Portret William Hogarth

Slike autora William Hogarth: Najpoznatijih 100 djela, iz perspektive galerije

Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 307 djela William Hogarth u našem katalogu

Ukratko

Iz perspektive galerije, najpoznatije djelo umjetnika William Hogarth je Plate one, from A Rake's Progress - Jedna ploča iz Rakeova napretka. Plate šest iz A Rake's Progressa i Gin Lane (1750) upotpunjuju triju koju svako oko prepoznaje. Od 307 djela umjetnika William Hogarth u našem katalogu, galerija u nastavku prikazuje 100 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1697 – 1764, London Najviše djela: Sir John Soane's Museum
Plate one, from A Rake's Progress - Jedna ploča iz Rakeova napretka od William Hogarth1. Plate one, from A Rake's Progress - Jedna ploča iz Rakeova napretka Plate šest iz A Rake's Progressa od William Hogarth2. Plate šest iz A Rake's Progressa Gin Lane (1750) od William Hogarth3. Gin Lane 1750

Top 10 najpopularnijih djela umjetnika William Hogarth u galeriji

1
Plate one, from A Rake's Progress - Jedna ploča iz Rakeova napretka od William Hogarth

Plate one, from A Rake's Progress - Jedna ploča iz Rakeova napretka

Engraving

Scena: Pogled u kreativni kaos Prepustite se živopisnoj energiji umjetničkog ateljea uz "Prvu ploču iz Rakeova napretka". Ova zamršena gravura Vilijama Hogartha bilježi užurbano scenu prepunu aktivnosti i detalja. U samom središtu, čovjek u elegantnoj odjeći posvećuje se umjetničkom djelu na slikarskom stalku, okružen likovima koji marljivo rade ili razgovaraju. Kompozicija je bogata slojevima interakcije, od umjetnika za svojim stolom do žena koje raspravljaju o umjetninama, stvarajući dinamičan trenutak zajedničke…

Pogledajte ovo djelo izbliza
2
Plate šest iz A Rake's Progressa od William Hogarth

Plate šest iz A Rake's Progressa

Engraving

Pogled u satiru 18. stoljeća Prepustite se živopisnom kaosu "Šeste ploče iz Progana rastotчника", majstorskog gravura Vilijama Hogartha. Ova zamršena crno-bijela scena hvata frenetičnu energiju užurbane pivnice, nudeći živopisni trenutak društvenog života 18. stoljeća i oštru moralnu kritiku. Kompozicija i stil Hogarthov prepoznatljiv stil blistav je u ovoj detaljnoj kompoziciji, gdje svaka figura i svaki predmet pripovijedaju vlastitu priču. Monokromatska paleta naglašava kontrast i dubinu, uvlačeći gledatelje izravno u središte…

Priča koja stoji iza ovog originala
3
Gin Lane (1750) od William Hogarth

Gin Lane

1750 · Engraving

In the heart of 18th-century London, amidst the swirling fog and the growing shadows of social upheaval, William Hogarth captured a moment of profound human tragedy that continues to haunt the viewer centuries later. His masterpiece, Gin Lane, is far more than a mere engraving; it is a visceral, breathing chronicle of a city in the throes of moral and physical decay. Completed in 1751, this work serves as a…

Pogledajte ovo djelo izbliza
4
The Marriage Contract (1745) od William Hogarth

The Marriage Contract

1745 · Acrylic On Canvas

A Window Into Georgian Society In the heart of 1745, William Hogarth captured more than a mere domestic arrangement; he froze a pivotal moment of social negotiation in "The Marriage Contract." This meticulously crafted tableau invites the viewer into a room thick with the palpable anxieties and lofty aspirations of Georgian England. As we gaze upon the central table where a man proposes to his prospective bride, we are not…

Priča koja stoji iza ovog originala
5
Banket (1755) od William Hogarth

Banket

1755 · Ulje na platnu · Sir John Soane's Museum, London

Ovo djelo prikazuje užurbano scenu banketa, prepunu figuri zahvaćenih raznim aktivnostima – jedu, piju, sviraju glazbu, živopisno razgovaraju i općenito uživaju u veselju. Vjerojatno se radi o prikazu bogate obitelji ili društvenog kruga koji uživa u svečanoj večeri. Sama brojnost pojedinaca zbijenih u kompoziciju stvara overwhelming osjećaj aktivnosti i živopisnog angažmana. Iako nikakav specifičan narativ nije izravno naveden, scena potiče osjećaj bučnog slavlja, nagovještavajući kako raskoš, tako i potencijalne excese…

