Michele Marieschi muotokuva

43 tunnetuinta Michele Marieschi -maalausta, jokainen ainutlaatuinen

Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 46 teosta taiteilijalta Michele Marieschi luettelossamme

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The Grand Canal near the Salute (1733) on se Michele Marieschi -maalaus, joka herättää eniten huomiota; alkuperäisteos kuuluu museolle Louvre, Pariisi. Sen jälkeen katse siirtyy kohteisiin Capriccio with Classical Arch and Goats (1741) ja The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742). Michele Marieschiin 46 teoksemme joukosta nämä 43 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.

1710 – 1743, Venice Rococo Eniten teoksia: National Museum in Warsaw

Michele Marieschi -taiteilijan 10 parasta maalausta gallerian silmin

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Capriccio with Classical Arch and Goats (1741) tekijä Michele Marieschi

Capriccio with Classical Arch and Goats

1741 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Venetsia

The composition centers on the intersection of human architecture and the persistent force of the natural world. Crumbling stone arches and weathered columns, once symbols of structural precision, now lie partially reclaimed by thick foliage and creeping vines. In the foreground, a man, a boy, and a dog move through the ruins, providing a sense of scale against the heavy, decaying masonry. Beyond this immediate scene, a body of water…

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The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) tekijä Michele Marieschi

The Grand Canal with the Ca' Rezzonico and the Campo San Samuele

1742 · Oil On Canvas · Staatliche Museen zu Berlin, Berliini

The oil on canvas titled The Grand Canal with the Ca' Rezzonico and the Campo San Samuele captures a specific slice of Venetian life. Painted by Michele Marieschi, the work dates to about 1742. It presents a wide view of the waterways that define the city, focusing on the intersection of grand architecture and the constant movement of the canals.

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Courtyard with a Staircase (1735) tekijä Michele Marieschi

Courtyard with a Staircase

1735 · Oil On Canvas · Hermitage-museo, Pietari

Courtyard with a Staircase is an oil on canvas work by Michele Marieschi, executed in 1735. The composition functions as an architectural fantasy, presenting a structured arrangement of a staircase within a courtyard setting. This work belongs to the Venetian School, reflecting the topographical and imaginative traditions of 18th-century Italy.

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The Grand Canal in Venice (1700) tekijä Michele Marieschi

The Grand Canal in Venice

1700 · Oil · Museo di Capodimonte, Napoli

In the heart of the eighteenth century, Venice was not merely a city but a stage, a shimmering spectacle of light and water where every canal served as a corridor for drama and commerce. Michele Marieschi, a master of the veduta, captures this ephemeral magic in his breathtaking work, The Grand Canal in Venice. This painting serves as a portal to a bygone era, inviting the viewer to step onto…

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Rialto-sillan näkymä Riva del Vinistä (1740) tekijä Michele Marieschi

Rialto-sillan näkymä Riva del Vinistä

1740 · Öljyväri kankaalle · Hermitage-museo, Pietari

Michele Giovanni Marieschi (1710 – 18 janvier 1744) oli venäläinen näkijä, joka tunnetaan erityisesti hänen lumoavista maisemistaan ja kaupunkikuviensa veduteistaan. Hän vangitsi aikansa henki täydellisesti kirkkailla väreillä ja mestarillisen perspektiivin avulla. Marieschia ei ole tunnettu yksityiskohtaisesta henkilöhistoriasta, mutta hänen työnsä merkitys lepää kyvyssään muuttaa tavalliset näkymät hämmästyttäviksi maalauksiksi – täynnä valoa, väriä ja syvyyttä. Hän oli yksi Venetsian rococo-ajan keskeisistä taiteilijoista, joka vaikutti merkittävästi seuraavan sukupolven mestareihin.

