to embrace Surrealism, creating a distinctive universe populated by extravagantly dressed women, workers, sailors, and soldiers—often situated in imaginary locales.
  • His physical health, compromised from childhood, led him to favor watercolor as his primary medium due to its relative ease of use compared to oil paints.
  • He held his first solo exhibition at the Leicester Galleries in 1930.
  • The impact of Picasso’s Guernica was significant, prompting a shift in Burra's artistic style.

World War II and Later Life (1940s-1976)

  • During World War II, travel restrictions led Burra to work as a stage designer for theatrical productions and ballets, achieving some recognition in this field.
  • He declined an invitation to become a Royal Academician in 1963 but accepted the Order of the British Empire in 1971.
  • A major retrospective of his work was organized by the Tate Gallery in 1973, solidifying his place within British art history.
  • He died in Hastings on March 22, 1976, as a result of complications from a fractured iliac bone.

Artistic Style and Historical Significance

  • Burra’s style is characterized by its unsettling atmosphere, vivid colors, and distorted figures.
  • He masterfully blended elements of Dadaism and Surrealism with a uniquely British sensibility.
  • His work offers a critical commentary on social issues, exploring themes of alienation, decadence, and the darker aspects of human nature.
  • Though not always widely recognized during his lifetime, Edward Burra is now considered a pioneering figure in 20th-century British art, influencing subsequent generations of artists with his distinctive vision.
Edward Burra

Edward Burra

1905 - 1976 , United Kingdom

작가 정보 요약

  • Name: Edward Burra
  • Movement:
    • Surrealism
    • Dadaism
  • Birth Date: 1905
  • Death Date: 1976
  • Birth Place: South Kensington, United Kingdom
  • Nationality: British
  • Date Of Birth: 1905
  • Date Of Death: 1976
  • Influenced By: Paul Nash, George Grosz
  • Notable Works:
    • The Jungle
    • Dancing Skeletons
    • The Snack Bar
    • Soldiers at Rye
  • Place Of Birth: South Kensington, United Kingdom