Priča koja stoji iza ovog originala
6
Satan, grijeh i smrt (Scena iz Miltona) (1735) od William Hogarth

Satan, grijeh i smrt (Scena iz Miltona)

1735 · Ulje na platnu · Tate Britain, London

Hogarthovo djelo „Satan, grijeh i smrt“, naslikano 1735. godine, daleko je više od puke ilustracije Miltonovog epskog djela, Izgubljeni raj; to je pedantno izrađena moralna alegorija koja gledatelja uranja u svijet iskušenja, posljedica i vječnog sukoba. Ovo ulje na platnu, koje se trenutno nalazi u Tate Britain u Londonu, dimenzija je 74 x 륙1 cm i nudi nevjerojatno intiman uvid u Hogarthovo duboko razumijevanje Miltonovih tema – zavodljivu moć grijeha,…

Priča koja stoji iza ovog originala
7
The Painter and his Pug (1745) od William Hogarth

The Painter and his Pug

1745 · Oil On Canvas · Tate Gallery, London

A Portrait of Intimacy: William Hogarth’s ‘The Painter and his Pug’ Subject & Composition: This captivating 1745 portrait by William Hogarth offers a charmingly informal glimpse into the artist's personal life. It depicts Hogarth himself, seated and gazing directly at the viewer, accompanied by his beloved pug, Trump. The composition is remarkably balanced; Hogarth occupies the central space while Trump rests comfortably to his right, creating an intimate and relaxed…

Pogledajte ovo djelo izbliza
8
The Suicide of the Countess od William Hogarth

The Suicide of the Countess

Oil On Canvas

William Hogarth's "The Suicide of the Countess," part of his renowned series "Marriage A-la-Mode," offers a stark and poignant commentary on the societal ills of 18th-century England. Created between 1743 and 1745, this painting serves as a powerful culmination to a narrative exploring the destructive consequences of marriages based on financial gain rather than genuine affection.

Pogledajte ovo djelo izbliza
9
The Four Times of Day: Night (1738) od William Hogarth

The Four Times of Day: Night

1738 · Acrylic On Canvas · Cleveland Museum of Art, Cleveland

William Hogarth's "The Four Times of Day: Night," painted in 1738, isn’t merely a depiction of a London street scene; it’s a meticulously crafted window into the social and moral landscape of eighteenth-century England. This remarkable work, now immortalized through WahooArt’s hand-painted reproductions, captures a moment of revelry – or perhaps reckless abandon – with an unparalleled level of detail and satirical observation that defines Hogarth's unique artistic legacy. The…

Pogledajte ovo djelo izbliza
10
A Harlot's Progress: Quarrels with her Jewish Protector (1743) od William Hogarth

A Harlot's Progress: Quarrels with her Jewish Protector

1743 · Oil On Canvas · Ascott House, Leighton Buzzard

The room holds a sudden, sharp noise. A tea-table tilts, porcelain clatters, and the heavy weight of an argument settles over the fine fabrics. Mary, known as Moll Hackabout, moves with a violent intent, her arm a decisive line against the opulent interior. She kicks at the furniture to draw eyes away from the doorway, where a lover slips quietly into the shadows. A black serving boy stands near, a…