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The Grand Canal with Santa Maria della Salute (1730) tekijä Michele Marieschi

The Grand Canal with Santa Maria della Salute

1730 · Oil On Canvas · Thyssen-Bornemisza Museum, Madrid

The oil on canvas depicts the Grand Canal in Venice, Italy, as it appeared in 1730. At the terminus of the waterway, the Santa Maria della Salute church occupies the central focus. The structure features a prominent dome and smaller domes situated on either side. The building's architecture is characterized by its position at the end of the canal, which directs the eye toward the church's facade. Numerous gondolas and…

Michele Marieschin kuuluisia maalauksia, numerot 11–43

11Fantastic Architecture of a Palace Courtyard (1730) tekijä Michele MarieschiFantastic Architecture of a Palace Courtyard1730 · National Museum in Warsaw 12Riva degli Schiavoni (1730) tekijä Michele MarieschiRiva degli Schiavoni1730 · National Museum in Warsaw 13Coastal Landscape (1730) tekijä Michele MarieschiCoastal Landscape1730 · National Museum in Warsaw 14Fantastic Landscape with Ruins (1730) tekijä Michele MarieschiFantastic Landscape with Ruins1730 · National Museum in Warsaw 15Italian scenery with figures (1727) tekijä Michele MarieschiItalian scenery with figures1727 16View of the Piazzetta dei Leoni (1734) tekijä Michele MarieschiView of the Piazzetta dei Leoni1734 · Bavarian State Painting Collections 17Saint Mark's Church and the Square in Venice (1739) tekijä Michele MarieschiSaint Mark's Church and the Square in Venice1739 18View of the Grand Canal near Cà Pesaro (1734) tekijä Michele MarieschiView of the Grand Canal near Cà Pesaro1734 · Bavarian State Painting Collections 19Landscape Capriccio (1735) tekijä Michele MarieschiLandscape Capriccio1735 · Minneapolis Institute of Art 20The Church of Santa Maria della Salute, Venice (1740) tekijä Michele MarieschiThe Church of Santa Maria della Salute, Venice1740 · Art Institute of Chicago 21Courtyard in a Renaissance House (1742) tekijä Michele MarieschiCourtyard in a Renaissance House1742 · Nationalmuseum 22Stairwell in a Renaissance Palace (1742) tekijä Michele MarieschiStairwell in a Renaissance Palace1742 · Nationalmuseum 23Architectural fantasy featuring a palace courtyard (1738) tekijä Michele MarieschiArchitectural fantasy featuring a palace courtyard1738 · National Museum in Warsaw 24The Grand Canal with the Fishmarket (detail) (1740) tekijä Michele MarieschiThe Grand Canal with the Fishmarket (detail)1740 25The Grand Canal at San Geremia (1740) tekijä Michele MarieschiThe Grand Canal at San Geremia1740 26The Grand Canal with the Fishmarket (1740) tekijä Michele MarieschiThe Grand Canal with the Fishmarket1740 27View of the Rio di Cannareggio (1740) tekijä Michele MarieschiView of the Rio di Cannareggio1740 28The Grand Canal at San Geremia (detail) (1740) tekijä Michele MarieschiThe Grand Canal at San Geremia (detail)1740 29The Grand Canal with the Palazzo Labia and Entry to the Cannareggio (1742) tekijä Michele MarieschiThe Grand Canal with the Palazzo Labia and Entry to the Cannareggio1742 · Staatliche Museen zu Berlin 30Capriccio with Gothic Building and Obelisk (1741) tekijä Michele MarieschiCapriccio with Gothic Building and Obelisk1741 · Gallerie dell'Accademia di Venezia 31Piazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie Nuove tekijä Michele MarieschiPiazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie NuoveNational Gallery of Ireland 32View of the Dogana and Santa Maria della Salute tekijä Michele MarieschiView of the Dogana and Santa Maria della SaluteMuseum of Fine Arts 33View of Canale Grande in Venice with the Rialto Bridge tekijä Michele MarieschiView of Canale Grande in Venice with the Rialto BridgeStatens Museum for Kunst 34View of Canale Grande in Venice tekijä Michele MarieschiView of Canale Grande in VeniceStatens Museum for Kunst 35interior of a palazzo with scaffolding + figures tekijä Michele Marieschiinterior of a palazzo with scaffolding + figures 36View of a port tekijä Michele MarieschiView of a port 37palace - garden and walking people tekijä Michele Marieschipalace - garden and walking people 38St. Marcus place in Venice tekijä Michele MarieschiSt. Marcus place in Venice 39Landscape with ruins and a bridge tekijä Michele MarieschiLandscape with ruins and a bridgeNational Museum in Warsaw 40Landscape with ruins tekijä Michele MarieschiLandscape with ruinsNational Museum in Warsaw 41Architectural fantasy featuring a prison courtyard tekijä Michele MarieschiArchitectural fantasy featuring a prison courtyardNational Museum in Warsaw 42Imaginative View with Obelisk tekijä Michele MarieschiImaginative View with Obelisk 43View of Campo SS. Giovanni e Paolo, Venice tekijä Michele MarieschiView of Campo SS. Giovanni e Paolo, Venice

Aiheet, jotka vangitsivat Michele Marieschiin katseen

Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.