Priča koja stoji iza ovog originala

Slike autora William Hogarth, rangirane od 11 do 100

11Autoportret (1757) od William HogarthAutoportret1757 · National Portrait Gallery 12Soliciting Votes (1754) od William HogarthSoliciting Votes1754 · Sir John Soane's Museum 13The heir (1735) od William HogarthThe heir1735 · Sir John Soane's Museum 14A Scene from The Beggar's Opera (1729) od William HogarthA Scene from The Beggar's Opera1729 · National Gallery of Art 15South Sea Scheme od William HogarthSouth Sea Scheme 16Marriage à la Mode (1743) od William HogarthMarriage à la Mode1743 · National Gallery 17Plate dvije iz Rake's Progressa od William HogarthPlate dvije iz Rake's Progressa 18The rake's progress_ The rake in Bedlam od William HogarthThe rake's progress_ The rake in Bedlam 19Hudibras od William HogarthHudibras 20Posjet šarlatanu (1745) od William HogarthPosjet šarlatanu1745 21A Harlot's Progress, plate 4 of 6 od William HogarthA Harlot's Progress, plate 4 of 6 22The Times, plate 2 (1763) od William HogarthThe Times, plate 21763 23Mary Toft, apparently giving birth to rabbits (1726) od William HogarthMary Toft, apparently giving birth to rabbits1726 24Autoportret (1745) od William HogarthAutoportret1745 25Miss Mary Edwards (1742) od William HogarthMiss Mary Edwards1742 · The Frick Collection 26The Battle of the Pictures (1743) od William HogarthThe Battle of the Pictures1743 27Suicide of the Countess (1745) od William HogarthSuicide of the Countess1745 28Canvassing for Votes od William HogarthCanvassing for Votes 29The Countess's Morning Levee (1745) od William HogarthThe Countess's Morning Levee1745 30The Ball (1745) od William HogarthThe Ball1745 31The Bench (1758) od William HogarthThe Bench1758 32The Bruiser Charles Churchill, once the Reverend, in the Character of a Russian Hercules (1763) od William HogarthThe Bruiser Charles Churchill, once the Reverend, in the Character of a Russian Hercules1763 33The Denunciation (1729) od William HogarthThe Denunciation1729 34The Four Times of Day: Night (1736) od William HogarthThe Four Times of Day: Night1736 35Plate seven, from A Rake's Progress od William HogarthPlate seven, from A Rake's Progress 36Self-Portrait od William HogarthSelf-PortraitNational Gallery of Ireland 37Shortly After the Marriage od William HogarthShortly After the Marriage 38The triumph of Representatives (1755) od William HogarthThe triumph of Representatives1755 · Sir John Soane's Museum 39The Death of the Earl od William HogarthThe Death of the Earl 40Emblematical print of the South Sea Scheme (1721) od William HogarthEmblematical print of the South Sea Scheme1721 41A Harlot's Progress, plate 1 od William HogarthA Harlot's Progress, plate 1 42Second stage of cruelty (1751) od William HogarthSecond stage of cruelty1751 43Treća ploča iz Putovanja razvratnika od William HogarthTreća ploča iz Putovanja razvratnika 44David Garrick as Richard III (1745) od William HogarthDavid Garrick as Richard III1745 45The Reward of Cruelty (1751) od William HogarthThe Reward of Cruelty1751 46Simon, Lord Lovat od William HogarthSimon, Lord Lovat 47A Scene from the Beggar's Opera (1728) od William HogarthA Scene from the Beggar's Opera1728 · National Gallery of Art 48Scholars at a Lecture od William HogarthScholars at a Lecture 49Cruelty in perfection (1751) od William HogarthCruelty in perfection1751 50Sarah Malcolm in Prison od William HogarthSarah Malcolm in Prison 51Gerard Anne Edwards in His Cradle (1733) od William HogarthGerard Anne Edwards in His Cradle1733 52Gin Lane (1751) od William HogarthGin Lane1751 53The murder of the count (1745) od William HogarthThe murder of the count1745 54The Enraged Musician (1741) od William HogarthThe Enraged Musician1741 55The Bathos od William HogarthThe Bathos 56Falstaff Examining His Recruits (1728) od William HogarthFalstaff Examining His Recruits1728 57A Harlot's Progress, plate 6 od William HogarthA Harlot's Progress, plate 6 58The Roast Beef of Old England od William HogarthThe Roast Beef of Old England 59The Beggar's Opera (1729) od William HogarthThe Beggar's Opera1729 · Yale Center for British Art 60A Harlot's Progress, plate 4 od William HogarthA Harlot's Progress, plate 4 61Moses Brought to the Pharaoh's Daughter (1752) od William HogarthMoses Brought to the Pharaoh's Daughter1752 62Lame theater od William HogarthLame theater 63Southwark Fair od William HogarthSouthwark Fair 64Self Portrait od William HogarthSelf Portrait 65Credulity, Superstition, and Fanaticism od William HogarthCredulity, Superstition, and Fanaticism 66A Harlot's Progress, plate 2 od William HogarthA Harlot's Progress, plate 2 67The Committee, plate ten from Hudibras od William HogarthThe Committee, plate ten from Hudibras 68An Election Entertainment, plate one from Four Prints of an Election od William HogarthAn Election Entertainment, plate one from Four Prints of an Election 69Plate five, from A Rake's Progress od William HogarthPlate five, from A Rake's Progress 70A Harlot's Progress, plate 6 of 6 od William HogarthA Harlot's Progress, plate 6 of 6 71The March of the Guards to Finchley (1750) od William HogarthThe March of the Guards to Finchley1750 72Tyburn Large od William HogarthTyburn Large 73The Theft of a Watch (1731) od William HogarthThe Theft of a Watch1731 74Royalty, Episcopacy and Law od William HogarthRoyalty, Episcopacy and Law 75A prisoner of the Fleet being examined before a committee of the House of Commons od William HogarthA prisoner of the Fleet being examined before a committee of the House of CommonsFitzwilliam Museum 76The Mackinen Children (1747) od William HogarthThe Mackinen Children1747 · National Gallery of Ireland 77Engraving of John Wilkes od William HogarthEngraving of John Wilkes 78An Evening at the Rose Tavern, Scene III (1733) od William HogarthAn Evening at the Rose Tavern, Scene III1733 · The Nelson-Atkins Museum of Art 79The Four Times of Day: Night (1736) od William HogarthThe Four Times of Day: Night1736 · Upton House 80An Unknown Lady, possibly Miss Woodley, later Mrs Henry Vaughan (not Mrs Jane Hogarth) (1738) od William HogarthAn Unknown Lady, possibly Miss Woodley, later Mrs Henry Vaughan (not Mrs Jane Hogarth)1738 · Ascott House 81The Family of John, 2nd Duke of Montagu and an attendant (1735) od William HogarthThe Family of John, 2nd Duke of Montagu and an attendant1735 · Yale Center for British Art 82Richard Mouteney (1746) od William HogarthRichard Mouteney1746 · Bavarske državne slikopisne zbirke 83Thomas Herring, Archbishop of Canterbury (1745) od William HogarthThomas Herring, Archbishop of Canterbury1745 84A Harlot's Progress, plate 3 of 6 od William HogarthA Harlot's Progress, plate 3 of 6 85Times of the Day: Morning od William HogarthTimes of the Day: Morning 86Satire on False Perspective od William HogarthSatire on False Perspective 87John Henley with five unknown figures od William HogarthJohn Henley with five unknown figures 88Analisis of Beauty od William HogarthAnalisis of Beauty 89Self portrait (from the Gate of Calais) od William HogarthSelf portrait (from the Gate of Calais) 90Gerard Anne Edwards Hamilton (1732–1773) in his Cradle (1732) od William HogarthGerard Anne Edwards Hamilton (1732–1773) in his Cradle1732 · Upton House 91William Augustus, Duke of Cumberland (1732) od William HogarthWilliam Augustus, Duke of Cumberland1732 · Yale Center for British Art 92Thomas Pellett, M.D. (1737) od William HogarthThomas Pellett, M.D.1737 93William Cavendish, Marquess of Hartington, Later fourth Duke of Devonshire (1741) od William HogarthWilliam Cavendish, Marquess of Hartington, Later fourth Duke of Devonshire1741 · Yale Center for British Art 94Self-Portrait (1735) od William HogarthSelf-Portrait1735 · Yale Center for British Art 95The Lottery od William HogarthThe Lottery 96A Harlot's Progress, plate 3 od William HogarthA Harlot's Progress, plate 3 97Scene from John Gay's The Beggar's Opera (1727) od William HogarthScene from John Gay's The Beggar's Opera1727 · Birmingham Museum and Art Gallery 98Beer Street (1751) od William HogarthBeer Street1751 99Rake's Progress' The Gaming House (1735) od William HogarthRake's Progress' The Gaming House1735 · Sir John Soane's Museum 100George II, King of England and his Family (1732) od William HogarthGeorge II, King of England and his Family1732 · National Gallery of Ireland