Museot, joissa Michele Marieschi'n alkuperäisteokset sijaitsevat

Tämän sivun teoksista eniten sisältävät 8 museota.

Museo Kaupunki Michele Marieschi teokset Tämän listan maalaukset
National Museum in Warsaw, VarsovaNational Museum in Warsaw Varsova 10 Ponte di Rialto, Fantastic Architecture of a Prison Courtyard, Fantastic Architecture of a Palace Courtyard
Gallerie dell'Accademia di Venezia, VenetsiaGallerie dell'Accademia di Venezia Venetsia 2 Capriccio with Classical Arch and Goats, Capriccio with Gothic Building and Obelisk
Staatliche Museen zu Berlin, BerliiniStaatliche Museen zu Berlin Berliini 2 The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, The Grand Canal with the Palazzo Labia and Entry to the Cannareggio
Hermitage-museo, PietariHermitage-museo Pietari 2 Courtyard with a Staircase, Rialto-sillan näkymä Riva del Vinistä
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 2 View of the Piazzetta dei Leoni, View of the Grand Canal near Cà Pesaro
Nationalmuseum, TukholmaNationalmuseum Tukholma 2 Courtyard in a Renaissance House, Stairwell in a Renaissance Palace
Statens Museum for Kunst, KööpenhaminaStatens Museum for Kunst Kööpenhamina 2 View of Canale Grande in Venice with the Rialto Bridge, View of Canale Grande in Venice
Louvre, PariisiLouvre Pariisi 1 The Grand Canal near the Salute

Michele Marieschi vuosikymmenten varrelta: jokaisesta yksi ainutlaatuinen alkuperäisteos

Teokset vuosikymmenittäin

Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.

Michele Marieschin maalaukset: kysymyksiä gallerialle

Mikä on Michele Marieschi tunnetuin teos?Paljasta vastaus

The Grand Canal near the Salute (1733), Louvre, Pariisi. Seuraavina ovat Capriccio with Classical Arch and Goats (1741) ja The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Missä iässä Michele Marieschi loi teoksen The Grand Canal near the Salute?Paljasta vastaus

23 vuotta vanha: The Grand Canal near the Salute on peräisin vuodelta 1733, ja Michele Marieschi on syntynyt vuonna 1710.

Mitkä ovat Michele Marieschi kymmenen kuuluisinta maalausta?Paljasta vastaus

The Grand Canal near the Salute, Capriccio with Classical Arch and Goats, The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, Courtyard with a Staircase, The Grand Canal in Venice, Rialto-sillan näkymä Riva del Vinistä, The Grand Canal with Santa Maria della Salute, An Architectural Capriccio with Figures beside a River, Ponte di Rialto ja Fantastic Architecture of a Prison Courtyard. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta Michele Marieschi -teosta tunnetaan?Paljasta vastaus

Katalogissamme on 46 teosta taiteilijalta Michele Marieschi, aikaväliltä 1727–1742.

Missä voi nähdä tunnetuimmat Michele Marieschi -alkuperäisteokset?Paljasta vastaus

Pääasiassa National Museum in Warsaw (Varsova), Gallerie dell'Accademia di Venezia (Venetsia) ja Staatliche Museen zu Berlin (Berliini). Yllä oleva museotaulukko listaa ne kaikki.

Mihin ajanjaksoon Michele Marieschi tunnituimmat maalauksensa sijoittuvat?Paljasta vastaus

Aikakaudella 1730s: 14 sivun 43 teoksista on tehty silloin, joista The Grand Canal near the Salute.