Slavna djela William Hogarth po razdobljima

Early Period

1727 – 1738 · 6 djela na ovom popisu
A Scene from the Beggar's Opera (1728), William Hogarth #47 A Scene from the Beggar's Opera 1728 · National Gallery of Art An Unknown Lady, possibly Miss Woodley, later Mrs Henry Vaughan (not Mrs Jane Hogarth) (1738), William Hogarth #80 An Unknown Lady, possibly Miss Woodley, later Mrs Henry Vaughan (not Mrs Jane Hogarth) 1738 · Ascott House The Family of John, 2nd Duke of Montagu and an attendant (1735), William Hogarth #81 The Family of John, 2nd Duke of Montagu and an attendant 1735 · Yale Center for British Art Gerard Anne Edwards Hamilton (1732–1773) in his Cradle (1732), William Hogarth #90 Gerard Anne Edwards Hamilton (1732–1773) in his Cradle 1732 · Upton House William Augustus, Duke of Cumberland (1732), William Hogarth #91 William Augustus, Duke of Cumberland 1732 · Yale Center for British Art

Mature Period

1721 – 1758 · 65 djela na ovom popisu
Plate šest iz A Rake's Progressa, William Hogarth #2 Plate šest iz A Rake's Progressa Gin Lane (1750), William Hogarth #3 Gin Lane 1750 The Marriage Contract (1745), William Hogarth #4 The Marriage Contract 1745 The Painter and his Pug (1745), William Hogarth #7 The Painter and his Pug 1745 · Tate Gallery The Suicide of the Countess, William Hogarth #8 The Suicide of the Countess

Late Baroque

1751 – 1755 · 4 djela na ovom popisu
The triumph of Representatives (1755), William Hogarth #38 The triumph of Representatives 1755 · Sir John Soane's Museum Cruelty in perfection (1751), William Hogarth #49 Cruelty in perfection 1751 Gin Lane (1751), William Hogarth #52 Gin Lane 1751 The Lottery, William Hogarth #95 The Lottery

Mature

1750 – 1763 · 7 djela na ovom popisu
The Times, plate 2 (1763), William Hogarth #22 The Times, plate 2 1763 The Death of the Earl, William Hogarth #39 The Death of the Earl Sarah Malcolm in Prison, William Hogarth #50 Sarah Malcolm in Prison Moses Brought to the Pharaoh's Daughter (1752), William Hogarth #61 Moses Brought to the Pharaoh's Daughter 1752 Self Portrait, William Hogarth #64 Self Portrait

Zrelo razdoblje

1743 – 1757 · 5 djela na ovom popisu
Banket (1755), William Hogarth #5 Banket 1755 · Sir John Soane's Museum Autoportret (1757), William Hogarth #11 Autoportret 1757 · National Portrait Gallery Marriage à la Mode (1743), William Hogarth #16 Marriage à la Mode 1743 · National Gallery Posjet šarlatanu (1745), William Hogarth #20 Posjet šarlatanu 1745 Treća ploča iz Putovanja razvratnika, William Hogarth #43 Treća ploča iz Putovanja razvratnika

Late Period

1763 · 5 djela na ovom popisu
A Harlot's Progress, plate 4 of 6, William Hogarth #21 A Harlot's Progress, plate 4 of 6 The Bruiser Charles Churchill, once the Reverend, in the Character of a Russian Hercules (1763), William Hogarth #32 The Bruiser Charles Churchill, once the Reverend, in the Character of a Russian Hercules 1763 Plate seven, from A Rake's Progress, William Hogarth #35 Plate seven, from A Rake's Progress The Bathos, William Hogarth #55 The Bathos A Harlot's Progress, plate 3 of 6, William Hogarth #84 A Harlot's Progress, plate 3 of 6

Motivi koji su privukli pažnju William Hogarth

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Social commentary 27 djela

Plate šest iz A Rake's Progressa, William Hogarth #2 Plate šest iz A Rake's Progressa The Marriage Contract (1745), William Hogarth #4 The Marriage Contract 1745 The Four Times of Day: Night (1738), William Hogarth #9 The Four Times of Day: Night 1738 · Cleveland Museum of Art Soliciting Votes (1754), William Hogarth #12 Soliciting Votes 1754 · Sir John Soane's Museum

Satire 26 djela

The Suicide of the Countess, William Hogarth #8 The Suicide of the Countess The Battle of the Pictures (1743), William Hogarth #26 The Battle of the Pictures 1743 Canvassing for Votes, William Hogarth #28 Canvassing for Votes The Bench (1758), William Hogarth #31 The Bench 1758

18th century 25 djela

The Painter and his Pug (1745), William Hogarth #7 The Painter and his Pug 1745 · Tate Gallery The heir (1735), William Hogarth #13 The heir 1735 · Sir John Soane's Museum A Scene from The Beggar's Opera (1729), William Hogarth #14 A Scene from The Beggar's Opera 1729 · National Gallery of Art Hudibras, William Hogarth #19 Hudibras

Social critique 13 djela

Plate one, from A Rake's Progress - Jedna ploča iz Rakeova napretka, William Hogarth #1 Plate one, from A Rake's Progress - Jedna ploča iz Rakeova napretka Gin Lane (1750), William Hogarth #3 Gin Lane 1750 Plate dvije iz Rake's Progressa, William Hogarth #17 Plate dvije iz Rake's Progressa The rake's progress_ The rake in Bedlam, William Hogarth #18 The rake's progress_ The rake in Bedlam

Muzeji koji čuvaju originalna djela umjetnika William Hogarth

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora William Hogarth Slike iz ovog popisa
Sir John Soane's Museum, LondonSir John Soane's Museum London 14 Banket, Soliciting Votes, The heir
Yale Center for British Art, New HavenYale Center for British Art New Haven 11 The Beggar's Opera, The Family of John, 2nd Duke of Montagu and an attendant, William Augustus, Duke of Cumberland
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 7 Self-Portrait, The Mackinen Children, George II, King of England and his Family
Upton House, BanburyUpton House Banbury 3 The Four Times of Day: Night, Gerard Anne Edwards Hamilton (1732–1773) in his Cradle
Ascott House, Leighton BuzzardAscott House Leighton Buzzard 2 A Harlot's Progress: Quarrels with her Jewish Protector, An Unknown Lady, possibly Miss Woodley, later Mrs Henry Vaughan (not Mrs Jane Hogarth)
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 A Scene from The Beggar's Opera, A Scene from the Beggar's Opera
National Gallery, LondonNational Gallery London 9 Marriage à la Mode
Fitzwilliam MuseumFitzwilliam Museum 9 A prisoner of the Fleet being examined before a committee of the House of Commons

William Hogarth, jedna prepoznatljiva slika po desetljeću

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Slike umjetnika William Hogarth: odgovori galerije

Koja je najpoznatija slika umjetnika William Hogarth?Otkrijte odgovor

Plate one, from A Rake's Progress - Jedna ploča iz Rakeova napretka. Sljedeći su Plate šest iz A Rake's Progressa i Gin Lane (1750).

Koje su najpoznatije slike umjetnika William Hogarth?Otkrijte odgovor

Plate one, from A Rake's Progress - Jedna ploča iz Rakeova napretka, Plate šest iz A Rake's Progressa, Gin Lane, The Marriage Contract, Banket, Satan, grijeh i smrt (Scena iz Miltona), The Painter and his Pug, The Suicide of the Countess, The Four Times of Day: Night i A Harlot's Progress: Quarrels with her Jewish Protector. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je djela stvorio/la William Hogarth?Otkrijte odgovor

Naš katalog sadrži 307 djela umjetnika William Hogarth, datiranih od 1721 do 1763.

Gdje se nalaze najpoznatija originalna djela umjetnika William Hogarth?Otkrijte odgovor

Većinom u Sir John Soane's Museum (London), Yale Center for British Art (New Haven) i National Gallery of Ireland (Dublin). Gornja tablica muzeja navodi sve njih.

Kada je William Hogarth stvorio svoje najpoznatije slike?Otkrijte odgovor

U 1740s: 18 od 100 djela na ovoj stranici nastalo je tada, od čega je The Marriage Contract The Marriage Contract.

Koja su najranija i najkasnija poznata djela umjetnika William Hogarth?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Emblematical print of the South Sea Scheme (1721), a najnovije iz The Times, plate 2 (1763).

Kojim se temama William Hogarth najčešće bavio/la?Otkrijte odgovor

Social commentary (27), Satire (26) i 18th century (25), kroz svih 100 djela na ovoj stranici.

U kojem je mediju William Hogarth najviše radio/la?Otkrijte odgovor

Acrylic On Canvas, za 30 od 100 djela na ovoj stranici.

Koje originale William Hogarth ima u svojoj kolekciji Sir John Soane's Museum?Otkrijte odgovor

Banket, Soliciting Votes i The heir: Sir John Soane's Museum, London posjeduje 5 djela s ove stranice.