Mikä on Michele Marieschi kuuluisimmista maalauksista varhaisin ja mikä uusin?Paljasta vastaus

Tällä sivulla vanhin on Italian scenery with figures (1727) ja uusin The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Mitä aiheita Michele Marieschi suosi?Paljasta vastaus

Boats (4), Architecture (4) ja Canal (3), yhteensä 43 teosta tällä sivulla.

Mitä materiaaleja Michele Marieschi käytti eniten?Paljasta vastaus

Oil On Canvas, 5 teoksesta sivun 43 teoksesta.

Mihin taidesuuntaukseen Michele Marieschi kuuluu?Paljasta vastaus

Rococo, tämän sivun alkuperäisteosten perusteella.

Mitä Michele Marieschi alkuperäisteoksia voin nähdä museossa National Museum in Warsaw?Paljasta vastaus

Ponte di Rialto, Fantastic Architecture of a Prison Courtyard ja Fantastic Architecture of a Palace Courtyard: National Museum in Warsaw, Varsova -ssä on 10 tämän sivun teoksista.

Michele Marieschi: taiteilijan muotokuva

The Venetian Visionary: The Life and Legacy of Michele Marieschi

In the golden age of the Venetian Rococo, few artists captured the ephemeral magic of the Serenissima with as much vitality as Michele Giovanni Marieschi. Born in Venice in 1710, Marieschi emerged from a lineage of craftsmanship, being the son of a woodcarver—a background that likely instilled in him a profound respect for structure, texture, and the physical essence of the objects he depicted. While his life was relatively brief, spanning only until his death in early 1744, his impact on the veduta tradition remains indelible. He did not merely document the architecture of Venice; he breathed life into its stone and water, transforming static cityscapes into breathing, luminous narratives of light and movement.

The development of Marieschi’s unique style was deeply rooted in the artistic currents flowing through 18th-century Italy. Scholars often point to the influence of masters such as Gaspare Diziani and the legendary Canaletto, whose works provided a blueprint for capturing the grandeur of urban environments. However, where Canaletto sought a certain topographical precision and a more restrained, classical clarity, Marieschi found his voice in a bolder, more emotive approach. He embraced a palette that pulsed with color and a brushwork that felt spontaneous and energetic. This stylistic distinction allowed him to move beyond mere architectural recording, infusing his landscapes with a sense of theatricality and atmosphere that suggested the very pulse of Venetian life.

Mastery of Light and the Veduta Tradition

Marieschi’s contribution to the veduta—the genre of highly detailed, large-scale topographical paintings—is characterized by an extraordinary command of perspective and light. His works often feature iconic landmarks such as the Grand Canal, the Salute, and various majestic palaces, yet they are far from being mere postcards of the era. Instead, he utilized a technique that blended meticulous detail with imaginative embellishment, creating scenes that felt both real and dreamlike. Through his eyes, the water of the canals becomes a mirror for the shifting sky, and the shadows cast by ancient churches become vessels for mystery and depth.

His technical prowess is perhaps most evident in his ability to manipulate light to evoke specific moods:

  • Atmospheric Perspective: The use of soft, hazy tones to create a sense of immense distance and scale within his cityscapes.
  • Dynamic Brushwork: A lively application of paint that captures the shimmering reflections on the Venetian lagoons.
  • Architectural Grandeur: A profound understanding of structural geometry, allowing him to render complex facades with both accuracy and elegance.

Historical Significance and Artistic Resonance

The historical significance of Michele Marieschi lies in his ability to bridge the gap between the rigid documentation of the early 18th century and the more expressive, emotive landscapes that would follow. He was a pivotal figure in transitioning the Venetian view from a purely observational medium into an art form capable of conveying profound emotional resonance. His work serves as a vital window into a vanished world, preserving the splendor of Venice before the seismic shifts of the late 18th century altered its social and political landscape forever.

Today, Marieschi’s canvases continue to captivate collectors and historians alike. Whether it is the breathtaking view of the Grand Canal near the Salute or his more intimate architectural studies, his paintings remain masterclasses in the Rococo spirit. He remains a celebrated figure for those seeking to experience the vibrant energy, the luminous light, and the enduring elegance of a Venice that continues to haunt the collective imagination of the art world.