William Hogarth: umjetnik

Život Williama Hogartha

London, 1697. Zrak u Bartholomew Closeu gust je od zvukova rastuće metropole. Ovdje William Hogarth ulazi u svijet nesigurne stabilnosti. Njegov otac, Richard Hogarth, bori se za obiteljni život kao učitelj latinskog i pisac udžbenika. Obiteljske financije variraju; u jednom trenutku, Richard se suočava s oštimu stvarnošću zatvora zbog dugova u Fleet Prisonu. Ta rani kontakt s nestabilnošću urbanog života ostavlja duboki trag. William Hogarth odrasta promatrajući jaz između društvenih klasa, što će na kraju definirati njegovu karijeru kao slikara, gravira, satiričara, karikaturista i pisca.

Dječji put nije put naslijeđenog bogatstva ili lakog pokroviteljstva. Umjesto toga, to je život oblikovan grubošću grada. On prolazi kroz ulice Londona, promatrajući likove koji naseljavaju kave i sajmove. Njegova majka, Anne Gibbons, pruža obiteljski sidro životu koji su često obilježili ekonomski prevrati tog doba. Do trenutka kada počne ostavljati svoj trag, on je već čovjek mnogih disciplina, koristeći tintu i boju kako bi disekirao upravo to društvo koje ga je odgojilo.

  • A Harlot's Progress (1731/1732)
  • A Rake's Progress (1735)
  • Marriage A-la-Mode (1743–1745)

Rano djetinjstvo, obitelj i obuka

London, 1697. Kao sin Richarda Hogartha, učitelja latinskog i povremenog pisca, William odrasta usred promjenjivih sudbina čovjeka koji se borio da zadrži tlo pod nogama u užurbanom metropolu. Nestabilnost obiteljskog života uzima oštar preokret kada Richard, zbog neizmirenih dugova, završi u Fleet zatvoru na pet godina. To razdoblje oskudice, obilježeno nesigurnošću obiteljskih financija, ostavlja neizbrisiv trag na mladog promatrača velikog grada.

Do 1714. godine, fokus se seli na tehničke aspekte zanata. Hogarth ulazi u apprenticship kod Ellisa Gamblea, gravira zlata i srebra koji je djelovao u Leicester Fieldsima. Uči preciznost potrebnu za izradu reklamnih kartica i sličnih proizvoda, razvijajući temeljno vladanje bakrenom pločom. Ta tehnička podloga pruža mu alate za karijeru koja će se na kraju izdvojiti iz okvira puke komercijalne reprodukcije.

Njegov životni put se mijenja kako se približava formalnom umjetničkom studiju. Godine 1720. upisuje se u Akademiju St. Martin’s Lane. Njegova obuka se dodatno širi pod vodstvom Sir Jamesa Thornhilla, službenog slikara kralja Georgea I. Pod Thornhillom, fokus se pomiče s preciznosti gravure malih dimenzija na šire složenosti slikarstva i kompozicije. William se tako kreće od pedantnog rada zanatlije prema uzvišenijim razmimoima visoke umjetnosti.

Tehnika i umjetnički stil

William Hogarth se kreće između preciznosti realističkog portretiranja i brze, sekvencijalne energije serija nalik onima u stripovima. On ne slika puke slike; on konstruira narative. Taj pristup doseže svoj vrhunac u razvoju njegovih „modernih moralnih tema“, metode u kojoj koristi vizualno pripovijedanje kako bi kritizirao društvenu strukturu. Platno i bakrena ploča za njega su pozornice na kojima se odvija drama, često koristeći spoj humora i oštre satire kako bi svoje poruke učinio neodoljivim i snažnim.

Tehnička podloga njegovog rada leži u njegovom majstorstvu graviranja. On razumije težinu linije i moć tiska koji može dosegnuti široku publiku. Godine 1753. prelazi iz vizualnog u teorijsko područje objavom svog djela Analysis of Beauty. Ovdje on nadilazivo samo promatranje kako bi kodificirao svoje estetske teorije, posebno naglašavajući važnost „serpentinske linije“ kao temeljnog principa ljepote i pokreta.

  • A Harlot's Progress (1731/1732)
  • A Rake's Progress (1735)
  • Marriage A-la-Mode (1743–1745)

Ključna djela i serije

Narativna snaga njegovog rada doseže svoj vrhunac u "modernim moralnim temama", seriji slika osmišljenih da funkcioniraju poput vizualnih romana. Godine 1731./1732. A Harlot's Progress prati tragični pad mlade žene koja dolazi u London, samo da bi poklela pred iskušenjima grada. Taj se obrazac društvenog ponora nastavlja 1735. godine u djelu A Rake's Progress, koje prati Toma Rakewella dok rasipa svoje naslijeđe na kockanje i razvrat. Ova djela ne prikazuju samo scene; ona kroz pedantne detalje i simboličke elemente kartiraju posljedice moralnog propadanja.

Fokus se pomiče s pojedinačnog propadanja na sudar društvenih klasa u seriji Marriage A-la-Mode, nastojanjem proizvedenoj između 1743. i 1745. godine. Ovdje umjetnik oštro kritizira katastrofalne rezultate dogovorenih brakova i potragu za statusom. Napetost između raskošnih interijera bogataša i prljave stvarnosti siromašnih postaje ponavljajući motiv. Čak i u kasnijim godinama, njegova kritika ostaje oštra. Godine 1748. O the Roast Beef of Old England bavi se nacionalnim identitetom, dok djelo iz 1750. godine, The March of the Guards to Finchley, predstavlja kaotičan i bučan prikaz vojničkog života, suprotstavljajući discipline redove u daljini s razuzmašnim ponašanjem vojnika u prvom planu.

  • A Harlot's Progress (1731/1732)
  • A Rake's Progress (1735)
  • Marriage A-la-Mode (1743–1745)
  • O the Roast Beef of Old England (1748)
  • The March of the Guards to Finchley (1750)

Naslijeđe i trajni utjecaj

XVIII. stoljeće svjedoči usponu izrazito britanske umjetničke škole, pokreta koji je potaknuo William Hogarth svojim upornim odbijanjem oslanjanja na kontinentalne uzore. On nadilazi puku imitaciju stranih stilova kako bi uspostavio vizualni jezik duboko ukorijenjen u ulicama Londona. Taj je pomak od presudnog značaja; on postaje najvažniji engleski umjetnik svog vremena. Njegov je utjecaj toliko prožoran da termin "hogarthovski" ulazi u rječnik kako bi opisao njegov specifični stil satiričnog promatranja.

Komercijalna stvarnost njegovog uspjeha donosi novu vrstu konflikta. Kako su njegove grafike dobivale ogromnu popularnost, privlačile su i val neovlaštenih reprodukcija. Plagijat postaje stalna prijetnja njegovom egzistenciji. Ta napetost prisiljava na pravni sukob koji izmjeno scenarij intelektualnog vlasništva. On se zalaže za Zakon o autorskim pravima iz 1735. godine, što je potez koji osigurava prava stvaratelja protiv onih koji bi profitirali od njihovog rada bez pristanka.

Njegov način pripovijedanja putem sekvencijalnih slika stvara nacrt za buduće medije. On djeluje kao izravni prethodnik modernog političkog karikatura i stripa. Korištenjem niza slika za analizu društvenog ponašanja, on pruža predložak za vizualne narative koji se temelje na čitanju, a ne samo na pogledu. Njegov utjecaj proteže se od satiričkih grafika 1700-ih pa sve do samih temeljja popularne kulture.

Gdje danas vidjeti njegova djela

Fizički tragovi Hogarthove društvene kritike i dalje su raspršeni po vodećim svjetskim institucijama. U Londonu, National Gallery čuva djela iz serije Marriage à la Mode, gdje je sačuvana vizualna naracija o društvenom propadanju. U blizini, Tate Britain posjeduje Satan, Sin and Death (A Scene from Milton), rad koji ističe njegovu sposobnost prevođenja složenih književnih tema u vizualni oblik. Muzej Foundling također ostavlja snažnu prisutnost u gradu, čuvajući The March of the Guards to Finchley, djelo koje hvata kaotičnu energiju vojničkog života XVIII. stoljeća.

Doseg njegovog rada proteže se izvan Ujedinjenog Kraljevstva. U New Yorku, the Frick Collection čuva Miss Mary Edwards, portret koji odražava njegovu vještinu u hvatanju individualnog karaktera. Ove kolekcije nude priliku za susret s specifičnim detaljima njegovih gravura i slika u njihovim izvornim kontekstima. Posjetitelji mogu uočiti njegov utjecaj u načinu na koji ove institucije upravljaju napetosti između fine umjetnosti i popularne satire.

Sva 307 djela umjetnika William Hogarth →